Antiquariat.de
2 484 résultats
1958réf. 80490Genève, Gérald Cramer (= Catalogue N° 11), 1958. 54 S., 1 Bl. Mit zahlreichen s/w Abbildungen. 8vo. Farb. ill. OKart.
2003An exhibition catalogue for the show Feb 7 - June 8 2003 including the artists Goya Degas Pissarro Seurat Redon Modigliani Mondrian Brancusi, Leger, Klee, Picasso, Chagall, Klimt, Schiele Grosz, Kirchner, Giacometti. 142 pages many color plates. Text is in Spanish
1978réf. 5149Berlin., Volk und Welt., 1978. 2. Auflage. 261S. Guter Zustand. 8°. OLeinen.
1971réf. 00087Hamburg, Rowohlt, 1971. Ln, OU, 196S,
1971réf. 1753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
Milano, Mondadori, novembre 1961, un fascicolo in-4, br., pp. 132. Con numerose ill. in b.n. e a col. e pubblicità.
2007réf. LIQ-6701Martigny, Fondation Pierre Gianadda. 2007. In-8° carré brocé, couverture souple illustré en couleurs, 247 pages.
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
1972réf. 2090202120802766Toshi shubbansha 1972. Soft Cover. Fine. Volume: 1 Toshi shubbansha paperback
1959réf. ABE-219264025876 PAGES-A PARIS AUJOURD'HUI/CHAGALL (PHOTO)/GERMAINE RICHIER (PHOTO)/LAURENT DE BRUNHOFF (PHOTO)-LE MARIAGE DE BARDOT/4P/8 PHOTOS-PARIS LANCE LES COULEURS "PICASSO"-MODE/PHOTOS FONSSAGRIVES-L'INTERVIEW DE DANIELLE HUNEBELLE/ROSSELLINI CROYEZ VOUS A L'AMOUR?/5P/PHOTOS
1959réf. ABE-1498628232565132 PAGES-23,5 CM X 31 CM-EN COUVERTURE "JETEZ-VOUS A L'EAU.EN BEAUTE", PHOTO FOULI ELIA-MYLENE DEMONGEOT POUR PUBLICITE "LUX", 4 PHOTOS COULEURS SUR 1 PAGE-DES CHAGALL PASSENT LE RIDEAU DE FER, PHOTO, ARDITI, GALERIE BERRI LARDY, SOPHIE GRANVAL, GALERIE LUCIEN DURAND, PHOTO DE LA PEINTRE-LA PETITE ANOUILH DEVIENT LA PETITE MOLIERE, CATHERINE ANOUILH-L'ALPHABET DU NOUVEAU CINEMA FRANCAIS, 2P, 15 PHOTOS-LES JEUNES LIONS DU CINEMA FRANCAIS FONT DE VOUS LE SPECTATEUR LE PLUS ENVIE DU MONDE, 8 PAGES, PHOTO MARCEL CAMUS, PHOTO LOUIS MALLE ET MARIE LAFORET, PHOTO CHABROL ET BELMONDO, PHOTO ALAIN RESNAIS, PHOTO FRANCOIS TRUFFAUT-JETEZ-VOUS A L'EAU EN BEAUTE, 17 PAGES, MAILLOTS DE BAIN-ASSISTANCE PUBLIQUE 5 DESTINATION: UNE FAMILLE INCONNUE, 5 PAGES-SOPHIE DESMAREST: ADIEU MON VEL'D'HIV', PHOTO
1952réf. ABE-152708781361360 PAGES-24 CM X 31 CM-ELLE, INDISCRETE, SURPREND CES "BRILLANTS SUJETS" AU SOLEIL, 2P, 9 PHOTOS (SARTRE, CLOUZOT, PAGNOL, CHAGALL, ACHARD,.), CARTE-CONTE N°6: S.E.L'AMBASSADEUR, 3P PAR BLAISE CENDRARS-PHOTOGRAPHIES EN BRETAGNE PORTES DE L'O. A L'E. ET DU N. AU S., , 2P, 7 PHOTOS, BENODET-(E1)
1969réf. 1203961969. First Edition. Signed. SENGHOR Lopold Sdar. lgie des Alizs. Lithographie Originale de Marc Chagall. Paris: ditions du Seuil 1969. Slim quarto five loose gatherings in original cream paper wrappers uncut and unopened original glassine. $2800.Limited first edition number 405 of only 450 copies of Senghor's lgie des Alizs Elegy for the Trade Winds with an original full-page three-color lithograph by Chagall signed and dated by him in 1974 on the title page. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.Internationally recognized poet politician and cultural theorist who served as the first president of Senegal Lopold Sdar Senghor avoided the Marxist and anti-Western ideology that had become popular in post-colonial Africa choosing instead to form a close relationship with France and the Western world. He was instrumental in the cultivation of postcolonial aesthetics and black African consciousness. His poetry reflects an ""all-embracing humanism which envisions the solidarity of all men with each nation making its contribution in its own special way to a 'universal civilization"" Albert S. Gerard. Critics continually point to his ability to synthesize elements of Western and African experience and to evoke universality in the imagery of his verse. ""Senghor is not merely a Frenchified African who tries to give exotic interest to his French poems; he is an African who uses the French language to express his African soul"" Ulli Beier. Chagall's wonderful illustration was printed by Fernand Mourlot who ran a lithography press in Paris where such greats as Braque Matisse Picasso Mir Lger and of course Chagall came to have their designs printed and to learn about this still nascent medium. Text in French. Cramer 82. Sorlier 587. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.A bit of wear two small ink marks to rear panel of fragile original glassine; wrappers and interior fine. unknown books
1969réf. 1203961969. First Edition. Signed. SENGHOR Lopold Sdar. lgie des Alizs. Lithographie Originale de Marc Chagall. Paris: ditions du Seuil 1969. Slim quarto five loose gatherings in original cream paper wrappers uncut and unopened original glassine. $2800.Limited first edition number 405 of only 450 copies of Senghor's lgie des Alizs Elegy for the Trade Winds with an original full-page three-color lithograph by Chagall signed and dated by him in 1974 on the title page. