2 277 résultats
1966réf. 104334Gala des Artistes 1966. Paperback. Very Good. Folio 12 - 15'' tall. Paperback. Book Condition: Very Good. Gala des Artistes 1966. Nice Firm Clean copy ! Light general wear. No record. Size: Folio 12 - 15'' tall. 9 color 8 b&w reproductions by Marc Chagall. Advertisements. Art::Painting by Artist 6916L 6916L Gala des Artistes paperback
1962réf. 517881New York City: The Museum of Modern Art 1962. Unbound. Very Good. Promotional flyer for an exhibition of The Jerusalem Windows by Marc Chagall. Measuring approximately 8" x 13 ¼". Printed on the recto only. Three off-center creases from being folded offsetting along the top and a tape shadow at the top of the verso very good. The windows were designed for the Hadassah-Hebrew University Medical Center and were put on display at the Museum of Modern art before their permanent installation. The twelve windows are meant to represent each of the twelve tribes of Israel. The Museum of Modern Art unknown books
1956réf. 17697Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs16 in color and 12 in black-and-whitecreated especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Prophet Daniel with the lion - Prophet Daniel mit den Löwen'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 142 Mourlot unknown
réf. 51-6252St. Gallen Switzerland: Erker 1978. Fold out flyer 14.5 x 20 cm. 6 pages. Reproduces all the prints in the portfolio with bibliographical description in German. Edition of 150 with most prints signed and numbered. Bill Calder Capogrossi Chagall M. 475 Dix Dorazio Ernst Hajdu Hartung Lam Masson Miró D. 1027 Nay Poliakoff S. 78 Santomaso Soulages Tanning Tàpies Tobey Vieira da Silva Wotruba Zadkine. St. Gallen Switzerland: Erker, 1978 unknown
réf. 182344Geneva: Gerald Cramer 1979. With 30 original etchings Signed limited issue number 74 of 160 copies signed by the artist on the limitation notice. Quarto. Housed in original slipcase. 30 original etchings with aquatint by Chagall in black on ochre ground. Original full vellum binding and slipcase printed on arches vellum paper. Spine and front board lettered in gilt. A little foxing and dust-soiling to slipcase and boards front board slightly toned: a near-fine copy. Cramer Books 108. hardcover
1966réf. 17697AB1966. Paris 1966. 32 : 24 5 cm. 104 pages 34 leaves with hundreds of partly coloured plates and illustrations 2 original colour lithographs 1 double-page Coloured illustrated original boards. With original coloured lithograph by Viera da Silva and on double-page original lithograph by Marc Chagall. hardcover
réf. LIT777M2003 / 151 pages. Broché. Editions Gallimard / Nrf.
in-8°, 159 pp., broche, couv.— Edition originale. Bel exemplaire, complet de sa bande pub. [DV-11] Une enfance avec Marc Chagall
réf. 52-0214Paris: Mourlot 1960. Color lithograph. Mourlot 242. Framed. Paris: Mourlot, 1960. unknown
réf. 03-0135Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 242. M. 265 verso. Paris: Verve, 1960. unknown
1960réf. 16395Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlotthe master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testamentcreation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Rachel Steals her Father's Graven Images - Rahel entwendet die Götzenbilder ihres Vaters'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 242 Mourlot unknown
1960réf. 16379Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlotthe master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testamentcreation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Rahab and the Spies of Jericho - Rahab und die Kundschafter in Jericho'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 244 Mourlot unknown
1960réf. 31640Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. 355 by 260mm 14 by 10¼ inches. Original lithograph in colours published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 244 Mourlot unknown
réf. 52-0212Paris: Mourlot 1960. Color lithograph. Mourlot 244. Framed. Paris: Mourlot, 1960. unknown
réf. 15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
1984réf. 22703Saint-Paul, Fondation Maeght, 1984. 185 S., 1 Bl. mit zahlr. teils farb. großteils ganzseit. Textabb. Gr.-8°. OKart. (kl. Gebrssprn.).
1957réf. 33272Paris Julliard 1957 Revue littéraire trimestrielle 7 numéros en 6 fascicules, N°s 2, 4 ( 1957 ), 6-7 ( 1958 ), 10, 11, 12-13 ( 1960 ) 50 pages par numéro
1971réf. 015895Paris Les Carnets de l'Octéor. Direction Julien Blaine et Jean Clay. 1971 In-2 agrafé, couverture illustrée
1929réf. 48295Au sans pareil | Paris 1929 | 13 x 19.50 cm | broché
réf. 52034Au Sans Pareil.1920.Petit in-8 br.E.O.Ex.833.4 dessins de Chagall.BE.Couv.légèrement insolée.
1919réf. 8208Paris, Au Sans Pareil, 1919. Petit in-8 broché non paginé, couverture illustrée en noir. Sous son papier cristal d'origine. Manque au dos (1,5 millimètre).
1919réf. 14321Paris, Au Sans Pareil, coll. de Littérature, 1919. Plaquette in-12 brochée, non paginée, couverture ornée d'une vignette. Non coupé.
1929réf. 48295Paris: Au sans pareil 1929. Fine. Au sans pareil Paris 1929 13 x 19.50 cm broché First edition one of 1000 numbered copies on alfa paper the only printing with 9 on Japan paper and 31 on Hollande paper. Surprising autograph inscription dated and signed by Philippe soupault "" A Laurent Tailhade en témoignage de mon admiration."" With 4 drawings by Marc Chagall. Two tears glued to head and foot of a joint spine and covers slightly and marginally sunned as usual. Au sans pareil unknown
1920réf. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback
1920réf. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback books