2.495 resultados
1956ref. 789-2Éditions de la revue Verve, Paris 1956. 1 volume in-folio (362 x 272 mm) relié sous cartonnage entièrement illustré en couleur. 16 LITHOGRAPHIES ORIGINALES EN COULEURS ET 12 EN NOIR par Marc Chagall. La couverture et la page de titre sont également des lithographies originales. 105 reproductions en noir des gravures de l'édition publiée par Tériade. Texte en français. BEL EXEMPLAIRE, cartonnage beau, un accroc en bas du dos bien restauré, sans manque, condition intérieure excellente, sans défaut. Marc Chagall : THE BIBLE (1956). French text edition. 16 ORIGINAL LITHOGRAPHS IN COLOR + 12 IN BLACK. A complete copy in beautiful condition condition.
ref. BN24472Katholisches Bibelwerk Auflage: 2. vollst. neubearb. Auflage: 2. vollst. neubearb. Hardcover. 264 x 19 x 5 cm. Bibelausgaben FestBibel Mit Bildern von Marc Chagall: Einheitsübersetzung der Heiligen Schrift. Psalmen und Neues Testament. Ökumenischer Text. Mit Familienchronik Gebundene Ausgabe Marc Chagall Illustrator Bibelausgaben FestBibel Mit Bildern von Marc Chagall: Einheitsübersetzung der Heiligen Schrift. Psalmen und Neues Testament. Ökumenischer Text. Mit Familienchronik Gebundene Ausgabe Marc Chagall Illustrator Katholisches Bibelwerk hardcover
1999Mm 235x290 Volume in copertina rigida con sovraccoperta originale, 167 pagine con un ricco corredo di illustrazioni a colori nel testo e fuori testo. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1963ref. 004007Monte Carlo/Boston: André Sauret/Boston Book and Art Shop 1963. First Edition. Lithograph. Very Good. Original stone lithograph sourced from the second volume of Chagall's catalogue raisone "Chagall Lithographs II". Andre Sauret 1963. Printed at the Atelier Mourlot. Paper & Image size:12.5" x 9.5". Print condition: Very Good. With an almost imperceptible toning just along the very outer extreme edges a small chip at lower left hand corner and very slightly pushed tips. André Sauret/Boston Book and Art Shop unknown
2015ref. ABE-1622978885614194 PAGES-22,5 CM X 28,5 CM-IVRES: LA COLLECTION DU SANG-FIAC 2015 HYPER NATIONALE!-L'HOMME A DE NOUVEAU SON MUSEE-RETROSPECTIVE JOHN GIORNO QUAND LA POESIE DEVIENT UN SPECTACLE MAGIQUE.-EXPOSITION CENTRE POMPIDOU METZ ART ET TELEPATHIE SUR UNE MEME LONGUEUR D'ONDE-LES SYMPHONIES EN COULEURS DE CHAGALL-DE LYON A ISTAMBUL LE MEILLEUR ET LE PIRE DES BIENNALES-EXPOSITION MUSEE DE LA VIE ROMANTIQUE LES ENFANTS DE LA TERREUR-PARIS DANS LE GRAND BAIN DE LA PHOTOGRAPHIE
1995ref. ABE-169248632902166 PAGES-IN 4-PUBLICATION EDITEE A L'OCCASION DE L'EXPOSITION AU MUSEE D'ART MODERNE DE LA VILLE DE PARIS DU 13 AVRIL AU 17 SEPTEMBRE 1995-JOINT ARTICLE IMPACT MEDECIN QUOTIDIEN N°721 DU LUNDI 10 AVRIL 1995-(EM823)
1960ref. 38194Paris: Mourlot 1960. In excellent condition. 320 by 240mm 12 by 9 inches. 32 x 24 cm 12.5 x 95 inches. Original color lithograph by Marc Chagall. Edition of 2000 unsigned and unnumbered from Original Lithograph 1960. Published by Mourlot Paris 1960. Printed by Mourlot Paris. Sheet: 32 x 24 cm 12.5 x 95 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.Selfportrait of the artist looking over the bay of Nice.Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 286 Mourlot unknown
1992ref. 60229Jacques Boulan. Very Good. 1992. Hardback Slipcase. Please note that this is a heavy item and may incur extra shipping costs for international orders. ; Grey cloth slipcase some edges loose with fraying at corners; cloth folder small stain near titling on spine; folded title cover with loose sheets illustrated with one lithograph after Marc Chagall and eight original lithographs by Andre Verdet CD included. This is number 106 of a limited 125 copies with the publisher's signature at rear. Booklet 'Marc Chagall' by Andre Verdet 1956 Rene Kister pub. also laid in 30pp with illustrations. ; 11.75 x 2.25 x 14 inches; Unpaginated pages . Jacques Boulan hardcover
2001ref. ABE-1770750267272COLLECTION LES TRESORS DES ARCHIVES DE PARIS MATCH-168 PAGES-22,5 CM X 28,6 CM-(E226)
