5 600 résultats
2008réf. 201009Paris: Flammarion; Reunion des Musees Nationaux 2008. Cloth 367 pages illustrations some colour; 28 cm. English Edition. Catalogue of an exhibition held at the Musee National Picasso Paris September 19 2007 to January 7 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. "In the world of art Cubism was nothing less than revolutionary representing a paradigm shift in the way artists perceived the world and incontestably one of the most influential movements in art history. To celebrate the one-hundredth anniversary of Picassos seminal work Les Demoiselles dAvigon leading Picasso scholars and art historians assess its legacy and the extraordinary influence of Picassos Cubism on the development of twentieth-century art." - Publisher. CONTENTS: "You have to see the work" by Anne Baldassari; The stages of Picasso's discovery of Cubism: late 1905-early 1909 by Pierre Daix; Periods: Cubism in its day by Jean-Claude Lebensztejn; The odore Aubanel's Les filles d'Avignon and Picasso's "sum of destructions" by Irving Lavin; Resisting Cezanne: Picasso's Three women by Leo Steinberg; The Prague Self-portrait and Picasso's intelligence by Leo Steinberg; Horta de Ebro 1909: genetics of Cubism by Anne Baldassari; Le laboratoire central: Cubist drawings in the Musee Picasso by Pepe Karmel; Touring the Stockholm collage by Leo Steinberg; Chronology of Cubism by Anne Baldassari and Paule Mazouet ; with Anais Bonnel Jeanne-Yvette Sudour and Nadege Raymond-Clergue; Bibliography by Jeanne-Yvette Sudour. 1st. Hardcover. NEW. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
2006réf. 108979Paris: Flammarion; Reunion des Musees Nationaux 2006. Cloth 317 pages illustrations some colour portrait; 29 cm. English Edition. Previously published in French as: Picasso Dora Maar. Paris: Flammarion 2006. Translated by Unity Woodman. Near fine. Firm binding clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. "Dora Maar born Henriette Theodora Markovitch in 1907 was a talented artist in her own right. While studying painting she soon found a passion and gift for photography and became a prominent member of the Surrealist movement. This catalogue traces her relationship with Picasso from the time of their first meeting in late 1935 through 1937. Picasso expert Anne Baldassari demonstrates how those years were critical for both artists and how their interaction provided mutual inspiration through the mid-1940s. The relationship is set within the context of major historical events from the Spanish Civil War and the Popular Front to the rise of fascism and World War II. This chronological account brings a legend to life allowing the reader unique access to two artistic minds. Maar s photographs alongside Picasso's drawings paintings and poems serve as a guide through the critical period in which these two figures influenced one another. Preserved in her studio archives Maar's negatives and contact prints allow us to analyze in detail the intimacy of the life she shared with Picasso in all of its states as well as the evolution of his art including the colossal Guernica. This exquisite volume features . . . personal mementos--including notes scrawled on matchboxes and small sketches which are produced on onion skin paper throughout. This book sheds light on the profound mark left upon Picasso and his work by their dynamic relationship." - Publisher. CONTENTS: 'The utter fatality of objects'; The legend; Alchemy; Mythologies; Icon; Sol; Sombra. Hardcover. Near Fine/Fine. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
