Picasso, Pablo (Contributor)Biblio.com
5 641 résultats
2024réf. __8410024063La Fabrica 2024. Hardcover. New. 704 pages. 8.75x6.75x8.75 inches. La Fabrica hardcover
1971réf. 111778Genève : Skira 1971. reliure d'éditeur. Picasso Pablo.La chute d’Icare de Pablo Picasso. Collection Les Sentiers de la Créations. Genève Skira1971 230x165mm 118 pages photos couleurs et n/b reliure d'éditeur. Reliure en cuir sous emboîtage cuir légèrement éraflé au dos autrement bon état.Exemplaire de luxe numéroté 356/1125. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Skira unknown
2024réf. __3150114942Reclam Philipp Jun. 2024. New. 1116 pages. Latin language. 5.08x1.93x7.60 inches. Reclam Philipp Jun. unknown
1957réf. 112475Paris : Jonquières 1957. broché. Picasso Pablo.40 Dessins de Picasso en marge du Buffon. Paris Jonquières1957 385x290mm 40 pages broché. Couverture rempliée sous cartable et emboitâge rigides imitation paille japonaise. Exemplaire numéroté sur papier vélin du Marais n.° 277 / 2226. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Jonquières unknown
1970réf. 78954Paris : André Sauret Editions du Livre Exclusivité Weber 1970. MOURLOT Fernand. - PICASSO.Picasso lithographe. Paris André Sauret Editions du Livre Exclusivité Weber1970 275x245mm 299 pages planches en couleurs et n/b reliure d’éditeur sous double jaquettes une illustrée et une en rhodoïde. Exemplaire à l'état de neuf. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance André Sauret, Editions du Livre, Exclusivité Weber unknown
1954réf. 14459Vintage Books A Division of Random House. Very Good-. Paperback. Paperback cover is toned with light wear and creasing but in good condition. Pages are clean and near pristine. . . 1954. Vintage Books A Division of Random House paperback
1955réf. 14643Harry N. Abrams. Fine in Good dust jacket. Hardcover. Black cloth cover is pristine. Boards and spine are straight. Binding is tight. End sheets toned. Pages are clean and pristine. Dust jacket is toned with modest soiling wear to the extremities and a couple short tears at top of spine panel but in good condition. DJ protected by a brand new clear acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. If pictured shown without the mylar cover for an accurate representation of dust jacket. .; 178 pages . 1955. Harry N. Abrams hardcover
2003réf. 84056NY: Gagosian Gallery 2003. First edition. 4to. 142 pp. Tiny bump to base of spine else fine in illustrated wrappers. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. Profusely illustrated. NY: Gagosian Gallery unknown
1999réf. 84001Chicago & London: University of Chicago Press 1999. First US edition. xx 392 pp w/index. Fine in very near fine dust jacket. Translated from the original French by Jane Marie Todd. Preface by Henry Miller from 1966. Introduction by Pierre Daix. Illustrated with photographs. Chicago & London: University of Chicago Press unknown
1922réf. 1186471922. First Edition. BAKST Lon. L'Oeuvre de Leon Bakst pour La Belle au Bois Dormant. Preface d'Andr Levinson. Paris: de Brunoff 1922. Large folio original limp cream paper covers uncut custom chemise. $4500.Signed limited first French edition number 308 of only 500 copies signed by both Bakst and publisher Maurice de Brunoff with 56 mounted color plates 54 full-page costumes and sets for the Ballet Russes with letterpress tissue-guards and a portrait of Bakst by Picasso.A gifted painter Bakst is best remembered for the sets and costumes he designed for Diaghilev's Ballet Russes in the early decades of the 20th century. His exotic and sumptuous designs in conjunction with Diaghilev's radical and provocative choreography helped revitalize ballet and lay the framework for modern interpretive dance. It was the Ballet Russes that first brought Tchaikovsky's Sleeping Beauty renamed Sleeping Princess to the west in 1921 featuring scenery and costumes by Bakst. ""Bakst's greatest claim to theatrical glory lies in his feeling for synthesis in his impeccable instinct for harmony"" Levinson. Without rare original slipcase. Plates and text fine only minor wear to spine of fragile original paper covers. A beautiful copy. unknown
1989réf. 75537Princeton: Princeton University Press 1989. First edition. xvi 198 pp w/index. Fine in very near fine dust jacket. Princeton: Princeton University Press unknown
1988réf. 75637London: Thames and Hudson/Editions de la Réunion des musées nationaux 1988. First UK edition. Oblong 8vo. 116 pp. Fine in fine dust jacket. London: Thames and Hudson/Editions de la Réunion des musées nationaux unknown
réf. 11468Lausanne : Clairefontaine sans date. reliure d'éditeur sous jaquette. PICASSO.L’oeuvre gravée de Picasso 1955-1965. Introduction de Kurt Leonhard documentation de Hans Bolliger. Lausanne Clairefontaine sans date 285x225mmXII- 138 pages 127 planches en n/b6 planches en couleurs reliure d'éditeur sous jaquette. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Clairefontaine unknown
2014réf. __3257021240Diogenes 2014. Hardcover. New. German language. 7.60x5.47x2.24 inches. Diogenes hardcover
1996réf. 57513San Francisco: Alan Wofsy Fine Arts 1996. First US edition. 4to. xxii 225 pp. Fine in very near fine dust jacket. A volume in the “Paintings Watercolors Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973.” San Francisco: Alan Wofsy Fine Arts, unknown
2001réf. 47527NY: Prestel 2001. First US edition. 4to. 365 pp w/selected bibliography. Fine in fine dust jacket. 317 color and 143 b&w illustrations. NY: Prestel unknown
1975réf. 47533NY: Rizzoli 1975. First US edition. 244 pp. Very near fine in like dust jacket that is lightly toned. 128 full-color plates and over 1000 b&w reproductions. NY: Rizzoli unknown
