ROY, ClaudeLivre Rare Book
2.488 Ergebnisse
1961Best.-Nr. 1350Genève, Skira (coll. "Le goût de notre temps"), 1961. In-8° carré, 104 pages. Cartonnage pleine toile illustrée d'éditeur, étui de carton gris. Édition hors-commerce numérotée. 1 des 8000 exemplaires. Illustré de nombreuses reproductions contrecollées en noir et en couleurs.
1960Best.-Nr. 38191Paris: André Sauret. 1960. Printed on the full sheet as published. 12 1/2 x 9 1/2 inches. In excellent condition. 32 x 24 cm 12.5 x 95 inches. Original lithograph in colors printed 1960 at Mourlot and Draeger in Paris. Published in Marc Chagalls Catalogue Raisonne Lithograph I. Mourlot 283 André Sauret. unknown
1982Best.-Nr. 32321ABMünchen, Prestel 1982. Gr.-4°. 223 S., OLwd. mit OUmschl. u. Schuber (dieser mit minim. Lichtrand). Sonst tadellos. 1. Auflage. OLwd. mit OUmschl. u. Schuber (dieser mit minim. Lichtrand). Sonst tadellos. 1. Auflage.
1982Best.-Nr. 59498München, Prestel Verlag, 1982. Durchgehend bebildert. 223 S. 32,5 x 24,5 cm, Ln., OU. Leichte Gebrauchsspuren, sonst gut erhalten.
2010Best.-Nr. 145492München ; Berlin ; London ; New York : Prestel. 2010. 223 S. : zahlr. Ill. 33*25 cm. OPappband, OSchu.
2004Best.-Nr. 82481Mch. u.a.: Prestel (c 2004). 4 Bll., 223 Ss. 4°. Dunkelrote Pp. mit blauem Rückentitel u. illustr. Umschl. in dunkelrotem Pp.-Schuber mit mont. farb. Deckelbild. [5 Warenabbildungen]
1996Best.-Nr. 176720-1München, Prestel 1996. Gr.8°. 147 S. Mit 42 farb. Ill. nach den Lithographien von Marc Chagall. Original-Pappband
1994Inspired by a journey through Greece, Marc Chagall, one of this century's most popular painters, created a wonderful series of lithographs that brought new life to this ancient Greek love story -- the first pastoral romance. "'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'" Translated by Paul Turner. 150p. Illustrated with forty-two full color illustrations based on the original lithographs. 150 pages. New copy still in shrink wrapping. Book
1977Best.-Nr. 1419011New York: George Braziller 1977. First Edition Thus. Hardcover. Quarto 222 pages. In Very Good condition with a Very Good minus dust jacket. Spine white with black lettering. Dust jacket protected with a mylar covering. Rubbing and light soiling to dust jacket spine with small open tears at head and tail. Large closed tear on top edge of front cover. Rubbing to corners of dust jacket. Mild shelf wear to boards. Textblock clean. Shelved on the Front Table. 1419011. Shelved Dupont Bookstore. George Braziller hardcover books
2000Best.-Nr. 238249Munich.: Prestel. Pegasus. 2000. First edition thus. Soft cover. . Fine copy. As new. . Octavo. . Illustrated in black white and color. Very scarce in this condition. Prestel. Pegasus. paperback
1977Best.-Nr. 13795New York: Braziller 1977. First US Edition. Hardcover. Fine/Fine. 4to. Pp. 222. Color frontis. illustration. Illustrated with 41 full-color plates several spreading across two page. Bound in tan cloth with green lettering stamped on spine. In the pictorial dust jacket and the publisher's plain cardstock slipcase that has a small "x" on rear panel. Book and dust jacket are fine. A superb copy of this lavish production with no detracting qualities. First published Paris 1961 by Les Editions Verve. Braziller hardcover
1994Best.-Nr. Q-3791313738Prestel Pub 1994-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Prestel Pub paperback
1977Best.-Nr. 1419011New York: George Braziller 1977. First Edition Thus. Hardcover. Quarto 222 pages. In Very Good condition with a Very Good minus dust jacket. Spine white with black lettering. Dust jacket protected with a mylar covering. Rubbing and light soiling to dust jacket spine with small open tears at head and tail. Large closed tear on top edge of front cover. Rubbing to corners of dust jacket. Mild shelf wear to boards. Textblock clean. Shelved on the Front Table. 1419011. Shelved Dupont Bookstore. George Braziller hardcover
Best.-Nr. lc_103427George Braziller, 1977
Best.-Nr. 51-5816Paris: Tériade Editeur 1961. . Folio. 32.3 x 42cm. Edition of 250 this one without the limitation page. Two volumes in cream board chemises in matching slipcase.Text volume with 78 pages. Plate volume with paper wraps only.Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 46 Paris: Tériade Editeur, 1961. paperback
1991Best.-Nr. 771940Cabries.: Chateau Musee de Cabries. 1991. Card covers. With 5 mounted plates & illustrations. Very good. Chateau Musee de Cabries. unknown
