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1935ref. 71763Gallimard | Paris 1935 | 12 x 19 cm | broché
1927ref. 13077Toulouse, Editions Richard, 1927 ; in-4, broché, étui de papier marbré de l'éditeur ; (4), 177, [178] pp., (1) f. achevé d'imprimer, 20 planches hors-texte en couleurs de Georges Gaudion, à la manière de : Laboureur, Marie Laurencin, Utrillo, Joseph Hémard, Henri Rousseau, Le Brun, Hermine David, Rouault, Picasso, Victor Hugo, Fernand Léger, Modigliani, Chas Laborde, Van Dongen, Gus Bofa, Henri Matisse, Cézanne, Vlaminck et Charles Martin ; couverture crème rempliée, imprimée en rouge et noir.
1936ref. 006872Paris Chez Charles Ratton 1936 In-8 Agrafé Edition originale
1969ref. 3236Paris, Galerie Lucie Weill et New York, Léon Amiel,1969. Un portfolio (47 x 39 cm), en feuilles, couverture illustrée, emboitage éditeur toilé bleu et titré au dos. Édition illustrée de 11 LITHOGRAPHIES ORIGINALES EN COULEURS ET À PLEINE PAGE DE MAX ERNST dont la couverture, portant la signature et la date '63 gravées dans la composition. Les poèmes de René Char sont tirés de Dehors la nuit est gouvernée (1938). Tirage à 290 exemplaires sur Arches, NUMÉROTÉS ET SIGNÉS AU CRAYON PAR René CHAR et Max ERNST au colophon (celui-ci n° 115). L'ouvrage est en parfait état, complet, bien numéroté et signé par le poète et l'artiste sur un folio volant in fine. L'emboitage est beau avec de légers frottements usuels.
1942ref. boz_006174Free eBay listing template designed by dewiso.com Georges Hugnet - Non vouloir - 4 gravures par Picasso - 1/400 sur Vélin bouffant - épreuves corrigées - 1942 Auteur : Georges Hugnet Titre : Non vouloir Édition : Édition Jeanne Bucher, Paris, 1942 Tirage : Deuxième version de Non vouloir (paru en 1940 et qui ne contenait qu'un seul poème). Cet exemplaire est enrichi d'un envoi autographe signé de Georges Hugnet : « au Docteur René Nadal photographe de l'invisible avec l'amitié de Georges Hugnet ». Gravures : Illustré de quatre gravures au burin par Pablo Picasso en Noir&Blanc. Reliure : Broché. Exemplaire non coupé. Dimensions et poids : 14,2 x 19,4 cm État : Couverture avec traces d'usage, insolée et avec quelques plis, déchirures et manques. Exemplaire complet des 4 gravures de Picasso. Intérieur frais. Voir photos et description pour plus de détails. Nombre de pages : 76 pages Nous joignons les épreuves de Non vouloir, complètes sans les gravures, numérotées à la main de 196 à 255. Elles présentent quelques corrections et annotations manuscrites au crayon et à l'encre rose. Georges Hugnet Georges Hugnet, né à Paris le 11 juillet 1906 et mort à Saint-Martin-de-Ré le 26 juin 1974, est un poète, écrivain, dramaturge, graphiste et cinéaste français. Wikipédia Contactez-nous Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres... Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Une question ? Une précision ? N'hésitez pas à me contacter au 07 82 69 98 28 ou par mail jerome.lartdelivre@gmail.com Envoi Envoi soigné dans un emballage rigide et étanche sous trois jours. Prévoir les délais postaux habituels en plus. Paiement Sont acceptés les paiements par eBay, par PayPal, par virement ou par chèque. Retour Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, retour à la charge du vendeur pour l'Europe. À la charge de l'acheteur pour le reste du monde.
1952ref. 61224Gallimard | Paris 1952 | 12.50 x 19 cm | broché
ref. 5210Barcelona: Planeta 2007. Planeta unknown
ref. 41535Paris, Verve (Vol. VIII, N° 29-30), 1954. In-4°, non paginé. Reliure cartonnée illustrée d'éditeur.
