5482 resultados
ref. stela2384Paris: Editions Cahiers Díart 1936. folio. pp. 108 illus. Colour lithograph after Picasso Tipped-in portrait of Picasso by Man Ray with a printed signature in red Numerous plates & b/w illustrations. errata slip loosely inserted. wrs. scuffed & stained spine ends repaired 3 short tears to cover faint foxing to one plate light damp staining to approx. the last 30 pages Paris: Editions Cahiers Díart, 1936 unknown
ref. First Edition. ReproducinNew York: Random House/Maecenas Press 1970. 2 Volumes. oblong folio. 347 full-page illus. original beige linen-backed black cloth t.e.g. Fine copy front free-endpaper in Vol. I creased in matching original velveteen-lined drop-back box. First Edition. Reproducing the 347 intaglio prints engravings etchings dry points aquatints and mezzotints which Picasso executed at Mougins from March 16 to October 5 1968. "Neither Dürer Rembrandt nor Daumier—all admittedly great and productive printmakers—approaches Picasso either in mastery of the wide variety of graphic techniques or in sheer outpouring of ideas or images…Never has there been a sustained achievement equal to that captured in these pages. All the prints included here were produced in an incredibly short time always with superb mastery of the medium. Viewed in toto these images dreams and visual poems by the greatest artist of our time seem New York: Random House/Maecenas Press, [1970] hardcover
2012ref. ABE-8503061553The British Museum Press London 2012 Rare British Museum Press Limited Edition of only One Hundred. The copies are beautifully printed and are contained in a bronze metallic titled slipcase. Although the copies are un-numbered the British Museum has issued only a hundred copies of this slipcased edition to coincide with the stunning exhibition of the only set in England to be on display. No dustjacket has been issued. A preface by the Director Neil MacGrgor and a scholarly text by Stephen Coppel relate the story of Picasso's most celebrated suite of etchings. This is a superb production. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Limited Edition. Hardcover. New. The British Museum Press, London hardcover
ref. DADAX0946590893Brand: Tate Gallery 0000-00-00. First Edition. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Tate Gallery paperback
1936ref. 56966Paris GLM 1936 1 vol. Broché in-12, broché, 88 pp. Edition originale illustrée d'un portrait-frontispice et de 4 dessins à pleine page par Picasso. Un des 50 exemplaires numérotés sur vergé Hollande Pannekoek (tirage de tête après 10 Japon), bien complet de la bande éditeur et en parfaite condition.
1936ref. 56966Paris GLM 1936 1 vol. Broché in-12, broché, 88 pp. Edition originale illustrée d'un portrait-frontispice et de 4 dessins à pleine page par Picasso. Un des 50 exemplaires numérotés sur vergé Hollande Pannekoek (tirage de tête après 10 Japon), bien complet de la bande éditeur et en parfaite condition.
1958ref. 88251Mercure de France | Paris 1958 | 14 x 20.50 cm | broché sous étui
1930ref. 3272Paris A. C. Mazo & Cie 1972 et Maeght 1974. 2 volumes in-4 (32,5 x 24 cm) reliés sous cartonnages toilés, jaquettes illustrées, rhodoïds, étuis. Les deux premiers volumes et les plus importants du catalogue des lithographies de Joan Miró, enrichis de 24 LITHOGRAPHIES ORIGINALES toutes à pleine page en hors-texte et incluant deux jaquettes. Catalogue raisonné des lithographies de 1930 à 1963 inclus. Toutes les œuvres sont reproduites et précisément décrites : environ 340 lithographies reproduites. -- ENGLISH DESCRIPTION: MIRÓ. LEIRIS, Michel - MOURLOT, Fernand: Joan Miró. Lithographs I-II. Paris, Mazo and Maeght, 1972-1974. 4to. (32,5 x 24 cm), with 24 ORIGINAL LITHOGRAPHS IN COLOR by Joan Miró (including the wrappers), around 340 illustrations in color. Publisher's cloth. Decorated wrappers with plastic wrappers. French first original editions. Mint condition in slipcases.
ref. 363971André Sauret Editeur - Mourlot Lithographe Paris 1956 In-4 carré ( 320 X 245 mm ) de 159 pages, broché sous couverture illustrée rempliée. 270 illustrations en couleurs et en noir. EDITION ORIGINALE et PREMIER TIRAGE des 2 LITHOGRAPHIES ORIGINALES dont le frontispice en couleurs et la couverture. Très bel exemplaire.
1982ref. 22121982. Sérigraphie au format 63 x 90 cm, signée. Tirage limité à 100 exemplaires, le nôtre portant le numéro 112.
1954ref. 59310BBParis, éditions Cercle d'Art, 1954. 37,5x27,5 cm. 153 p., 1 p., 1 f. Avec de nombreuses illustratinons, 6 lithographies en couleur et 2 planches volantes pliées Reliure pleine toile.
