TAPIES, Antoni - Dupin, JacquesLivre Rare Book
5.595 Ergebnisse
1972Best.-Nr. 295Paris, Maeght éditeur, 1972. In-folio (380 x 280 mm) en feuilles, 8 pages. 4 LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE (380 X 560 mm) et 8 reproductions en couleurs. Texte de Jacques Dupin "Tàpies aujourd'hui". Exposition de 36 peintures, assemblages, objets, de 1969 à 1971. Tirage original.
1982Best.-Nr. 711Paris, Maeght éditeur, 1982. In-folio (380 x 280 mm) en feuilles, 30 pages. 1 LITHOGRAPHIE ORIGINALE EN TRIPLE PAGE. 7 reproductions en couleurs et 6 reproductions d'oeuvres en noir et blanc. Texte de Georges Raillard. TIRAGE ORIGINAL. Ultime numéro de DLM publié pour l'exposition TAPIES à la Galerie Maeght en juin 1982. Ainsi s'achève la publication de cette mythique revue.
1972Best.-Nr. 295-2Paris, Maeght éditeur, 1972. In-folio (380 x 280 mm) en feuilles, 8 pages. 4 LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE (380 X 560 mm) et 8 reproductions en couleurs. Texte de Jacques Dupin "Tàpies aujourd'hui". Exposition de 36 peintures, assemblages, objets, de 1969 à 1971.
1958Best.-Nr. M156Gallimard, 20 janvier 1958, in-8 (21x14,5cm), 61 pages, broché.
1958Best.-Nr. 61501958 Paris : Gallimard, Nrf, 1958 In-12, 61-(2) pages. Broché, couverture imprimée. Edition originale limitée à 1700 exemplaires, celui-ci sur vélin.
Best.-Nr. 98428Paris, Gallimard, 2003. 14 x 20, 61 pp., nombreux dessins, broché, très bon état.
Best.-Nr. 48427Paris : Editions Gallimard (20,5x14,2 cm), 61 pages. Un volume broché (20,5x14,4 cm), 61 pages. Avec 12 dessins de Pablo Picasso reproduitsen hors texte. Bon état.
1956Best.-Nr. 2110502150403182Shinchosha 1956. Soft Cover. Fine. Volume: 1 Shinchosha paperback
1986Best.-Nr. 120250Union latine - Cultura latina 1986 1 vol. broché in-8 oblong, broché, couverture illustrée, 90 pp., nombreuses reproductions en noir et couleurs in texte. Catalogue de l'exposition "Sous le signe du taureau", présentée au Théâtre du Rond-Point du 9 décembre 1986 au 25 janvier 1987. Quelques salissures en couverture.
1986Best.-Nr. 120250Union latine - Cultura latina 1986 1 vol. broché in-8 oblong, broché, couverture illustrée, 90 pp., nombreuses reproductions en noir et couleurs in texte. Catalogue de l'exposition "Sous le signe du taureau", présentée au Théâtre du Rond-Point du 9 décembre 1986 au 25 janvier 1987. Quelques salissures en couverture.
1946Best.-Nr. 510632Editions de la Revue Verve Draeger Frères 1946. Hardcover with Dust Jacket. FINE/NEAR FINE. Tall 4to 35.5cm. Illustrated throughout by Picasso on every page with 18 mounted heliogravures and text by Picasso and Jaime Sabartès. Sewn binding in Picasso-designed lithographic paper over boards. Verve double issue devoted to Picasso's lithographs etchings and paintings which he made specifically for his Grimaldi Chateau just purchased while in the Golfe-Juan on the French Riviera with another young lover Francoise Gilot muse for most of the work here. With lithographic cover and dust jacket both designed by Picasso expressly for this issue. The manilla DJ is fairly scarce and here has kept the book itself extremely clean and sharp. Now covered in our thick mylar jacket. “In September October and November he turned out a prodigious amount of work often using boat paint and plywood or fibro-cement because supplies were short and he thought they would better withstand the château’s damp. The centerpiece was the enchanting “Joie de vivre” or “Antipolis” with a dancing Gilot in the center surrounded by frolicking satyrs and fauns… Picasso was recalling an antique past and Antipolis the ancient Greek name of Antibes” New York Times. Editions de la Revue Verve (Draeger Frères) hardcover
1937Best.-Nr. 510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1940Best.-Nr. 212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown
1940Best.-Nr. 510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
1940Best.-Nr. 212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown books
Best.-Nr. UEI-556Pierre Bordas & Fils. 1987. Format : 31/28. Pages : 350. Richement illustré de photographies couleur et noir & blanc. Reliure toilée jaquette. Bon état.
