Best.-Nr. 3791325302.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977Best.-Nr. 56986New York: William Morrow & Co 1977. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Foxing to page edges. Crease to jacket base at front panel.; 9.37 X 6.38 X 1.89 inches; 606 pages. William Morrow & Co hardcover
1990Best.-Nr. 095188Frankfurt Berlin: Propyläen 1990. 150 S.; mit 32 Farbill. von Pablo Picasso; aus dem Spanischen von Rainer Specht; fliegender Vorsatz mit eigenhändiger Unterschrift von Camilo Jose Cela; im Original-Leinenschuber. Erste Auflage. Leinen. Sehr gut. 193 cm. Propyläen Hardcover
Best.-Nr. 10828Solange Thierry Editeur / Bibliothèque des Arts Paris. In-4°, reliure pleine toile noire sérigraphiée en creux du titre sous jaquette et sous emboittage, 255 pages, ensemble pondéreux abondamment illustré en vignettes et à pp en couleurs et en noir, bibliographie et repères, très bel ensemble.
Best.-Nr. 69721München Prestel 2014. 4° 300 S. zahlr. Abb. Kart. Verlagsfrisch. EA. «Im Frühjahr 1954 lernte Picasso in Vallauris an der Côte d’Azur die junge Sylvette David Lydia Corbett kennen. Sie verkörperte das Schönheitsideal der Zeit – hochgewachsen mit langem blondem Haar – und inspirierte den Maler zu einer Serie von Porträtdarstellungen. Über Monate experimentierte er vor dem Modell mit unterschiedlichen Stilrichtungen und Techniken. Mit Pinsel und Zeichenstift schuf Picasso naturnahe und kubistische Bildnisse. Zugleich entstanden nahezu abstrakte Faltplastiken aus Metall.Bereits 1955 erwarb die Kunsthalle Bremen ein repräsentatives Bild dieser einzigartigen Werkgruppe und widmet ihr jetzt – 60 Jahre danach – erstmals eine eigene Ausstellung mit bedeutenden Leihgaben aus aller Welt. Die Werkgruppe umfasst mehr als 50 Arbeiten bestehend aus Zeichnungen Gemälden Metallskulpturen und Keramiken. Sylvette werden Porträts von Françoise Gilot und Jacqueline Roque sowie Variationen zum Thema „Maler und Modell“ gegenübergestellt. Das Buch hat in der Fülle der Picasso-Publikationen einen ganz speziellen und sehr reizvollen Stellenwert» Verlagswerbung. 010 München, Prestel, 2014 unknown
1949Best.-Nr. boz_002723Pierre MOHRANGE. Lettre autographe signée et datée du 18 mars 1949, Tarbes. Dimensions : 13.5 x 21 cm. 2 pages. Etat : Bel état de conservation. Présence d'une annotation au crayon bleu sur le recto.
2008Best.-Nr. 201009Paris: Flammarion; Reunion des Musees Nationaux 2008. Cloth 367 pages illustrations some colour; 28 cm. English Edition. Catalogue of an exhibition held at the Musee National Picasso Paris September 19 2007 to January 7 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. "In the world of art Cubism was nothing less than revolutionary representing a paradigm shift in the way artists perceived the world and incontestably one of the most influential movements in art history. To celebrate the one-hundredth anniversary of Picassos seminal work Les Demoiselles dAvigon leading Picasso scholars and art historians assess its legacy and the extraordinary influence of Picassos Cubism on the development of twentieth-century art." - Publisher. CONTENTS: "You have to see the work" by Anne Baldassari; The stages of Picasso's discovery of Cubism: late 1905-early 1909 by Pierre Daix; Periods: Cubism in its day by Jean-Claude Lebensztejn; The odore Aubanel's Les filles d'Avignon and Picasso's "sum of destructions" by Irving Lavin; Resisting Cezanne: Picasso's Three women by Leo Steinberg; The Prague Self-portrait and Picasso's intelligence by Leo Steinberg; Horta de Ebro 1909: genetics of Cubism by Anne Baldassari; Le laboratoire central: Cubist drawings in the Musee Picasso by Pepe Karmel; Touring the Stockholm collage by Leo Steinberg; Chronology of Cubism by Anne Baldassari and Paule Mazouet ; with Anais Bonnel Jeanne-Yvette Sudour and Nadege Raymond-Clergue; Bibliography by Jeanne-Yvette Sudour. 1st. Hardcover. NEW. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
