2 484 résultats
1956réf. 216710New York N.Y.: Perls Galleries 1956. Paperback. VG. Blue stapled wraps with white lettering; 8; black-and-white illustrations. This catalog was created on the occasion of an exhibition held at Perls Galleries March 12th through April 14th 1956. Perls Galleries paperback books
1972réf. 53703Monaco: André Sauret 1972. First edition. Hardcover. near fine/near fine. Folio 13" x 10". 250pp. Illustrated dust jacket over tan cloth with dark brown lettering to front. and spine. Illustrated with an original lithograph frontispiece and 220 b&w and colored annotated photos. Near fine. André Sauret hardcover books
1946réf. 45788New York: Office of Jewish Information American Jewish Congress 1946. First edition. Posters. vg. Atlas folio. 24x18" or 24x 36". 4-part fold-out poster. Housed in a protective folder. The poster can be broadly divided into two parts when folded out: - The first side features a large spread titled "News of the Month June-July 1946" containing news headlines accompanied by bold and striking graphic illustrations including photomontage in b/w red and pink. These are divided into 3 sections. On the left side "What he Palestine Commission Recommended" states the eight recommendations of the aforementioned commission each with own illustration in the style of satirical political cartoons along with a photomontage of images from Palestine at the bottom. The central column titled "World News Digest" contains international news headlines and excerpts from the U.S. London Hungary Germany and Jerusalem. Among the topics mentioned are the Ku Klux Klan Jewish American soldiers anti-Semitism in Europe the Nuremberg trails and Mohammed Amin al-Husseini the Grand Mufti of Jerusalem with a photo. A section to the right titled "Newcomers to the U.S.A" discusses immigration of Jewish refugees to the America between 1933-1945 depicted with graphic illustrations. The contributions of Jewish refugees to the country during wartime and peacetime are displayed as well as the failures to save more Jews from extermination during the war are condemned. The top of this section contains a powerful and emotional photographic image of refugees arriving in New York. - The verso on the left side has a 19 3/4x 15" high quality b/w offset reproduction of the acclaimed painting "The Praying Jew" aka "The Rabbi of Vitebsk" 1914 by famed Jewish artist Marc Chagall. To the right opposite the image is a section of text about the painting and the artist accompanied by a b/w photo-portrait of Chagall taken by portrait photographer Lotte Jacobi 4 3/4x4". Poster with fold creases a few closed tears and a few minor chips along the edges. The upper left section of the Chagall painting is sunned. Poster in overall very good condition. Extremely scarce. In a folded state protected by modern mylar. There are only two copies of this scarce publication on OCLC. Office of Jewish Information, American Jewish Congress unknown books
1973réf. 42580New York: Tudor Publishing Company 1973. First American edition. Hardcover. g- to vg. Folio 13 x 10". 199 3pp. Original acetate over illustrated dust-jacket . Grey cloth with gold lettering to spine and front cover. Illustrated throughout in color and black & white including an original lithographic frontispiece by Marc Chagall. "Marc Chagall's "Biblical Message" provides a comprehensive view of the artist's series of 17 large oil paintings and 38 gouaches on Old Testament themes. In these paintings Chagall makes the Bible contemporary by conveying the emotional psychological and philosophical essence of the biblical stories being told" From the Publishers. The striking lithographic frontispiece was printed by Mourlot in Paris. Tudor Publishing Company hardcover books
1927réf. 36898Paris: André Delpeuch 1927. First limited edition. Hardcover. g to vg. 1/500. Quarto. 200 6pp. Uncut. Modern half tan cloth over marbled paper covered boards with silver lettering on title label. Top edge red. Frontispiece. First edition of this rare Chagall illustrated title. Number 142 of 500 copies printed on Velin de Rives. This work is splendidly illustrated throughout with 92 striking illustrations after drawings by Chagall many full-page. Lower margin of the first six leaves water-stained not affecting text. Text in French. Binding in overall very good interior in good to very good condition. André Delpeuch hardcover books
