2 511 résultats
réf. 11757Paris : Presses de la Cité, s. d.,In-8 (21 cm), cartonné sous jacquette illustrée,316 p., pl.
1995réf. 1-0941807002Welcome Enterprises 1995. Hardcover. New. 32 pages. 11.75x10.00x0.50 inches. Welcome Enterprises hardcover
1995réf. Q-1556704224Welcome Enterprises 1995-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Welcome Enterprises hardcover
1999réf. Q-0941807002Welcome Books 1999-12-31. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Welcome Books hardcover
1995A clean, unmarked book with a tight binding. Previous owner's inscription inside. Slight wear to dust jacket. 9 3/4"w x 11 3/4"h.
1965réf. 2048DBMonte Carlo., Andre Sauret., 1965. 33 x 25,5 cm. 170 S. OLeinen mit illustriertem OUmschlag., 2048D Erste Auflage. Umschlagkanten stellweise mit kleinen Bereibungen, Schnitt und Seitenränder etwas lichtrandig und angestaubt, Umschlag mit kleinem hinterlegtem Einriss. Sonst gutes bis sehr gutes Exemplar.
1963Marabout Université 1963, In-12 broché. 90 pages. Illustrations. Bon exemplaire. Broché
1963réf. 6AcMarabout 1963 Poche 85 pages dont 50 planches couleurs environ - couverture defraichie
1963réf. 6AcMarabout 1963 Poche 85 pages dont 50 planches couleurs environ - couverture defraichie
1962réf. 6285Plymouth United Kingdom: Sidgwick and Jackson 1962. First Edition. hardcover. Near Fine. N/A. Publication: London Sidgwick and Jackson 1962. Formatting: 8vo pp. 255. Condition Report: Near Fine. The book is securely bound in its original red cloth boards which remain exceptionally clean with barely a trace of shelf-wear or bumping to the extremities. The spine holds firm and its gilt typography remains strikingly bright and unoxidised. Internally the text block is sound tight and impressively fresh with the pages remaining free from notable foxing toning or handling marks. The original pictorial dust jacket now housed in a protective sleeve remains unclipped displaying the original '15s. NET' price. It is complete and vibrant showing only the most minor incidental wear to the edges comprehensively justifying the high grade. Catalogue Note: This is a true first edition first printing of David Chagall's striking novel preceding the American edition. The volume features its distinctive original pictorial dust jacket and a standard printed dedication to "Moish" on the preliminary pages. Copies of the true first UK edition are uncommonly found in such well-preserved condition. The presence of an unclipped remarkably bright dust jacket elevates this copy making it a handsome acquisition for collectors of mid-century counterculture and beat literature. Set amidst the bohemian beatnik subculture of Philadelphia The Century God Slept is a gritty evocative exploration of disenchanted youth seeking meaning in a post-war world. David Chagall's compelling narrative delves into the lives of artists musicians and drifters weaving a raw and authentic portrait of a generation pushing against the boundaries of societal conformity. Sidgwick and Jackson hardcover
réf. LIT777M2003 / 151 pages. Broché. Editions Gallimard / Nrf.
1959réf. 236884New York.: Farrar Straus and Cudahy. 1959. Stated first edition. . Gilt decorated hard cover. . Fine copy. As new. . Octavo. . Illustrated by Marc Chagall. Important reference work. Very scarce in this condition. Farrar, Straus and Cudahy. hardcover
2009réf. R200137462RMN. 2009. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 143 pages, nombreuses planches d'illustrations en couleur.. . . . Classification Dewey : 750-La peinture et les peintres
1975réf. 189590New York & Paris: Leon Amiel Publisher / Maeght Editeur 1975. First edition. Oblong hardcover. Features text by De Mandiargues in English. A nicely printed book with numerous color and black and white illustrations along with an original 2 page color lithograph. A fine copy in yellow cloth boards and in a very good plus price clipped dust jacket with a few tears tiny chips and other light wear. Lithograph in fine condition. Leon Amiel Publisher / Maeght Editeur unknown
1974This is a very good hardcover copy with a very good dust jacket with almost no wear. The double-page color lithograph is present and fine. Completely clean inside and out. Text in English. Illustrated throughout in color and black & white. Bibliography. 11" square, 213 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1975réf. 189590New York & Paris: Leon Amiel Publisher / Maeght Editeur 1975. First edition. Oblong hardcover. Features text by De Mandiargues in English. A nicely printed book with numerous color and black and white illustrations along with an original 2 page color lithograph. A fine copy in yellow cloth boards and in a very good plus price clipped dust jacket with a few tears tiny chips and other light wear. Lithograph in fine condition. Leon Amiel Publisher / Maeght Editeur unknown books
1962In 16°, pp. 171 con 13 tav. f.t. di riproduzioni dell'autore. Bross. edit. con sovrac. ill. a col.
