1970réf. 50318Random House / Maecenas Press 1970. First Edition. Hardcovers in slipcase. About Fine two large oblong vols. in slipcase and the original polystyrene shipping case and box. This item will require extra shipping internationally. Picasso's 347 engravings etchingsMougins etc created from March 16th to October 5th 1968. . Random House / Maecenas Press, hardcover
1936réf. 2018Genova: Arti Grafiche Caimo & C. 1936. Good -. 11¾” x 8½”. Pictorial thin card wrappers. Pp. 188 3 index 10 color plates and maps 8 folded bound in two 11” x 23” folded promotionals laid in. Good minus: approximately 12 pages with moderate to severe adhesion damage resulting in tears and areas of text loss; wrappers a bit sunned with a touch of corner wear; light creasing and spotting to edges; some leaves unopened. This is a remarkable work on city planning and infrastructure created by an Italian engineer architect and designer Renzo Picasso and inspired by American and international cities. Renzo Picasso was born in Genoa in 1880. His father and grandfather were both architects who had contributed immensely to his hometown. He traveled widely through European cities gaining inspiration for his work and was heavily impacted by a trip to New York in 1911. Deviating from his family's traditional styles Picasso created countless drawings and plans for skyscrapers public transports stacked roadways towers and underground walkways before he died in 1975. Per an online archive working to collect his creations the majority remain unpublished and “While he is responsible for some of the buildings that currently stand in Genoa his grander ideas remain only in their printed form.” This work is written nearly wholly in Italian with some English appearing mostly in the copious in-text diagrams and bound-in color plates. Picasso shows us junctions in the New Jersey “H-M 'Tube'” as well as “The two greatest competitors in Piccadilly Circus: 'Tube' and 'Bus'.” There are tables of statistics on vehicle registrations building elevations sea and airport traffic as well as mathematical equations. One page has the illustrated “Champions” of height in New York and Chicago and another the “Sezioni di traffico” sections of subways where one “need not set foot in street.” There are images of “self supporting” and “aerial” bridges the “Skyline Genesis” of New York from 1679 to 1930 and a “Zeppelin mooring mast.” This copy has two gorgeous promotionals for the book laid in both with color images to three front panels and text in five languages on the reverse. One has aerial city center plans for Genoa Philadelphia Chicago Boston and New York and the other shows “veicoli e regolatori di via” transit vehicles and traffic lights with diagrams of intersections and a layout of Central Park. They boast of this book: “All the Skyscrapers-Champions all the means of transport from the slowest natural to the swiftest mechanical surface elevated subterranean subwater and aerial are illustrated and analised in their position form and value.” The publication is undated and our research points to a release of 1936. OCLC shows cataloging discrepancies but there appear to be 15 holdings in the United States and seven in Europe. Arti Grafiche Caimo & C. unknown
1936réf. 2018Genova: Arti Grafiche Caimo & C. 1936. Good -. 11¾” x 8½”. Pictorial thin card wrappers. Pp. 188 3 index 10 color plates and maps 8 folded bound in two 11” x 23” folded promotionals laid in. Good minus: approximately 12 pages with moderate to severe adhesion damage resulting in tears and areas of text loss; wrappers a bit sunned with a touch of corner wear; light creasing and spotting to edges; some leaves unopened. This is a remarkable work on city planning and infrastructure created by an Italian engineer architect and designer Renzo Picasso and inspired by American and international cities. Renzo Picasso was born in Genoa in 1880. His father and grandfather were both architects who had contributed immensely to his hometown. He traveled widely through European cities gaining inspiration for his work and was heavily impacted by a trip to New York in 1911. Deviating from his family's traditional styles Picasso created countless drawings and plans for skyscrapers public transports stacked roadways towers and underground walkways before he died in 1975. Per an online archive working to collect his creations the majority remain unpublished and “While he is responsible for some of the buildings that currently stand in Genoa his grander ideas remain only in their printed form.” This work is written nearly wholly in Italian with some English appearing mostly in the copious in-text diagrams and bound-in color plates. Picasso shows us junctions in the New Jersey “H-M 'Tube'” as well as “The two greatest competitors in Piccadilly Circus: 'Tube' and 'Bus'.” There are tables of statistics on vehicle registrations building elevations sea and airport traffic as well as mathematical equations. One page has the illustrated “Champions” of height in New York and Chicago and another the “Sezioni di traffico” sections of subways where one “need not set foot in street.” There are images of “self supporting” and “aerial” bridges the “Skyline Genesis” of New York from 1679 to 1930 and a “Zeppelin mooring mast.” This copy has two gorgeous promotionals for the book laid in both with color images to three front panels and text in five languages on the reverse. One has aerial city center plans for Genoa Philadelphia Chicago Boston and New York and the other shows “veicoli e regolatori di via” transit vehicles and traffic lights with diagrams of intersections and a layout of Central Park. They boast of this book: “All the Skyscrapers-Champions all the means of transport from the slowest natural to the swiftest mechanical surface elevated subterranean subwater and aerial are illustrated and analised in their position form and value.” The publication is undated and our research points to a release of 1936. OCLC shows cataloging discrepancies but there appear to be 15 holdings in the United States and seven in Europe. Arti Grafiche Caimo & C. unknown books
1982réf. 155Paris Maeght éditeur, 1982. In-folio (380 x 280 mm) broché, 116 pages. Couverture rempliée illustré d'une lithographie. 25 LITHOGRAPHIES ORIGINALES de Steinberg, Chagall, Miro, Palazuelo, van Velde, Rebeyrolle, Tàpies, Tal Coat, Alechinsky, Ubac, Bury, Klapheck, Titus-Carmel, Monory, Adami, Arakawa, Riopelle, Takis, Gardy-Artigas, Fiedler, Chillida, Kelly, Bazaine, Garache, certaines à double-page. DLM édité en août 1982 en hommage à Marguerite et Aimé Maeght alors récemment disparus. Tous les précédents numéros de DLM y sont décrits. Reproductions.