1956ref. 303961Monte Carlo: Sauret 1956. With 2 original lithographs. 158pp. 1 vols. 4to. Pictorial wrappers. Fine. With 2 original lithographs. 158pp. 1 vols. 4to. Sauret unknown
1956ref. 303961Monte Carlo: Sauret 1956. With 2 original lithographs. 158pp. 1 vols. 4to. Pictorial wrappers. Fine. With 2 original lithographs. 158pp. 1 vols. 4to. Sauret unknown books
1961ref. 317414New York: Abrams 1961. First. hardcover. very good. Picasso Pablo. Introduction by Georges Boudaille. 32 pages of text in English & Spanish followed by the illustrations which reproduce 3 of Picasso's sketchbooks drawn in 1959. Folio white cloth with multi-colored pictorial covers spine sun-darkened as usual; pictorial cloth slipcase well-rubbed and repaired; now sound. New York: Abrams 1961. First American edition. Scarce. Internally fine a very good copy of this handsomely printed book. The plates black & white sepia and color many of which are single-sided were handsomely printed in France using offset lithography and other techniques. Abrams unknown
1961ref. 317414New York: Abrams 1961. First. hardcover. very good. Picasso Pablo. Introduction by Georges Boudaille. 32 pages of text in English & Spanish followed by the illustrations which reproduce 3 of Picasso's sketchbooks drawn in 1959. Folio white cloth with multi-colored pictorial covers spine sun-darkened as usual; pictorial cloth slipcase well-rubbed and repaired; now sound. New York: Abrams 1961. First American edition. Scarce. Internally fine a very good copy of this handsomely printed book. The plates black & white sepia and color many of which are single-sided were handsomely printed in France using offset lithography and other techniques. Abrams unknown books
ref. 16-5937Monte Carlo: André Sauret. 1949-1964. 4to . 4 vols. Original wraps lacking the dust-jackets and frontispieces. We also have sets with the lithographs. Very good.Each one of 2500 copies. Monte Carlo: André Sauret. 1949-1964. paperback
ref. 51-6201Avignon: Yvonne Zervos 1970. Color lithograph. 30 x 21 in. 76.2 x 53.34 cm Exhibition at the Palais des Papes in Avignon France May-October 1970. Very good.References: Rodrigo Vol. I 195 p. 418 Czwiklitzer 301 Avignon: Yvonne Zervos, 1970. unknown
1919ref. 57310Paris: Societe Litteraire De France 1919. Limited edition. Softcover. Fine. Limited edition # 254 of 750 copies. This copy INSCRIBED by Andre Salmon to author Robert Guiette. Quarto. 10 1/2 x 8". 115pp. Illustrated throughout from Picasso's drawings. Text in French. Brown wrappers with original glassine in excellent condition- glassine with only a hint of wear at spine ends. Andre Salmon poet art critic and writer met the young then unknown poet Guillaume Apollinaire.In 1904 he moved into the Bateau-Lavoir and lived there with Picasso Max Jacob and Apollinaire. Robert Guiette was a poet and professor of medieval French literature at the University of Ghent. He forged lasting friendships with Fernand Léger Blaise Cendrars André Salmon Jules Romains and Max Jacob to whom he later dedicated a major monograph La Vie de Max Jacob 1976. Societe Litteraire De France unknown
1961ref. 31716Les éditions du temps Jaquette en état satisfaisant Couverture rigide Paris 1961
1950ref. 79413Paris: Robert J. Godet 1950. Fine. Robert J. Godet Paris 1950 23 x 28.50 cm broché Illustrated edition as frontispiece with an engraving by Pablo Picasso on a loose leaf one of 1000 numbered copies. Covers and boards stained small tears on spine. Our copy is decorated with an original drawing dated and signed by Robert J. Godet representing a statue of a woman surmounted by a sun casting its rays upon her matching this poetic autograph inscription which accompanies it: ""bel âge en vérité / Nadine soleil couchée / Nadine soleil-chat / Petite Nadine / Soleil qui a encore peur de briller."" ""beautiful age indeed / Nadine setting sun / Nadine sun-cat / Little Nadine / Sun who is still afraid to shine."" Provenance: from the library of Nadine Nimier wife and widow of Roger Nimier. Robert J. Godet hardcover
1948ref. 55993Saint-Maurice-d'Ételan: S. n. Pierre Bettencourt 1948. Fine. S. n. Pierre Bettencourt Saint-Maurice-d'Ételan 1948 14.50 x 23 cm broché First edition printed in 101 numbered copies on grand vélin Arches. Illustrated cover by Pablo Picasso. Spine slightly sunned otherwise a good copy. S. n.[ Pierre Bettencourt] unknown
1919ref. 68970Paris, Société Littéraire de France, 1919. 114 S. [2] Bl. Mit 29 Textillustr., 8 ganzseitigen u. 1 doppelseitigen Illustr., alle in Strichätzung nach Federzeichnungen. 4to (27 cm). PRIVATES HALBLEDER der Zeit im Stil des 18. Jhdts, auf 5 Bünden, mit reicher ornamentaler u. floraler RVergoldung, goldgepr. roten RSchild u. Kopfgoldschnitt sowie späteren Buntpapiervorsätzen.
ref. j5008Random House/Maecenas Press. unknown_binding. Very Good. 0x0x0. Fine/VG Case 2 large oblong hardcover first editions in clamshell-type box linen boards with gilt on top edge super clean copies case has very light wear. A very nice set pics available on request. Random House/Maecenas Press unknown
ref. BN369347Kerber Verlag. Pablo Picasso und Jacqueline: Vorletzte Gedanken Picasso und die Frauen Pablo Picasso und Jacqueline: Vorletzte Gedanken Picasso und die Frauen Pablo Picasso; Markus Müller and Matthias Wolf Kerber Verlag unknown
1954ref. 85451954 Paris Cercle d'Art 1954 27.5 x 37.5 cm Reliure toile éditeur 154 pp Texte de Claude Roy. Reproduction des différentes études de Picasso pour la réalisation des deux grands panneaux réalisés à Vallauris en 1952. Très nombreuses illustrations. Reproduction couleur du tableau "Le Hibou" en frontispice. Bien complet des deux photographies dépliantes en NB des deux panneaux, glissées sous une bande en fin d'ouvrage.