1996réf. 109543New York: Atlantic Monthly Press; Pace Gallery 1996. Cloth 349 pages illustrations come colour; 32 cm. Catalogue of an exhibition held at the Pace Gallery New York May 2 to August 1 1986. Near fine. Gently browsed clean copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. This is a major publication on Picasso with essays by leading American scholars the entire project coordinated by Glimcher Pace Gallery. CONTENTS: Preface by Arnold Glimcher; A Memoir by Claude Picasso; I. Six Complete Sketchbooks. The Saltimbanques Sketchbook No. 35 1905 by E. A. Carmean; The Demoiselles Sketchbook No. 42 1907 by Robert Rosenblum; Picasso at the Crossroads Sketchbook No. 59 1916 by Theodore Reff; Life with Picasso Sketchbook No. 92 1926 by Rosalind Krauss; Picasso at War: Royan 1940 Sketchbook No. 110 1940 by Sam Hunter; The Sabines Sketchbook No. 163 1962 by Gert Schiff. II. Selections from Other Sketchbook. A Reminiscence by Francoise Gilot. III. Catalogue Raisonne by Matthew Marks. 1st. Hardcover. Near Fine/Fine. Folio. Atlantic Monthly Press; Pace Gallery Hardcover
réf. 3791325302.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000réf. 54479Madrid Spain: Aldeasa 2000. 4to.Exhibition Catalogue. 247 pp. SPANISH TEXT with an English translation of the main body of the text. Still shrinkwrapped 8480032030 . Fine. Softcover. 2000. Aldeasa 2000 paperback
réf. PP003New York: Curt Valentin Gallery 1953 With text by Paul Eluard translated by Roland Penrose. First edition first printing. Signed and dated "8.6.54" by Picasso on the title page with an original black ink sketch of a bull's head. Publisher's stapled pictorial yellow wrappers printed in black. Near fine with some toning to wrappers a couple of small closed tears to right edge of front wrapper and Hôtel Drouot auction venue stamp "AUTHENTIQUE / Auteur: blank / Embassy / HÔTEL DROUOT / PARIS - FRANCE" to recto of leaf preceding title page. Overall a scarce original drawing by Picasso of one of his favorite subjects. Between 1950 and 1953 was a highly productive and innovative period for Picasso. During that time he lived in Vallauris in the South of France with Françoise Gilot and their two children and worked out of the perfume-factory-turned-art-studio Le Fournas and at the Madoura workshop. The Nov. 24-Dec. 19 1953 exhibition at Curt Valentin Gallery showcased the range of Picasso's work during those years featuring 28 oil paintings 18 sculptures 6 ceramics 11 lithographs and 2 aquatints. New York Times art critic Howard Devree writes of the exhibition "Here are some of the diabolical deliberately ugly profile-and-full-face-at-once portraits; landscapes semi-abstract and semi-expressionist which are powerful formal organizations; ceramics such as 'The Picador' which are primarily decorative; sculptures such as the preternaturally wise or witch-like owls in several media; at least one figure 'The Kneeling Woman' in which he seems to have extended cubism; lithographs and aquatints which make one marvel anew at his unmatched wizardry of linear expressiveness " Nov. 29 1953. The bull was a recurring and totemic motif in Picasso's work throughout his entire career. His fascination with the animal stemmed from childhood when he was often taken by his father to Spanish bullfights in his hometown in Málaga Spain. Even in the Curt Valentin exhibition there were multiple works related to bulls and bullfighting including the ceramics "Blue Picador" "Picador" and "Toreador." Hôtel Drouot is a historic auction venue in Paris France that has been in operation since 1852. The venue has long been recognized as the keystone of the Paris art market and is home to about 70 independent auction firms. . Inscribed. First Edition. Original Wrappers. Near Fine. New York: Curt Valentin Gallery [1953] paperback
1999réf. 3805102Madrid.: Electa España. 1999. Paperback. Cubierta deslucida. Good. 29 cm. 295 p. il. col. y n. Encuadernación en tapa blanda de editorial ilustrada. Picasso Pablo 1881-1973. Bajo la dirección de María Teresa Ocaña. Exposiciones. Ocaña Maria Teresa. 1947-. Museu Picasso . Cubierta deslucida. ISBN: 8481562386 Arte en general. Bellas artes. Deportes 7 Picasso Pablo 064.3 Electa España. paperback
