CHAGALL MarcLivre Rare Book
2 473 résultats
réf. QWA-20624Musée des Arts Décoratifs, 1961, gr. In-8 br. (18 x 24,5), 85 p., préface de Jacques Dupont, illustrations en n. et en coul., couverture à rabats, très bon état.
réf. 31421Monte-Carlo, André Sauret, 1962. Gr. in-4°, 210p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
réf. 51417Musée des arts décoratifs ,1961, in-4 de 84 pages ,illustrations in-texte et hors-texte ,broché ,Bon état , .(5 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).
réf. 25993Paris, Musée des arts décoratifs, 1961. 18 x 25, 88 pp., très nombreuses illustrations en N/B et en couleurs, broché, bon état.
1962réf. 55981ABMonte Carlo. André Sauret, éditeur. 1962. 33x25 cm. 208 p., (8) p. Avec de nombreuses illustrations en noir et en couleurs et 2 lithographies originales en couleurs. Reliure pleine toile, jaquette, rhodoïd et étui.
1962réf. 30485S.l., André Sauret, (1962). Un vol. au format in-4 (333 x 252 mm) de 210 pp. Reliure d'édition de pleine percaline satinée gris-perle, sous jaquette illustrée et rhodoïd.
réf. 48191Catalogue de l'exposition du Muée des Arts décoratifs à Paris de juin à septembre 1961. Un volume broché sous couverture à rabats (24,5x18cm), 90 pages illustrées de 12 photographies en noir reproduites en héliogravure, 4 photographies en couleurs, 6 dessins préparatoires et 3 portraits photographiques par Izis Bidermanas, tous reproduits en pleine page. Textes de Chagall, Raïssa Maritain, Pierre Cabanne, Charles Marcq, Jacques Dupont. Impression par Mourlot. Bon état.
réf. 10274Paris, 1961, in 8° broché, 88 pages ; importante iconographie ; couverture illustrée en couleurs.
1962réf. 17656Mont-Carlo, André Sauret, 1962. In-folio de 210-[6] pages, relié en pleine toile sable de l'éditeur, couverture illustrée, rhodoïd.
réf. 23581Paris, André Sauret, 1962. In-folio, 210 pp., cartonnage éditeur de toile grise, jaquette originale illustrée, rhodoïd, étui cartonné (étui défraîchi).
1952réf. 17693Paris: Maeght 1952. Other. 357 by 530mm 14 by 20 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Original Lithograph 1952. Published by Maeght Paris 1952. Sheet: 357 by 530mm 14 by 20 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 357 by 530mm 14 by 20 inches depicts 'Vision of Paris Vision von Paris'. Published in 1952 Edition of 6000 by Maeght Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 81 Maeght unknown
Paris, Le Courrier Graphique, 1950. In-4, (23 x 29,5 cm), broché, 307 pp., belle couverture rempliée et illustrée d'une lithographie en couleurs de GOERG. Vingt artistes sont passés en revue au travers de leurs dernières réalisations : Matisse, Rouault, Chagall, Masson, Picasso, Van Dongen, mais aussi Christian Bérard, Gérard Cochet, Maurice Denis, Pierre Falké, Jean Frélaut, Edouard Goerg, Paulette Humbert, André Jacquemin, Paul Jouve, Marie Laurencin, Berthold Mahn, André Marchand, Pierre-Yves Trémois et André Villeboeuf. 306 illustrations en noir. EDITION ORIGINALE, tirée à 1800 exemplaires numérotés. Bel exemplaire, en parfait état.
1950réf. 000558Paris Le Courrier Graphique, Albert Cymboliste Editeur 1950 In-4 Broché, couverture illustrée Ed. originale
1958réf. 9481Paris, Le Courrier Graphique, Albert Cymboliste, 1958 ; in-4, broché ; 307, (7) pp., couverture rempliée entièrement illustrée d'une lithographie à cinq couleurs de E. Goerg.
réf. 24010Paris, Le Courrier Graphique, 1950. In-4, (23 x 29,5 cm), broché, 307 pp., belle couverture rempliée et illustrée d'une lithographie en couleurs de GOERG.
1950réf. 106751950 Paris, Le Courrier Graphique, chez Albert Cymboliste, 1950.In-4. 307-(7) pages. Broché, couverture illustrée en couleurs et rempliée. Tirage limité à 1800 exemplaires numérotés. Belle couverture illustrée d'une lithographie en couleurs d'Edouard GOERG. Études et nombreuses reproductions de : Bérard, Chagall, Cochet, Denis, Falké, Frélaut, Goerg, Humbert, Jacquemin, Jouve, Laurencin, Mahn, Marchand, Masson, Matisse, Picasso, Rouault, Trémois, Van Dongen et Villeboeuf.
1946réf. 25542New York: View 1946. First edition. Paperback. Very Good . The January 1946 issue of this magazine of surrealist art and writings. Edited by Ford with assistance by Parker Tyler Paul Bowles Philip Lamantia Harold Rosenberg Aaron Copland and Marcel Duchamp among others. This issue notable for the inclusion of The Circular Ruins a story by Borges translated by Paul Bowles. Cover art by John Tunnard. A very good plus copy in tall side-stapled wrappers. View paperback books
1970réf. 87113Bern, Kornfeld und Klipstein 1970. 1970. 4°, 248 (1) S. mit sehr zahlreichen Abbildungen, Orig.-Leinen mit Orig.-Umschlag.
1970réf. 32832BBBern, Kornfeld und Klipstein, 1970. Gr.4° 248 Seiten, illustr. OLwd. Seiten mit leichter Bräunung, sauber und gut erhalten.
1970réf. 7260BBBern, Kornfeld u. Klipstein, 1970. 1. 8° 248 S., Ill. Leinen. sehr guter Zustand.
réf. 84175Bern Verlag Kornfeld und Klipstein 1970. Folio. 248 1 s. Rikt illustrert delvis i farger. Orig. hellerretsbd. med vareomsl. Vareomsl. med rift. . unknown
1970réf. 42089Bern Verlag Kornfeld und Klipstein 1970. 4to. Orig. full cloth. Frontispiece. 250 pp. 123 full-page illustrations. some in colour. hardcover
1970réf. 2048936Verlad Kornfeld und Klipstein 1970. Hard cover. Good/No jacket. In German. Volume 1 only. Cover cloth is lightly tanned but text is legible. Spine is slightly shaken but binding is secure. Name written on front endpaper but all other pages are unmarked. Pages are slightly yellowed around margins but otherwise clean. Verlad Kornfeld und Klipstein unknown
1950réf. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover
1950réf. 1204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover
