Chagall, MarcBiblio.com
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1961Best.-Nr. 5118DB1961. Paris Musée des arts décoratifs 1961. 85 S. Mit ganzseitigen Illutrationen in Farbe und schwarz/weiss. Mit einer ganzseitigen Original-Lithographie. Illustrierte farbige Broschur. Ausstellungskataloge Palais du Louvre Paris 16 juin30 septembre 1961. Vom Künstler signierte Vorzugsausgabe Nr. 277 von 300 mit einer Lithographie. Minimale Gebrauchsspuren Sehr gutes Exemplar. unknown
1962Best.-Nr. 123122Monte Carlo: Andre Sauret 1962. First edition of this work by the famed artist. Folio original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a very good dust jacket. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows one for each of the twelve tribes of Israel designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Andre Sauret hardcover
Best.-Nr. 44268Monte Carlo André Sauret 1962. 4° 210 S. 2 Orig.-Lithographien zahlr. meist farbige Abb. meist als Vollbilder OLwd. m. OU und Transp.-Umschlag OU min. randrissig u. -knittrig allg. tadelloses sehr gutes Exemplar. Mit zwei speziell für diese Ausgabe geschaffenen farb. Orig.-Lithographien des Künstlers. Die 36 weiteren Orig.-Lithogr. wurden nach Entwürfe von Chagall von Charles Sorlier auf den Stein übertragen u. bei Mourlot Frères gedruckt. Jeder dieser Lithographien erforderte 15 - 20 Farben. 010 Monte Carlo, André Sauret, 1962 unknown
Best.-Nr. 51-0431Paris Musée des Arts Décoratifs 1961. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot no. 358. Cramer Chagall Illus. Books no. 47.One of 300 signed and numbered impressions on the colophon. Paris, Musée des Arts Décoratifs, 1961. paperback
1962Best.-Nr. 168473Monte Carlo: Andre Sauret 1962. First. hardcover. near fine/very good. Chagall Marc. Text by Jean Leymarie. Beautifully illustrated with 2 original color lithographs and numerous other color and black and white plates throughout. 210 pages with text in French. Large 4to pale gray cloth d.w. Monte Carlo: Andre Sauret 1962. First edition. A near fine copy in a very good wrapper with a light wear at spine ends. Ownership signature of art historian Meyer Schapiro. Andre Sauret unknown
1962Best.-Nr. 45383Monte Carlo; Andre Sauret 1962. First Edition. Hardback. Fine cloth copy in a near fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. Scans and additional bibliographic data on request. ; 210 pages; Complete with two original lithographs and 12 additional color plates. Subjects: Bet ha-h Olim ""Hadasah"" Jerusalem . Synagogue. Glass painting and staining--Jerusalem--History--20th century. Monte Carlo; Andre Sauret hardcover
1952Best.-Nr. 17693Paris: Maeght 1952. Other. 357 by 530mm 14 by 20 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Original Lithograph 1952. Published by Maeght Paris 1952. Sheet: 357 by 530mm 14 by 20 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 357 by 530mm 14 by 20 inches depicts 'Vision of Paris Vision von Paris'. Published in 1952 Edition of 6000 by Maeght Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 81 Maeght unknown
Paris, Le Courrier Graphique, 1950. In-4, (23 x 29,5 cm), broché, 307 pp., belle couverture rempliée et illustrée d'une lithographie en couleurs de GOERG. Vingt artistes sont passés en revue au travers de leurs dernières réalisations : Matisse, Rouault, Chagall, Masson, Picasso, Van Dongen, mais aussi Christian Bérard, Gérard Cochet, Maurice Denis, Pierre Falké, Jean Frélaut, Edouard Goerg, Paulette Humbert, André Jacquemin, Paul Jouve, Marie Laurencin, Berthold Mahn, André Marchand, Pierre-Yves Trémois et André Villeboeuf. 306 illustrations en noir. EDITION ORIGINALE, tirée à 1800 exemplaires numérotés. Bel exemplaire, en parfait état.
Best.-Nr. 24010Paris, Le Courrier Graphique, 1950. In-4, (23 x 29,5 cm), broché, 307 pp., belle couverture rempliée et illustrée d'une lithographie en couleurs de GOERG.