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.Internationally recognized poet politician and cultural theorist who served as the first president of Senegal Lopold Sdar Senghor avoided the Marxist and anti-Western ideology that had become popular in post-colonial Africa choosing instead to form a close relationship with France and the Western world. He was instrumental in the cultivation of postcolonial aesthetics and black African consciousness. His poetry reflects an ""all-embracing humanism which envisions the solidarity of all men with each nation making its contribution in its own special way to a 'universal civilization"" Albert S. Gerard. Critics continually point to his ability to synthesize elements of Western and African experience and to evoke universality in the imagery of his verse. ""Senghor is not merely a Frenchified African who tries to give exotic interest to his French poems; he is an African who uses the French language to express his African soul"" Ulli Beier. Chagall's wonderful illustration was printed by Fernand Mourlot who ran a lithography press in Paris where such greats as Braque Matisse Picasso Mir Lger and of course Chagall came to have their designs printed and to learn about this still nascent medium. Text in French. Cramer 82. Sorlier 587. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.A bit of wear two small ink marks to rear panel of fragile original glassine; wrappers and interior fine. unknown
In 4°, br. edit. ill. a col., pp. 82. Numero interamente dedicato a Marc Chagall con contributi di diversi scrittori e numerose ill. n.t. anche a piena pag., anche a col.
1962réf. 12808Conzett & Huber, Zürich, 1962. 82 Seiten. 4to. Kartoniert.
1980réf. 23780New York: Harcourt Brace and Company 1980. First American edition. Hardcover. Orig. color lithographed boards. Near fine in original unclipped dust wrapper chipped along the edges. Introductory text not paginated seven leaves. 37 x 27 cm. Twenty four full page original color lithographs plus 96 plates in black and white. Chagall's biblically theme drawings first reproduced in Verve 33/34 and the second suite Verve 37/38 double issue Summer 1960 and is the final entry in the Verve bibliography. The heliogravures in black and white printed by Draeger Freres and the color lithographs by Mourlot Freres. CRAMER 42. MOURLOT 230-277. SORLIER 75. Harcourt Brace and Company hardcover books
1960réf. 475Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-PAUL-DE-VENCE FRANCE DRAWINGS FOR THE BIBLE as published for Verve. Verve Vol. X no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued. Verve hardcover books
1960réf. 475Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-PAUL-DE-VENCE FRANCE DRAWINGS FOR THE BIBLE as published for Verve. Verve Vol. X no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued. Verve hardcover
réf. 51-0653New York: Harcourt Brace 1960. Small folio. Original boards with color lithograph by Chagall on front and back covers Mourlot 230 lacking all the other lithographs. . 96 black and white plates of Chagall's etchings. New York: Harcourt, Brace, 1960. hardcover
1960réf. 51925Paris. 1960. Folio. Originalt kartonasjebind. Upaginert. Med 24 originale farvelitografier samt en rekke illustrasjoner i svart/hvitt.Folio. Publihser original decorated boards. Without pagination. With 24 original lithographs in addition illustrated in black and white. Distributed in Great Britain and the Dominions by A. Zwemmer Ltd. London Engelsk. ""This double volume of VERVE contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the Bible reproduced in Verve 33/34. The present work comprises 96 reproductions in blavk and white and 24 lithographs in color as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers Draeger Frères and the lithography in colour by Mourlot Frères were completed in Paris on the 29th of July 1960"". hardcover
réf. 16-5578New York: Harcourt Brace & Company 1960. First American edition. Folio. 26 x 35.7 cm. Fully illustrated by Chagall with ninety-six black-and-white reproductions and twenty-four color lithographs on wove paper. Illustrated paper over boards with cloth spine and dust jacket; loss in lower right corner and extremities of dust-jacklet. Lithographs are clean. Bookplate of Renée L. Gelman M.D."This double number of VERVE contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the bible reproduced in VERVE 33/34. The present work comprises 96 reproductions in black and white and 24 lithographs in color as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers DRAEGER Frères and the lithography in color by Mourlot Frères." Cramer 42. Mourlot 230-277. Sorlier 75. New York: Harcourt, Brace & Company, 1960 hardcover
1995réf. 005798Dover Publications 1995. Soft cover. Fine/No Jacket issued. Dover Publications paperback
1980réf. 23780New York: Harcourt Brace and Company 1980. First American edition. Hardcover. Orig. color lithographed boards. Near fine in original unclipped dust wrapper chipped along the edges. Introductory text not paginated seven leaves. 37 x 27 cm. Twenty four full page original color lithographs plus 96 plates in black and white. Chagall's biblically theme drawings first reproduced in Verve 33/34 and the second suite Verve 37/38 double issue Summer 1960 and is the final entry in the Verve bibliography. The heliogravures in black and white printed by Draeger Freres and the color lithographs by Mourlot Freres. CRAMER 42. MOURLOT 230-277. SORLIER 75. Harcourt Brace and Company hardcover
