2.517 Ergebnisse
1971Best.-Nr. V10752Linz/Darmstadt (Das Beispiel, Bau-Muster-Haus, Oberösterreichischer Landesverlag) 1971. 4°, illustrierte Originalbroschur, 50 S., Abbildungen
1973Best.-Nr. 2443Zürich Conzett und Huber, 1973. zahlr. Abb. 4° ill. Obrosch
Best.-Nr. KNY261732Softcover (paperback). Language: Ukrainian. Condition: not graded in detail, please see the photos. Black-and-white illustrations. Published: 1970–1980. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1978Best.-Nr. 99539Göttingen : Vandenhoeck und Ruprecht; Freiburg i. Br. : Christophorus-Verlag, 1978. 88 S. mit 24 Abbildungen (z.T. farb.) ; 29 cm;
1990Best.-Nr. 146205München : Hirmer. 1990. 189 S. : überwiegend Ill. ; 38 cm 37,5*27,5 cm. OLeinenband, OSchu.
1990Best.-Nr. 59971München : Hirmer 1990. 189 S. : 264 Abb., davon 160 farb. ; 38 cm, mit Schutzumschlag Top Zustand, Gewebe, gebundene Ausgabe, Leinen, Exemplar in sehr gutem Erhaltungszustand
1990Best.-Nr. BN150062München : Hirmer 1990. 1990. Keramik. Chagall. Sylvie Forestier ; Meret Meyer. Übers. aus d. Franz. Annemarie Seling Keramik. Chagall. Sylvie Forestier ; Meret Meyer. Übers. aus d. Franz. Annemarie Seling Chagall Marc und Sylvie Forestier München : Hirmer unknown
1999In-8 (cm. 28.10), brossura illustrata, pp. 287, (1), con illustrazioni in bianco e nero e a colori nel testo. Catalogo della Mostra: Verona, Palazzo Forti, 11 Settembre 1999 - 15 Gennaio 2000. In ottimo stato (nice copy).
2019ill., br. "Kandinskij, Gon?arova, Chagall. Sacro e bellezza nell'arte russa" presenta un nucleo di diciannove preziose icone russe appartenenti alle collezioni d'arte di Intesa Sanpaolo accostato a quarantacinque capolavori di artisti russi di fine Ottocento e inizio Novecento provenienti dalla Galleria Tret'jakov di Mosca e da altri importanti musei della Russia, di Nizza e di Salonicco. Pubblicato in occasione della mostra di Vicenza e curato da Silvia Burini, Giuseppe Barbieri e Alessia Cavallaro, il volume affronta un tema di rilevante spessore, quello dei rapporti tra la tradizione delle icone e i movimenti artistici che, tra Otto e Novecento, hanno radicalmente mutato il contesto russo influenzando definitivamente anche quello internazionale. Attraverso le opere di Chagall, Kandinskij, Gon?arova, Malevi?, Tatlin, Filonov, Kljun e di altri artisti russi di fine Ottocento primi Novecento viene dimostrato come l'arte moderna russa sia tornata ad attingere linfa vitale dalla spiritualità degli antichi modelli iconografici, la cui simbologia universale sa essere linguaggio anche della nuova sensibilità estetica delle Avanguardie.
1960Best.-Nr. 17703Paris: Mourlot 1960. Zoomify. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlotthe master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testamentcreation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Kain and Abel - Kain und Abel'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 238 Mourlot unknown
Delachaux et Niestlé, Champs psychanalytiques, 2001, 285 pp., broché, bon état.
Best.-Nr. 55952Delachaux et Niestlé, Champs psychanalytiques, 2001, 285 pp., broché, bon état.
1952A livre d'artiste with two original etchings (one stylish self'portrait with a palette, and one extremely stylish portrait of the author, a close friend of the artist's) and five original lithographs (one in color, four in bistre) by MARC CHAGALL. Goll's text, a first-person narrative from the point of view of a horse, explores the plight of working people. From a total edition of 200 copies printed on fine Rives wove paper, this copy printed specially for Dr. Louis Schwartz. Large 4to. Loose as issued in original wraps, housed in brown boards (adorned with an original wood-engraving in sanguine by Robert Blanchet) with ribbon ties. FINE AND BRIGHT, WITH NO DEFECTS. LIKE NEW.