1996Best.-Nr. 109543New York: Atlantic Monthly Press; Pace Gallery 1996. Cloth 349 pages illustrations come colour; 32 cm. Catalogue of an exhibition held at the Pace Gallery New York May 2 to August 1 1986. Near fine. Gently browsed clean copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. This is a major publication on Picasso with essays by leading American scholars the entire project coordinated by Glimcher Pace Gallery. CONTENTS: Preface by Arnold Glimcher; A Memoir by Claude Picasso; I. Six Complete Sketchbooks. The Saltimbanques Sketchbook No. 35 1905 by E. A. Carmean; The Demoiselles Sketchbook No. 42 1907 by Robert Rosenblum; Picasso at the Crossroads Sketchbook No. 59 1916 by Theodore Reff; Life with Picasso Sketchbook No. 92 1926 by Rosalind Krauss; Picasso at War: Royan 1940 Sketchbook No. 110 1940 by Sam Hunter; The Sabines Sketchbook No. 163 1962 by Gert Schiff. II. Selections from Other Sketchbook. A Reminiscence by Francoise Gilot. III. Catalogue Raisonne by Matthew Marks. 1st. Hardcover. Near Fine/Fine. Folio. Atlantic Monthly Press; Pace Gallery Hardcover
2006Best.-Nr. 108979Paris: Flammarion; Reunion des Musees Nationaux 2006. Cloth 317 pages illustrations some colour portrait; 29 cm. English Edition. Previously published in French as: Picasso Dora Maar. Paris: Flammarion 2006. Translated by Unity Woodman. Near fine. Firm binding clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. "Dora Maar born Henriette Theodora Markovitch in 1907 was a talented artist in her own right. While studying painting she soon found a passion and gift for photography and became a prominent member of the Surrealist movement. This catalogue traces her relationship with Picasso from the time of their first meeting in late 1935 through 1937. Picasso expert Anne Baldassari demonstrates how those years were critical for both artists and how their interaction provided mutual inspiration through the mid-1940s. The relationship is set within the context of major historical events from the Spanish Civil War and the Popular Front to the rise of fascism and World War II. This chronological account brings a legend to life allowing the reader unique access to two artistic minds. Maar s photographs alongside Picasso's drawings paintings and poems serve as a guide through the critical period in which these two figures influenced one another. Preserved in her studio archives Maar's negatives and contact prints allow us to analyze in detail the intimacy of the life she shared with Picasso in all of its states as well as the evolution of his art including the colossal Guernica. This exquisite volume features . . . personal mementos--including notes scrawled on matchboxes and small sketches which are produced on onion skin paper throughout. This book sheds light on the profound mark left upon Picasso and his work by their dynamic relationship." - Publisher. CONTENTS: 'The utter fatality of objects'; The legend; Alchemy; Mythologies; Icon; Sol; Sombra. Hardcover. Near Fine/Fine. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
Pablo Picasso: Don Hilario Cuernajón / Roberto Otero: La Mayor Colección De Picassos Del Mundo. 2 volumes. Exhibition: Cologne/ Köln, Galerie Gmurzynska, 1996. 169 and118 pages; illustrated thoughout in colour. Paperback in a slipcase. 24 x 21.5cms. Text in German & English. Text in German & English
Ann Dumas; Emilia Philippot; William H. Robinson: Picasso and Paper. 1. Exhibition: London, Royal Academy, 2020. 328 pages. 400 full colour illustration. Hardback. 29 x 22cms. First exhibition entirely dedicated to Picasso's works on paper. A comprehensive chronological account of his experimental use of the medium, including etchings, prints and drawings, as well as his papier-collés of the 1910s and his revolutionary three-dimensional constructions, made of cardboard, paper and string. First exhibition entirely dedicated to Picasso's works on paper. A comprehensive chronological account of his experimental use of the medium, including etchings, prints and drawings, as well as his papier-collés of the 1910s and his revolutionary three-dimensional constructions, made of cardboard, paper and string. Text in English
1969Best.-Nr. 3332528Barcelona.: Gustavo Gili. 1969. Hardcover. Good. 30 cm. 23 p. 405 lám. 6 h. Encuadernación en tapa dura de editorial. Picasso Pablo 1881-1973. Texto de Charles Feld ; versión de Juan Díaz de Atauri. Dibujo. Char René. 1907-1988 . Dibujo. Diseño. Artes aplicadas y artesanía 74 Picasso Pablo 084 Gustavo Gili. hardcover
Best.-Nr. 0892071044.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1351Boston. New York Graphic Society. 1980. 4to. In fine condition unknown books
1966Best.-Nr. 216975Munchen: Bruckmann 1966. Hardcover. VG. Missing jacket. Bookplate inside. Quarto. Hardcover. Bound in blue cloth with pink titles. 342 pages : chiefly illustrations some color ; 33 cm. German text. Bruckmann hardcover books
