[Cover design by:] Chagall, MarcBiblio.com
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1922Best.-Nr. 1736Moscow: Der Shtrom The Moscow School for Yiddish Printers 1922. First edition. In publisher’s illustrated wrappers. Paper yellowed due to aging. Tiny inkblots on cover. Note in pencil on title page. Numeric notes between pp. 9–25. Three pinholes throughout at the gutter. Cover artistically restored. Overall in very good condition. Cover design by Marc Chagall. Cover design by Marc Chagall. First edition. In publisher’s illustrated wrappers. 80 p. The second number of the first Soviet Yiddish literary-cultural periodical featuring a cover designed by Marc Chagall. Shtorm was founded and edited by a literary and artistic group formed in Kiev of Yekhezkl Dobrushin Nokhem Oyslender and Arn Kushnirov and Dovid Hofshteyn. Six numbers were published in five issues between 1922 and 1924. Each cover featured the same illustration on the front by Marc Chagall. “Chagall used only the letters in the word Shtrom as illustrations which included a disembodied person on the »R« and a factory with a worker entering the building as part of the »Sh«” Shneer pp. 145–6. Bibl.: Shneer D.: Yiddish and the Creation of Soviet Jewish Culture: 1918–1930. Cambridge University Press 2004. . Der Shtrom, The Moscow School for Yiddish Printers unknown
1991Best.-Nr. 1247817Würzburg: Echter, 1991. 39 S. : zahlr. Ill. Pp.
Best.-Nr. 26591Lakewood CO: Centipede Press. 2010. Limited edition. Limited edition. Signed by the author. Publisher's original quarter black cloth and red paper-covered boards with titles in silver to the spine in the Salvador Dalí illustrated dustwrapper. Red satin ribbon page marker. Max Ernst illustrated endpapers. Illustrated with six black and white wood engravings by Howie Michels and six colour plates by Marc Chagall. A fine copy the binding square and firm the cloth bright and fresh. The contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the lightly rubbed dustwrapper that has a small scratch to the rear panel and is otherwise without fading loss or tears. Not price-clipped $95.00 on the barcode label fixed to the rear panel. Issued in an edition of 300 copies from which this example is numbered 176 and signed by Steve Rasnic and Melanie Tem in black ink on the colophon. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Lakewood, CO: Centipede Press. 2010 hardcover
1959Best.-Nr. 013256Paris Etude Maurice Rheims 1959 In-4 Cartonnage toilé illustré
1956Best.-Nr. 330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition. The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper. Harcourt Brace unknown books
1956Best.-Nr. 273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition. American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A less than good only copy but all the desirable lithographs are present and in excellent condition. Harcourt Brace unknown books
1956Best.-Nr. 1395231New York: Harcourt Brace and Company 1956. First American Edition. Hardcover. Quarto unpaginated. In Good condition. Bound in publisher's illustrated boards. Spine blue with black lettering. Binding extremely fragile though still in tact. Bottom halves of front and rear hinges split. General shelf wear to head and tail of spine and to edges and corners of boards. Mild scuffing and soiling to boards. Staining to fore edge of textblock affecting the margins throughout the interior. Scattered foxing throughout textblock primarily to endpapers title page and "Captions" in rear leaving the lithographs largely unaffected. Age toning throughout. Previous owner's signature to front free endpaper. Includes the front inner flap of dust jacket stored loosely within. DL Consignment. Shelved in Case 11. 1395231. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover books
1956Best.-Nr. 198870New York: Harcourt Brace - Verve 1956. First edition. Hardcover. The first American edition of this beautifully printed book which was published as a double issue of Verve. Text by Jean Wahl and an appreciation by Meyer Schapiro. Includes 28 lithographs with 16 in color along with 105 black and white heliogravures. A very good copy in paper covered boards with loss to the top of the spine some splitting and wear to the spine edges and some creasing to the front free endpaper. No dust jacket. Lithographs in very near fine condition. Harcourt, Brace - Verve unknown books
1956Best.-Nr. 330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition. The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper. Harcourt Brace unknown
1956Best.-Nr. 1395231New York: Harcourt Brace and Company 1956. First American Edition. Hardcover. Quarto unpaginated. In Good condition. Bound in publisher's illustrated boards. Spine blue with black lettering. Binding extremely fragile though still in tact. Bottom halves of front and rear hinges split. General shelf wear to head and tail of spine and to edges and corners of boards. Mild scuffing and soiling to boards. Staining to fore edge of textblock affecting the margins throughout the interior. Scattered foxing throughout textblock primarily to endpapers title page and "Captions" in rear leaving the lithographs largely unaffected. Age toning throughout. Previous owner's signature to front free endpaper. Includes the front inner flap of dust jacket stored loosely within. DL Consignment. Shelved in Case 11. 1395231. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
