Pablo PicassoBiblio.com
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1971réf. 1154825Skira 1971. Softcover. Very good. Text is in French. Great condition. Covers are tanned but readability is not impacted. Lamination on covers is peeling. Text block and inside edges are tanned but legibility is not affected. Pages are clean and unmarked. Skira unknown
1971réf. 467272Geneve : Albert Skira 1971. First Edition. Softcover. Very good paperback copy; edges and panels somewhat dust-dulled and nicked. Remains quite well-preserved overall. Publishers presentation copy. Series; Les sentiers de la creation. Physical description; ii 118 pages : illustrations ; 22 cm. Subjects; Mural painting and decoration. French artists’ preparatory studies. French art. Art history. European painting. Visual arts. Gene?ve : Albert Skira paperback
1971réf. 111778Genève : Skira 1971. reliure d'éditeur. Picasso Pablo.La chute d’Icare de Pablo Picasso. Collection Les Sentiers de la Créations. Genève Skira1971 230x165mm 118 pages photos couleurs et n/b reliure d'éditeur. Reliure en cuir sous emboîtage cuir légèrement éraflé au dos autrement bon état.Exemplaire de luxe numéroté 356/1125. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Skira unknown
1943réf. 208661Robert-J. Godet éditeur 1943. Number 23 of 25 such copies. Paperback. Bound book is VG with expected age-toning to the solid covers. Accompanying suite is as good as can be hoped for with the thin paper printed wraps broken at the spine and the 18 prints most with acidic sheets between that are printed on low-quality acidic paper solid clean with a noted printing smudge on one about 1/10 an inch in size and undamaged but wanting some conservation or de-acidification. Again in case you have not noted otherwise THE BLACK AND WHITE SIGNED ETCHING is lacking but the limitation page is signed by both Hugnet and Picasso and there is a unique collage by Hugnet to noted collectors on the half-title. Thick wrapped cardstock glued covers with printed lettering in black and green. Unpaginated 38 pp with the 6 zincographs bound in and then containing in a separate folder a suite of 3 copies each in a different color of the 6 bound zincograph plates from the book. LACKS THE BLACK AND WHITE ETCHING but contains a custom-designed and signed presentation collage by Georges Hugnet to Nannette and Herbert Rothschild on the half-title with painted design and applied materials dated April 9 1956. First edition printed in 525 numbered copies: 25 on Arches vellum signed by the author and illustrator. This is one of the first 25 copies on Arches vellum signed by the author and the painter with the set of three engraving colors red ochre and blue-green in the separate suite and 1 original etching by Pablo Picasso SIGNED ETCHING IS NOT PRESENT IN THIS COPY. The justification indicates: "the illustrations were etched by Pablo Picasso in order to be printed in the text through common typographic means. The etching meant only for the first prints is one of six illustrations printed in intaglio on Roger Lacouriere's printing press." An additional 500 regular copies with no suite and no etching on Lafuma plus VI author's copies on arches and III nominatives on bristol. The request to insert by Paul Eluard is entitled "Pour Georges Hugnet" 1 p. and is present as called for. Also contains some other laid-in items including a dated 1956 photograph of Hugnet along with a lithographed invitation to an exhibition of graphics by Hugnet at Galerie Furstenberg dated 1954 contains a colored illustration on the right inside panel and a printed belly-band of unknown relation to the artist or publication. Robert-J. Godet éditeur paperback books
1943réf. 208661Robert-J. Godet éditeur 1943. Number 23 of 25 such copies. Paperback. Bound book is VG with expected age-toning to the solid covers. Accompanying suite is as good as can be hoped for with the thin paper printed wraps broken at the spine and the 18 prints most with acidic sheets between that are printed on low-quality acidic paper solid clean with a noted printing smudge on one about 1/10 an inch in size and undamaged but wanting some conservation or de-acidification. Again in case you have not noted otherwise THE BLACK AND WHITE SIGNED ETCHING is lacking but the limitation page is signed by both Hugnet and Picasso and there is a unique collage by Hugnet to noted collectors on the half-title. Thick wrapped cardstock glued covers with printed lettering in black and green. Unpaginated 38 pp with the 6 zincographs bound in and then containing in a separate folder a suite of 3 copies each in a different color of the 6 bound zincograph plates from the book. LACKS THE BLACK AND WHITE ETCHING but contains a custom-designed and signed presentation collage by Georges Hugnet to Nannette and Herbert Rothschild on the half-title with painted design and applied materials dated April 9 1956. First edition printed in 525 numbered copies: 25 on Arches vellum signed by the author and illustrator. This is one of the first 25 copies on Arches vellum signed by the author and the painter with the set of three engraving colors red ochre and blue-green in the separate suite and 1 original etching by Pablo Picasso SIGNED ETCHING IS NOT PRESENT IN THIS COPY. The justification indicates: "the illustrations were etched by Pablo Picasso in order to be printed in the text through common typographic means. The etching meant only for the first prints is one of six illustrations printed in intaglio on Roger Lacouriere's printing press." An additional 500 regular copies with no suite and no etching on Lafuma plus VI author's copies on arches and III nominatives on bristol. The request to insert by Paul Eluard is entitled "Pour Georges Hugnet" 1 p. and is present as called for. Also contains some other laid-in items including a dated 1956 photograph of Hugnet along with a lithographed invitation to an exhibition of graphics by Hugnet at Galerie Furstenberg dated 1954 contains a colored illustration on the right inside panel and a printed belly-band of unknown relation to the artist or publication. Robert-J. Godet éditeur paperback