1961Best.-Nr. 67478Paris: Les editions du temp 1961. Hardcover. Good/Good. tall case. Cloth with some light foxing to the cloth cover. First French edition. Les editions du temp hardcover
1950Best.-Nr. 6581950 Paris, Editions Sociales, 1950. Pt In-4 carré, broché, couv. imp. Portrait d l'auteur par Picasso, illustration du taxte par Amblard, Auricoste, Fougeron, Milhau, Pignon et Taslitzky. Bon état.
1981Best.-Nr. 65381Art Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 272 pp. With 37 text ills. And 111 ills. On 109 pls. 5 col. . 28 x 23 cm. -- with a bonus offer-- . 1981. 0916724433 . Art Museum paperback
2010Best.-Nr. 835323Yale University Press; Et Al. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 376 pages with over 500 illustrations. -- with a bonus offer--; Metropolitan Museum of Art Publications; This landmark publication presents for the first time a comprehensive catalogue of the works by Pablo Picasso 1881-1973 in the Metropolitan Museum. Comprising thirty-four paintings fifty-eightdrawings a dozen sculptures and ceramics and more than four hundred prints the collection reflects the full breadth of the artist’s multisided genius as it asserted itself over the course of his long and influential career. Notable for its remarkable constellation of early figure paintings which include the commanding At the Lapin Agile 1905 and the iconic portrait of Gertrude Stein 1906 the Museum’s collection also stands apart for its exceptional cache of drawings which despite their importance and number remain relatively little known. The key subjects that variously sustained Picasso’s interestthe pensive harlequins of his Blue and Rose periods faceted tabletops of his Cubist years classicizing bathers and dreaming nudes of the 1920s and 30s and the rakish musketeers of his maturityare amply represented by works ranging in date from a dashing self-portrait of 1900 to the fanciful Standing Nude and Seated Musketeer painted nearly seventy years later. An overview of the collection’s history; entries on nearly one hundred works that incorporate the latest technical and documentary findings and furnish a full record of the provenance exhibition history and references for each object; and an essay and illustrated checklist of the prints are also included in this illuminating and handsomely illustrated volume. . 2010. 0300155255 . Yale University Press; Et Al hardcover
1956Best.-Nr. 26540Paris, Imprimerie nationale / André Sauret, (1956). Un fort vol. au format gd in-8 (224 x 167 mm) de 558 pp., broché, sous couvertures à rabats rempliés.
1956Best.-Nr. 265401956. Paris Imprimerie nationale / Andr Sauret 1956. Un fort vol. au format gd in-8 224 x 167 mm de 558 pp. broch sous couvertures rabats remplis. Tome Ier seul sur 3. Tirage de tÂte : un des 300 premiers exemplaires numrots CCXXVIII du tirage sur grand verg d'Arches ; les seuls comporter un deuxiÂme tat volant sur papier de Chine du frontispice figurant en tÂte de l'ouvrage tir en lithographie par les soins de Mourlot FrÂres. La Guerre et la Paix narre lÕhistoire de la Russie lՎpoque de Napolon Ier notamment la campagne de Russie en 1812. La richesse et le ralisme de ses dtails ainsi que ses nombreuses descriptions psychologiques font quÕil est souvent considr comme un roman majeur de lÕhistoire de la littrature. Tolsto y dveloppe une thorie fataliste de lÕhistoire o le libre arbitre nÕa quÕune importance mineure et o tous les vnements nÕobissent quՈ un dterminisme historique inluctable. Guerre et Paix a engendr un nouveau genre de fiction. Bien quÕaujourdÕhui considr comme un roman cette Ãuvre a cass de si nombreux codes du roman de son poque que de nombreux critiques ne le considrÂrent pas comme tel. Tolsto considrait lui-mÂme Anna Karnine comme sa premiÂre tentative de roman au sens o les Europens lÕentendaient. Guerre et Paix fut lՎpoque de sa publication un immense succÂs bien que Tolsto ne sÕy attendt pas ce dernier pensant mÂme que son oeuvre passerait inaperÂue. Cramer 202. Couverture prsentant un clat lgÂrement altr. Petite dchirure marginale et lgÂres plissures angulaires affectant la lithographie volante. Du reste trÂs belle condition. Exemplaire non rogn. b42961 unknown
Best.-Nr. ABE-1769380838670TIRAGE ARGENTIQUE-17,7 CM X 24 CM-LEGENDE ET MENTIONS AU DOS
1971Best.-Nr. 1753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
Best.-Nr. 28659Amsterdam - Antwerpen, Wereldbibliotheek, 1961 Kartonomslag z/w, 120 x 175mm., 92pp., z/w illustratie.