ref. EXE-546Genève, Galerie Gérald Cramer, 1975. Petit in-4° brochée, couverture illustrée.
1975ref. WOC-2512Bois gravés – Eaux-fortes – Lithographies – Monotypes. Préface de Ph. Jaccottet. Nombreuses reproductions. Genève, Galérie Gérald Cramer – Exposition 20 juin – 4 octobre 1975. Grand in-8 (26,5x21cm) broché, couverture illustrée sous plastique à rabat. Ouvrage non paginé.
ref. dola1052Geneva: 1975. Limited to 1250 copies. Exhibition Catalogue. 4to. 20 plates some colour. price list laid in. wrs. mylar dw. Fine copy. dola1052 Geneva: 1975 unknown
ref. 1086231970. Signed. CHAGALL Marc. Autograph letter signed. Zurich September 9 1970. Single sheet of Dolder Grand Hotel airmail-weight stationery measuring 6 by 8-1/4 inches; pp. 2 with original matching hand-addressed envelope. $2200.Extraordinary 1970 autograph signed letter written entirely in Yiddish from Marc Chagall to acclaimed Yiddish writer and Jewish activist S.L. Shneiderman thanking him for sending a book on Ilya Ehrenburg; expressing his hopes that they will see each other in the near future; and explaining that he is in Zurich for an event related to having made the stained glass windows for the Fraumunster Church.The letter written on a sheet of Dolder Grand Hotel airmail stationary entirely in Chagall's hand and dated ""9/Sept 1970"" and accompanied by a hand-addressed matching envelope reads in full translated: ""Dear friend Schneiderman A thousand years have gone by and I remember youÑand your Yiddish writing styleÑbut we seldom see each other. Thank you for your book about poor Ehrenburg and also the attached article about me not a public/published one. I will read your book. You can imagine that since that terrible epoch for us Jews we can never forget. I hope that someday I will see you. I send regards to you and to all the good Jews in America. With love Marc Chagall. P.S. I am here for the opening/conference since I made Biblical vitrages stained glass windows for the Fraumunster Church in Zurich."" This letter was written just before friction began to emerge between Shneiderman and Chagall. While Chagall had grown into an acclaimed artist in Europe much of that fame was dependent on working with non-Jewish entities such as churches and even on drawing depictions of events in the New Testament. Increasingly the Christian world began to embrace Chagall and to interpret his work as having ecumenical or even Messianic undertones. Chagall continued in his artistic endeavors and failed to respond to some of the religious-based commentary. Shneiderman felt that this was intolerable publicly criticizing Chagall's failure to meet with Jewish representatives in the community he worked in and his new alignment with Christian and secular authorities. While their relationship did not completely sour and they continued to correspond their relationship grew strained. At the time this letter was penned Shneiderman had just completely a book on Ilya Ehrenburg a famous Soviet-Jewish writer and cultural figure. Highly regarded as a translator journalist poet novelist and travel writer Ehrenburg is probably best known for his Black Book a powerful work detailing the genocide of Soviet Jews by the Nazis during the Holocaust. His book The Thaw on liberalization after Stalin also had a powerful influence and gave a name to an era. Sadly Ehrenburg's reputation was quickly destroyed by antisemites and conspiracy theorists after the war who seized upon an article he wrote called ""Kill!""Ñpublished while the Soviets were losing the war and the Germans were deep inside Soviet territoryÑin which Ehrenburg entreated soldiers to kill at least one German a day. Postwar he has often been blamed for the sacking of Germany by Russian troops though he condemned their actions. He died horribly of prostate and bladder cancer still a committed communist. The recipient of this letter was the famous Yiddish writer and journalist Samuel ""S.L."" Shneiderman. Continuing his distinguished early career as a war journalist Shneiderman is best known today for raising awareness about the plight of the Warsaw Ghetto after his arrival in the United States in 1940 and for his dedication to preserving the history of the Jews in Poland throughout his life. His works on the Holocaust and the terrible fate of the Jews remain the best known of his works. Shneiderman and his wife Eileen were also avid collectors of Yiddish-language books and their collection is now housed at the University of Maryland.Slight soiling to envelope letter fine. unknown books