1962In 16°, br. edit. ill. con sovrac. ill. (piccolo strappetto), pp. 12,171,(21) con alcune ill. b/n in tavv. f.t.; coll. "La fronda. Volume 31"; lieve brunitura del bordo delle pp. ma nel complesso copia molto buona. (T07) (la spedizione standard è SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine)
1947réf. 059176Paris: Les Editions Du Chene 1947. First Edition . Soft cover. Very Good/Very Good Dustjacket. 15" Tall. 8 Pp. Plain Card With Attached Dust Jacket 15 1/4" X 11 1/8". 15 Fine Full-Color Tipped-In Plates With An Additional Mounted Plate On The Front Of Dustjacket. Contents Lightly And Evenly Aged But Offsetting Browning To Center Of Title Page From Exposed Card Cover Opposite. Likewise To Verso Of Last Card With Mounted Plate On Other Side. Dust Jacket Dusty Small Water Spot Small Chip At Center Of Spine. Les Editions Du Chene paperback
réf. 26651Emmanuel Dehan, 1979. 16 x 24, 32 pp., illustrations en couleurs, broché, bon état.
1964réf. 55167BBParis. Maeght éditeur. Mai 1964. Folio. 15 S. Text, 9 S. Katalog der ausgestellten Werke, 2 n.n. S. chronique. mit einer Farblithografie auf dem Umschlag, einer doppelblattgrossen Farblithografie auf Seite 4 und 5. und einer s/w. Lithografie auf Seite 11. Lose in Originalumschlag.
1990réf. 61101ABMainz, Zabern, 1990. 134 S. , überwiegend Ill. Pp. sehr guter Zustand.
réf. BN91044Katholisches Bibelwerk. Die große Chagall Bibel Sep 20 2012 Die große Chagall Bibel Sep 20 2012 Die große Chagall Bibel Sep 20 2012 Katholisches Bibelwerk unknown
réf. EXE-836Paris, Maeght Éditeur, 1960. In-folio en feuilles, couverture illustrée. Illustrée d’une zincographie en couleur de Pierre Tal Coat (pp.34-35) et de 8 lithographies en couleur, 2 en noir, et 2 reproductions de tableaux.
2011réf. 95567Sussex Academic Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 150 pp. ; 41 illus. 21 in color. -- with a bonus offer--; The Art of Time The Art of Place draws a comparison between two of the most prominent Jewish artists in the 20th-century: the Polish-born magician and storyteller Isaac Bashevis-Singer 1904-1991 and the Russian-born creator of visual magic Marc Chagall 1887-1985. In addition to their East European Jewish background both were exposed to Western culture. Chagall absorbed such turn-of-the-century avant-garde artistic styles as Expressionism Fauvism Cubism Abstract and Surrealism. From these he created a unique blend to which he brought the various Russian influences he had absorbed as well as his own special highly imaginative and inventive personal style. Bashevis-Singer brought to his works philosophical psychological scientific medical and legal knowledge. While both artists were affected by these Western influences they remained firmly entrenched within the Jewish culture - the Yiddish language and life in the "shtetl" - from which they drew their inspiration. Their world consisted of a special blend of reality and dream realism and fantasy. The book demonstrates that they shared - albeit unwittingly - a common "meta-realistic" style combining the earthly with the supernatural and the transcendental. Their works allude to real place names dates facts and historical events while at the same time contain occult forces angels demons mysticism and mystery. Comparisons range over the Jewish "shtetl" Jewish artists love and despair the Holocaust and war religion and mysticism. In the works of both artists hope springs eternal; it is a hope emanating from the mystical realm of life as it relates to the magic of creation and the cosmic logic of the Creator. Artist and storyteller sail between hard-core reality and the yearning for redemption between Judaism and universal values between exile and revelation. . 2011. 1845194098 . Sussex Academic Press hardcover