1981Best.-Nr. 213554New York NY: Rizzoli 1981. Hardcover. VG- some sunning to slipcase dj has tear at spine and some separation at back all else excellent. Black slipcase with white text color illustrated dj white clothbound boards with black text on spine. 559 pages. 1587 illustrations 361 in color. "There can be no question that Pablo Picasso was the greatest artist of our century one who takes his place in art history along with Giotto Michelangelo Rembrandt Goya and Cezanne. Like those masters Picasso was a genius who changed the art of his epoch." - from dj. Rizzoli hardcover books
1988Best.-Nr. 326917Paris: Didier Imbert Fine Art 1988. hardcover. fine. Picasso Pablo. 67 pages with text in French & English. Illustrated throughout in color and black & white. Short square 8vo grey cloth d.w. board slipcase. Paris: Didier Imbert Fine Art 1988. A fine copy. Catalogue for an exhibition held at Didier Imber Fine Art in Paris from May 20 - July 13 1988. Didier Imbert Fine Art unknown books
1985Best.-Nr. 172828Montreal: Montreal Museum of Fine Arts 1985. First edition. Hardcover. 307 pages. Monograph published in conjunction with a major exhibition in Montreal. Includes numerous numerous color plates from the personal collection of his wife Jacqueline accompanied by commentary by Pierre Theberge and Louise d'Argencourt. Also featured are numerous essays by various writers among which are: Andre Breton Paul Eluard and Guillaume Apollinaire. Also includes many photographs of Picasso by Man Ray Brassai Doisneau and Karsh. A clean near fine copy in a very near fine dust jacket. One of the more attractive books on Picasso. This is a heavy and oversized book and will require extra shipping. Montreal Museum of Fine Arts unknown books
1986Best.-Nr. 1244486London: Thames and Hudson 1986. Tall quartos 314pp; 480pp. Softcover in VG- condition. The following applies to both volumes: Bumping and shelf-wear. Light sunning and creasing to spines; minor rubbing and surface scratches to rear panels. No markings or creases to the text. Binding is sturdy. Crease to rear wrap of volume 2. NOTE: Due to size/weight of items additional shipping fees may apply. LR CONSIGNMENT. Shelve: Museums & Galleries. Spines are gray and olive green with orange and white text. 1244486. Shelved Dupont Bookstore. Thames and Hudson unknown books
2003Best.-Nr. 333900New York: Gagosian 2003. paperback. fine/fine. Picasso. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. 4to stiff card pictorial binding sewn Japanese style with matching dust wrapper; unpaginated. New York: Gagosian Gallery 2003. Fine. Exhibition catalog. Gagosian unknown books
2013Best.-Nr. 411268Monaco; Paris: Grimaldi Forum; Editions Hazan 2013. First edition. Front cover is detatched; internally clean. 11 x 9.5 inches. 415 pages. Profusely illustrated in color. Original pictorial boards. Published in conjunction with the exhibition held at the Grimaldi Forum 2013. Grimaldi Forum; Editions Hazan unknown books
2012Best.-Nr. 215913Munich Germany and New York: DelMonico Books and Solomon R. Guggenheim Museum 2012. First edition and first printing.Softcover. 227 pages. Published in conjunction an exhibition that ran October 5 2012 through January 23 2013 at Solomon R. Guggenheim Museum and then February 20 through may 28 2013 at the Museum of Fine Arts in Houston. Features texts by Carmen Gimenez Richard Shiff Dore Ashton and Olivier Berggruen. Includes numerous illustrations and a checklist. A fine copy in French style wrappers. An attractive book that focuses on the monochromatic work from Picasso's large oeuvre. DelMonico Books and Solomon R. Guggenheim Museum unknown books
1986Best.-Nr. 210056Paris: Editions Herscher 1986. Hardcover. VG/G. Jacket has general wear. Dime sized chip to front panel near head of spine a few closed tears and general bumping. Otherwise book itself is in very good condition. Quarto. Hardcover. Blue cloth boards in illustrated blue jacket. 285 pages: black and white and color illustrations; 32 cm. French text. Text is in French. Drawings watercolors gouaches pastels and collaged papers from museums and private collections around the world. A text about Picasso the draughtsman precedes the illustration plates. Editions Herscher hardcover books
1986Best.-Nr. 217001Stuttgart: Hatje 1986. Softcover. VG. Light touches of shelfwear. Quarto. Softcover. Illustrated wraps. 286 pages : illustrations some color ; 32 cm. German text. Hatje paperback books
Best.-Nr. 3201016241.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
