5 182 résultats
réf. WWL-140
2012réf. 100484Museum; D. A. P. /Distributed Art Publishers Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 48 pp. ; 35 color illustrations. -- with a bonus offer--; One on One; "Girl before a Mirror" 1932 one of several standouts in MoMA's vast collection of Pablo Picasso's work takes the traditional artistic theme of a woman before her mirror and reinvents it in radically modern terms. The girl's profile and blonde hair identify her as Marie-Thérèse Walter the artist's lover muse and a profoundly transformative presence in both his life and art but the painting is far from a conventional portrait. Its dazzling jewel-like colors boldly contoured shapes and surface patterning transform the girl and her shadowy reflection into a deeply mysterious image that is both captivating and strange. In her essay MoMA's Blanchette Hooker Rockefeller Curator of Painting and Sculpture Anne Umland explores this work in depth and describes the circumstances of its creation: the artist's private life his practice as a sculptor his rivalry with other artists both living and dead and his concern at the age of 51 about his contemporary relevance and artistic legacy. . 2012. 0870708295 . Museum; D. A. P. /Distributed Art Publishers (Distribution) paperback
1993réf. 8646BBBielefeld:, Kerber, 1993. 4°. 573 S.,über 600 Abbildungen, davon 56 ganzseitige Farbtafeln, Bibliographie, Personenregister, Leinen (sehr gut erhalten)
1993réf. 279749BBBielefeld, Kerber, 1993. 4°. Mit zahlr. (tls. farb.) Abb. 573 S. Ill. schwarzer OLwd. m. farb. ill. OU. - Sehr gutes Ex.
1976réf. 93203BBHildesheim:, Olms, 1976. 287 S., Pappband 3., wesentl. erw. u. verb. Aufl. von Catalogus bib (Einband leicht angestaubt; sonst gut erhalten)
1950réf. 11780(Paris), Bordas, (1950). 119 S., 2 Bll. mit 9 (inklusive dem Titelblatt) ganzseitigen Original-Lithograhien von Pablo Picasso auf van Gelder Zonen und einer Extrasuite dieser 9 Lithographien auf Japan. 4°. OKart. (etw. bestoßen) mit OPergamin-Umschlag (etw. fleckig und bestoßen).
1950In-4 gr, (mm. 330x245), cartoncino editoriale con unghie, pp. 119,(7), con 9 magnifiche tavole di Pablo Picasso litografate in b.n. (di cui 1 al frontespizio). Il poema di Tristan Tzara "De Mémoire d’Homme" è così ripartito: “Le Temps Détruit”, composto da 14 canti - “Le Déserteur”, da 4 composizioni in prosa - “Le Boeuf sur la Langue” da XXVVIII composizioni in prosa - “Le Poids du monde” da 4 canti. “Cet ouvrage, édition originale du poème "De Mémoire d’Homme" de Tristan TZara, a été achevé d’imprimer sur les presses du Maitre-Imprimeur G. Girard, à Paris, le 25 Octobre 1950. Les neuf lithographies originales de Pablo Picasso ont été tirées sur la presse à bras par Mourlot Frères, les pierres ayant été effacées après tirage. Cette édition est composée de 30 exemplaires sur Hollande Van Gelder Zonen, accompagnés d’une suite des lithographies sur Japon, et signés par l’auteur et l’illustrateur et numérotés de 1 à 30 - 300 exemplaires sur Arches, numérotés de 31 à 330, paraphés par l’auteur - 20 exemplaires hors commerce. Il ns., n. 48, è in perfetto stato, con barbe.
1951réf. 000458Paris Berggruen 1951 In-12 en hauteur Agrafé Ed. originale
réf. 35697Catalogue de la vente aux enchères à Paris le 20 novembre 1988 - un volume (22,3x28 cm) pleine toile sous jaquette illustrée en couleurs - 81 oeuvres reproduites en couleurs en hors texte, notices en regard - très bon état -
1925réf. 3783Paris, Editions de la Galerie Simon, 1925. 1 vol. in-8 (19,6 x 12,9 cm), broché sous couverture rempliée illustrée d'une gravure sur le premier plat. Édition originale illustrée de 9 EAUX-FORTES ORIGINALES DE JUAN GRIS dont 1 en couverture, 4 hors texte et 4 in texte, imprimées en sépia par Charlot Frères. - Tirage : 112 exemplaires. Celui-ci, l'un des 90 sur vergé d'Arches signé à l'encre par le poète et le peintre (n° 94). - Édité par Daniel-Henry Kahnweiler l'ouvrage contient les seules gravures sur cuivre de Juan Gris (1887-1927). Kahnweiler notera par ailleurs : « On ne peut que regretter que Gris n'ai débuté que peu de temps avant sa mort dans la gravure à l'eau-forte dans laquelle il aurait excellé ». Depuis longtemps Tzara désirait travailler avec Juan Gris et "Mouchoir de Nuages" sera la seule collaboration entre l'écrivain et le peintre. Skira 144 ; Kahnweiler p. 294 ; Rauch 99 ; Hugues 19 ; Hofer 126 ; Pompidou p. 184; Chapon p. 285 ; Galland p. 918 ; Hugues 19.
réf. 7030Roma, De Luca, 1953. Plaquette in-8, agrafé, dos collé, (22) pp. (couverture défraîchie, marges jaunies).
