BRAQUE, Georges - Saint-John Perse, René Char, Françis Ponge, Jean Paulhan, Jacques Prévert, Pierre Reverdy, etc.Livre Rare Book
2 512 résultats
1964réf. 811Paris, Maeght éditeur, 1964. In-folio (380 x 280 mm) en feuilles, 84 pages, couverture illustrée rempliée. 4 LITHOGRAPHIES ORIGINALES DE MIRO, TAL-COAT, UBAC ET PALLUT. 1 LITHOGRAPHIE ORIGINALE EN NOIR DE PICASSO. 9 reproductions en couleurs d'œuvres de Georges BRAQUE dont 4 en double-page. 2 reproductions en couleurs d'œuvres de GIACOMETTI et de BISSIERE. 1 reproduction en noir d'une oeuvre de CHAGALL. 10 portrait photographiques de BRAQUE par Man Ray, Brassaï, Routhier et Mariette Lachaud. Textes de Saint-John Perse, René Char, Alberto Giacometti, Francis Ponge, Martin Heidegger, Jean Paulhan, Jacques Prévert, Kahnweiler, Cassou, Chagall, Zervos, Douglas Cooper, Ribemont-Dessaignes, entretien de Pierre Reverdy et Georges Braque. DLM édité en mai 1964 pour l'exposition "Hommage à BRAQUE" à la Galerie Maeght. Tirage original en parfait état.
1959réf. 1539Paris, Maeght éditeur, 1959. In-folio (380 x 280 mm) en feuilles, 18 pages. 9 LITHOGRAPHIES EN COULEURS dont 1 en double page. Texte de Georges Charbonnier "Contremots". Exposition de 19 peintures et 8 gouaches de 1954 à 1959. Tirage original excellent état, la couverture très belle.
réf. 460979Maeght Editeur Paris 1960 Numéro 119 de mars 1960, de cette revue in-folio ( 380 X 280 mm ) de 36 pages, en feuilles sous couverture illustrée d'une lithographie en couleurs de Raoul UBAC. Lithographies originales en couleurs de BRAQUE, CHAGALL, MIRO, BAZAINE, UBAC, PALAZUELO et CHILLIDA. Lithographies originales en noir de FIEDLER et Alberto GIACOMETTI. Lithographies en couleurs d'après KANDINSKY et LEGER. Textes de CHAR, CENDRARS, VOLBOUDT, BROSSA, QUENEAU, LECLERCQ, FRENAUD, TARDIEU, HERNANDEZ, GUILLEN et DU BOUCHET. Edition originale publiée en mars 1960 pour l'exposition d'œuvres de BRAQUE, CHAGALL, KANDINSKY, LEGER, .... Petit manque au dos, bel exemplaire.
1978ILL. COL E B/N.
1950réf. 154025Paris & New York: L'Image Littéraire & R. Finelli-Feugère 1950. With an additional suite of Braque colour separations First edition first printing number 29 of 150 copies signed by all the artists and authors with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers lettered in black. The print titles included are: Braque "Nature morte au huitres"; Brianchon La neige a auteuil; Chagall La sirène; Desnoyer Liseuses au bord de mer; Dufy Le casino de la jetée a Nice; Laurencin Portrait de femme en rouge; Matisse Nature morte au magnolia; Picasso La cassarole Émaillée; Utrillo Le jardin de Montmagny; Van Dongen Tête de femme; Vlaminck Les blés dans la perche; and Waroquier Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine hinge of clamshell box split minor foxing in places otherwise a bright unfaded set. unknown
réf. 15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
réf. 15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
1992réf. 67972Univ of Pennsylvania Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . 1992. 9065380329 . Univ of Pennsylvania Pr hardcover
197031 cm, rilegatura editoriale, sovracoperta illustrata; p. 96, con diverse illustrazioni in nero nel testo e 40 a colori
2015This is a very good softcover copy with almost no wear. Completely clean. Text in Italian and English. This catalog was prepared to accompany the exhibition at Senigallia in 2015. Essay by the Director of the museum, Carlo Emanuele Bugatti. Illustrated in black & white with Leo Matiz's photographs of Mexico in the 1940's and 50's. Includes photos of Diego Rivera, Frida Kahlo, Orozco, Pablo Neruda, Fidel Castro, Manolete, Chagall, Gabriel Figueroa, Walt Disney, Luis Bunuel, Siqueiros, Maria Felix, Alicia Alonso, and much more. 10" high X 9" wide, 91 pages. This book will be securely packed and shipped with tracking.