ref. 1086231970. Signed. CHAGALL Marc. Autograph letter signed. Zurich September 9 1970. Single sheet of Dolder Grand Hotel airmail-weight stationery measuring 6 by 8-1/4 inches; pp. 2 with original matching hand-addressed envelope. $2200.Extraordinary 1970 autograph signed letter written entirely in Yiddish from Marc Chagall to acclaimed Yiddish writer and Jewish activist S.L. Shneiderman thanking him for sending a book on Ilya Ehrenburg; expressing his hopes that they will see each other in the near future; and explaining that he is in Zurich for an event related to having made the stained glass windows for the Fraumunster Church.The letter written on a sheet of Dolder Grand Hotel airmail stationary entirely in Chagall's hand and dated ""9/Sept 1970"" and accompanied by a hand-addressed matching envelope reads in full translated: ""Dear friend Schneiderman A thousand years have gone by and I remember youÑand your Yiddish writing styleÑbut we seldom see each other. Thank you for your book about poor Ehrenburg and also the attached article about me not a public/published one. I will read your book. You can imagine that since that terrible epoch for us Jews we can never forget. I hope that someday I will see you. I send regards to you and to all the good Jews in America. With love Marc Chagall. P.S. I am here for the opening/conference since I made Biblical vitrages stained glass windows for the Fraumunster Church in Zurich."" This letter was written just before friction began to emerge between Shneiderman and Chagall. While Chagall had grown into an acclaimed artist in Europe much of that fame was dependent on working with non-Jewish entities such as churches and even on drawing depictions of events in the New Testament. Increasingly the Christian world began to embrace Chagall and to interpret his work as having ecumenical or even Messianic undertones. Chagall continued in his artistic endeavors and failed to respond to some of the religious-based commentary. Shneiderman felt that this was intolerable publicly criticizing Chagall's failure to meet with Jewish representatives in the community he worked in and his new alignment with Christian and secular authorities. While their relationship did not completely sour and they continued to correspond their relationship grew strained. At the time this letter was penned Shneiderman had just completely a book on Ilya Ehrenburg a famous Soviet-Jewish writer and cultural figure. Highly regarded as a translator journalist poet novelist and travel writer Ehrenburg is probably best known for his Black Book a powerful work detailing the genocide of Soviet Jews by the Nazis during the Holocaust. His book The Thaw on liberalization after Stalin also had a powerful influence and gave a name to an era. Sadly Ehrenburg's reputation was quickly destroyed by antisemites and conspiracy theorists after the war who seized upon an article he wrote called ""Kill!""Ñpublished while the Soviets were losing the war and the Germans were deep inside Soviet territoryÑin which Ehrenburg entreated soldiers to kill at least one German a day. Postwar he has often been blamed for the sacking of Germany by Russian troops though he condemned their actions. He died horribly of prostate and bladder cancer still a committed communist. The recipient of this letter was the famous Yiddish writer and journalist Samuel ""S.L."" Shneiderman. Continuing his distinguished early career as a war journalist Shneiderman is best known today for raising awareness about the plight of the Warsaw Ghetto after his arrival in the United States in 1940 and for his dedication to preserving the history of the Jews in Poland throughout his life. His works on the Holocaust and the terrible fate of the Jews remain the best known of his works. Shneiderman and his wife Eileen were also avid collectors of Yiddish-language books and their collection is now housed at the University of Maryland.Slight soiling to envelope letter fine. unknown