1950Best.-Nr. 106751950 Paris, Le Courrier Graphique, chez Albert Cymboliste, 1950.In-4. 307-(7) pages. Broché, couverture illustrée en couleurs et rempliée. Tirage limité à 1800 exemplaires numérotés. Belle couverture illustrée d'une lithographie en couleurs d'Edouard GOERG. Études et nombreuses reproductions de : Bérard, Chagall, Cochet, Denis, Falké, Frélaut, Goerg, Humbert, Jacquemin, Jouve, Laurencin, Mahn, Marchand, Masson, Matisse, Picasso, Rouault, Trémois, Van Dongen et Villeboeuf.
1958Best.-Nr. 9481Paris, Le Courrier Graphique, Albert Cymboliste, 1958 ; in-4, broché ; 307, (7) pp., couverture rempliée entièrement illustrée d'une lithographie à cinq couleurs de E. Goerg.
1950Best.-Nr. 000558Paris Le Courrier Graphique, Albert Cymboliste Editeur 1950 In-4 Broché, couverture illustrée Ed. originale
1970Best.-Nr. 7636ABBern Verlag Kornfeld und Klipstein 1970. 31,5x25,5 cm. Frontispiz, 248 S., 1 S. Mit 123 meist s/w. Abbildungen. Originalleinwand mit Schutzumschlag.
1970Best.-Nr. 87113Bern, Kornfeld und Klipstein 1970. 1970. 4°, 248 (1) S. mit sehr zahlreichen Abbildungen, Orig.-Leinen mit Orig.-Umschlag.
1970Best.-Nr. 32832BBBern, Kornfeld und Klipstein, 1970. Gr.4° 248 Seiten, illustr. OLwd. Seiten mit leichter Bräunung, sauber und gut erhalten.
1970Best.-Nr. 42089Bern, Verlag Kornfeld und Klipstein, 1970. 4to. Orig. full cloth. Frontispiece. 250 pp., 123 full-page illustrations., some in colour.
1970Best.-Nr. 7260BBBern, Kornfeld u. Klipstein, 1970. 1. 8° 248 S., Ill. Leinen. sehr guter Zustand.
Best.-Nr. 84175Bern Verlag Kornfeld und Klipstein 1970. Folio. 248 1 s. Rikt illustrert delvis i farger. Orig. hellerretsbd. med vareomsl. Vareomsl. med rift. . unknown
1970Best.-Nr. 42089Bern Verlag Kornfeld und Klipstein 1970. 4to. Orig. full cloth. Frontispiece. 250 pp. 123 full-page illustrations. some in colour. hardcover
1950Best.-Nr. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover books
1950Best.-Nr. 1204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover books
1950Best.-Nr. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover
Best.-Nr. 02-1127Paris: Éditions de la Revue Verve 1956. 30 lithographs including the cover 18 in color. Text in French by Jean Wahl and Meyer Schapiro. No dust jacket. Fold marks on free endpaper. Cramer 25; M.117-M.146. The American edition was called "Illustrations for the Bible".This volume co-published by A.W. Bruna & Zoon Ultrich. Paris: Éditions de la Revue Verve, 1956. unknown
1950Best.-Nr. ovs2244Editions de la Revue Verve 1950. First Edition. hardcover. Very Good. 0x0x0. First Edition with 26 full color tipped in plates. Hardcover with dust jacket. Book is in very nice condition text is unmarked and pages are tight. Dust jacket has a tiny chip at top and bottom of spine. Editions de la Revue Verve hardcover
1938Best.-Nr. 11642Verve. Paris. 1938 1939. FOLIO. 14.1 x 10.4 inches. Two issues bound in one hardback volume. Fully illustrated throughout with drawings paintings and photographs these 2 numbers contain original full colour lithographs by Chagall Miro Rattner Klee Matisse & Derain. The two issues have been bound into one hardbound volume and the binding has been beautifully hand painted in acrylic and oils with an abstract design including the volume title to both the boards and the spine by noted Neo-Expressionist American painter Gaylen Hansen. There is some rubbing to the edges and one small split to the outer edge of the front board without loss which has been strengthened to the inside with clear tape but generally the book is in very good condition. Included with the volume is a fine hardback copy of the fully illustrated book issued in 2007 to accompany the retrospective exhibition "Gaylen Hansen: Three decades of Paintings" at the Seattle Art Museum October 2007 - January 2008 and Salt Lake City Art Center February - April 2008. Verve. Paris. 1938 1939 hardcover
