Goll, ClaireAntiquariat.de
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1952réf. 6604Wiesbaden: Limes Verlag. (1952). 48 S. 8°. 1. Auflage der deutschen Übersetzung von "Journal d'un Cheval" (1925) in Deutschland (zuerst 1950 in der Schweiz). Mit 4 Zeichnungen von Marc Chagall. Illustr. OPappband, OU.
1951réf. 76706Wiesbaden: Limes Vlg. (c 1951). 48 Ss. 8°. Illustr. Pp. mit Rücken- u. Deckeltitel u. illustr. Umschl.
1960réf. 17699Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlotthe master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testamentcreation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Tamar the daughter in law of Juda - Thamar die Schwiegertochter Judas'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 243 Mourlot unknown
1960réf. 31652Paris: Mourlot 1960. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Original lithograph in colors published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Framed in anantique-silver frame with Flageg UV 90 museum glass. Total dimensions: 530 mm by 425mm 20¾ by 16¾ inches. In excellent condition. 355 by 260mm 14 by 10¼ inches. Artikel-Nr.: 31656. Mourlot 243 Mourlot unknown
réf. 52-0210Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Framed. also available unframed. Mourlot 243. M. 266 verso. Paris: Verve, 1960. unknown
Litografia originale a colori mm.352x260 tratta dal volume "Dessins pour la Bible", stampato a Parigi, Editions de la Revue Verve, 1960. Non firmata.
réf. 073880486X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1973Catalogue for the exhibition at Fischer Fine Art November 1973 - January 1974. 92 pages.
1992réf. 67972Univ of Pennsylvania Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . 1992. 9065380329 . Univ of Pennsylvania Pr hardcover
1972réf. 21704André Sauret, Monaco 1972 SANS LITHOGRAPHIE. Translated by the french by Howard Brabyn. Grand in-4, pleine toile écru, sous jaquette illustrée, sous étui, photographies pleines pages en noir et en couleurs, 250 pp. Sans lithographies. En anglais. Très bon état d’occasion.
1962réf. 33128New York George Braziller in association with Horizon Magazine 1962 Grand in-4 bien illustré en noir et en couleurs, 210p. Cartonnage de l'éditeur, toile et jaquette illustrée couleurs.
réf. 97605London, Aldus Books 1968, 335x260mm, 267pages, editor's binding with jacket. Tears on top border of the jacket, otherwise book in good condition.
1973réf. 104505New York Edité par Tudor Pub. Co. 1973 Relié avec jaquette une lithographie tirée par Mourlot. (104505)
réf. awd-511New York, Tudor Publishing Company (1973). In-4, cartonnage de l’éditeur, jaquette illustrée, étui, 159 pp. Texte en anglais, nombreuses reproductions en couleurs. Bon état.
Softcover 175 pages: ill. (some col.), fac-sims., ports. ; 24 cm. ; Bibliographical references. - Text English and French. VG++ [NV-13] Catalog of an exhibition held Sept. 15-Dec. 3, 1983 at Annely Juda Fine Art, London.- Essays by Andrei B. Nakov and others.
1957réf. 23974Paris: Mourlot 1957. In excellent condition. 230 by 390mm 9 by 15 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Jacques Lassaigne Marc Chagall 1957. Published by Mourlot Paris 1957. Printed by Mourlot Paris. Sheet: 230 by 390mm 9 by 15 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.The 1957 monograph 'Marc Chagall' by art critic Jacques Lassaigne published by Fernand Mourlot in Paris contained a suite of original color lithographs specially created by Chagall for the publication. Printed at the celebrated Mourlot studiowhere Chagall had worked closely with master lithographer Fernand Mourlot since the 1940sthe volume was issued in an unsigned and unnumbered edition of 6000 copies distributed internationally. The lithographs from this monograph are prized for their intimate scale and the characteristic warmth of Chagall's palette in this period.This original color lithograph sheet: 230 by 390mm 9 by 15 inches depicts 'The accordeonist - Der Akkordeonspieler'. Published in 1957 Edition of 6000 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 204 Mourlot unknown
1956réf. 34684Paris: Mourlot 1956. The sheet has a crease in the lower left corner. Else in good condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs16 in color and 12 in black-and-whitecreated especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'The Angel with the Sword - Der Engel mit dem Schwert'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 119 Mourlot unknown
1960réf. 29574Paris: Mourlot 1960. Printed on the full sheet as published. 12 1/2 x 9 1/2 inches. In excellent condition. 320 by 240mm 12 by 9 inches. Original color lithograph by Marc Chagall. Edition of 2000 unsigned and unnumbered from Original Lithograph 1960. Published by Mourlot Paris 1960. Printed by Mourlot Paris. Sheet: 320 by 240mm 12 by 9 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 320 by 240mm 12 by 9 inches depicts 'The Angel - Der Engel'. Published in 1960 Edition of 2000 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 288 Mourlot unknown
1965réf. W2684Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In fine condition: clean bright and crisp. Mourlot 121. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
réf. 16971No date. Near Fine single page from watermarked Hotel Belles-Rives paper typed and boldly signed by Marc Chagall. Toning to bottom edge of paper minimal wear very well-preserved. One corrected typed character covered with white-out. An unusual and emotive artist statement/poem by Chagall based on his work "The Apparition 1917-1918" describing in beautiful imagery a "dream" "evoked" in Chagall. Chagall had reported that the painting was based his memory of a dream while a student; this statement either stands in captivating juxtaposition with that original dream or is an allusion to or perhaps description of that dream. Lovely rare unique. Certificate of Authenticity included. Image in listing of painting for illustrative purposes only; no prints etc. included. unknown