ref. 01-08921974. 1 ALS from Chagall’s wife Vera on behalf of Chagall to the Swiss handmade papermaker Fred Siegenthaler regarding paper. Stamped and ahnd addressed envelope. La Colline stationery. 1974. unknown
1925ref. 5629Köln Kölnischer Kunstverein 1925 Première édition. Un ouvrage rare, issu d'une des premières expositions de Chagall. Catalogue à couverture souple rose d'une exposition organisée en avril 1925 à la Gemälde-Galerie du Kölner Kunstverein à Cologne. Les couvertures roses sont légèrement décolorées et présentent une petite zone manquante au bas du dos. Le dos a été renforcé à l'aide de ruban adhésif d'archivage. À l'intérieur, une petite partie manquante en haut d'une planche a été visiblement réparée. Les pages de garde ont été renforcées à l'aide de matériel d'archivage. 18 pages, avec quatre planches en noir et blanc. Les bords de la couverture sont jaunis par le temps. Quelques coupures de journaux allemands ont été légèrement collées à l'arrière du catalogue. Un livret de 12 pages, « Statut des Kolnischen Kunstvereins » (Statuts de l'Association artistique de Cologne), a également été collé à la fin. Dans l'ensemble, l'ouvrage est toutefois en bon état. 220 x 140 mm (8Ÿ x 5œ pouces). Conforme à FirstSearch / WorldCat OCLC : 61568348.
1925ref. 5629Köln: Kölnischer Kunstverein 1925. First Edition. A rare work from an early Chagall exhibition. Pink soft cover catalogue of an exhibition held in April 1925 at the Gemälde-Galerie of Kölnischer Kunstverein in Cologne. The pink covers are a little faded and has a small area of loss to the bottom of the spine. The spine has been reinforced with archival tape. Inside a small area of loss to the top of one plate has been visibly repaired. There is archival strengthening to the end papers. 18 pages with four b/w plates. Covers age toned at edges. A few German newspaper clippings have been lightly tipped into the rear of the catalogue. Also tipped into the rear is a 12 page booklet "Statut des Kolnischen Kunstvereins" Statutes of the Cologne Art Association. Overall though in decent condition. 220 x 140 mm 8¾ x 5½ inches. Conforms to FirstSearch / WorlcCat OCLC: 61568348. . Première édition. Un ouvrage rare issu d'une des premières expositions de Chagall. Catalogue à couverture souple rose d'une exposition organisée en avril 1925 à la Gemälde-Galerie du Kölner Kunstverein à Cologne. Les couvertures roses sont légèrement décolorées et présentent une petite zone manquante au bas du dos. Le dos a été renforcé à l'aide de ruban adhésif d'archivage. À l'intérieur une petite partie manquante en haut d'une planche a été visiblement réparée. Les pages de garde ont été renforcées à l'aide de matériel d'archivage. 18 pages avec quatre planches en noir et blanc. Les bords de la couverture sont jaunis par le temps. Quelques coupures de journaux allemands ont été légèrement collées à l'arrière du catalogue. Un livret de 12 pages « Statut des Kolnischen Kunstvereins » Statuts de l'Association artistique de Cologne a également été collé à la fin. Dans l'ensemble l'ouvrage est toutefois en bon état. 220 x 140 mm 8¾ x 5½ pouces. Conforme à FirstSearch / WorldCat OCLC : 61568348. Kölnischer Kunstverein paperback
1978ref. 13096München, Haus der Kunst, 1978. 124 S., 2 Bll. mit zahlr. teils ganzseit., teils doppelblattgr. Textabb. 8 separate farb. Tafeln. 8°. (Katalog:) OKart. (kl. Gebrssprn.) zusammen mit den 8 separaten farb. Reproduktionen in 4° OPp.-Kassette (kl. Gebrssprn., leicht gebräunt).
