(Picasso, Pablo) Hans Bolliger:Biblio.com
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réf. 22070-Thames & Hudson 1956-. First edition undated 1956. 280x220mm 22 pages text plus 100 black and white plates printed single-sided so as the publisher states 'the etchings can be removed from the book and framed singly'. Decorated cloth. Edges of page-block somewhat grubby with an inch pen mark to fore-edge. Good in dustjacket edge-damaged with losses to rear fold and head edge fraying to head and tail of spine. The scarcity of this item indicates a good many owners did what the publisher suggested sadly. Ask to see our other Picasso titles. Picasso's Vollard Suite Spanish artist -Thames & Hudson (1956)- hardcover
réf. SONG0500510091Used: Good unknown
réf. SONG0810903822Used: Good unknown
réf. SONG3822805629Used: Good unknown
1965réf. 9011570New York: Abrams 1965. 1st. Hardcover. Book fine Dust jacket fine. The acetate dust jacket has minor chips. Abrams hardcover
1969réf. b23192London: Calder & Boyars 1969. First Edition . Soft cover. Near Fine. Near fine in original wrappers. Calder & Boyars paperback
1970réf. b23191London: Calder & Boyars 1970. First Edition . Soft cover. Near Fine. Near fine in original wrappers with light rubbing. Calder & Boyars paperback
1971réf. 8015New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover
réf. 15902-Thames & Hudson / Metropolitan Museum of Art 1997-. Exhibition catalogue. First edition. 260x225mm 112 pages. 126 black and white illustrations. Cloth. Fine in near fine dustjacket. A prolific printmaker Picasso worked at different times in a variety of techniques - lithography linocut etching drypoint monotype - producing more than 2500 plates throughout his life. This volume presents a selection of these prints from the collection at the Musee Picasso in Paris exploring Picasso's fascination with the art of printmaking and the role it played in his work life and fantasies. The author examines and discusses the prints themselves in order to elucidate their themes sources iconography and techniques. The catalogue accompanies an exhibition at the Musee Picasso and at The Metropolitan Museum in New York. The author has also produced a seven-volume catalogue raisonne of Picasso's prints "Picasso peinte-graveur". Spain is one of our specialities many more in stock. We have 30 years experience in bookselling mail order shops and internet for 10 years. You may order from us with confidence of a personal but professional service. Exhibition Catalogue Picasso the Engraver: Catalogues: Artists 20th Century Spanish artist 0500092699 -Thames & Hudson / Metropolitan Museum of Art, 1997- hardcover
2009réf. SBBI-mon0000025048Akanthus 2009. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Akanthus paperback
1985réf. 339948New York: Random House 1985. hardcover. near fine/near fine. Picasso. Introduction by William S. Lieberman. Catalogue entries by L. Donald McVinney. Profusely illustrated in color. Slim oblong 4to white cloth d.w. New York: The Metropolitan Museum of Art/Random House 1985. Tiny spot at top outer page edges else near fine in near fine dust wrapper. Random House unknown
2014réf. 008713Fundación Museo Picasso Málaga/Legado Paul Christine y Bernard Ruiz-Picasso 2014. 1st Edition . Hardcover. Near Fine/No Jacket issued. Fundación Museo Picasso Málaga/Legado Paul, Christine y Bernard Ruiz-Picasso hardcover
réf. 43025Paris Réunion des musées nationaux 2001. 4° 364 S. zahlr. oft farb. Abb. Brosch. Tadellos. EA. Katalog zur Ausstellung Paris Montreal Barcelona. Text frz. 010 Paris, Réunion des musées nationaux, 2001 unknown
réf. 107169Stuttgart Hatje Cantz 2000. 4° 303 S. zahlr. Abb. Broschur Min. gebrauchspurig tadell. - Dieser Band enthält Picassos gesamtes lithografisches Werk von 860 Nummern. Die Werke stammen fast ausschließlich aus der Sammlung Huizinga die den Kernbestand des ersten Picasso-Museums in Deutschland des Graphikmuseums Pablo Picasso Münster bildet. 010 Stuttgart, Hatje Cantz, 2000 unknown
réf. 105470Milano Studio editoriale d'arte Perna 1962. 49 x 38 cm 60 Bl. eine ganzseitige Lithographie 32 Taf. mit blattgrossen Abb. GanzLwd goldgeprägt in Schmuckschuber Tadell. = Collana grafica 2- Note critiche di Franco Russoli. Nr. 437 von 1900 Exemplaren. Text. Ital.Opulente Ausgabe! 010 Milano, Studio editoriale d'arte Perna, 1962 unknown
1934réf. 2502007The Limited Editions Club 1934. signed limited. hardcover. fine. SIGNED Limited edition 1/1500. This being #316. Signed by Picasso. Book fine stiff cover near fine with two small teats to bottom of spine. In very good slipcase partial tears to bottom part. The Limited Editions Club unknown
réf. 33911Paris XXe Siècle 1971. First edition hardcover in red cloth and gold gilt lettering 12 3/4 x 10" 32 x 25 cm with dust jacket 138pp. A special number of the XXe siècle Art series published under the direction of G. di San Lazzaro and printed in Italy. This tribute contains twenty-eight colour reproductions including 7 facsimile colour linocuts and one hundred and fifty in black and white. Most noteworthy is an original colour lithograph print shown exclusively in this special number of XX Siecle. This book contains a complete overview of Picasso's oeuvre accompanied by numerous essays in French from colleagues and friends such as Kahnweiler Apollinaire Eluard and Verdet amongst many others. This copy is still crisp and in near fine condition the dust jacket alone showing some very light wear. This wonderful homage in image and print from an artist who was a major influence on twentieth century aesthetics includes a complete panorama of his works with the coveted bonus of an original Picasso colour lithograph from 1958. Paris, XXe Siècle, 1971 unknown
