2 488 résultats
2003réf. 21705Adam Biro 2003 In-4 relié. Jaquette en bon état. 112 pages. Très bon état d’occasion.
réf. 7203Fernand Hazan, 1952. In-12 broché, couverture à rabats ornée d'une reproduction couleurs.
1974réf. 34519ERA -Editions japonaise Curieux-Dô - The Zauho Press, Tokio 1974 Traduit du français en japonais par Sinichi Segui. Grand in-4, pleine toile écru, sous jaquette illustrée, sous étui, photographies pleines pages en noir et en couleurs, 250 pp. En japonais. Très bon état d’occasion.
1972réf. 21704André Sauret, Monaco 1972 SANS LITHOGRAPHIE. Translated by the french by Howard Brabyn. Grand in-4, pleine toile écru, sous jaquette illustrée, sous étui, photographies pleines pages en noir et en couleurs, 250 pp. Sans lithographies. En anglais. Très bon état d’occasion.
réf. 11774Paris, Draeger éditeur, 1979. In-4 carré, toilé, illustrations, jaquette, étui.
réf. 1674Tokyo et Paris : The Nishinippon Shimbun, 2002. In-4, 290 x 225 : 161 pp. — Broché, couverture illustrée en couleurs.
réf. 27683Paris, Xxème siècle 1969. In-4, 132 pp, reliure éditeur, pleine toile rouge à la Bradel, titre en lettres dorées sur le premier plat et en long sur le dos, <wbien complet de sa jaquette illustrée.
réf. 15506Saint-Paul, Fondation Maeght, 1967. Grand in-8, carré, (220 x 22,5), couverture illustrée en couleurs, VI p. n.ch-42 pp plus pages d'illustrations.
réf. 545427P., Centre Georges Pompidou - Musée d'Art moderne, 1977. Grand in-4 broché, couv. ill., non paginé, 62 œuvres reprod. en noir ou en couleurs.
réf. 544178P., Centre Georges Pompidou, 1984. In-4 broché, couv. ill., 221 pp., 201 œuvres commentées, reprod. en noir ou en couleurs.
1990réf. 231441Éditions André Sauret et Éditions Michèle Trinckvel 1990. First printing thus. Hardcover in dust jacket in publisher's slipcase. Fine in fine dust jacket in lightly rubbed near fine slipcase. Translated from French by Tanya Leslie. Text in French and English. Éditions André Sauret et Éditions Michèle Trinckvel hardcover
1969réf. 154773Boston Book and Art Shop 1969. First U.S. edition. Hardcover in dust jacket. Fine in near fine dust jacket with small closed tear to spine end in mylar cover. With two original lithographs the dust jacket and frontispiece. Boston Book and Art Shop hardcover
1927réf. 1751Paris: I. Grodzensky 1927. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. Cover and plates are worn at extremities. Cover and some plates damaged at corners and at the string. Two photographic reproductions are loose. Overall in good condition. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. 4 text plates and 19 album card plates with mounted photographic reproductions. Scarce book with Chagall’s cover design. With Marc Chagall’s image on the front cover. Before a black background the image features an opened Torah scroll with the inscription of Schwartzbard's name in Hebrew letters an angel with sword flies over the Torah an allusion to Michael the Archangel the advocate of the Jews. A scarce album with pictures of places and portraits of people connected with the Schwartzbard-trial together with short expressions of opinion from prominent intellects as well as brief biographical notes on Schwartzbard and Petliura. Sholom Schwartzbard 1886–1938 was a Russian-born French Yiddish poet and anarchist the assassin of Symon Petliura 1879–1926 head of the Ukrainian government-in-exile in Paris in 1926. Schwartzbard held Petliura responsible for the death of fifteen of his relatives murdered in pogroms during Petliura rule of the Ukrainian National Republic. The number of Jews murdered during the massive 1918–1921 pogroms in Ukraine is estimated to be between 35000 and 50000 and a large percent of the violent attacks were carried out by soldiers under Petliura’s command. The Schwartzbard trial began in mid-October 1927 lasted for eight days in the end it turned on accusations of Petliura's responsibility for the pogroms and eventually Schwarztbard was acquitted. Scarce we could trace only 3 copies in institutional holdings Harvard University Widener Library Cambridge MA USA; NLI Jerusalem; Musée d’art et d’histoire du Judaïsme Paris. . [I. Grodzensky] unknown
1922réf. 1736Moscow: Der Shtrom The Moscow School for Yiddish Printers 1922. First edition. In publisher’s illustrated wrappers. Paper yellowed due to aging. Tiny inkblots on cover. Note in pencil on title page. Numeric notes between pp. 9–25. Three pinholes throughout at the gutter. Cover artistically restored. Overall in very good condition. Cover design by Marc Chagall. Cover design by Marc Chagall. First edition. In publisher’s illustrated wrappers. 80 p. The second number of the first Soviet Yiddish literary-cultural periodical featuring a cover designed by Marc Chagall. Shtorm was founded and edited by a literary and artistic group formed in Kiev of Yekhezkl Dobrushin Nokhem Oyslender and Arn Kushnirov and Dovid Hofshteyn. Six numbers were published in five issues between 1922 and 1924. Each cover featured the same illustration on the front by Marc Chagall. “Chagall used only the letters in the word Shtrom as illustrations which included a disembodied person on the »R« and a factory with a worker entering the building as part of the »Sh«” Shneer pp. 145–6. Bibl.: Shneer D.: Yiddish and the Creation of Soviet Jewish Culture: 1918–1930. Cambridge University Press 2004. . Der Shtrom, The Moscow School for Yiddish Printers unknown
1969réf. 17474Maeght 1969 In-folio, en feuilles sous couverture illustrée, 32 pp. 2 lithographies originales en couleurs dont la couverture et 1 en double page "Le Peintre Devant le Village" and "Rêverie" 4 reproductions en couleurs dont 2 en double page. 18 reproductions en noir et blanc. Poème d'André Fraynaud, texte de Claude Esteban. Couverture lég. ternie.