1943réf. 137781943 une revue tête de série N° 1, port-folio cartonné gris souris in-folio éditeur (plates under editor hardback), couverture rempliée, 1ère de couverture imprimée en rouge et noir, très rares et légères piqûres sur la couverture légèrement insolée (rare and light small redness marks on the lightly fading cover), justification du tirage : tirage limité à 1030 exemplaires numérotés (N°825), l'ouvrage se présente en feuillets avec les dessins imprimés comme suit : une étude de BONNARD, une symphonie de Duffy en noir en double page, deux nus de MAILLOL, deux expressions de MATISSE, une satire de Picasso en double page en noir et un poème de Pierre Emmanuel illustré par Léon ZACK, 1943 N° 1 (tête de série) Monaco: Philippe Fontana (Robaudy) Editeur,
1920réf. 1783Paris, Imprimerie Bernouard (avec étiquette de relais contrecollée sur la couverture : Éditions de la Galerie Simon, Paris), 1920. Une plaquette in-4 (288 x 190 mm) brochée, 16 feuillets, non coupé. 2 GRAVURES ORIGINALES DE ANDRÉ DERAIN EN HORS-TEXTE. Edition originale tirée à 155 exemplaires numérotés. Celui-ci un des 1/125 sur vergé d'Arches, signé par l'artiste. ENGLISH : Originally published by Bernouard the book was taken over by D.-H. Kahnweiler after he started the Galerie Simon with his label affixed to the front cover. François Bernouard was an inspiration as editor for Kahnweileir for both typography and aesthetic of modern book conception he will do for 2 decades. One of 125 copies signed by Derain.
1950réf. 31242BBParis, Sauret, 1950. 4° 208 Seiten, mit 1 ORIGINAL-LITHOGRAPHIE innen, Illustr. 75-179. brosch., mit Transparentfolie, kein Originalumschlag. Folie leicht beschädigt, leichte Bräunung, sauber und schön erhalten!
1979réf. 103119Düsseldorf, Kunstverein für die Rheinlande und Westfalen, 1979, in-4, [102] pp, broché, Première édition de ce catalogue d'exposition de l'oeuvre graphique de Titus-Carmel, avec 113 oeuvres reproduites dont certaines en couleurs. Exemplaire enrichi des signatures autographes de Pablo Picasso, Dali, Miro, Max Ernst pour "Baudoin Lebon, sans qui nous ne serions rien" et d'une longue note manuscrite "en guise de dédicace" de Titus-Carmel adressée à Baudoin Lebon :"Pour Baudoin, Pratiquement 6 ans, jour pour jour, je peux lui dire : je lui envie son costume de tweed et ce qu'il y a dedans, de bas en haut, parfois de fond en comble, quelque fois de long en large, souvent autour, en un mot signifié Baudoin, le signifiant Lebon, le grand, le seul, le vrai. à Düsseldorf le 5 mai 1979". Très bon exemplaire. Couverture rigide
réf. 26096Paris, Imprimerie Union, 1966. Lithographie en noir et typographie en rouge et noir sur un feuillet de vélin jaune sable. Format 65 x 46,5 cm. Édition originale de cette affiche. La lithographie de Pablo Picasso est signée dans la pierre. Très bel état. Czwiklitzer, n° 277.
1945réf. 12577Paris Gallimard, coll. "Métamorphoses" 1945 1 vol. Broché in-8, broché, 62 pp. Première édition publique (après le tirage photolithographique à 50 exemplaires hors commerce distribué par Picasso en 1944). Un des 40 exemplaires de tête numérotés sur vélin pur fil Lafuma-Navarre, en très belle condition.
1945réf. 12577Paris Gallimard, coll. "Métamorphoses" 1945 1 vol. Broché in-8, broché, 62 pp. Première édition publique (après le tirage photolithographique à 50 exemplaires hors commerce distribué par Picasso en 1944). Un des 40 exemplaires de tête numérotés sur vélin pur fil Lafuma-Navarre, en très belle condition.