1937réf. 77186Paris 1937. Stor 4to. Originalt typografisk omslag. Omfatter s. 105-164. Gjennomillustrert i svart/hvitt. Med et pochoir kolorert litografi av Juan Miró - “Aidez l’Espagne”. Large 4to. Publishers typographical wrappers. Contains pages 105-164. Illustrated throughout in black and white With one pochoir coloured lithograph by Juan Miró - “Aidez l’Espagne”. Éditions “Cahiers d’art”. Fransk. Eksemplaret er noe slitt men komplett med det berømte litografiet av Juan Miró - “Aidez l’Espagne”. Heftet tar for seg artikler om Picasso og hans verk “Guernica”. Litografiet av Miró i meget god stand. This copy is somewhat worn still complete with the very famous lithograph by Juan Miró. The content deals mostly with the works of Picasso and “Guernica”. The Miró lithograph in very good condition. unknown
réf. 073928New York: Harry N. Abrams Inc. Publishers 1990. Facsimile Mounted Prints in Clamshell Case. Near Fine. Very Large Folio: . Pablo Picasso. This edition which reunites for the first time the preliminary studies on paper that Picasso made for Guernica was printed on April 18 1990 by Akademische Druck-u Verlagsanstalt in Graz Austria. Limited to 1000 copies though not numbered. Forty-two color reproductions of select art from Pablo Picasso's work mounted in thirty-one carton mats all present. Housed in a large clamshell case in black with white lettering and color illustration of another facsimile of Picasso's works on paper affixed. Title is from enclosed booklet cover which contains forty-five numbered detailed studies of each piece of art along with the story of the Genesis of Guernica with artistic analysis. Booklet contains many smaller reproductive images of Picasso's works as well. Booklet is 20 pp. Artwork included is mounted as two-pieces per mount and as one piece per mount. Mounts with art measure 23.75" tall x almost 15.75" wide respectively as does the accompanying booklet. Large clamshell case measures 24.75" tall x 16.25" wide x 3" thick. CONDITION: All mounted plates are fine. Facsimile art is vivid and striking. Laid in text booklet and clamshell case are VG. Booklet shows moderate wrinkling and some leaves have split along the side of the spine fold at the foot about a third of the way up yet does not badly compromise the booklet's integrity. Case shows indentation along the front spine indicating a heavy book had once been placed on top. Light fading and some soiling on case with a 1/2 inch chip at the head of the back of the clamshell box. Even so this collection is stunning and the art pieces are magnificent. At over 18 lbs. due to this item's size and weight an additional shipping charge will apply and will be delivered with signature required. Full refund if not satisfied. EXCERPTS FROM THE BOOKLET: "Few names are as evocative as that of Guernica. The ruthless bombardment of this small Basque town a regional capital and ancient pilgrimage site became one of the blackest and bloodiest spots in the history of the twentieth century. Today it no longer represents only the massacre of a civilian population and a point of no return in the rise of Fascism: Picasso's painting gave to the name of Guernica the scope of a universal symbol that expresses the barbarism of modern warfare. After its militant exhibitions in 1937 Paris and 1939 New York its long exile and its final arrival in Madrid this 'living legend' is displayed behind bulletproof glass in the Cason del Buen Retiro of the Prado Museum. . Picasso executed forty-five sketches between May 1 and June 4 1937 some of which stand on their own as complete drawings. They included six compositional studies four studies of the horse one of the bull one of the horse and bull alone ten of heads of the horse and bull ten studies of female heads six of the woman with a dead child one of the horse and the woman with the child three heads of dead warriors a study of a man with raised arms and two studies of hands. He used a variety of mediums: pencil india ink gouache and oils; and supports: white blue and brown paper plywood and canvas. These studies are not only extraordinary drawings in their own right but they also show the different states of mind through with Picasso passed as he was working on the painting. They are like a seismograph of his thoughts and feelings and so they permit us to understand what he really wanted to paint in Guernica. A study of these sketches reveals the progress of the artist at work - his hesitations his searching the choices he made. They show the slow formation of the images the maturation of the initial idea the successive contributions the departures; in short Picasso's way of working and as such they constitute the laboratory of Guernica. Harry N. Abrams, Inc., Publishers unknown