1969réf. 136398Maeght 1969 In-folio, en feuilles sous couverture rempliée, chemise et emboîtage un peu terni. 2 lithographies originales en couleurs dont la couverture et 1 en double page "Le Peintre Devant le Village" and "Reverie" 4 reproductions en couleurs dont 2 en double page. 18 reproductions en noir et blanc. Poème d'André Fraynaud, texte de Claude Esteban
1972réf. 6464Monaco: Andre Sauret 1972. First edition. Cloth over Boards. Very Good mild ex-library. Folio 10 x 13 pp. 249 magnificently illustrated in color and b/w. Clean crisp copy of a beautuiful book Andre Sauret hardcover
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
1965réf. 181821965 Monte Carlo, Sauret, 1965, grand in 4° relié pleine toile rouge décorée de l'éditeur, jaquette illustrée en couleurs d'une composition de CHAGALL, jaquette rhodoïd imprimée (manque en tête du plat supérieur de la jaquette rhodoïd), 171 pages
1929réf. 31350Camden N.J.: The Menorah Journal Inc 1929. 1st Edition. Soft cover. Chagall. Chagall. 1st Edition. Soft cover. Klein A. M. Chagall. THE MENORAH JOURNAL. January 1929. Vol. XVI No. 1. Henry Hurwitz Editor. The Menorah Journal Inc. Camden N.J. First Edition. 4to. Viii 97 pp. 3 pp. ads. Printed tan wrappers. A near fine copy. Small repair at the spine crown o/w a clean example. Contains a frontispiece "My Wife" by Marc Chagall a Sculptural Art Insert by Jacques Lipchitz a poem "Five Weapons Against Death" by A. M. Klein a review by Lionel Trilling & others. The Menorah Journal Inc unknown
réf. 6567Zürich. 1973. In-4° en feuilles sous chemise illustrée. Non paginé [32 pages]. Reproductions à pleine page d'estampes de Raoul Ubac, Marc Chagall, Tal Coat, Alberto Giacometti, Georges Braque, Joan Miró, Pol Bury, Gardy-Artigas, Riopelle, Steinberg, Chillida, Calder, Garache, Palazuelo, Antoni Tàpies, Adami, Bazaine, Rebeyrolle, Fiedler. De plus, ce catalogue comporte une lithographie originale (à double page) d'Antoni Tàpies.
1950réf. 510474Editions de la Revue Verve 1950. Hardcover. FINE/Very Good. Tall 4to 35.5cm. sewn binding in paper-under-board hardcovers with Chagall's original lithograph jacket overlaid by the publisher creating an integral design. Very mild bump to the fore tail corner exceedingly clean and fresh otherwise; DJ/cover with a 2' tear to head of spine spine tail taped and light rubbing to the tips. Very prone to wear and much nicer than commonly seen. Verve issue with Chagall's original illustrations for Boccaccio's Decameron alongside tipped-in color plates from the Manuscript of the Ducs de Bourgogne. Editions de la Revue Verve hardcover
1965réf. 170069New York: Perls Galleries 1965. First Edition. First Edition. Catalog for the April 6 to May 15 1965 exhibition at Perls Galleries New York. 6 x 9 inches. Near Fine in saddle-stapled card wrappers. Perls Galleries unknown books
1956réf. 170133Amsterdam: Stedelijk Museum 1956. First Edition. First Edition. Catalog for the traveling exhibition held December 7 1956 to January 14 1957 at the Stedelijk Museum in Amsterdam and January 19 to February 24 1957 at the Palais Des Beaux-Arts in Brussels. Text in French and Dutch. Very Good plus in perfect-bound illustrated card wrappers with light toning and rubbing to the front and rear wrappers and starting at the front hinge. Stedelijk Museum unknown books