1919réf. 105149Paris Société Littéraire de France 1919 1 vol. Broché in-4, broché, couverture rempliée, 114 pp. Édition originale illustrée d'un frontispice, d'une planche double et de 36 dessins à la plume par Picasso. Tirage unique à 750 exemplaires numérotés sur vélin Lafuma, en belle condition.
1919réf. 105149Paris Société Littéraire de France 1919 1 vol. Broché in-4, broché, couverture rempliée, 114 pp. Édition originale illustrée d'un frontispice, d'une planche double et de 36 dessins à la plume par Picasso. Tirage unique à 750 exemplaires numérotés sur vélin Lafuma, en belle condition.
2024réf. BN653143Gagosian. 2024. 2024. Hardcover. A Foreigner called Picasso. A Foreigner called Picasso. Picasso Pablo - Annie Cohen-Solal / Vérane Tasseau Herausgeber Gagosian. hardcover
réf. Z05OS-00083Random House / Maecenas Press. Collectible - Very Good. New York: Random House / Macaenas Press 1970. 1st edition. 2 volumes. Oblong folio. 22pp approx. 300 unnumbered leaves. Illus. Very Good book. Case Good. Lower corner of Vol. 1 bumped. One corner of slipcase split; scratches on rear of slipcase. art engravings Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Random House / Maecenas Press unknown
1985réf. 698741985 Paris, éditeur Paradis, 1985, In folio ,12 sérigraphies, 1/1000 exemplaires, en très bon état Très bon état,
1996réf. 2092902140603456Heibonsha 1996. Soft Cover. Fine. Number of pages: 533p Size: 32x30cm Heibonsha paperback
1982réf. 91148Paris: Éditions Cahiers D’art 1986 & 1982. First editions. 172 406 pp. Two volumes both fine in printed wrappers and fine unprinted glassine dust jackets. Three hundred sixty and 964 b&w impages respectively. For the pair: Paris: Éditions Cahiers D’art unknown
1982réf. 91148Paris: Éditions Cahiers D’art 1986 & 1982. First editions. 172 406 pp. Two volumes both fine in printed wrappers and fine unprinted glassine dust jackets. Three hundred sixty and 964 b&w impages respectively. For the pair: Paris: Éditions Cahiers D’art unknown books
1951réf. 47326New York: The Living Theatre 1951. Very Good . New York: The Living Theatre 1951. First Edition. Octavo booklet 22cm; illustrated staplebound brown paper wraps; 16pp. Wraps lightly worn; otherwise clean and sound. A Very Good or better copy of this early piece of Living Theatre ephemera. Program pamphlet for the 1951–52 season of Living Theatre which included productions written by Gertrude Stein Pablo Picasso and T.S. Eliot. The booklet includes a poem by John Cage a list of the Theatre’s directors and sponsors a brief essay by William Carlos Williams and several advertisements for local businesses. Cover illustration by Picasso. . The Living Theatre unknown
1951réf. 47326New York: The Living Theatre 1951. Very Good . New York: The Living Theatre 1951. First Edition. Octavo booklet 22cm; illustrated staplebound brown paper wraps; 16pp. Wraps lightly worn; otherwise clean and sound. A Very Good or better copy of this early piece of Living Theatre ephemera. Program pamphlet for the 1951–52 season of Living Theatre which included productions written by Gertrude Stein Pablo Picasso and T.S. Eliot. The booklet includes a poem by John Cage a list of the Theatre’s directors and sponsors a brief essay by William Carlos Williams and several advertisements for local businesses. Cover illustration by Picasso. . The Living Theatre unknown books
réf. 9803Picasso Pablo. Picasso Pablo. 100 PICASSO-PLAKATE UND STIFTUNG DANIEL-HENRY KAHNWEILER FOUNDATION - 20 GRAPHISCHE WERKE PABLO PICASSOS. Czwitklitzer 192b Poster for Kunsthalle Mannheim 1970. Color Offset 33 X 23 3/8 inches 838 x 594 mm. First Edition of 600 there was a second edition of 250 and a third edition of 400 copies. Mounted on Japan paper for conservation. In very good condition with a few clean closed tears at folds and with very fresh bright colors. a unknown
réf. 51-3606Vallauris: 1957. Linocut on the cover. Edition of 200 copies this one hors commerce and not numbered.Image 78 x 130mm. on cover 235 x 155mm. Picasso Project L-025; Bloch1273; Baer IV1046; Cramer 89. Fine. Vallauris: 1957 unknown
1957réf. stela873Paris: Pierre Seghers 1957. 1957. 4to. pp. 37. French text. dust wrapper design by Pablo Picasso. 12 photographs by Lucien Cherque. boards. dw. rubbed corners and head & foot of spine bumped and worn bit discoloured at head of spine first 16 pages are loosely inserted. First Edition. 1st Edition. Hardcover. Paris: Pierre Seghers, [1957]. Hardcover
1974réf. 015496Maeght 1974 In-4 en feuilles, couverture rempliée, emboitage éditeur