1978réf. 2392Chicago: Art Institute of Chicago 1978. First edition. Fine. DELUXE SIGNED LIMITED FIRST EDITION ONE OF ONLY 100 COPIES. INSCRIBED BY MARC CHAGALL "Pour Art Inst. Chicago Marc Chagall 1979" AND SIGNED BY WILLEM DE KOONING IVAN ALBRIGHT JOAN MIRÓ AND GEORGIA O'KEEFFE FEATURING 100 COLOR REPRODUCTIONS OF THE ART INSTITUTE'S MOST FAMOUS WORKS. Issued as part of the festivities surrounding the Art Institute's 100th birthday in 1979 The Art of Institute of Chicago: 100 Masterpieces celebrates the museum's 100 most beloved masterpieces and the artists behind these great works. In addition to the valuable signature pages each on a separate preliminary page this book contains beautiful color reproductions of 100 of the most magnificent works held by world-renown museum. There was much fanfare surrounding the 100th anniversary of the Art Institute. In addition to this book's publication the institute was feted with a Centennial Birthday party and a month-long exhibition in March 1979 entitled "The Art Institute of Chicago: 100 Years". David C. Hilliard a life trustee who helped produce 100 Masterpieces explains that the deluxe limited editions were sold in large part to buy an Indian sculpture for the Institute in honor of Board Chairman James Alsdorf and his wife Marilyn. Devoted art fans themselves the couple's private collection of Indian and East Asian art helped academics and collectors contribute enormously to the scholarship surrounding this field. The process of getting the artists' signatures had its difficulties - particularly when it came to approaching the more irascible ones like Georgia O'Keeffe who was a student at the School of the Art Institute of Chicago. Per Hilliard: "There is a good story connected with the book. We sent a young man down to visit Georgia O'Keeffe and ask for her agreement to participate. Georgia could be prickly so we chose as our envoy a young man whose father had given her the land on which she had her house and studio. And indeed he was given a warm reception and tour. When they parted Georgia said she would sign. but then added "If you will tell me the location of my painting that I gave to the Art Institute 'East River from the Shelton.'" We were overjoyed and asked the American Arts Department to let us see it. As Georgia knew it had presumably been stolen years before and a full search could not locate it. But she relented I think she enjoyed her joke and signed the books anyway!" A rare and extraordinary work that powerfully encapsulates the growth and development of the Art Institute of Chicago from a tiny academy to a "hub of the city's artistic life" Encyclopedia of Chicago . All the more desirable with the signature of five of the 20th century's greatest artists. Chicago: The Art Institute of Chicago 1978. Folio 10.5x14 inches; with box 12x15 inches original burgundy morocco watered silk endpapers all edges gilt. Housed in original box covered in matching morocco with gilt lion on front. Printed and bound by R.R. Donnelley & Sons at The Lakeside Press. Designed and composed by Rand McNally. A few spots of wear to box otherwise fine. A MAGNIFICENT PRODUCTION CELEBRATING ONE OF THE WORLD'S GREAT MUSEUMS WITH LARGE SIGNATURES OF SOME OF THE MOST IMPORTANT ARTISTS OF THE 20TH CENTURY. Art Institute of Chicago unknown books
2011réf. 95567Sussex Academic Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 150 pp. ; 41 illus. 21 in color. -- with a bonus offer--; The Art of Time The Art of Place draws a comparison between two of the most prominent Jewish artists in the 20th-century: the Polish-born magician and storyteller Isaac Bashevis-Singer 1904-1991 and the Russian-born creator of visual magic Marc Chagall 1887-1985. In addition to their East European Jewish background both were exposed to Western culture. Chagall absorbed such turn-of-the-century avant-garde artistic styles as Expressionism Fauvism Cubism Abstract and Surrealism. From these he created a unique blend to which he brought the various Russian influences he had absorbed as well as his own special highly imaginative and inventive personal style. Bashevis-Singer brought to his works philosophical psychological scientific medical and legal knowledge. While both artists were affected by these Western influences they remained firmly entrenched within the Jewish culture - the Yiddish language and life in the "shtetl" - from which they drew their inspiration. Their world consisted of a special blend of reality and dream realism and fantasy. The book demonstrates that they shared - albeit unwittingly - a common "meta-realistic" style combining the earthly with the supernatural and the transcendental. Their works allude to real place names dates facts and historical events while at the same time contain occult forces angels demons mysticism and mystery. Comparisons range over the Jewish "shtetl" Jewish artists love and despair the Holocaust and war religion and mysticism. In the works of both artists hope springs eternal; it is a hope emanating from the mystical realm of life as it relates to the magic of creation and the cosmic logic of the Creator. Artist and storyteller sail between hard-core reality and the yearning for redemption between Judaism and universal values between exile and revelation. . 2011. 1845194098 . Sussex Academic Press hardcover
1969réf. 36913Paris: Mourlot 1969. In excellent condition. 350 by 250mm 13¾ by 9¾ inches. Original lithograph in colors published for a issue of XXe Siecle in 1969. Edition 10000 unsigned and unnumbered copies. Marc Chagall created this lithograph after one of his compositions for the ballettDaphne and Chloe by Maurice Ravel. Mourlot 581 Mourlot unknown
1969réf. 113646Tudor Publishing 1969. Hardcover. Very good/Good. With one original lithograph done for the book. Covers edgeworn. Jacket worn with chipping and missing piece at bottom of spine. In slipcase. Tudor Publishing hardcover
réf. 2090202120415477Tenmanya N.A. Soft Cover. Fine. Number of books: 1 Tenmanya paperback