1991réf. 19560Fondation Pierre Gianadda, Suisse 1991 In-4, broché couv. illustrée, photographies pleines pages en couleurs, 260 pp. Très bon état.
réf. 93305Gianadda Fondation Pierre Gianadda, sans date, 260 p., broché, coins des plats cornés, haut du dos légèrement frotté, bon état pour le reste.
1991réf. 107084Pierre Gianadda 1991 Fondation Pierre Gianadda, 1991 (troisième édition), 260 p., broché, environ 24x22cm, broché, coins des plats un peu frottés, bon état néanmoins.
2019ill., br. "Kandinskij, Gon?arova, Chagall. Sacro e bellezza nell'arte russa" presenta un nucleo di diciannove preziose icone russe appartenenti alle collezioni d'arte di Intesa Sanpaolo accostato a quarantacinque capolavori di artisti russi di fine Ottocento e inizio Novecento provenienti dalla Galleria Tret'jakov di Mosca e da altri importanti musei della Russia, di Nizza e di Salonicco. Pubblicato in occasione della mostra di Vicenza e curato da Silvia Burini, Giuseppe Barbieri e Alessia Cavallaro, il volume affronta un tema di rilevante spessore, quello dei rapporti tra la tradizione delle icone e i movimenti artistici che, tra Otto e Novecento, hanno radicalmente mutato il contesto russo influenzando definitivamente anche quello internazionale. Attraverso le opere di Chagall, Kandinskij, Gon?arova, Malevi?, Tatlin, Filonov, Kljun e di altri artisti russi di fine Ottocento primi Novecento viene dimostrato come l'arte moderna russa sia tornata ad attingere linfa vitale dalla spiritualità degli antichi modelli iconografici, la cui simbologia universale sa essere linguaggio anche della nuova sensibilità estetica delle Avanguardie.
réf. 50606XXème siècle.N°26.In-4,cartonnage éditeur illstré de tableau en couleurs.Iconographie importante.2 lithographies originales en couleurs de Chagall et Vieira Da Silva.TBE.
réf. 91319Paris, F. Hazan, 1966, 1 volume in-4 de 318x248x20 mm environ, cartonnage de l'éditeur illustré par Marc Chagall, avec une lithographie originale de Chagall en double page, une lithographie originale de Vieira Da Silva et son bandeau de librairie (restauré). Frottements sur la coupe inférieure, sinon bon état.
1960réf. 68391960 Paris, André Sauret, 1960. 25 x 33 cm. 220 pages. Avant propos de Marc Chagall. Notices de Fernand Mourlot. Ouvrage richement illustré et enrichi de 12 LITHOGRAPHIES ORIGINALES tirées par Mourlot Frères (dont la jaquette). Reliure en pleine toile beige de l'éditeur, avec jaquette (lithographie) et rhodoïd. Ouvrage en parfait état et bien complet. Avec dédicace autographe de Marc Chagall, datée de 1961, à Marcelle Berr de Turique (1894-1991), galeriste et critique d'art. "Ma pitite vous m'aimi toujours ?.. ainsi Marc Chagall abordait Marcelle Berr de Turique le soir de l'inauguration du plafond de l'Opéra. Oui, elle l'aimait toujours, comme elle aimait Raoul Dufy ou Suzanne Valadon, et d'autres, artistes authentiques, depuis qu'en 1925 elle avait créé à Paris sa galerie de tableaux." (Anne D. Kapferer). Jointe : une copie roneotypée de l'allocution de Chagall lors de l'inauguration du plafond de Paris, le 23 septembre 1964.
1969réf. 7057Monte-Carlo, André Sauret, 1969. In-4 de 179-[5] pages, pleine toile grège frappée noir, jaquette lithographiée en 2 tons, rhodoïd, étui muet de protection en carton brun.
