CHAGALL Marc SENGHOR Leopold SedarBiblio.com
2 513 résultats
1969réf. 1203961969. First Edition. Signed. SENGHOR Lopold Sdar. lgie des Alizs. Lithographie Originale de Marc Chagall. Paris: ditions du Seuil 1969. Slim quarto five loose gatherings in original cream paper wrappers uncut and unopened original glassine. $2800.Limited first edition number 405 of only 450 copies of Senghor's lgie des Alizs Elegy for the Trade Winds with an original full-page three-color lithograph by Chagall signed and dated by him in 1974 on the title page. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.Internationally recognized poet politician and cultural theorist who served as the first president of Senegal Lopold Sdar Senghor avoided the Marxist and anti-Western ideology that had become popular in post-colonial Africa choosing instead to form a close relationship with France and the Western world. He was instrumental in the cultivation of postcolonial aesthetics and black African consciousness. His poetry reflects an ""all-embracing humanism which envisions the solidarity of all men with each nation making its contribution in its own special way to a 'universal civilization"" Albert S. Gerard. Critics continually point to his ability to synthesize elements of Western and African experience and to evoke universality in the imagery of his verse. ""Senghor is not merely a Frenchified African who tries to give exotic interest to his French poems; he is an African who uses the French language to express his African soul"" Ulli Beier. Chagall's wonderful illustration was printed by Fernand Mourlot who ran a lithography press in Paris where such greats as Braque Matisse Picasso Mir Lger and of course Chagall came to have their designs printed and to learn about this still nascent medium. Text in French. Cramer 82. Sorlier 587. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.A bit of wear two small ink marks to rear panel of fragile original glassine; wrappers and interior fine. unknown
1972réf. 014688Monaco: Editions André Sauret 1972. 1st Edition . Hardcover. Near Fine/Near Fine. 4to - over 9¾ - 12" tall. Bound in gray cloth with black lettering. Includes original lithograph which is in fine condition the rear of which is lightly tanned being made on a different paper Editions André Sauret, hardcover
1972réf. 014689Monaco: Editions André Sauret 1972. 1st Edition . Hardcover. Near Fine/Near Fine. 4to - over 9¾ - 12" tall. Bound in gray cloth with black lettering. Includes original lithograph which is in fine condition the rear of which is lightly tanned being made on a different paper Editions André Sauret, hardcover
Manifesto originale in litografia stampato in occasione della mostra a Nice, Juillet - Septembre 1974 "Maquette pour l'oeuvre monumental". Misura compless. mm. 520x760. Cfr. Sorlier 139 (Les Affiches de Chagall)
19488vo., First Edition, with 8 collotype plates; original pictorial wrappers, wire-stitched as issued, a very good, bright, clean copy. With publisher's stamp on title and front wrappers. R.H. WILENSKI'S COPY, WITH HIS INITIALS IN INK ON FRONT WRAPPER.
Litografia orig. a col. cm. 35x55. Tratta da "Derrière le Miroir"
1998réf. R200041325DE FACTO ASBL. 1998. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages- nombreuses illustrations dans et hors texte. . . . Classification Dewey : 702-Ouvrages divers sur les beaux-arts et les arts décoratifs
réf. 1086231970. Signed. CHAGALL Marc. Autograph letter signed. Zurich September 9 1970. Single sheet of Dolder Grand Hotel airmail-weight stationery measuring 6 by 8-1/4 inches; pp. 2 with original matching hand-addressed envelope. $2200.Extraordinary 1970 autograph signed letter written entirely in Yiddish from Marc Chagall to acclaimed Yiddish writer and Jewish activist S.L. Shneiderman thanking him for sending a book on Ilya Ehrenburg; expressing his hopes that they will see each other in the near future; and explaining that he is in Zurich for an event related to having made the stained glass windows for the Fraumunster Church.The letter written on a sheet of Dolder Grand Hotel airmail stationary entirely in Chagall's hand and dated ""9/Sept 1970"" and accompanied by a hand-addressed matching envelope reads in full translated: ""Dear friend Schneiderman A thousand years have gone by and I remember youÑand your Yiddish writing styleÑbut we seldom see each other. Thank you for your book about poor Ehrenburg and also the attached article about me not a public/published one. I will read your book. You can imagine that since that terrible epoch for us Jews we can never forget. I hope that someday I will see you. I send regards to you and to all the good Jews in America. With love Marc Chagall. P.S. I am here for the opening/conference since I made Biblical vitrages stained glass windows for the Fraumunster Church in Zurich."" This letter was written just before friction began to emerge between Shneiderman and Chagall. While Chagall had grown into an acclaimed artist in Europe much of that fame was dependent on working with non-Jewish entities such as churches and even on drawing depictions of events in the New Testament. Increasingly the Christian world began to embrace Chagall and to interpret his work as having ecumenical or even Messianic undertones. Chagall continued in his artistic endeavors and failed to respond to some of the religious-based commentary. Shneiderman felt that this was intolerable publicly criticizing Chagall's failure to meet with Jewish representatives in the community he worked in and his new alignment with Christian and secular authorities. While their relationship did not completely sour and they continued to correspond their relationship grew strained. At the time this letter was penned Shneiderman had just completely a book on Ilya Ehrenburg a famous Soviet-Jewish writer and cultural figure. Highly regarded as a translator journalist poet novelist and travel writer Ehrenburg is probably best known for his Black Book a powerful work detailing the genocide of Soviet Jews by the Nazis during the Holocaust. His book The Thaw on liberalization after Stalin also had a powerful influence and gave a name to an era. Sadly Ehrenburg's reputation was quickly destroyed by antisemites and conspiracy theorists after the war who seized upon an article he wrote called ""Kill!""Ñpublished while the Soviets were losing the war and the Germans were deep inside Soviet territoryÑin which Ehrenburg entreated soldiers to kill at least one German a day. Postwar he has often been blamed for the sacking of Germany by Russian troops though he condemned their actions. He died horribly of prostate and bladder cancer still a committed communist. The recipient of this letter was the famous Yiddish writer and journalist Samuel ""S.L."" Shneiderman. Continuing his distinguished early career as a war journalist Shneiderman is best known today for raising awareness about the plight of the Warsaw Ghetto after his arrival in the United States in 1940 and for his dedication to preserving the history of the Jews in Poland throughout his life. His works on the Holocaust and the terrible fate of the Jews remain the best known of his works. Shneiderman and his wife Eileen were also avid collectors of Yiddish-language books and their collection is now housed at the University of Maryland.Slight soiling to envelope letter fine. unknown books
Litografia originale a colori mm.352x260 tratta dal volume "Dessins pour la Bible", stampato a Parigi, Editions de la Revue Verve, 1960. Non firmata.