1965Best.-Nr. W2679Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In fine condition: clean bright and crisp. Mourlot 142. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
1960Best.-Nr. 36841Paris: Mourlot 1960. In ausgezeichnetem Erhaltungszustand. 35 x 26 cm 13.75 x 1025 inches. Original color lithograph by Marc Chagall from Original Lithograph 1960. Published by Mourlot Paris 1960. Printed by Mourlot Paris. Sheet: 35 x 26 cm 13.75 x 1025 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 35 x 26 cm 13.75 x 1025 inches depicts 'Creation - Die Schöpfung'. Published in 1960 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. Die Auflage betrug 6500 Exemplare unsigniert und nicht nummeriert. Mourlot 234 Cramer 42 Mourlot unknown
1927Best.-Nr. 1751Paris: I. Grodzensky 1927. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. Cover and plates are worn at extremities. Cover and some plates damaged at corners and at the string. Two photographic reproductions are loose. Overall in good condition. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. 4 text plates and 19 album card plates with mounted photographic reproductions. Scarce book with Chagall’s cover design. With Marc Chagall’s image on the front cover. Before a black background the image features an opened Torah scroll with the inscription of Schwartzbard's name in Hebrew letters an angel with sword flies over the Torah an allusion to Michael the Archangel the advocate of the Jews. A scarce album with pictures of places and portraits of people connected with the Schwartzbard-trial together with short expressions of opinion from prominent intellects as well as brief biographical notes on Schwartzbard and Petliura. Sholom Schwartzbard 1886–1938 was a Russian-born French Yiddish poet and anarchist the assassin of Symon Petliura 1879–1926 head of the Ukrainian government-in-exile in Paris in 1926. Schwartzbard held Petliura responsible for the death of fifteen of his relatives murdered in pogroms during Petliura rule of the Ukrainian National Republic. The number of Jews murdered during the massive 1918–1921 pogroms in Ukraine is estimated to be between 35000 and 50000 and a large percent of the violent attacks were carried out by soldiers under Petliura’s command. The Schwartzbard trial began in mid-October 1927 lasted for eight days in the end it turned on accusations of Petliura's responsibility for the pogroms and eventually Schwarztbard was acquitted. Scarce we could trace only 3 copies in institutional holdings Harvard University Widener Library Cambridge MA USA; NLI Jerusalem; Musée d’art et d’histoire du Judaïsme Paris. . [I. Grodzensky] unknown
Best.-Nr. 51-0741Paris: Maeght 1957. Color lithograph from DLM 99-100. 15 x 11 inches sheet size. Mourlot no. 175. Paris: Maeght, 1957. unknown
Best.-Nr. 51-0740Monte-Carlo: André Sauret 1960. Lithograph from Chagall Lithographe I. 320 x 240 mm. Mourlot no. 292. Monte-Carlo: André Sauret, 1960. unknown
1958Best.-Nr. N - 2026 - 12Couleur Amour 13 Aquarelles. Gouaches Lavis de Marc Chagall. Au Vent d'Arles. Paris 1958 Preface by Jean Cassou. Large portfolio with 13 pochoirs realized by Daniel Jacomet after Chagall art works. Limited and numbered edition of 300 copies in Arabic N. 29 20 out of commerce in Roman I to XX printed in Richard de Bass paper especially watermarked for this edition. Loose as issued and collected in the original pictorial cloth portfolio folder especially executed by Chagall. Au Vent d'Arles books
1958Best.-Nr. N - 2026 - 12Couleur Amour 13 Aquarelles. Gouaches Lavis de Marc Chagall. Au Vent d'Arles. Paris 1958 Preface by Jean Cassou. Large portfolio with 13 pochoirs realized by Daniel Jacomet after Chagall art works. Limited and numbered edition of 300 copies in Arabic N. 29 20 out of commerce in Roman I to XX printed in Richard de Bass paper especially watermarked for this edition. Loose as issued and collected in the original pictorial cloth portfolio folder especially executed by Chagall. Au Vent d'Arles
1953Best.-Nr. 1516Paris, Les 100 Bibliophiles de France et d’Amérique, 1953. 1 volume in-8 (230 x 200 mm), en feuilles, couverture illustrée d'un bois en couleurs, chemise et étui de l’éditeur recouvert de papier japon. 12 BOIS ORIGINAUX PAR HENRI LAURENS dont la couverture et 9 bois in-texte en couleurs et 2 bois en noir (titre et colophon). Tirage à 147 exemplaires sur vergé à la cuve, signés par l’artiste et la présidente de la société, celui-ci un des 47 justifiés en chiffres romains. Exemplaire à l'état de neuf.
Best.-Nr. 41524Paris, Verve (Vol. VI, N° 24), 1950. In-4°, non paginé. Broché, couverture illustrée rempliée.