1956ref. 2114Joseph Foret Éditeur, Paris 1956. 1 volume in-folio en feuilles sous couverture imprimée rempliée. Édition originale illustrée de 11 LITHOGRAPHIES ORIGINALES DONT 8 EN COULEURS : 9 par Maurice UTRILLO et 2 par Suzanne VALADON et Lucie VALORE. Préface de Sacha Guitry. Textes inédits de Pierre Benoît, André Maurois, Jean Cocteau, Edmon Heuzé, Grommelynck et Lucie Valmore. Tirage : 197 exemplaires. 1 DES 120 SUR PUR FIL DU MARAIS, celui-ci nominatif, signé par l'éditeur. État de neuf. - ENGLISH DESCRIPTION : Maurice UTRILLO, V. Paris, Joseph Foret, 1956. In-folio, in sheets, folder and case. First edition, first printing containing a preface by Sacha Guitry and unpublished texts by Pierre Benoit, André Maurois, Jean Cocteau, Edmond Heuzé, Fernand Crommelynck and Lucie Valore, illustrated with 11 ORIGINAL LITHOGRAPHS in full page by Maurice Utrillo, including 7 in color, 2 in sepia and one in black by Utrillo, one lithograph by Suzanne Valadon and one in color by Lucie Valore (portrait of Utrillo). Edition at 207 copies, this one one of the 120 on vellum paper of the Marais (this one is nominative). Very pale discharges of the title and the plates on the facing text pages.
1938ref. 1203161938. First Edition. TRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Mir Chagall Matisse Derain Kandinsky and Klee along with numerous hliogravure photographs including Bill Brandt and Brassa first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Triade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the dayÑ Matisse Picasso Braque Lger Mir ChagallÑ many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Mir and Lger photographs by Man Ray and Brassa articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Czanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassa and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Mir Rattner and Klee together with articles by such leading French writers as Valry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassa and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
1938ref. 1203161938. First Edition. TRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Mir Chagall Matisse Derain Kandinsky and Klee along with numerous hliogravure photographs including Bill Brandt and Brassa first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Triade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the dayÑ Matisse Picasso Braque Lger Mir ChagallÑ many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Mir and Lger photographs by Man Ray and Brassa articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Czanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassa and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Mir Rattner and Klee together with articles by such leading French writers as Valry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassa and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover books
ref. 14867Monte-Carlo, André Sauret, 1961 ; in-4 oblong (24,5 x 31,7 cm). 153 pp. - 4 lithographies originales de Pablo Picasso dont une en 24 couleurs représentant un picador. Toile grise de l'éditeur illustrée d'après Picasso, étui en cartonnage rouge illustré (un coin légèrement choqué). Bel exemplaire.
1973ref. 1533Au Pont des Arts, Galerie Lucie Weill, Paris 1973. 1 volume in-4 (225 x 255 mm), 84 pages en feuilles, couverture illustrée rempliée, emboitage éditeur recouvert de toile rose. 16 LITHOGRAPHIES ORIGINALES EN COULEURS D'ANDRÉ MASSON, toutes en hors-texte pour illustrer la longue nouvelle de Patrick Waldberg qui paraît ici pour la première fois Tirage : 174 exemplaires numérotés tous sur vélin d'Arches, signés par l'auteur et l'artiste. Celui-ci : 1 des 21 hors-commerce réservés accompagné d'UNE SUITE COMPLÈTE DES 16 LITHOGRAPHIES TIRÉES SUR JAPON NACRÉ. La suite est insérée dans une chemise imprimée et CHAQUE ÉPREUVE EST SIGNÉE ET JUSTIFIÉE AU CRAYON PAR L'ARTISTE. L'ouvrage est également signé par Patrick Waldberg et André Masson.
1952ref. TH241414Souillac Mulhouse 1952. 1st Edition. SOFTCOVER. Special issue of le Point XLII October 1952 devoted to Picasso who has signed this copy in ink on the title-page no other marks or inscriptions. Provenance: from the estate of the Canadian artist Kathleen Daly Pepper. 4to in stiff card covers with colour printed over-wrapper 56pp b/w plates photos and facsimiles etc. Text in French Housed in an attractive custom made archival case. Full provenance provided __CONDITION : A well preserved FINE very clean and tight unmarked copy pages very slightly tanned in a slightly edge-rubbed but otherwise FINE wrapper. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Souillac, Mulhouse paperback