1931ref. 014415Paris Grasset 1931 In-8 Broché Ed. originale
1963ref. 36906Paris: Fernand Mourlot 1963. In ausgezeichnetem Erhaltungszustand. 32 x 24 cm 12.5 x 95 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Original Lithograph 1963. Published by Fernand Mourlot Paris 1963. Printed by Mourlot Paris. Sheet: 32 x 24 cm 12.5 x 95 inches. A joyful original Chagall circus print full of the luminous color and fantasy his work is loved for. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 32 x 24 cm 12.5 x 95 inches depicts 'Auftreten im Zirkus'. Published in 1963 Edition of 5000 by Fernand Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The circus was one of Chagall's most enduring obsessions a metaphor for the artist's own world of dreamlike fantasy and poetic escape. His circus lithographswith their acrobats clowns and performers floating against vivid color fieldsare among the most joyful and decorative of all his prints perennially popular with collectors. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 392 Fernand Mourlot unknown
1973ref. 1341973 1973 TUDOR NEW YORK 1973
ref. 17-0028Chicago IL : R.S. Johnson Fine Art 2018. 4to. 114p. Softcover. Good very minor tearing on spine minor marking and creasing. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz 1919-2019. Chicago, IL : R.S. Johnson Fine Art, 2018. paperback
ref. 17-0657Chicago IL : R.S. Johnson Fine Art 2018. 4to. 114p. Soft Cover. Very Good. Illustrated paper wraps. B&W and color prints throughout. Scarce. Chicago, IL : R.S. Johnson Fine Art, 2018. paperback
1957ref. ABE-793715141716 PAGES-EN UNE: "JEAN COCTEAU: LES HONNEURS SONT TERRIBLEMENT CONTAGIEUX"/SUITE P4-EN UNE: "VOICI L'EMISSION QUI A FAIT INTERDIRE MAX-POL FOUCHET A LA T.V."-CINEMA: "LA LOI DU SEIGNEUR (COURONNE PAR LES ACADEMICIENS DU JURY DE CANNES) PROPOSE LA PARFAITE DEFINITION DU PIRE ACADEMISME"/PHOTO GARY COOPER-DIALOGUES DES CARMELITES A L'OPERA DE PARIS FRANCIS POULENC A TUE LE LYRISME QUI TRIOMPHAIT A MILAN/PHOTO-EN DERNIERE PAGE: L'OEUVRE GRAVE DE CHAGALL EST L'EXPRESSION UNIVERSELLE DU REVE/PAR ALAIN JOUFFROY
2013ref. ABE-1621546814769132 PAGES-22 CM X 28,5 CM-EN COUVERTURE: EXPOSITION CHAGALL ENTRE DEUX FEUX-MARSEILLE: L'ART SAUVE DES EAUX, 18 PAGES-JULIEN SALAUD ET LA BETE HUMAINE, 4P-ANTOINE WATTEAU LE SOLO D'UN VIRTUOSE, 6P-ARTISTES SOUS INFLUENCES, 8P-EXPOSITION: CHAGALL AU COEUR DECHIRE, 8P-PONT AVEN L'ECOLE BUISSONNIERE, 4P-LES TRANSFIGURATIONS DE MAN RAY