SOUPAULT Philippe:Livre Rare Book
2 484 résultats
1919réf. 14321Paris, Au Sans Pareil, coll. de Littérature, 1919. Plaquette in-12 brochée, non paginée, couverture ornée d'une vignette. Non coupé.
1919réf. 8208Paris, Au Sans Pareil, 1919. Petit in-8 broché non paginé, couverture illustrée en noir. Sous son papier cristal d'origine. Manque au dos (1,5 millimètre).
1920réf. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback
1920réf. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback books
réf. 52034Au Sans Pareil.1920.Petit in-8 br.E.O.Ex.833.4 dessins de Chagall.BE.Couv.légèrement insolée.
réf. 2090202118203663Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1994réf. 13195Schleswig : Schleswig-Holsteinisches Landesmuseum, 1994. 142 S., 187 Abb. kart.
2006réf. 28341Ostfildern : Hatje Cantz, 2006. 239 S.; zahlr. Ill. ; 29 cm Pb.
2006réf. 44071Ostfildern : Hatje Cantz, 2006. 239 S.; zahlr. Ill. ; 29 cm Pp.
réf. 46571Marseille, directeur : Yves Broussard. 1 volume 14,5x22cm, 231 pages. Numéro en partie consacré à André Suarès. Bon état.
1985réf. 215130Philadelphia: Philadelphia Museum of Art 1985. First Edition; First Printing. Softcover. Very Good in wraps. Philadelphia Museum of Art unknown
réf. 17-3431New York : H.N. Abrams 1985. 4to. 280 pp. Hard cover. Very Good. Blue cloth covered boards. Dust Jacket Very Good. In protective Mylar wraps. Color and B&W plates throughout. ISBN: 0810907976 9780810907973.From the Library of Pasquale Iannetti with book loan card and embossed stamp. New York : H.N. Abrams, 1985. paperback
réf. 000836London; 1961: Abelard-Schuman. First Edition. Folio. 46pp. Preface and eight drawings by Marc Chagall. Sutzkever a leading Yiddish poet of his generation. He evokes Siberia of his early childhood. He remembers it as a land of ice and mystery lit by the silver moon above the forests and the cold sun whose course followed that of his father's sledge. These poems inspired Marc Chagall to illustrate the poems and preserve the spirit of the poems. Their work represents a fusion of Slavic and the Jewish. Bound in light blue cloth spine lettering silver. A very good copy in unclipped beige pictorial dust jacket lettered and decorated in black closed edge tear to upper corner some soiling and a couple of small stains closed edge tear to rear panel. Abelard-Schuman unknown
1961réf. 1398194London New York Toronto: Abelard-Schuman Limited 1961. First Thus Edition. Hardcover. Quarto 46 pages. In Good plus condition with a Good dust jacket. Spine beige with black lettering. Exterior has moderate wear including some instances of chips to the head/tail edges age toning to the spine/edges and slight soiling. Clipped front flap. Slight age toning to the jacket interior. Boards have mild wear including faint sunning and light edge wear. Text block has modest wear including slight age toning to the edges with slight offsetting to the end papers. Illustrated. First thus edition. NOTE: Shelved in Locked Annex Quarto and Folio Case. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire about rates. 1398194. FP New Rockville Stock. Abelard-Schuman Limited hardcover books
réf. 20-04888Swann Gallery 38353. Paperback. New. In shrink wrap. Swann Gallery paperback
1946réf. 89271Museum of Modern Art 1946 In-4 broché 26 cm sur 19,7. Livre en anglais. 102 pages. Bon état d’occasion.
1946réf. 66190New York: Museum of Modern Art 1946. First Edition; First Printing. Softcover. Fair in wrappers. Spine has seperated. A few tears and some toning. Staining. Owner name verso front panel.; 8vo 8" - 9" tall. Museum of Modern Art unknown
1963réf. 53079In Collaboration with The Art Institute of Chicago. The Museum Of Modern Art New York 1963. First Edition; First Printing. Softcover. Very Good in wrappers. 1/2 inch open tear to spine crown.; 4to - over 9¾" - 12" tall. In Collaboration with The Art Institute of Chicago. The Museum Of Modern Art, New York unknown
1946102p., illus. Hardcover Good condition tattered d.j. fair
2000réf. LFA-126729234Une plaquette de 25 pages, format 115 x 235 mm, illustrée, brochée couverture couleurs, publiée en 2000, Editions RMN, bon état
1999In-16 (cm. 19), brossura illustrata, pp. 174, (2), con illustrazioni in bianco e nero nel testo ed a colori fuori testo. Prima edizione nella Collana Gli Elefanti. In ottimo stato (nice copy). Emilio Tadini ci accompagna alla scoperta di cinque capolavori della pittura: L'orchestra dell'Opéra di Degas, La stanza del pittore a Arles di Van Gogh, Le bagnanti di Cézanne, Les Demoiselles d'Avignon di Picasso e L'autoritratto con sette dita di Chagall. Sono cinque opere assai diverse tra loro, che contengono e implicano molte altre pitture possibili, offrendosi allo sguardo come fonti inesauribili di scoperte e rivelazioni: dipinte nel momento in cui si afferma il "moderno", assommano in sé molte caratteristiche dell'arte del passato e prefigurano quella del futuro.
1995In-8 (cm. 21.10), brossura illustrata, sovracoperta editoriale illustrata, pp. 174, (2), con alcune illustrazioni in bianco e nero nel testo ed a colori fuori testo. Dedica autografa di Emilio Tadini al frontespizio. Prima edizione. In ottimo stato (nice copy). Emilio Tadini ci accompagna alla scoperta di cinque capolavori della pittura: L'orchestra dell'Opéra di Degas, La stanza del pittore a Arles di Van Gogh, Le bagnanti di Cézanne, les Demoiselles d'Avignon di Picasso e L'autoritratto con sette dita di Chagall. Sono cinque opere assai diverse tra loro, che contengono e implicano molte altre pitture possibili, offrendosi allo sguardo come fonti inesauribili di scoperte e rivelazioni: dipinte nel momento in cui si afferma il "moderno", assommano in sé molte caratteristiche dell'arte del passato e prefigurano quella del futuro.
1985réf. 602284Köln, 1985. M. 34 Abb. 2 Bl., IV, 285 S., 12 Bl.
réf. 26591Lakewood CO: Centipede Press. 2010. Limited edition. Limited edition. Signed by the author. Publisher's original quarter black cloth and red paper-covered boards with titles in silver to the spine in the Salvador Dalí illustrated dustwrapper. Red satin ribbon page marker. Max Ernst illustrated endpapers. Illustrated with six black and white wood engravings by Howie Michels and six colour plates by Marc Chagall. A fine copy the binding square and firm the cloth bright and fresh. The contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the lightly rubbed dustwrapper that has a small scratch to the rear panel and is otherwise without fading loss or tears. Not price-clipped $95.00 on the barcode label fixed to the rear panel. Issued in an edition of 300 copies from which this example is numbered 176 and signed by Steve Rasnic and Melanie Tem in black ink on the colophon. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Lakewood, CO: Centipede Press. 2010 hardcover
réf. 1801Paris, publié sous les auspices du Comité National du Centenaire,Editions à l'enfant-poète, publié sous les auspices du Comité National du Centenaire,1950. In-8 (17x24,5cm) 219pp. Couverture et frontispice, lavis de Marc CHAGALL