réf. 28434Alès PAB mars 1967. 1 vol. 260 x 335 mm de 34 p. et 2 f. En feuilles sous emboîtage signé de Julie Nadot. . Première édition illustrée par Picasso : 4 cartalégraphies originales à pleine page 1966 représentant des masques telluriques. Un des 60 exemplaires sur Rives signés par Picasso et PAB n° 12. Exemplaire enrichi de 2 tirages supplémentaires de 2 des gravures l'un comportant un envoi signé : « Pour Char Picasso » l'autre signé par l'artiste. . L'édition PAB est la dernière qui sera donnée des Transparents qui ont fait l'objet de nombreuses rééditions depuis leur première parution en 1949 au Mercure de France. Avant Picasso Louis Fernandez Vieira da Silva Nicolas de Staël s'y étaient risqués. Les Transparents aux yeux de Char étaient les personnages de son enfance peu à peu disparus du paysage rural : jusqu'à dix-sept - tous des hommes - se trouveront décrits dans les différentes éditions que donnera le poète : Toquebiol Joseph Puissantseigneur Laurent de Venasque Crillon le brave Odin le Roc Raymond de Ridet entre autres formeront cette curieuse et respectée cohorte de figures d'errants. Picasso en donnera ici quatre saisissants portraits par un procédé nouveau pour lui mais qu'il avait vu utiliser par Georges Braque avec PAB : « Un carton plan ou ondulé souple ou plus rigide est découpé déchiré incisé ou gratté par l'artiste puis fixé par l'imprimeur sur un support à la hauteur typographique finalement encré et tiré » Coron Le Fruit donné p. 39. La cartalégraphie constitue un développement de la gravure sur celluloïd déjà pratiquée par Picasso avec PAB. Grâce à procédé PAB imprima huit livres de Braque dont le premier en 1959 Dans vos jardins. Après Picasso ce fut au tour de Joan Miró d'être conquis en 1975 ; il réalisa cinq découpes : trois furent employées dans Pour 1971. Exemplaire exceptionnellement enrichi conservé dans un délicat emboîtage de Julie Nadot. De la bibliothèque R. & B. Loliée ex-libris et Didier Pineau-Valencienne ex-libris. Bloch 1236. Alès, PAB, (mars) 1967. 1 vol. (260 x 335 mm) de 34 p. et [2] f. En feuilles, sous emboîtage signé de Julie Nadot. unknown
réf. 29341Paris Louis Broder coll. « Écrits et Gravures » n° 2 24 octobre 1956. 1 vol. 185 x 250 mm de 126 p. 8 f. En feuilles sous couverture illustrée chemise illustrée et étui de l'éditeur. . Édition originale posthume du texte de Max Jacob considéré comme ses « Mémoires ». Elle est illustrée par Pablo Picasso de 3 lithographies originales en couleurs et en noir étui couverture et portrait-frontispice 3 pointes-sèches originales et 24 dessins inédits gravés sur bois par Georges Aubert qui rappellent les illustrations du Chef-d’œuvre inconnu. Tirage unique à 170 exemplaires sur vergé de Montval celui-ci un des 30 numérotés en chiffres romains auxquels sont joints 2 états de la lithographie pour l’étui exemplaire n° II signé par Picasso. . Max Jacob livre ici un témoignage de premier ordre celui de ses souvenirs littéraires et artistiques de Montmartre. Il rencontre Pablo Picasso en 1901 à Paris et s'en suit une fraternelle amitié qui fait de lui le témoin quasi quotidien du travail de Picasso désigné comme son héros aux côtés d'Apollinaire lorsqu'il doit écrire sur l'époque de la rue Ravignan. À la mort du marchand Paul Guillaume sa veuve lui demande une préface à un volume des mémoires de son mari. C'est ce projet qui est l'acte fondateur du texte et deviendra ce récit fondamental sur le cubisme : La Chronique des temps héroïques. On y croise outre Picasso et Apollinaire les futuristes et les avant-gardes du XXe siècle. Arrêté et déporté à Drancy où il périra le 5 mars 1944 Jacob ne verra jamais la publication de ces lignes rédigées en 1936-37. Louis Broder se chargera de