PICASSO, Pablo ] Phillip Wright (intro)Biblio.com
1 190 résultats
1983réf. TN241859Waddington Graphics London 1983. 1st Edition. SOFTCOVER. Square 4to in colour printed stiff glossy card covers unpaginated approx. 32pp on glossy art paper colour plates etc __CONDITION : A well preserved FINE clean and tight unmarked copy covers faintly tanned. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Waddington Graphics, London paperback
réf. 1355New York. The Museum of Modern Art. 4to. In fine condition. unknown
réf. 1350Spain. Editorial Escudo de Oro. 1985. 4to. Photographic report complemented by a biography of the painter. In fine condition. unknown
1969réf. 103440New York: Avant-Garde Media Inc 1969. Softcover. Fine. First edition. Fine with a tiny tear on the front panel in wrappers. Avant-Garde Media, Inc unknown
réf. aly2312Zurich: Kunsthaus Zurich 1954. Exhibition Catalogue. 8vo. unpaginated. numerous b/w illus. text in German. wrs chip out of head of spine extremities rubbed Zurich: Kunsthaus Zurich, 1954 unknown
1975réf. 47533NY: Rizzoli 1975. First US edition. 244 pp. Very near fine in like dust jacket that is lightly toned. 128 full-color plates and over 1000 b&w reproductions. NY: Rizzoli unknown
1971réf. 47537NY: Abrams 1971. First US edition. 4to. 331 pp w/index. Fine in very near fine dust jacket with light toning to spine and extrems. 670 illustrations. NY: Abrams unknown
1973réf. D11634New York: Sherry-Lehmann Printed by Atwater Press 1973. Paperback. Fine. Staple-bound wraps cover images and 2 plates reproducing 4 of Picasso's works in full-color; 4to; pp. 72. Sherry-Lehmann are wine and spirit merchants in New York City. This holiday catalogue features an excerpt from "Picasso at Work" by Edward Quinn plus a long long litany of booze. Thirsty-making. Sherry-Lehmann [Printed by Atwater Press] paperback
1980réf. 002309Montclair: Allanheld & Schram 1980. First Edition. . Cloth. Fine/Fine. Cloth in mylar protected dust-jacket. 334 pages w/ figure list notes and index; illustrated. A definitive study exploring the background and sources of the mural its structure and symbolic and aesthetic concerns. A clean tight copy Size: Quarto Allanheld & Schram hardcover
réf. 51-2890New York: Harry N. Abrams circa 1980. 4to. 4 pp. Lists original graphic works with prices by Agam Albers Alechinsky Appel Berarden Frankenthaler Motherwell Picasso Indiana Rauschenberg Newman et al. New York: Harry N. Abrams, circa 1980 unknown
1949réf. 202016Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career. Duell, Sloan & Pearce hardcover
réf. 15-8089New York: Perls Gallery 1962. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1962. unknown
réf. 15-8088New York: Perls Gallery 1961. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1961. unknown
réf. 15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
2021réf. 209910Paris France: Seuil 2021. Hardcover. VG. Orange boards with color illustration black and white text. 219 pp. 170 color and bw plates. "Everything has been said and written about Picasso's work but no one has yet dared to study all of his self-portraits perhaps because this painter has always left many doubts hanging over his work. Throughout his life from his first self-portrait in 1894 he was 13 years old at the time to the last in 1972 one year before his death he never stopped representing himself. In a sketch at the bottom of a letter or on a canvas Picasso by Picasso could not resemble Picasso. But Pascal Bonafoux guides us to allow us to get as close as possible to the mystery of this extraordinary artist and to offer us the fruit of a long very documented and brilliant research work initiated more than 40 years ago."--Verso cover. Seuil hardcover
réf. 15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
réf. 15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
réf. 17-0028Chicago IL : R.S. Johnson Fine Art 2018. 4to. 114p. Softcover. Good very minor tearing on spine minor marking and creasing. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz 1919-2019. Chicago, IL : R.S. Johnson Fine Art, 2018. paperback
2015réf. 017337Maastricht Netherlands: Tefaf 2015. Hardcover. Near Fine/No Jacket. 4to - over 9¾ - 12" tall. Tefaf hardcover
2015réf. 24066Maastricht Netherlands: Tefaf Maastricht Netherlands 2015. Boards. Fine. Tefaf, Maastricht, Netherlands unknown
1923réf. 67253Greenwich Connecticut: The Dial Publishing Co. Very Good. 1923. First Edition. Soft cover. Includes: An Essay : A Monument to Proust" by Malcolm Cowley. Photograph of a Bronze "Woman's Head" by Gaston Lachaise. An Essay "Saint-Evremond" by Richard Aldington. An Article "Taos" by D. H. Lawrence. A Story "Eternity" by Yvor Winters. Part VII of Sherwood Anderson's novel "Many Marriages." Reproductions of two oil paintings by Pablo Picasso. "Paris Letter" by Ezra Pound. "Vienna Letter" by Hugo von Hofmannsthal. A Book Review "The Hamlet Controversy" by Edmund Wilson. Very Good condition. Both ends of spine have chips and tears. Covers chipped where they overlap pages. Covers darkened. Ships same or next business day. ; 8vo 8" - 9" tall . The Dial Publishing Co. paperback
1966réf. 1395228Greenwich CT: New York Graphic Society Limited 1966. Second Edition. Hardcover. Large quarto 348 pages. In Good condition with a Good dust jacket. Spine is pictorial with black text. Jacket protected in plastic sleeve price cut. Jacket has moderate shelf and edge wear. Age toning to jacket. Binding is solid. Book contains numerous black and white and tipped in color plates. Shelved in Art Monographs. 1395228. Shelved Dupont Bookstore. New York Graphic Society Limited hardcover
2007réf. 295133New York: Braziller 2007. First. hardcover. fine/fine. Pablo Picasso. In Spanish and English translated by Alan S. Trueblood with preface by Edward Hirsch and introduction by John Russell. With black and white illustrations and calligraphy by Picasso. 4to red cloth dust wrapper. New York: George Braziller Inc. 2007. First edition. Fine. Braziller unknown
réf. 63-6374New York: Vanguard 1969. Sound Record Long-Playing Microgroove 33 1/3 rpm 12 inch. Very Good with minor staining to cover. Performed In Spanish.Provenance: from the Collection of Kenneth Rexroth Poetry Recordings. New York: Vanguard, 1969. unknown
réf. 17-2949New York : Tudor Publishing Co. 1960. 4to. ca 50 pp. Good. Hard Cover. Illustrated cloth covered boards. Minor toning along edges. Dust Jacket Good. DJ present with multiple tears and losses and foxing along spine. Previous owner’s name on half-title page. Else pages fine. 27 Color plates tipped in. From the Collection of the Art Historian Peter Selz 1919-2019. New York : Tudor Publishing Co., [1960]. hardcover