1948ref. 822901948. Fine. s. d. vers 1948 17.30 x 21.30 cm une feuille n.d. around 1948 Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm one leaf. Rare original photograph of Pablo Picasso turning towards one of his ceramic creations taken by Michel Sima. Contemporary silver print. Pencil inscription on the back. Very light scratch on the surface not affecting the image. In September 1946 Pablo Picasso set up his workshop in the attic of the Château Grimaldi in Antibes in a former guards room to which the curator Romuald Dor de la Souchère gave him the keys so that he could work there as he pleased. It is the artist Michel Sima sculptor and photographer who introduced the two men. Arriving from his native Poland in 1929 Sima whose real name was Michel Smajewki met Picasso in Paris where he frequented the Académie de la Grande Chaumière and was the pupil of Zadkine. From mid-September to mid-November 1946 in Antibes then from 1947-48 and until the beginning of the 50's in Vallauris Sima regularly photographed Picasso who willingly posed for the camera - alone or with his companion Françoise Gilot in front of completed works or those in progress staring at the lens or on the contrary focusing on his work Anne de Staël L'Atelier des combles 2009. Sublime chiaroscuro shot of the master contemplating his work. Provenance: Paul Destribats collection. unknown
1935ref. 71763Paris: Gallimard 1935. Fine. Gallimard Paris 1935 12 x 19 cm broché First edition an advance copy. Spine and covers lightly soiled without significance. Very precious autograph inscription signed by Marcel Jouhandeau: ""Pour Pablo Picasso avec mon souvenir ému. Marcel Jouhandeau."" ""For Pablo Picasso with my fond remembrance. Marcel Jouhandeau."" Gallimard unknown
1952ref. 61224Paris: Gallimard 1952. Fine. Gallimard Paris 1952 12.50 x 19 cm broché First edition one of 26 numbered copies on Madagascar paper the tirage de tête. Illustrated with a frontispiece by Pablo Picasso preface by André Salmon. Rare and nice copy despite a small tear in the margin of lower cover. Gallimard unknown
1957ref. 0819434New York New York U.S.A.: Frederick A. Praeger 1957. Second Edition. Hardcover. Very Good/Good. Illustrated with Color & b&w Reproductions. 8vo - over 7¾" - 9¾" Signed by Pablo Picasso. 2nd edition / 1st printing. Inscribed & signed on the front endpaper by Pablo Picasso to actress Patience Cleveland : "Pour Patience -- / En souvenir de votre / ----------------- Anniversaire / Pablo". The "P" in Pablo is 1.25" 3.2cm tall drawing that has 4 eyes making different faces from every direction that you turn the drawing. Very good in good dust jacket. Jacket : slight edge wear chipped at top of spine. 15.5 x 21cm. hard cover. 315pp. Frederick A. Praeger hardcover
ref. 51-1221New York: George Brazillier; Monte Carlo: André Sauret 1961. Oblong 4to text in English translated by Patrick Gregory 4 lithographs 1 color and numerous illustrations by Picasso original red buckram with Picasso illustration stamped in black on upper cover spine lettered in very good black pictorial dust-jacket.Cramer 113; Bloch 1014-1017; Mourlot 346 348-350 New York: George Brazillier; Monte Carlo: André Sauret, 1961 hardcover
ref. 78617Paris Robert - J. Godet 1943. 4° 32 Bl. 6 Rasterdrucke nach Radierungen von P. Picasso Mit dem eingeklebten Verlegerhinweis von Guy le Pra Broschur m. Transp.-OU. OU mit kleinen Fehlstellen min. angeschmutzt. Innen Papier alterungsbedingt min. gebräunt sonst sauberes Exemplar. EA. Goeppert-Cramer 38. – Bloch livres 37No 201 des 500 exemplaires numérotés sur Lafuma.- Beiliegend eine surrealistische Werbeeinladung «Prière d’insérer» in 14 Punkten von Paul Eluard «pour Georges Hugnet».- Georges Hugnet 1906-1927 verbrachte den größten Teil seiner Kindheit in Buenos Aires. 1913 kehrte er nach Paris zurück. 1920 war das entscheidende Jahr seiner Karriere. Durch Marcel Jouhandeau der im selben Gebäude am Boulevard de Grenelle in Paris wohnte wurden seine ersten Gedichte Max Jacob vorgelegt. Jacob wurde sein Mentor und durch ihn bekam er auch die Kontakte und Zugang zu der Pariser Kunstszene. Während dieser Zeit freundete sich Hugnet mit einer Reihe einflussreicher Künstler des frühen 20. Jahrhunderts an wie Joan Miró Marcel Duchamp Pablo Picasso Tristan Tzara Man Ray und Jean Cocteau.Hugnet kam 1926 in Kontakt mit den Surrealisten nahm an vielen ihrer Aktivitäten teil dichtete schuf Collagen schrieb Bücher und gestaltete Bucheinbände für surrealistische Publikationen auch in Zusammenarbeit mit seinem Freund Joan Miró. 1929 erfolgte die Präsentation seines Filmes La Perle im Studio Ursulines in Paris. In den 1930er Jahren war Hugnet Mitglied der surrealistischen Bewegung. André Breton hatte sich nach der Lektüre von Hugnets Artikel Spirit of Dada in Painting für ihn interessiert; Tristan Tzara machte sie miteinander bekannt. 1936 war Hugnet an der Organisation der International Surrealist Exhibition in den New Burlington Galleries in London beteiligt.1939 wurde er aus der Bewegung ausgeschlossen da er seine Freundschaft mit dem in Ungnade gefallenen Dichter Paul Éluard nicht aufgeben wollte.Mit Unterstützung seines Vaters – ein französischer Möbelhersteller – gründete Hugnet einen Verlag «Les Editions de la Montagne» um seine Werke und die seiner Freunde darunter Tristan Tzara Pierre de Massot und Gertrude Stein zu veröffentlichen.Hugnet schrieb und übersetzte zahlreiche Drehbücher und schuf Buchillustrationen. 010 Paris, Robert - J. Godet, 1943 unknown