1951réf. 14691Paris: Falaize 1951. Limited ed. Softcover. vg. 1/957. Small 8vo. 89pp. In the publisher's original glassine protected printed wrappers. Some minor tears to mylar. All page edges untrimmed. Stamp to lose front endpaper. Some pages unopened. Signed and inscribed by the renowned German-French Jewish poets Claire 1890-1977 and Yvan Goll 1891-1950. Illustrated with eight b/w sketches by Marc Chagall. Cover in very good book in fine condition. Yvan and Clair Goll were married. After Yvan's death in 1950 Claire dedicated most of her work to her late husband. Falaize unknown books
réf. 6849MARC CHAGALL 1887-1985. Marc Chagall born Moishe Shagal was a Russian and French artist of Jewish ancestry. He is known for his artwork that blends surrealism Fauvism and Cubism to depict Jewish folklore and memories of his youth in Vitebsk. He was described by Picasso as having an unparalleled understanding of color and for decades he had been said to be the world's pre-eminent Jewish artist. His most famous works include I and the Village Paris Through the Window and La Marie The Bride.Signed Program. February 11 1967. New Haven Connecticut. A program signed Marc Chagall 1967 for his lecture at Yale University. While Chagall is primarily known as a painter he had a connection to the theater world because of his theatrical designs. The year prior to this lecture he had completed the murals The Triumph of Music and The Sources of Music for the new Metropolitan Opera House at Lincoln Center. He also designed the sets and costumes for the Mets production of Mozart's The Magic Flute which premiered in February 1967 the same month as his Yale lecture. Given Chagalls contributions to stage design and his mastery of color theory the school invited him to speak about the intersection of fine art stagecraft and the power of color. Chagall usually resided in France this program being rare example of him sharing his artistic philosophy with an American academic audience. This program is under a reproduction of his painting I and the Village. The program is professionally framed and in very fine condition. unknown books
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
1966réf. 48295New York: Frederick A. Praeger Publishers 1966. Very Good-/Very Good-. New York: Frederick A. Praeger Publishers 1966. First US Edition. Folio; publisher's cloth in pictorial dust jacket retaining the clear acetate jacket lettered in white; 85pp.; halftone and full color illus. throughout. Boards and jackets a bit worn especially at spine ends slight spine lean rear jacket panel and textblock edges a bit finger-soiled. Sadly lacking the folding plate "Final Study" that should be inserted into a chemise affixed to rear paste-down. Overall a Good or better example contents clean and sound. Frederick A. Praeger Publishers unknown books
1973réf. NF3933The Stained Glass Windows of Chagall 1957-1970 Tudor Publishing 1973 first edition fine in like full color pictorial dust-wrapper save for a short tear and a crease to the head of the dust-wrapper spine in a vg example of the publishers original slipcase. Profusely illustrated in full color. Tudor Publishing unknown books
1950réf. 04987TOWARD DAYBREAK Harper 1950 first edition light wear to the spine extremities else near fine in vg dust-wrapper with a small chip missing from the head of the dust-wrapper spine. Inscribed by the author with 5 lines from one of her poems. Illustrated by Chagall. Harper unknown books
1969réf. 346293New York: Tudor Pub. Co 1969. Hardcover. 155p. 11x14 inches original color lithograph of two dancers and a goat created by Chagall for this edition and pulled on the presses of Fernand Mourlot 68 reproductions in full color previous owner bookplate on the front free endpaper the book in very good condition bound in gray cloth and gilt titles dust jacket is present but the front panel has a closed diagonal tear running halfway down the cover repaired with tape on both front and back and it has heavy chipping at the head of the spine. Slipcase missing. Tudor Pub. Co hardcover books
1980réf. 23780New York: Harcourt Brace and Company 1980. First American edition. Hardcover. Orig. color lithographed boards. Near fine in original unclipped dust wrapper chipped along the edges. Introductory text not paginated seven leaves. 37 x 27 cm. Twenty four full page original color lithographs plus 96 plates in black and white. Chagall's biblically theme drawings first reproduced in Verve 33/34 and the second suite Verve 37/38 double issue Summer 1960 and is the final entry in the Verve bibliography. The heliogravures in black and white printed by Draeger Freres and the color lithographs by Mourlot Freres. CRAMER 42. MOURLOT 230-277. SORLIER 75. Harcourt Brace and Company hardcover books