1993réf. 19189Vevey, Editions Mondo, 1993. In-4, cartonnage couleurs. En belle condition.
réf. 28659Amsterdam - Antwerpen, Wereldbibliotheek, 1961 Kartonomslag z/w, 120 x 175mm., 92pp., z/w illustratie.
réf. 28143Antwerpen, Pierre Pere, 1958 Broche, couverture carton illustree n/b, 120 x 175mm., 84pp., illustration n/b.
1971réf. 1753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
réf. ABE-1769380838670TIRAGE ARGENTIQUE-17,7 CM X 24 CM-LEGENDE ET MENTIONS AU DOS
1956réf. 26540Paris, Imprimerie nationale / André Sauret, (1956). Un fort vol. au format gd in-8 (224 x 167 mm) de 558 pp., broché, sous couvertures à rabats rempliés.
1981réf. 65381Art Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 272 pp. With 37 text ills. And 111 ills. On 109 pls. 5 col. . 28 x 23 cm. -- with a bonus offer-- . 1981. 0916724433 . Art Museum paperback
2010réf. 835323Yale University Press; Et Al. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 376 pages with over 500 illustrations. -- with a bonus offer--; Metropolitan Museum of Art Publications; This landmark publication presents for the first time a comprehensive catalogue of the works by Pablo Picasso 1881-1973 in the Metropolitan Museum. Comprising thirty-four paintings fifty-eightdrawings a dozen sculptures and ceramics and more than four hundred prints the collection reflects the full breadth of the artist’s multisided genius as it asserted itself over the course of his long and influential career. Notable for its remarkable constellation of early figure paintings which include the commanding At the Lapin Agile 1905 and the iconic portrait of Gertrude Stein 1906 the Museum’s collection also stands apart for its exceptional cache of drawings which despite their importance and number remain relatively little known. The key subjects that variously sustained Picasso’s interestthe pensive harlequins of his Blue and Rose periods faceted tabletops of his Cubist years classicizing bathers and dreaming nudes of the 1920s and 30s and the rakish musketeers of his maturityare amply represented by works ranging in date from a dashing self-portrait of 1900 to the fanciful Standing Nude and Seated Musketeer painted nearly seventy years later. An overview of the collection’s history; entries on nearly one hundred works that incorporate the latest technical and documentary findings and furnish a full record of the provenance exhibition history and references for each object; and an essay and illustrated checklist of the prints are also included in this illuminating and handsomely illustrated volume. . 2010. 0300155255 . Yale University Press; Et Al hardcover
réf. 77069Couverture rigide. Bon/1950. in-8. Paris 1950 in-8 236pp broché Superbe exemplaire abondamment illustré par Picasso Pignon Amblard etc.! unknown
1950réf. 6581950 Paris, Editions Sociales, 1950. Pt In-4 carré, broché, couv. imp. Portrait d l'auteur par Picasso, illustration du taxte par Amblard, Auricoste, Fougeron, Milhau, Pignon et Taslitzky. Bon état.
1961réf. 67478Paris: Les editions du temp 1961. Hardcover. Good/Good. tall case. Cloth with some light foxing to the cloth cover. First French edition. Les editions du temp hardcover
réf. UEI-556Pierre Bordas & Fils. 1987. Format : 31/28. Pages : 350. Richement illustré de photographies couleur et noir & blanc. Reliure toilée jaquette. Bon état.
1940réf. 212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown books
1946réf. 510632Editions de la Revue Verve Draeger Frères 1946. Hardcover with Dust Jacket. FINE/NEAR FINE. Tall 4to 35.5cm. Illustrated throughout by Picasso on every page with 18 mounted heliogravures and text by Picasso and Jaime Sabartès. Sewn binding in Picasso-designed lithographic paper over boards. Verve double issue devoted to Picasso's lithographs etchings and paintings which he made specifically for his Grimaldi Chateau just purchased while in the Golfe-Juan on the French Riviera with another young lover Francoise Gilot muse for most of the work here. With lithographic cover and dust jacket both designed by Picasso expressly for this issue. The manilla DJ is fairly scarce and here has kept the book itself extremely clean and sharp. Now covered in our thick mylar jacket. “In September October and November he turned out a prodigious amount of work often using boat paint and plywood or fibro-cement because supplies were short and he thought they would better withstand the château’s damp. The centerpiece was the enchanting “Joie de vivre” or “Antipolis” with a dancing Gilot in the center surrounded by frolicking satyrs and fauns… Picasso was recalling an antique past and Antipolis the ancient Greek name of Antibes” New York Times. Editions de la Revue Verve (Draeger Frères) hardcover