ref. 212With the Picasso plate in two colours: a fine group with Dadaist flavour related to the first experimental "ball" of the Union of Russian Artists in Paris which included as member Mikhail Larionov Natalia Goncharova and Ilia Zdanevich Iliazd among others. The printed programme is a typographical and artistic masterpiece with participations of Juan Gris Derain Picasso and Goncharova incorporating poems by French and Russian artists such as Tristan Tzara. The typography was perhaps unsurprisingly conceived by Iliazd who also played a major role in the original idea of such 'balls' gathering an international and Parisian avant-garde. The programme of the event was eclectic featuring a Russian piece a Japanese 'village party' by Foujita and a popular song on the Venice festival many with choreography and costumes by Larionov and Goncharova. Includes the large striking ticket designed by Larionov often found on its own. Description Large 4to 33 x 26 cm and 2 sheets 50 x 13 and 22 x 27.7 cm. Programme: 12 pp. with one tipped-in illustration after Derain lithographs texts and illustrations one by Picasso coloured in pastel blue and yellow; ticket: black and orange lithograph on beige paper designed by Larionov; handbill: black lithograph on coloured paper designed by Larionov. Binding Sheets loose as issued programme in printed pictorial wrappers. Condition Very minor wear creasing or browning at extremities handbill with fold in the centre but overall in appealing fresh condition. Francois Bernouard for Union des Artistes Russes, Paris, 1923
1962ref. 3931Éditions Cercle d'Art, Paris 1962. Un volume in-folio (390 x 330 mm) relié sous cartonnage toilé illustré, dans l'étui de l'éditeur décoré de deux compositions en couleur de Picasso. - 45 LINOGRAVURES DE PABLO PICASSO EN PLANCHES HORS-TEXTE réalisées d’après les linogravures originales. - PREMIER TIRAGE. Édition originale française, le texte de W. Boeck est traduit par Jacques Chavy. - ENGLISH DESCRIPTION : 1 volume oblong folio in the original slipcase. Introduction by W. Boeck. Illustrated with 45 colour linocuts plates engraved and remarkably printed on one side only after the original linocuts by Pablo Picasso (approx. 13" x 15"). A state of the art production by Cercle d'Art in 1962. 1st printing. In excellent condition and complete. The decorated slipcase with some imperfections. Photographs on request.
2010ref. 94942Hirmer Verlag. New. 2010. Hardcover. 377743101X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 288 pages; 186 illustrations including 174 in color. -- with a bonus offer-- . Hirmer Verlag hardcover
1955ref. 213503New York: Harry N. Abrams 1955. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Foxing on side text block edge.; Folio 13" - 23" tall. Harry N. Abrams hardcover
1940ref. 206211Paris: L'usage de la Parole 1940. First Edition. Spine split; corners bumped; some general soil one very small tear at the top but otherwise without significant wear. 4to 6 unpag. leaves loosely inserted in stiff wrappers. Thomson first set Hugnet's poems to music in 1927. They were his first French songs. Here the songs are printed for the first time in lithographic facsimile of Thomson's handwriting on S.A.V. Vélin scored for voice and piano. The lithographic front wrapper is by Pablo Picasso. As near as we can ascertain a small number of copies were produced to send as gifts to friends and to subscribers to Hugnet's short-lived periodical L'usage de la parole. It seems likely that the songs were intended to be included in a fourth number of the magazine number 3 in April 1940 announced Thomson as a contributor to the next number but the magazine ceased publication before a fourth number could be completed when German armed forces marched into France in May. It is unclear how many copies might have been produced and actually sent to subscribers. The small number of institutional holdings suggests that the wartime conditions must have curtailed the effort. There was also a limited edition said to be only 40 copies signed by Hugnet and Thomson but not Picasso and specially bound. In April of 1940 Thomson wrote to Maurice Grosser: "My Picasso cover for La Valse Grégorienne is quite handsome. It is just the words of the title as I gave them to him and a couple of curlycues added no picture or anything which is exactly what I wanted also the signature large and impressive." Later in his autobiography Thomson confessed that had feared that Picasso's artistic power might overwhelm his own and so he asked him specifically to limit his cover to the text provided. Thomson's musical 'portrait' of Picasso "Bugles & Birds" was composed in April 1940 as a gesture of thanks for this work. Very scarce and fragile. Not recorded in Bloch's Catalogue Raisonée. L'usage de la Parole unknown