réf. 33917Monte Carlo André Sauret 1961. First edition hardcover in grey cloth with black illustration 10" x 12 3/4" 25 x 32 cm landscape orientation in a red slipcase 153pp. Edited by André Sauret with French text contributed by Picasso's long time friend Jaime Sabartés. This unique book focuses on the bullfighting theme which is deeply ingrained in Spanish culture and was a subject that fascinated Picasso throughout his life. Featuring four original lithographs one of which is in twenty-four colours printed by Mourlot Frères this monograph makes a splendid acquisition for Picasso lovers. The balance of this book is populated mostly by pen and ink washes depicting the world of toreadors exquisitely rendered by the Draeger Frères presses and printed in France. This exemplar of A LOS TOROS AVEC PICASSO is in truly Fine condition and includes all four lithographs bright and crisp. The slipcase alone shows some very minor scuffing. Monte Carlo, André Sauret, 1961 unknown
réf. 104140Köln Könemann 1996-99. Gr.8° Fronti. 558 527 528 S. 4971 Abb. OLwd. in Schuber Min. gebrauchspurig tadell. 010 Köln, Könemann, 1996-99 unknown
réf. 103749Stuttgart Klett-Cotta 1987. 4° 349 S. zahlr. teilw. farb. Abb. OLwd. m. OU. OU mit hinterlegtem Riss sonst tadell. Mit Widmung von Edward Quinn a. Titelblatt. 010 Stuttgart, Klett-Cotta, 1987 unknown
réf. 102410New York Museum of Modern Art 1980. 4° 463 S. 758 Abb 208 Abb. in Farbe OLwd. m. OU. Tadell. Text: engl. 010 New York, Museum of Modern Art, 1980 unknown
1910réf. 33635Montrouge Paris: 1910 1910. Original Litho. Original Litho. PICASSO. MAX JACOB. Double Signed Litho. Montrouge Paris Seine. 1910. 14" 7/8 X 10" 3/4 on plain paper stock with the lithograph printed in two tones: Greenish grey for Picasso's drawing and handwriting and black for Max Jacob. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend Max Jacob done in celebration of Jacob's conversion to Christianity. Jacob who had Jewish origins claimed to have had a vision of Christ in 1909 causing his conversion. The illustration of Jacob the first of Picasso's drawings of Max Jacob seated comfortably in a fine armchair dressed in his three piece suit. The printed text: Top A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge Seine - Middle L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" and by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists and the surrealists as can be seen in his prose poems Le cornet à dés The Dice Box 1917. Throughout the year of 1901 Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris Picasso met Max Jacob. Max Jacob was a poet painter & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work Richardson Vol. I 203. Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème Richardson Vol. I 338. "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir and when tickets could be found to the Moulin Rouge" Penrose Picasso 76. Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals exchange ideas & celebrate special occasions such as the opening of an exhibition Penrose Picasso 117. The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904 Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose this place was ". . . composed it seemed of nothing but lofts & cellars all in such a sad state of repair. . . " Picasso 96. Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters sculptors writers & actors Penrose Picasso 102. One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright identified as a Surrealist who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris Picasso Penrose 177. Even though Picasso was not in Paris he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example during summer 1910 in Cadaques Catalonia painting with Derain Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. Penrose Picasso 179. This was only the first of a collections of poetry they collaborated on. 1910 unknown
1995réf. 88461New York:: Atlantic Monthly Press 1995. SIGNED hardcover first edition -. Fine in red cloth-backed blue boards in a very near fine dust jacket some fading to lettering on spine and front cover but blue background is bright and unfaded. First printing. A book which "sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition." Illustrated with 48 full-page color plates other black-and-white illustrations. SIGNED on the title page and dated in the year of publication. Notes bibliography photo credits. A large quarto. xiii 400 pp. Atlantic Monthly Press, hardcover
1968réf. 48848New York: Harry N. Abrams Inc 1968. Very good plus in very good jacket. First US edition of these 405 drawings selected from the thousands produced by Picasso in the two-year period represented. 11.25'' x 9.5''. Original pictorial cloth binding design by Picasso. In original printed acetate dust jacket. Translated from the French by Suzanne Brunner. 405 plates. 254 pages. Light edgewear more pronounced at extremities. Chipping to jacket spine ends. Minor page toning. Harry N. Abrams, Inc unknown
réf. 003014Bievres Essonne: Pierre de Tartas 1976. Book. Fine. Hardcover. Loose sheets in wrappers with Picasso's design printed in relief. This copy with an extra relief printed wrapper. In publishers black cloth clamshell box with gilt and red lettering. Poems by Federico Garcia Lorca in French and Portuguese. Illustrated by Picasso with 4 original full-page color lithographs 10 monochrome woodcut illustrations in the text and 5 6 original embossed prints including the one on the double wrapper all executed after Pablo Picasso. The 4 color lithographs are protected by tissue guards. The lithographs and the embossed prints are plate signed by Picasso. The woodcuts were engraved by Guy Descouens and printed by Pierre Jean Mathan. Inevitable light offsetting from the woodcuts. The original prints were printed on the presses of the Ateliers Desclais. This is number 152 of 220 copies printed on grand velin d'Arches signed by the publisher. The total edition was 306 copies. Sheets measure 37 x 28 cm. the box measures 405 x 305 cm. Very fine copy. . Pierre de Tartas Hardcover
