2 488 résultats
1972réf. 2090202120802766Toshi shubbansha 1972. Soft Cover. Fine. Volume: 1 Toshi shubbansha paperback
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
2007réf. LIQ-6701Martigny, Fondation Pierre Gianadda. 2007. In-8° carré brocé, couverture souple illustré en couleurs, 247 pages.
Milano, Mondadori, novembre 1961, un fascicolo in-4, br., pp. 132. Con numerose ill. in b.n. e a col. e pubblicità.
1971réf. 1753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
1971réf. 00087Hamburg, Rowohlt, 1971. Ln, OU, 196S,
1978réf. 5149Berlin., Volk und Welt., 1978. 2. Auflage. 261S. Guter Zustand. 8°. OLeinen.
2003An exhibition catalogue for the show Feb 7 - June 8 2003 including the artists Goya Degas Pissarro Seurat Redon Modigliani Mondrian Brancusi, Leger, Klee, Picasso, Chagall, Klimt, Schiele Grosz, Kirchner, Giacometti. 142 pages many color plates. Text is in Spanish
1958réf. 80490Genève, Gérald Cramer (= Catalogue N° 11), 1958. 54 S., 1 Bl. Mit zahlreichen s/w Abbildungen. 8vo. Farb. ill. OKart.
1950réf. 154025Paris & New York: L'Image Littéraire & R. Finelli-Feugère 1950. With an additional suite of Braque colour separations First edition first printing number 29 of 150 copies signed by all the artists and authors with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers lettered in black. The print titles included are: Braque "Nature morte au huitres"; Brianchon La neige a auteuil; Chagall La sirène; Desnoyer Liseuses au bord de mer; Dufy Le casino de la jetée a Nice; Laurencin Portrait de femme en rouge; Matisse Nature morte au magnolia; Picasso La cassarole Émaillée; Utrillo Le jardin de Montmagny; Van Dongen Tête de femme; Vlaminck Les blés dans la perche; and Waroquier Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine hinge of clamshell box split minor foxing in places otherwise a bright unfaded set. unknown
1960réf. 16389Paris: Mourlot 1960. No Binding. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlotthe master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testamentcreation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Esther'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 252 Mourlot unknown
1960réf. 1638Esther. Très belle épreuve sur vélin fort (28,5 x 37,5 cm). Rare épreuve d’imprimeur à marges avant massicotage, révélant l'intégralité de la composition (Mourlot 252).
1977réf. 182062Paris: Maeght Editeur 1977. With one of 25 signed etchings First edition number 17 of 25 copies signed by Chagall and Malraux on the limitation page and with an additional impression of the frontispiece on Japon Impérial paper all sides deckled signed and numbered by Chagall. The full edition was 225 copies 200 of which were numbered and 20 marked hors commerce both without the additional signed print. Malraux winner of the Nobel Prize in Literature provided the text based on a previously unpublished manuscript from 1939 about his experiences in the Spanish Civil War. Chagall executed the etchings with the plates destroyed after printing. Folio. With 16 full-page etchings with aquatint by Chagall 2 double page. Sheet size: 44 x 33 cm. Text in French. Original Rives wove paper wrappers lettering to front cover in black pages printed on Rives wove paper with deckled edges and publisher's watermark. Housed in publisher's beige cloth clamshell box lettering to spine gilt. All in fine condition. Cramer Chagall Illus. Books 103. hardcover
1927réf. 262094de la Nouvelle Revue Francaise 1927. First Edition. Trade Paperback. 79 pages. Text in French. Drawing by Chagall opposite title page. First edition first printing.Limited edition #326/550. Very good in printed wrappers paperback. Glassine dust wrapper with few small edge chips. Former owner signature and address on front free endpaper. Few pencil notes in English by former owner in text. de la Nouvelle Revue Francaise paperback
1927réf. 000565Paris N.R.F., Editions Gallimard 1927 In-8 Broché Ed. originale
1977réf. 16714Editions de la Nouvelle Revue Française / Collection " Une œuvre, un portrait " 1927. In-12 broché de 80 pages au format 13 x 18,5 cm. Couverture avec titre imprimé. Dos carré. Plats et intérieur frais. Exemplaire en grande partie non coupé. Portrait de Marcel Arland par Marc Chagall, situé en frontispice. Un des 120 exemplaires hors commerce, du tirage de tête, numérotés sur vélin simili cuve ( n° XVI ). Rare édition originale en superbe état général. Précieux exemplaire enrichie d'une cordiale dédicace, autographe, signée, de Marcel Arland.
1982réf. KNY163772Lviv, 1982. Format: 18.2 x 24 cm. Hardcover. Language: Ukrainian. Condition: not graded in detail, please see the photos. Photographs. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1960réf. 31643Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139¾ by 102¼ inches. Original lithograph in colours published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 236 Mourlot unknown
1960réf. 16386Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139 by 102 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 3550 by 2600mm 139 by 102 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlotthe master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testamentcreation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 3550 by 2600mm 139 by 102 inches depicts 'Eve incurs God's Displeasure - Eva wird von Gott verdammt'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 236 Mourlot unknown
réf. 03-0131Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 236. Paris: Verve, 1960. unknown
1960réf. 2008060189Paris: Mourlot Verve 1960. Art Prints & Posters. Very Good. Original lithograph from "Verve": vol. X nos. 37-38. Excellent condition. Gilt frame with image mounted under glass. Image dimensions: 35 x 26 cm; frame: 61 x 32 cm. Mourlot 236. Chagall's Drawings for the Bible. Biblical reference: Gen 3 16. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Mourlot, Verve unknown
réf. 15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
1981réf. 33492Paris: Galerie Maeght 1981. In very good condition. 91 x 57 cm 35.75 x 225 inches. Original color lithograph exhibition poster by Marc Chagall from Exhibition Poster Galerie Maeght Paris 1981. Published by Galerie Maeght Paris 1981. Printed by Mourlot Paris. Sheet: 91 x 57 cm 35.75 x 225 inches. An original Chagall lithograph not a reproduction from one of his most celebrated print series. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Galerie Maeght in Paris was Marc Chagall's primary gallery throughout much of his career and his exhibition postersprinted by the legendary Mourlot studio as original color lithographsare among the most collectible prints he produced. Unlike reproductions these posters were made from stones drawn directly under the artist's supervision giving each impression the character and vibrancy of an original work. Chagall exhibition posters from the Maeght gallery are perennial collector favorites combining display impact with proven authenticity.It depicts a large man holding a bouquet of flowers over a building. It was published by Galerie Maeght.Chagall's flower paintings and lithographs are among his most beloved and sought-after works. Combining vivid color lyrical composition and occasional figure elements they represent the full flowering of his mature style and are perennially popular with collectors worldwide. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Galerie Maeght unknown
réf. 15-8102New York: Perls Gallery 1956 & 1965. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1956 & 1965. unknown