l'édition d'après un manuscrit complet des huit chapitres et Pablo Picasso se fera un honneur de l'illustrer : il composera une lithographie sur papier report 3 pointes sèches et 2 lithographies en couleurs pour la couverture et l'étui ; 24 gravures sur bois dans le texte de Georges Aubert d'après les dessins de Picasso. Signalons qu'il existe un exemplaire unique sur japon réalisé pour Louis Broder. Il n'existe pas de témoignage aussi vivant et direct que celui-ci sur l'aventure de l'art moderne depuis la bohème montmartroise jusqu'aux frasques des années folles. Complet du bulletin de souscription. Habiles restaurations à la chemise-étui. Paris, Louis Broder, coll. « Écrits et Gravures », n° 2, (24 octobre) 1956. 1 vol. (185 x 250 mm) de 126 p., [8] f. En feuil unknown
1958réf. TK254823Gollancz London 1958. 1st Edition. HARDCOVER. 8vo in red faux cloth gilt lettering to spine. 392pp frontispiece 24pp plates index __CONDITION : An extremely well preserved FINE very clean and tight unmarked copy pages very slightly tanned in a very faintly dusty and slightly tanned but otherwise FINE complete and very bright Dust Jacket. An exceptionally nice copy of both book and dust wrapper. . . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Gollancz, London hardcover
2010réf. TN254800Didier London 2010. 1st Edition. SOFTCOVER. 4to in stiff glossy card covers 64pp on thick art paper colour plates etc __CONDITION : A well preserved AS NEW unmarked copy. . . . . . . . . . . . . . To see more of our books on jewellery etc type DbbGEMS in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Didier, London paperback
réf. 0861244605.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1556602367.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2904048006.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1974réf. 60463New York: Felicie 1974. First Edition Thus; First Printing. Hardcover. Very Good in a Very Good- dust jacket. A few tears to jacket edges. Some rubbing to jacket.; 4to - over 9¾" - 12" tall; 276 pages. Felicie hardcover
1970réf. 32770New York: Doubleday 1970. Hardcover. Near Fine in boards. No edition stated.; 4to - over 9¾" - 12" tall. Doubleday hardcover
1964réf. 53693Monte-Carlo: André Sauret - Editions du Livre 1964. First edition. Softcover. Very good/very good. Folio 9 5/8 x 12 1/2". 159 3pp. Original glassine over lithographic dustjacket. Lithographic frontispiece. Title page in brick and black lettering. Illustrated throughout some in color. Complete with its two original lithographs dustjacket and frontispiece this volume is a splendid pictorial inventory of Pablo Picasso's prints executed between 1956 and 1963. It is the fourth and last volume of an extensive 4-vol. set catalogue raisonné listing all of the artist's lithographs between 1919 and 1963. Glassine damage to spine strip along front and back covers with chips and some spotting at fore edge. Text in French. wrappers and interior in very good condition. André Sauret - Editions du Livre unknown
réf. 8833670309.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992réf. 23907Printed in Spain: Arte Ediciones 1992. Cloth over boards. Fine/Fine. Hardcovers in complete djs. 4to. 4 vols. complete. Approx. 660 pp. per volume. Catalogue raisonne illustrated with over 300 full-page colour plates per volume plus index volume. 4to. Arte Ediciones unknown
1950réf. 111320New York Melbourne Sydney Cape Town: Rider and Company 1950 60 pages. the cover has some stain apparently from sunning. Otherwise the book is quite clean. Rider and Company hardcover
réf. 66041Musee d'Art Moderne de Saint-Etienne In-4 27 cm 242pp. illustr. 156 hors-texte couverture avec jaquette illustree texte francais - anglais tres bon etat Ats19 unknown
réf. 65413Galerie Gastaud & Caillard P. 1997 In-8 26 cm 46pp. illustr. quelques imperfections sur la couverture B7T unknown
réf. 65197Musee du quai Branly-Jacques Chirac - Flammarion - Paris 2017 premiere edition In-4 30 cm 343pp. illustr. Bibliogr. p. 335 catalogue des oeuvres reliure cart. illustree de l'editeur B62 unknown
