5 563 résultats
1985réf. 57877Genève Galerie Patrick Cramer 1985 1 vol. broché in-8 étroit, broché, couverture illustrée d'un portrait d'Apollinaire gravé par Marcoussis, 20 reproductions à pleine page (Braque, Picasso, Marcoussis, Villon, Severini et Delaunay), liste des oeuvres in-fine avec vignette miniature. Textes de Sebastian Goeppert et Aldis Browne. Catalogue d'exposition de 56 numéros décrits. Très bon état.
réf. 2113in 12 broché à l’italienne,couverture rempliée illustrée, 144 pages,347 oeuvres reproduites
réf. 19533P., Berggruen, 1963, in-12, br., couv. ill. par Picasso. 208 n° décrits et reproduits.
1959réf. 34970Cambridge MA: Harvard University Press 1959. First Edition; First Printing. Hardcover. Good in a Good dust jacket. Ex-Library with the usual markings.; 4to - over 9¾" - 12" tall. Harvard University Press hardcover
1993réf. 3164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
2003réf. 24211London Time Warner Books, 2003. 210 S. Broschiert , in englischer Sprache
1993réf. 36133Hamburg, Edit.Nautilus Verlag lutz Schulenberg, 1993. origi.Borschur,kl.8°, 94 Seiten. Kleine Bücherei für Hand und Kopf Band 37.
réf. EXE-813Paris, Philippe Lebaud Editeur, 1990. In-folio, en feuilles; étui illustré de l'éditeur; bien complet du carton d'emballage. Reunion de 42 études préliminaires reproduits en fac-similé des dessins préparatoires de Pablo Picasso pour Guernica. Commentaires de Marie-Laure Bernardac Tirage à 1937 exemplaires, celui-ci le 785.
1979réf. 24518Paris: Société Française du livre 1979. 174 p. : ill. ; 28 cm.; Cloth fine in slightly worn dust jacket. Text in French. Bibliography: p. 173-174. Société Française du livre unknown
réf. 51277Société française du livre.In-4 carré toilé avec chemise illustrée.174 p.TBE.
1979réf. 24518Paris: Société Française du livre 1979. 174 p. : ill. ; 28 cm.; Cloth fine in slightly worn dust jacket. Text in French. Bibliography: p. 173-174. Société Française du livre unknown books
1947réf. 034720New York: Curt Valentin 1947. Book. Illus. by Pablo Picasso. Very Good. Hardcover. First Edition. 171pp. Tan cloth boards black titles on spine and front board. Darkening along upper edge of front board. Wear to spine ends and corners but binding tight spine straight. Interior toned at margins but clean and unmarked otherwise. Fold out in front has edgewear and is split about 2/3 of the way up along one crease but entire image is present. Numerous full and half page b&w reproductions of wors by Picasso. Expansive treatment of one of Picassos masterworks his 1937 mural commemorating horrors of the Spanish Civil War. Lacking dust jacket. Size: Small 4to. Curt Valentin Hardcover
1993réf. 2613299Madrid.: Gran Vía Gestión Artística y Editorial. 1993. Paperback. Good. 27 cm. 2 v. : principalmente il. Encuadernación en tapa blanda de editorial. Colección 'Poesía : revista ilustrada de información poética ; ' numero coleccion39-40 . Picasso Pablo 1881-1973. En la contracub. : Museo Nacional Centro de Arte Reina Sofía. Contiene : v. 1. Reproducción del cuadro Guernica a escala 1/1 dividido en 532 p. plegadas -- v. 2. Cronología y documentación. Guernica : historia de un cuadro / Josefina Alix 131 p. . Cubismo. Pintores españoles. S. XX. España. Ministerio de Cultura . Pintura. Picasso Pablo. Guernica 75 Picasso Pablo. Guernica 75 Gran Vía Gestión Artística y Editorial. paperback
réf. 073928New York: Harry N. Abrams Inc. Publishers 1990. Facsimile Mounted Prints in Clamshell Case. Near Fine. Very Large Folio: . Pablo Picasso. This edition which reunites for the first time the preliminary studies on paper that Picasso made for Guernica was printed on April 18 1990 by Akademische Druck-u Verlagsanstalt in Graz Austria. Limited to 1000 copies though not numbered. Forty-two color reproductions of select art from Pablo Picasso's work mounted in thirty-one carton mats all present. Housed in a large clamshell case in black with white lettering and color illustration of another facsimile of Picasso's works on paper affixed. Title is from enclosed booklet cover which contains forty-five numbered detailed studies of each piece of art along with the story of the Genesis of Guernica with artistic analysis. Booklet contains many smaller reproductive images of Picasso's works as well. Booklet is 20 pp. Artwork included is mounted as two-pieces per mount and as one piece per mount. Mounts with art measure 23.75" tall x almost 15.75" wide respectively as does the accompanying booklet. Large clamshell case measures 24.75" tall x 16.25" wide x 3" thick. CONDITION: All mounted plates are fine. Facsimile art is vivid and striking. Laid in text booklet and clamshell case are VG. Booklet shows moderate wrinkling and some leaves have split along the side of the spine fold at the foot about a third of the way up yet does not badly compromise the booklet's integrity. Case shows indentation along the front spine indicating a heavy book had once been placed on top. Light fading and some soiling on case with a 1/2 inch chip at the head of the back of the clamshell box. Even so this collection is stunning and the art pieces are magnificent. At over 18 lbs. due to this item's size and weight an additional shipping charge will apply and will be delivered with signature required. Full refund if not satisfied. EXCERPTS FROM THE BOOKLET: "Few names are as evocative as that of Guernica. The ruthless bombardment of this small Basque town a regional capital and ancient pilgrimage site became one of the blackest and bloodiest spots in the history of the twentieth century. Today it no longer represents