5 180 résultats
1973français In-4 de 90 pp.; broché de l'éditeur. Riche iconographie.
1972français In-4 de 331 pp.; album de l'éditeur, dos toilé noir. Riche illustration en noir et couleurs. Tirage à 5000 exemplaires, celui-ci n° 722. Rousseurs dans les gardes, un nom d'ancien propriétaire en marge du titre.
1967français In-16 de 117 pp.; reliure souple décorée de l'éditeur. Collection Privilège. Avec seize hors-texte de Picasso. Exemplaire sur papier Climatic des papeteries de Virginal numéroté 1358.
1959français In-8 de 282 pp.; broché à rabats de l'éditeur. Avec douze photographies prises par l'auteur.
1984Gomez de la Serna, Romon Completa e vedirica istoria di Picasso e il cubismo. Palermo, Sellerio Editore 1984 italian, 75 1984. Copertina editoriale in brossura pieghevole. 75 p.; 24 cm SL10
Pablo Picasso Meeting in Montreal. Exhibition: Montreal, Museum of Fine Arts, 1985. 307 pages, 80 illustrated catalogue entries. Cloth.
Seckel, Hélène: Max Jacob et Picasso. Exhibition: Paris, Musée Picasso and Quimper, Musée des Beaux-Arts, 1994. 408pp with 77 colour and 290 monochrome illustrations. Paperback. 30.5x23cms. Survey of the relationship between Picasso and the poet Max Jacob, based on correspondence between the two friends, archival material, and symbolic works. The exhibition travels from Quimper (birth place of Max Jacob) to the Picasso Museum in Paris. Text in French. Survey of the relationship between Picasso and the poet Max Jacob, based on correspondence between the two friends, archival material, and symbolic works. The exhibition travels from Quimper (birth place of Max Jacob) to the Picasso Museum in Paris. Text in French
Baldassari, Anne: Le Miroir Noir. Picasso, Sources Photographiques 1900-1928. Exhibition: Paris, Musée Picasso, 1997. 272pp with 6 monochrome plates, 28 colour and 236 monochrome illustrations. Wrappers. 27x21.6cms. A fascinating comparative study of Picasso's abstract paintings during the period 1900-1928 and contemporary photographs of the subjects, drawing on much archive material held in the Musée Picasso, illustrating the extent of his African sources of inspiration. Text in French. A fascinating comparative study of Picasso's abstract paintings during the period 1900-1928 and contemporary photographs of the subjects, drawing on much archive material held in the Musée Picasso, illustrating the extent of his African sources of inspiration. Text in French
Baldassari, Anne: Picasso Working on Paper. Exhibition: Dublin, Irish Museum of Modern Art, 2000. 192pp with 122 colour and 58 monochrome illustrations, very good condition. Hardback. 28.5x24cms. Explores the ways Picasso used newspaper and newsprint in his work, in collage and as support, intervening with scissors, ink, pencil and paint, and creating new meanings in the process. Explores the ways Picasso used newspaper and newsprint in his work, in collage and as support, intervening with scissors, ink, pencil and paint, and creating new meanings in the process. Text in English
Gilot, Francoise and Carlton Lake: Life with Picasso. London: Thomas Nelson, 1964. 344pp. illustrated. Hardback. 15.5 x 22.5cms.
Galassi, Susan Grace and Marilyn McCully: Picasso's Drawings, 1890-1921: Reinventing Tradition. Exhibition: New York, Frick Collection, 2011. 224pp with 200 colour illustrations. Hardback. 14.7x21.3cms. Fêted as one of the best draughtsman of the 20th century among other accolades, Pablo Picasso's drawing practice is shown in this catalogue through more than seventy of his works on paper. Covering about three decades of his career, between 1890 and 1921, it shows how drawing was where it all began for Picasso in style, sources, invention and discovery. Fêted as one of the best draughtsman of the 20th century among other accolades, Pablo Picasso's drawing practice is shown in this catalogue through more than seventy of his works on paper. Covering about three decades of his career, between 1890 and 1921, it shows how drawing was where it all began for Picasso in style, sources, invention and discovery. Text in English
Pablo Picasso 1881-1973: Works on Paper. A Homage on the Twentieth Anniversary of the Death of the Artist. Exhibition: Chicago, R.S. Johnson Fine Art, 1994. 144 pages, fully illustrated. Paperback. 21 x 26.5cms.