1952Best.-Nr. 192528Paris: Éditions Manuel Bruker 1952. Il y a du cheval dans la tête de tous les grands hommes First edition number 44 of 50 copies printed on Van Gelder Holland watermarked paper; this copy issued with a duplicate suite of Chagall's illustrations printed on Montval pure-rag watermarked paper intended only for the first 25 copies printed. The total edition comprised 200 copies. Chagall a good friend of Goll's was the perfect choice of illustrator so often incorporating horses into his own artworks. First published in 1925 this eccentric and satirical short story is written from the point of view of Goliath an over-worked carriage horse in Paris newly elected to the board of directors of the horse union. His manifesto outlines among other demands eight-hour working days for the equine community and the prohibition of the making of sausages out of their corpses. A thinly veiled political allegory Goll uses the plight of the working horses to attack capitalism and the exploitation of the working class. Quarto. With 2 etchings and 5 lithographs by Chagall and additional duplicate suite of Chagall's illustrations loose at end. Wood-engraving by Robert Blanchett to front cover. Original wrappers gatherings unsewn as issued edges uncut. With original glassine dust jacket. Housed in publisher's pale brown card chemise with silk ties. Contents clean and bright very light toning to extremities of some pages prints clean and bright; small sticker residue to front board. A near-fine copy unknown
Best.-Nr. 055755Paris Calmann-Lévy 1959 in 4 (27,5x21,5) 1 fort volume broché en faux-feuillets sous couverture rempliée, chemise et étui, 317 pages 2; avec une lithographie originale d'après un dessin de Marc Chagall en frontispice ( Frontispiece lithograph by Marc Chagall, printed in black and grey ). Marc Chagall, 1887-1985. Traduit du hollandais par Tylia Caren et Suzanne Lombard, précédé d'extraits de lettres inédites adressées à M. Otto Frank. Nouvelle édition de la traduction française. Tirage limité, celui-ci un des 470 exemplaires numérotés sur vélin d'Arches ( one of 470 copies printed on vélin d'Arches, from the total edition of 495, on Arches wove paper ). Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1927Best.-Nr. 1652Paris, Éditions de La Pléiade, 1927. Un volume grand in-8° (245 x 180 mm), relié. Plein maroquin havane janséniste, dos à quatre nerfs, tête dorée, couverture et dos conservés, étui bordé (J.Van West). 21 GRAVURES ORIGINALES À L'AQUATINTE ET À L'EAU-FORTE PAR ALEXANDRE ALEXEIEFF. Tirage : 266 ex. Celui-ci l'un des 15 exemplaires de tête sur japon impérial, numéroté et paraphé par l'éditeur (n°11), comprenant une suite complète des gravures en premier état avec remarques sur japon mince, une suite complète en état définitif sur vélin et 2 gravures inédites avec remarques. Les suites sont judicieusement reliées en fin de volume (Bendazzi, Alexeieff, itinéraire d’un maître, 2001, pp. 98-115).
1927Best.-Nr. 1652-BParis, Éditions de La Pléiade, 1927. Un volume grand in-8° (245 x 176 mm), broché sous couverture rempliée imprimée. 21 GRAVURES ORIGINALES À L'AQUATINTE ET À L'EAU-FORTE PAR ALEXANDRE ALEXEIEFF. Tirage : 266 ex. Celui-ci l'un des 216 exemplaires sur vélin de Rives à la cuve (n°77) paraphé par l'éditeur. Note : "Pour Alexeieff, l'illustration doit se libérer du texte, elle n'est pas ornementale. Il la considère comme une interprétation de la parole écrite, synthèse du texte de l'auteur, recréant ainsi un monde autonome formé des impressions que l'illustrateur ressent au cours de la lecture, les comparant ensuite à son propre univers constitué de ses souvenirs. Cette étape est précédée d'un long travail préparatoire où Alexeieff effectue des recherches sur l'auteur, son époque, sa pensée et sur les critiques littéraires dont il fut l'objet".
1927Best.-Nr. 1788Paris, Éditions de La Pléiade, 1927. Un volume grand in-8° (245 x 180 mm), relié. Plein maroquin citron janséniste, dos à quatre nerfs, doublures à encadrement de maroquin orné de filets dorés ornementés, tête dorée, couverture et dos conservés, étui bordé (signé par Bellvallée). 21 GRAVURES ORIGINALES À L'AQUATINTE ET À L'EAU-FORTE PAR ALEXANDRE ALEXEIEFF. Tirage : 266 ex. Celui-ci l'un des 216 exemplaires sur vélin de Rives à la cuve (n° 185) paraphé par l'éditeur. (Bendazzi, Alexeieff, itinéraire d’un maître, 2001, pp. 98-115).
Best.-Nr. 9744Editions Manuel Bruker, 1952. In-4 en feuilles, 56-(8) pp., couverture illustrée en couleurs et 6 illustrations par Chagall (dont 2 portraits), chemise de protection à lacets.
Best.-Nr. 23830NL, Adr.Heinen, 2006 hardBound, 144 pagina's illustrated in color. new condition !!. ISBN 9789086800155.
1960Best.-Nr. 38198Paris: Maeght 1960. In excellent condition. 320 by 240mm 12 by 9 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Chagall Lithographe / Catalogue Raisonné Vol. I 19221957 1960. Published by André Sauret Monte Carlo 1960. Printed by Mourlot and Draeger Paris. Sheet: 320 by 240mm 12 by 9 inches. A joyful original Chagall circus print full of the luminous color and fantasy his work is loved for. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Chagall Lithographe' Volume I 1960 published by André Sauret in Monte Carlo with text by Julien Cain is the first volume of the catalogue raisonné of Chagall's lithographic work covering prints from 1922 to 1957. The volume contains 24 original color lithographs printed by Mourlot and Draeger in Paris. A landmark publication in the history of Chagall's graphic art it documents his early mastery of lithography and includes some of his most celebrated compositional themeslovers musicians the Jewish world of his childhood.This original color lithograph sheet: 320 by 240mm 12 by 9 inches depicts 'Jongleurin'. Published in 1960 Edition of 5000 by André Sauret Monte Carlo this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The circus was one of Chagall's most enduring obsessions a metaphor for the artist's own world of dreamlike fantasy and poetic escape. His circus lithographswith their acrobats clowns and performers floating against vivid color fieldsare among the most joyful and decorative of all his prints perennially popular with collectors. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 290 Maeght unknown
Best.-Nr. 03-0139Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 253. M. 276 verso. Paris: Verve, 1960. unknown
1960Best.-Nr. 16383Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139 by 102 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 3550 by 2600mm 139 by 102 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 19371960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlotthe master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testamentcreation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 3550 by 2600mm 139 by 102 inches depicts 'Job in Despair - Hiob in der Verzeiflung'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 254 Mourlot unknown
1960Best.-Nr. 31641Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139¾ by 102¼ inches. Original lithograph in colors published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Framed in modern silver frame. Mourlot 254 Mourlot unknown
Best.-Nr. 03-0140Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 254. M. 277 verso. Paris: Verve, 1960. unknown