1968réf. N439aParis: Andre Sauret 1968. Original Cloth with d/j. Near Fine. Folio -. Marc Chagall. 179pp. With 2 original lithographs by Chagall. Fine copy with original protective nylon .French text. German edition available at the same price Chagall lithographs volume 3. Andre Sauret hardcover
1968réf. WB16835Paris: Hermann 1968. First Edition. Paperback. Near Fine. 4to. Two volume set. Publisher's printed wrappers. An excellent set housed in publisher's slipcases with frontispieces plates and photographs. Slipcases with some wear to head and foot of spines but books themselves are in find condition. Preface by Étienne Dennery. Each volume has an original work at the front: a color lithograph by Marc Chagall in vol. 1 an original etching by Dunoyer de Segonzac in vol. 2. This handsome production was completed under the direction of André Masson in honor of the Director of the Bibliotheque Nationale. A unnumbered limited edition on fine paper. Hermann paperback
1960réf. 61562Andre Sauret & George Braziller. Very Good in Very Good- dust jacket. 1960. Hardback. Please note that this is a heavy item and may incur extra shipping costs. ; Complete in six volumes each dust jacket is designed with original colour lithograph by Marc Chagall. Vol i by Julien Cain pub. Andre Sauret 1960: dust jacket is minimally worn at upper and lower panels small tear to front upper panel spine sunned with very small area of loss to lower edge; boards darkened at outer edges but unmarked lower spine fraying corners sharp; binding is tight; pages are faintly age-toned but unmarked with original lithographs. Vol ii '1957-1962' by Fernand Mourlot pub. Andre Sauret 1963: dust jacket edges lightly sunned and worn; upper spine sunned corners sharp; binding is tight; pages are clean with all lithographs present. Vol iii '1962-1968' by Julien Cain pub. Boston Book and Art Shop 1969: dust jacket is bright and unmarked; cloth boards are clean corners sharp; binding is tight; pages unmarked with colour plates and lithograph frontispiece. Vol iv '1969-1973' by Charles Sorlier pub. Crown Publishers 1974: dust jacket is bright and unmarked; cloth boards are clean corners sharp; binding is tight; pages are clean with colour plates and lithograph frontispiece. Vol v '1974-1979' by Charles Sorlier pub. Crown Publishers 1984: dust jacket is bright upper panels creased one or two shelf marks on rear; cloth boards no marks corners sharp; binding is tight; pages are unmarked with colour plates. Vol vi '1980-1985' by Charles Sorlier pub. Crown Publishers 1986: card slipcase; dust jacket bright and unmarked; cloth boards clean with sharp corners; binding tight; pages clean with colour plates. ; 10 x 13 inches . Andre Sauret & George Braziller hardcover
1963réf. 013990Monte-Carlo: Andre Sauret George Braziller Boston Book and Art Shop 1963. 1st Edition. Hardcover. As New. The first three volumes of the 6 volume work each as new with dustjackets one in publisher's cardboard sleeve with a total of 26 original lithographs. Collectible copies certainly. Andre Sauret, George Braziller, Boston Book and Art Shop hardcover
1969réf. 1607526Boston Book and Art Shop Inc 1969. First English language edition. unknown_binding. Used-Very Good. Cloth dj. 4to. illus. A littel edgewear to dj. esp. at corners. Internally very sound. With two original lithographs dust wrapper and frontispiece. Boston Book and Art Shop, Inc unknown
1960réf. b30925Andre Sauret / George Braziller 1960. hardcover. Very Good. 4x0x7. Hardcover with dust jacket. Book is in very nice condition text is unmarked and pages are tight. All lithographs present and in perfect shape. Price clipped on dust jacket. Includes publisher's original clear acetate wrap that has 2 tiny split corners. Andre Sauret / George Braziller hardcover
1960réf. 508273Andre Sauret / George Braziller 1960. Hardcover with Dust Jacket. FINE/FINE. The first volume in what would become 6 collected volumes. B/W heliogravures printed by Draeger Freres and 12 original color lithographs produced specially for this volume and printed by Fernand Mourlot whoe designed and edited the volume with Andre Sauret. The dust jacket is also an original illustration by Chagall. 220pp. 4to beige cloth stamped in black. A FINE copy without qualification in FINE jacket with publisher's original acetate wrap. Uncommonly clean and sharp with crisp fresh pages and very tight hinges. Andre Sauret / George Braziller hardcover