only the massacre of a civilian population and a point of no return in the rise of Fascism: Picasso's painting gave to the name of Guernica the scope of a universal symbol that expresses the barbarism of modern warfare. After its militant exhibitions in 1937 Paris and 1939 New York its long exile and its final arrival in Madrid this 'living legend' is displayed behind bulletproof glass in the Cason del Buen Retiro of the Prado Museum. . Picasso executed forty-five sketches between May 1 and June 4 1937 some of which stand on their own as complete drawings. They included six compositional studies four studies of the horse one of the bull one of the horse and bull alone ten of heads of the horse and bull ten studies of female heads six of the woman with a dead child one of the horse and the woman with the child three heads of dead warriors a study of a man with raised arms and two studies of hands. He used a variety of mediums: pencil india ink gouache and oils; and supports: white blue and brown paper plywood and canvas. These studies are not only extraordinary drawings in their own right but they also show the different states of mind through with Picasso passed as he was working on the painting. They are like a seismograph of his thoughts and feelings and so they permit us to understand what he really wanted to paint in Guernica. A study of these sketches reveals the progress of the artist at work - his hesitations his searching the choices he made. They show the slow formation of the images the maturation of the initial idea the successive contributions the departures; in short Picasso's way of working and as such they constitute the laboratory of Guernica. Harry N. Abrams, Inc., Publishers unknown
2007réf. 973513München: Siedler. 2007. Ill. 416 S. 23,5 cm. Zustand: Sehr Gut, eher ungelesen; Kleiner Schrifteintrag vor dem Titelblatt, (Innen); 1. Aufl. Gewebe (Dunkel BlauerLeinen) mit Schutzumschlag
2006Mm 140x210 Collana "Essai". Brossura originale, 188 pagine di testo in lingua francese - french text. Ottima copia, spedizione in 24 ore dalla conferma dell'ordine.
1996réf. 6095Berlin: Reimer, 1996. 300 S. Ill. , broschiert.
1981réf. 65641Ministerio De Cultura. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Spanish. 176 pp. With 83 ills. 70 col. . 28 x 23 cm. -- with a bonus offer-- . 1981. Ministerio De Cultura paperback
1964réf. 3416Milano: Feltrinelli 1964. Rilegato tela cloth. Ottimo Fine. Con 67 illustrazioni in nero ed una tavola ripiegata. Traduzione di Gillo Dorfles. 8vo. pp. 152. Ottimo Fine. Prima edizione italiana First Italian Edition. Feltrinelli, hardcover
réf. 46911Catalogue de l'exposition présentée à Bruxelles et Amsterdam en mai et juillet 1956. Un volume broché (26x12,2 cm), (46) pages sur papier kraft et couché. Avec 68 reproductions en noir dont une grande planche dépliante. Edition bilingue français/ néerlandais. Textes de Daniel-Henry Kahnweiler et Em. Langui. Bon état.
2007réf. 14286BBMünchen:, Siedler, 2007. 8°. 416 S., einige sw- und Farbabbildungen, Leinen (Mängelstempel auf Buchblock; gut erhalten)
2007réf. 276849BBMünchen, Siedler, 2007. 1. A. Gr.-8°. Mit Abb. 416 S. OLwd. m. ill. OU. (Innenseite m. Abb. d. Gemäldes.) - Sehr gutes Ex. 1
2021br. «"Non faccio mai un quadro come opera d'arte; ognuno di essi è una ricerca. Sono sempre alla ricerca e c'è una sequenza logica in ciò che ricerco. È per questa ragione che li numero; è un esperimento nel tempo; li numero e li dato; forse un giorno qualcuno me ne sarà riconoscente". Questa osservazione di Picasso è significativa, ci indica come, secondo lui, l'elemento più rilevante nella creazione non consiste in un lavoro singolo o nella somma di tutti i lavori, ma nel processo di fluttuazione e di continua trasformazione offerto dalla sequenza dei tentativi. Secondo Picasso, tutta la sua opera creativa sembra possedere una dimensione temporale che non deve esser considerata come biografica ma come un aspetto essenziale dell'opera stessa. Ne consegue che gli schizzi per una determinata opera devono essere considerati alla stregua di una sequenza di opere compiute, e che essi, oltre a rappresentare gli stadi successivi d'un problema risolto gradualmente, debbono essere considerati come varianti sul tema di quella particolare opera. Ecco perché dobbiamo considerare come significativo il fatto che, per la prima volta nella storia, un artista abbia creato, catalogato e conservato con cura delle serie così vaste di studi preparatori. Il materiale preparatorio a "Guernica", che viene qui riprodotto nella sua interezza, consiste di disegni e pitture, oltre a numerose fotografie (prese nello studio di Picasso dalla moglie Dora Maar) di vari stadi dell'opera stessa. Dopo le descrizioni più o meno schematiche del processo creativo quali ci vengono offerte dai testi teorici, si rimane quasi stupefatti dalla complessità presentata da questi schizzi, l'ampiezza e la varietà delle invenzioni, l'avanti e indietro dei tentativi, gli scarti, l'abbondanza delle combinazioni e delle modificazioni sperimentate».
1964R. ARNHEIM Guernica. Genesi di un dipinto. Milano, Feltrinelli 1964 italian, 145 BTT145 Copertina rigida, volume in ottime condizioni, copertina in condizioni eccellenti, interno come nuovo, legatura salda, tavole fuori testo in b/n 145 pagine circa Copertina come da foto
In 8°, legatura in piena tela editoriale con titoli al dorso con sovracoperta figurata a colori, pp. 149 con numerose illustrazioni in bianco e nero nel testo e una tavola ripiegata fuori testo. Lievi mancanze alla sovracoperta altrimenti buon esemplare.