1989(100 acqueforti di Marc Chagall per le Favole di Jean de La Fontaine) Cm 28 x 22,5, legatura editoriale in piena tela nera con titoli in bianco al dorso, sovraccoperta illustrata, pp. 223,(1), con due immagini fotografiche e 100 tavole in nero a piena pagina nel testo. Introduzione di Otto Breicha. Volume in ottimo stato di conservazione. (Eine Publikation in der Schriftenreihe der Salzburger Landessammlungen Rupertinum).
1991(96 acqueforti di Marc Chagall per "Le anime morte" di Nicolaj Gogol) Cm 28 x 24, legatura editoriale in piena tela bianca con titoli in nero al dorso, sovraccoperta illustrata, pp. 228,(4), con tavole in nero a piena pagina nel testo. Introduzione di Sigrun Loos. Volume in ottimo stato di conservazione. (Eine Publikation in der Schriftenreihe der Salzburger Landessammlungen Rupertinum zum Sammlungsbestand)
1984réf. R260184729FONDATION MAEGHT. 1984. In-4. Broché. Etat d'usage, Couv. convenable, Dos frotté, Intérieur frais. 185 pages augmentées de nombreuses planches en noir et blanc et couleur dans et hors texte, Couverture contrepliée. Frontispice en noir et blanc.. . . A l'italienne. Classification Dewey : 750-La peinture et les peintres
Litografia originale a colori mm.352x260 tratta dal volume "Dessins pour la Bible", stampato a Parigi, Editions de la Revue Verve, 1960. Non firmata.
1979réf. R160121855DE LA REUNION DES MUSEES NATIONAUX. 1979. In-8. Broché. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 70 pages. Nombreuses photos en noir et blanc dans le texte. Couverture illustrée en couleur. Texte sur 2 colonnes.. . . . Classification Dewey : 200-RELIGION
1995réf. R200133157RMN. 1995. In-4. Relié. Etat d'usage, Tâchée, Coiffe en tête abîmée, Papier jauni. 180 pages, jaquette conservée, nombreuses photos et reproductions en couleur et en noir et blanc dans et hors texte - coins frottés.. Avec Jaquette. . . Classification Dewey : 750-La peinture et les peintres
1967réf. 122711967 Paris, Musée Louvre / Editions des Musées Nationaux / Galerie Mollien, 1967. Un vol. au format in-4 étroit (318 x 238 mm) de 237 pp., non paginé, broché. Description en noir et couleurs des peintures, gouaches, esquisses préparatoires, gravures, lithographies, céramique, sculptures, tapisserie, mosaïque et vitraux de la donation Marc et Valentina Chagall. ''Le Message biblique a été donné à l'Etat pour permettre la création à Nice d'un ensemble culturel qui groupera en dehors des salles réservés à l'oeuvre, une galerie d'expositions temporaires. tres bon état
1995réf. 203613Couverture souple. Broché. 144 pages.
réf. 23718Stock, 2008, 249 pp;, broché, bon état.
1970réf. 111433Stock 1970 Stock, 1970, 249 p., cartonnage éditeur sous jaquette, bords de la jaquette frottés par endroits, bon état pour le reste et intérieur bien propre.
réf. SLIVCN-9782849753743FAGE EDITIONS
réf. QWA-15368Centre Georges Pompidou, 1984, in-4 br. (21 x 30), 217 p., préface de Dominique Bozo, 201 reproductions, très bon état.
1958réf. RO30381771Druk c. a. spin & zoon amsterdam. 1958. In-8. En feuillets. Etat d'usage, Coins frottés, Dos frotté, Quelques rousseurs. non paginé, 15 pages en feuillets sur papier brun additionnées de 20 planches de reproductions en noir et blanc et en couleur. - petite annotation au crayon papier en page de titre.. . . . Classification Dewey : 750-La peinture et les peintres
1998réf. 56981Hatje Cantz Verlag GmbH+C 1998 In-4 relié 32,7 cm sur 24,6. Jaquette déchirée. 416 pages. Bon état d’occasion.
réf. 471062Actes Sud Paris 2007 Grand in-8 ( 280 X 220 mm ) de 96 pages, broché sous couverture illustrée. Ouvrage orné d'illustrations hors-texte. Galerie d'Art du Conseil Général des Bouches-Du-Rhône, Aix en Provence. Très bel exemplaire.
réf. 433606Fondation Pierre Gianadda Suisse 1991 In-4 ( 240 X 220 mm ) de 258 pages, broché sous couverture illustrée en couleurs. Illustrations en couleurs et en noir dans et hors-texte. Très bel exemplaire en superbe état.