Picasso Project: Analytic Cubism 1909-1912. Vol 22. 2015. Series: Picasso Project. 400 pages with 8 colour plates. Hardback. 31 x 23cms.
Picasso. Peintures de 1911 a 1955. Exhibition: Paris, Galerie Europe, 1960. 14 pages, with 8 black and white illustrations. Paperback. 18 x 13.5cms. Text in French. Text in French
Pablo Picasso: Don Hilario Cuernajón / Roberto Otero: La Mayor Colección De Picassos Del Mundo. 2 volumes. Exhibition: Cologne/ Köln, Galerie Gmurzynska, 1996. 169 and118 pages; illustrated thoughout in colour. Paperback in a slipcase. 24 x 21.5cms. Text in German & English. Text in German & English
Doschka, Roland: Pablo Picasso: Meisterzeichnungen eines Jahrhundretgenies. Master Drawings by a Rare Genius. 2011. 108 pages, 53 colour illustrations. Paperback. 30 x 23cms. Text in German & English. Text in German & English
McCully, Marilyn, and Malen Gual: Picasso and Reventos: a Correspondence among Friends. Museu Picasso, Barcelona, 2015. 142 pages, illustrated. Paperback. 20 x 29cms. Previously unpublished letters between Picasso and the Reventos family, spanning seven decades of the artist's life. Previously unpublished letters between Picasso and the Reventos family, spanning seven decades of the artist's life. Text in English
Ann Dumas; Emilia Philippot; William H. Robinson: Picasso and Paper. 1. Exhibition: London, Royal Academy, 2020. 328 pages. 400 full colour illustration. Hardback. 29 x 22cms. First exhibition entirely dedicated to Picasso's works on paper. A comprehensive chronological account of his experimental use of the medium, including etchings, prints and drawings, as well as his papier-collés of the 1910s and his revolutionary three-dimensional constructions, made of cardboard, paper and string. First exhibition entirely dedicated to Picasso's works on paper. A comprehensive chronological account of his experimental use of the medium, including etchings, prints and drawings, as well as his papier-collés of the 1910s and his revolutionary three-dimensional constructions, made of cardboard, paper and string. Text in English
Richardson, John: A Life of Picasso Volume II: 1907-1917 - The Painter of Modern Life. 2. London: Jonathan Cape, 1996. 512pp. Paperback. 25.5x20.5cms. Second volume in the projected series of four. Second volume in the projected series of four. Text in English
Coppel, Stephen: Picasso Prints: The Vollard Suite. Exhibition: London, British Museum, 2012. 176 pages, with 130 colour illustrations. Hardback. 28.9x24.5cms. The first publication in thirty years of Picasso's most important suite of etchings, presented alongside sculptural objects from the British Museum's collection. The suite, acquired by the British Museum in 2011, includes the artist's muse Marie-Thérèse Walter, and documentary photographs of her and Ambroise Vollard are shown alongside the etchings. The first publication in thirty years of Picasso's most important suite of etchings, presented alongside sculptural objects from the British Museum's collection. The suite, acquired by the British Museum in 2011, includes the artist's muse Marie-Thérèse Walter, and documentary photographs of her and Ambroise Vollard are shown alongside the etchings. Text in English
Richardson, John: A Life of Picasso Volume 1: 1881-1906. 1. London: 1991. 548 pages, illustrated in black and white. Very good condition. Paperback. 25.5 x 20.5cms.
Richardson, John: A Life of Picasso: The Triumphant Years, 1917-1932: v. 3: Triumphant Years, 1917-1932. London: Pimlico Press, 2009. 608 pages; illustrated. Paperback. 23.7 x 18.5cms.
1948pp. (125), (3). 8 vo. Title printed in red, blue and black. Drawings inserted and in text, including a reproduction of two pages of the manuscript. Illustrated with circus and clown drawings by Klee, Picasso, Chagall, Rouault, Toulouse-Lautrec, de Segonz. Attractive binding - blue and tan boards, backed in gilt lettered cloth. Red and white striped end papers. Original dust jacket in orange, yellow and blue; price partially clipped. Designed by Merle Armitage; printed under the supervision of M. A. Johnson. Though the dust jacket is somewhat soiled and torn, it is still attractive. SCARCE. **PRICE JUST REDUCED! W41
195224p. Ten full page tipped in color reproductions. Text illustrations. Folio. Original decorated printed wraps. ART 2
1966Tipped in frontis, (6), 23 full page plates. 8vo. Original printed wraps. Third printing revised. ART 2