1956Best.-Nr. 198870New York: Harcourt Brace - Verve 1956. First edition. Hardcover. The first American edition of this beautifully printed book which was published as a double issue of Verve. Text by Jean Wahl and an appreciation by Meyer Schapiro. Includes 28 lithographs with 16 in color along with 105 black and white heliogravures. A very good copy in paper covered boards with loss to the top of the spine some splitting and wear to the spine edges and some creasing to the front free endpaper. No dust jacket. Lithographs in very near fine condition. Harcourt, Brace - Verve unknown
1956Best.-Nr. 110226Harcourt Brace and Company 1956-01-01. Hardcover. Very Good. 0x0x0. 1956 Harcourt Brace and Company American issue of Verve 33/34. Clean tight and unmarked jacket is quite tattered in two pieces missing the spine of the jacket and is now laid into the book. All lithographs intact and undamaged. oversized and overweight. Please email for photos. Harcourt, Brace and Company hardcover
1956Best.-Nr. 273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition. American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A less than good only copy but all the desirable lithographs are present and in excellent condition. Harcourt Brace unknown
19942 tomi in 1 vol., in 4°, pp. 260; 62, 79 tavv., pp. 20; p/tela edit. gialla con tit. in blu, cofanetto rileg. in tela blu con custodia nascosta che contiene la tav. a colori 'Il sogno di Giacobbe', numerata. Monografia sulle pitture, i guazzi, i mosaici, le vetrate dedicate al tema biblico, con centinaia di ill. a colori a p/pag. con descrizione a fronte, e in b/n, cenni biografici, bibliografia, indice delle tavv. Solo lievi fior. alle sguardie, per il resto ottimo. 421/36
1994Best.-Nr. 27868Milano: Hapax 1994. Rilegato tela custodia cloth slip-case. Molto buono Very Good. La storia il sito le tele acquerelli e pastelli. Testi di Pierre Provoyeur. Foto di Elio Ciol. Numerose tavole a colori anche a piena pagina con a fronte scheda informativa sull'opera. Illustrazioni in bianco e nero. Con 79 tavole a colori dei pastelli. Folio. pp. 260 64 tav. Molto buono Very Good. Edizione speciale. Hapax, hardcover
Litografia originale a colori mm.352x260 tratta dal volume "Dessins pour la Bible", stampato a Parigi, Editions de la Revue Verve, 1960. Non firmata.
1949Best.-Nr. 202016Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career. Duell, Sloan & Pearce hardcover books
1949Best.-Nr. 202016Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career. Duell, Sloan & Pearce hardcover
2016ill., br. In Michail Bachtin la teoria della creatività artistica è fondamentalmente rivolta allo studio della letteratura. Essa però si presta ad essere messa in rapporto ed in dialogo con la ricerca artistica nell'ambito del visivo, e in particolare, relativamente ai nostri interessi, con la pittura. Ciò non è dovuto tanto al fatto che nell'opera bachtiniana si possano trovare riferimenti alle arti visive o al fatto che l'estetica bachtiniana spesso allarghi il proprio discorso spostandolo dal campo della letteratura a quello della produzione artistica in generale. La possibilità di far incontrare dialogicamente la ricerca bachtiniana con quella pittorica dipende piuttosto dal ruolo che in entrambe gioca la raffigurazione in contrasto con la riproduzione, la rappresentazione, l'imitazione. La questione riguarda la concezione e l'impiego dei segni, ed è quindi di ordine semiotico. E il segno che è direttamente coinvolto nella ricerca pittorica di Kazimir Malevic? e di Marc Chagall, come pure nella teoria della raffigurazione estetica di Bachtin, è l'icona. Tale tipo di segno occupa un posto centrale anche nella semiotica di Charles Sanders Peirce in quanto maggiormente capace di innovazione e di inventiva.
Best.-Nr. 3429006163.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
200979 S. : Ill. ; 21 cm Ppbd. mit OUmschlag. Zustand neuwertig. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6 Euro, darüber hinaus 7 Euro Porto. -
1989Best.-Nr. BN662769Echter Verlag 1989. 1989. Hardcover. Ich bin mit dir - Der Weg Gottes mit seinem Volk im farblithographischen Zyklus des Jahres 1966 zum Buch Exodus Ich bin mit dir - Der Weg Gottes mit seinem Volk im farblithographischen Zyklus des Jahres 1966 zum Buch Exodus Marc Chagall Klaus Mayer Echter Verlag hardcover
1991Mm 140x215 Volume di pp. 167, cartonato rigido, sovraccoperta editoriale, dedica dell'autore alla guardia, in buono stato. Prima edizione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1962In 16°, br. edit. ill. con sovrac. ill. (piccolo strappetto), pp. 12,171,(21) con alcune ill. b/n in tavv. f.t.; coll. "La fronda. Volume 31"; lieve brunitura del bordo delle pp. ma nel complesso copia molto buona. (T07) (la spedizione standard è SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine)
1962In 16°, pp. 171 con 13 tav. f.t. di riproduzioni dell'autore. Bross. edit. con sovrac. ill. a col.