réf. 23034Paris & New York: Andre Suaret & Boston Book & Art Shop 1986. First editions in English. Hardcover. Orig. beige cloth lettered in black. Fine in fine dust wrappers. 6 Vols. 33.4 x 25 cm. Twenty eight original lithographs including dust jackets and frontispieces with plethora of of reproductions of his lithographs. Vols. 3-4 in original publisher's board slipcases. A few of the clear glassine overwrappers nicked foot of Vol. I dust wrapper rubbed. All volumes very fresh and clean. Andre Suaret & Boston Book & Art Shop hardcover books
1996réf. 15560MARC CHAGALL 1907 -1917 / THE MOON PAINTER 1917 / FULL COLOR PICTORIAL POSTER Los Angeles County Museum of Art 1996 first printing measuring approximately 18" by 24" and most suitable for framing. A fine copy. Museum Associates Los Angeles County Museum of Art unknown books
2001réf. 210454London: Sims Reed Gallery 2001. Staplebound. VG. Light shelfwear. Price list laid in rear. Quarto. Staplebound exhibition catalogue. Illustrated wraps. 24 pages : illustrations chiefly color portrait ; 31 cm. Sims Reed Gallery unknown books
1956réf. 194467New York N.Y.: Perls Galleries 1956. Paperback. Good Wraps have shelf/edgewear smudging and light discoloration; pages are clean; first page has light foxing at the top of the page; textblock is solid. Blue stapled wraps with white lettering; unpaginated; illustrations. This catalog was created on the occasion of an exhibition held at Perls Galleries March 12th through April 14th 1956. Perls Galleries paperback books
1964réf. 191902Geneve: The Galerie 1964. One of 1600. Paperback. G-wraps are foxed and age-toned; text block is foxed;pages are foxed. White wraps with black lettering and illustration; colorful frontispiece; unpaginated; richly illustrated in color; an unnumbered copy of 1600 copies made. Text in French; This is a catalog from an exhibition held December 1964 - January 1965 at Galerie Gerald Cramer. The Galerie paperback books
1991réf. 175236Munchen: Hirmer 1991. Hardcover. VG- corners bumped library label on spine and inside front cover interior clean. Yellow illustrated boards with blue lettering on spine 297 pp profusely illustrated in color. Text in German. Catalog of the exhibition organized by the Kunsthalle of the Hypo-Kulturstiftung and presented in Munich Mar. 23-June 30 1991. Includes bibliographical references pages 296-297. Hirmer hardcover books
1920réf. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback books
1956réf. 144753Amsterdam: Stedelijk Museum Amsterdam 1956. Softcover. Good Clean and tight but for come cover soiling and tanning to page edges. Bw illus. wraps with red lettering and end papers. 44 pp. with bw images throughout. Text in Dutch/French. Catalogue to accompany the exhibitions held in Amsterdam and Brussels. With an essay My Life by Chagall and the listing of the 75 works from the exhibition. With a brief biography. Stedelijk Museum Amsterdam paperback books
réf. B306280-1Greeting card with drawing by Marc Chagall on cover and handwritten text by Ida Chagall. Dear Friends All our heartfelt wishes for a most Happy New Year. We think of you with warm affection and love your Ida & Franz. We are in the mountains over Berne for the holidays where David came to join us. He is quite well. Ida Chagall was married to the art historian Franz Meyer a director of the Kunstmuseum in Basel. David refers to David McNeil Marc Chagalls son with Virginia Haggard. Together with: Exhibition invitation for the opening of the Chagall exhibition Feb.3rd 1948 at the Tate Gallery printed on pink stock with a handwritten note by Ida Chagall on the verso: Dearest friends here is father sic show in London and it is beautiful!. unknown books
1958réf. N - 2026 - 12Couleur Amour 13 Aquarelles. Gouaches Lavis de Marc Chagall. Au Vent d'Arles. Paris 1958 Preface by Jean Cassou. Large portfolio with 13 pochoirs realized by Daniel Jacomet after Chagall art works. Limited and numbered edition of 300 copies in Arabic N. 29 20 out of commerce in Roman I to XX printed in Richard de Bass paper especially watermarked for this edition. Loose as issued and collected in the original pictorial cloth portfolio folder especially executed by Chagall. Au Vent d'Arles books
1956réf. 330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition. The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper. Harcourt Brace unknown books
1972réf. 321666Monaco: Andre Sauret 1972. hardcover. fine/near fine. Chagall. Preface by Andre Malraux. Frontispiece is an original color lithograph printed by Mourlot Freres. With 220 pieces illustrated some in color. 249 pages. Large 4to pale gray cloth d.w. Monaco: Andre Sauret 1972. First edition. A fine copy in a near fine dust wrapper. Andre Sauret unknown books