1971réf. 47537NY: Abrams 1971. First US edition. 4to. 331 pp w/index. Fine in very near fine dust jacket with light toning to spine and extrems. 670 illustrations. NY: Abrams unknown
2013réf. 193398Paris: Cahiers d'Art 2013. The reference work for all of Picasso's paintings and drawings Revised and first English language edition number 207 of 1200 sets. Includes corrections to the original printing made in collaboration with the Picasso Administration. The most comprehensive catalogue raisonné on the works of Picasso the original volumes were prepared in partnership with Picasso himself and took Zervos over four decades to finish; the first volume published in 1932. 33 vols in 34. Original white stiff wrappers lettering to front covers and spines in black and red. With glassine dust jackets. All housed in the publisher's 9 grey linen slipcases. Illustrated with 16000 black and white images of paintings and drawings. A tear to the glassine of the spine of volume XXV otherwise a fine set. unknown
réf. RARE-1-00189-INGagosian Gallery. Hardcover. New. . Brand new still in shrinkwrap. New in shrinkwrap Hardcover. Hardcover Gagosian Gallery hardcover
1943réf. 48790Lausanne.: Louis Grosclaude. 1943. Loose ass issued in original publisher's grey cloth-backed grey paper-covered board box gilt title to spine. Small folio. 420 x 314 mm. Leaf with title justification verso and 14 etchings after Picasso printed on large paper each numbered at lower left in pencil from the edition of 300; sheet size: 405 x 299 mm. Louis Grosclaude's portfolio of etchings after Picasso's original drawings.From the edition limited to 300 copies numbered in ink and signed by the publisher to the justification; each etching is numbered in pencil from the edition of 300.These prints - or ones that are from the same carnet - were also used to illustrate a volume from the same publisher 'Gràce et Mouvements' illustrating fourteen of poems by Sappho.'Ces 14 compositions originales de Pablo Picasso ont été gravées sur cuivre à l'eau-forte par la maison Haefli & Cie Arts Graphiques à la Chaux-de-Fonds Suisse . Raymond Haasen maître taille-doucier les a tirées à la main sur les presses à bras des ateliers Paul Haasen à Paris . André Tournon & Cie à Paris a imprimé la présente justification.' From the justification. Louis Grosclaude. hardcover
2004réf. ABE-1731867101846Umberto Allemnadi & C. 2004. Np Umberto Allemnadi & C. 2004. 8vo 215 p. original laminated boards. First edition of this scarce exhibition catalogue issued to coincide with a show sponsors by the Elise Goulandris Foundation Museum of Contemporary Art at Andros held 27 June - 26 September 2004. Faint scuff marks to front and rear boards else NF. Scarce. 1st Edition. Hardcover. Near Fine. Umberto Allemnadi & C. Hardcover
2000réf. ABE-1731951020765Hatje Cantz 2000. Np Hatje Cantz 2000. 8vo 303 p. original red cloth stamped in black. First edition of this look at the Huizinga collection of lithographs. Light soiling to page ends corners gently bumped else a NF copy in a VG jacket with light soiling to rear panel. 1st Edition. Hardcover. Near Fine/Dust Jacket Included. Hatje Cantz Hardcover
1955réf. 2604Paris: Le Nouveau Cercle Parisien du Livre in Paris 1955. Excellent. Wood engraving on wove paper 14 x 10 1/4 inches 355 x 260 mm the full sheet. From an illustration designed by Picasso and carved into wood by master engraver Georges Aubert; commissioned by Andres Vollard for the livre d'artiste Hélène chez Archimède by André Suarès. In excellent condition. Le Nouveau Cercle Parisien du Livre in Paris unknown
1940réf. 48600Paris.: Le Degré Quarante et Un. 1940. Loose as issued in original publisher's printed parchment wrappers over card boards with title in black to upper cover original tan patterned paper board chemise and matching slipcase with label with 'ILIAZD / PICASSO' in blue ink to edge. Oblong 4to. 215 x 320 mm. Half-title original aquatint with 'arabesque' title leaf with justification in Russian verso leaf with justification in French leaf with title in French verso leaf with title in Russian leaf with original aquatint with second 'arabesque' and Iliazd's verse in Russian in double columns illustrated with 4 engravings with burin by Picasso final leaf with achevé d'imprimer in Russian. The first of Iliazd's beautiful and typographically inventive illustrated books and the first he produced with Picasso.From the edition limited to 64 copies on 'Montval à la cuve' signed by Picasso and Iliazd in pencil. 'Afat was the first of nine books Iliazd and Picasso collaborated on. All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917 . Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.'Afat . contained features that would become signature elements of his work. The book was structured as a whole . The sequencing and number of pages were ordered by a mathematical scheme. The image was not linked to directly to the text thematically or physically and the interaction produced a dialogue rather than subordinating one to the other as illustration and / or caption. The sequence of blank sheets title half title and justification of the edition were laid out symmetrically so that the closing of the book echoed the opening . The typographic style was restrained and the pages produce subtle equilibrium instead of dynamic activity - no confusion no clamor no crowding no elaborate display faces. The sole decoration on the cover was the stamped title Afat a term that invokes unhappiness / and / or beauty that causes it rendered in kufic . With this work Iliazd's architectural approach to book structure with strong emphasis on symmetry and balance made its appearance.' Johanna Drucker.Cramer 33; see Johanna Drucker's 'Iliazd - A Meta-Biography of a Modernist' 2020 pp. 146 - 147. Le Degré Quarante et Un. hardcover