1943réf. 91824Robert J. Godet 1943. Fine. Robert J. Godet 1943 23 x 28 cm broché First edition illustrated with 6 original lithographs by Pablo Picasso one of 500 numbered copies on Lafuma paper. A pleasing copy complete with its ""prière d'insérer"" written by Paul Eluard. Robert J. Godet unknown
réf. 78617Paris Robert - J. Godet 1943. 4° 32 Bl. 6 Rasterdrucke nach Radierungen von P. Picasso Mit dem eingeklebten Verlegerhinweis von Guy le Pra Broschur m. Transp.-OU. OU mit kleinen Fehlstellen min. angeschmutzt. Innen Papier alterungsbedingt min. gebräunt sonst sauberes Exemplar. EA. Goeppert-Cramer 38. – Bloch livres 37No 201 des 500 exemplaires numérotés sur Lafuma.- Beiliegend eine surrealistische Werbeeinladung «Prière d’insérer» in 14 Punkten von Paul Eluard «pour Georges Hugnet».- Georges Hugnet 1906-1927 verbrachte den größten Teil seiner Kindheit in Buenos Aires. 1913 kehrte er nach Paris zurück. 1920 war das entscheidende Jahr seiner Karriere. Durch Marcel Jouhandeau der im selben Gebäude am Boulevard de Grenelle in Paris wohnte wurden seine ersten Gedichte Max Jacob vorgelegt. Jacob wurde sein Mentor und durch ihn bekam er auch die Kontakte und Zugang zu der Pariser Kunstszene. Während dieser Zeit freundete sich Hugnet mit einer Reihe einflussreicher Künstler des frühen 20. Jahrhunderts an wie Joan Miró Marcel Duchamp Pablo Picasso Tristan Tzara Man Ray und Jean Cocteau.Hugnet kam 1926 in Kontakt mit den Surrealisten nahm an vielen ihrer Aktivitäten teil dichtete schuf Collagen schrieb Bücher und gestaltete Bucheinbände für surrealistische Publikationen auch in Zusammenarbeit mit seinem Freund Joan Miró. 1929 erfolgte die Präsentation seines Filmes La Perle im Studio Ursulines in Paris. In den 1930er Jahren war Hugnet Mitglied der surrealistischen Bewegung. André Breton hatte sich nach der Lektüre von Hugnets Artikel Spirit of Dada in Painting für ihn interessiert; Tristan Tzara machte sie miteinander bekannt. 1936 war Hugnet an der Organisation der International Surrealist Exhibition in den New Burlington Galleries in London beteiligt.1939 wurde er aus der Bewegung ausgeschlossen da er seine Freundschaft mit dem in Ungnade gefallenen Dichter Paul Éluard nicht aufgeben wollte.Mit Unterstützung seines Vaters – ein französischer Möbelhersteller – gründete Hugnet einen Verlag «Les Editions de la Montagne» um seine Werke und die seiner Freunde darunter Tristan Tzara Pierre de Massot und Gertrude Stein zu veröffentlichen.Hugnet schrieb und übersetzte zahlreiche Drehbücher und schuf Buchillustrationen. 010 Paris, Robert - J. Godet, 1943 unknown
grand in-8°, 170 pp., 81 reproductions en couleurs pleine page, et nombreuses photographies en noir des artistes dans le texte, broche, couverture illustree. Tres bel exemplaire. [GD8-9] Catalogue d'exposition.
1971réf. 166837Paris: Éditions de l'Atelier Crommelynck 1971. 66 original Picasso etchings First edition first printing number 36 of 350 copies signed by the artist. La Celestina a major work of Spanish literature first printed in 1499 here translated by Pierre Heugas was illustrated by Picasso as part of the famous 347 series for which Picasso etched 347 plates between March to October 1968 all printed by the Crommelynck brothers. Octavo. With 66 full page original etchings and aquatints of varying sizes dated between 11 April and 18 August 1968 printed on Richard-de-Bas laid paper with La Célestine watermark. Original full parchment boards lettering to front cover in black. Parchment and paper dust jacket lettering to spine in black. Housed in a parchment covered slipcase. Housed in a black cloth flat-back box by the Chelsea Bindery. A fine copy in a fine slipcase. Cramer Illustrated Books No. 140; Bloch 1602. hardcover
1988réf. 29831Paris: Didier Imbert Fine Art. Fine in Near Fine dj. 1988. First Edition. Hardcover. lacks original slipcase but a very nice book with no discernible wear; jacket shows only light handling wear with a few abrasions along the rear hinge. color plates B&W reproductions Book issued in conjunction with the gallery exhibition of a 1904 painting by Picasso "the sole remaining masterpiece of the blue period not to be found in a museum." Incorporates an illustrated essay about the creation meaning and significance of the work. Text in French and English. . Didier Imbert Fine Art hardcover books
réf. 02-064420th cent. Poster. 20th cent. unknown
réf. 44023Musee Picasso In 8-carre 24 cm 128pp. illustr. et photos une carte postale du Musee jointe: Portrait de Dora Maar bon etat Ats34-Nb-0300 unknown
réf. 75-8139Malaga: Museo Picasso Malaga 2017. Fo. Cloth Hard Cover ca. 200 pp. B&W and Color Plates. Dent and Tearing to upper edge of Back cover affecting pages 190 through to the end fainelse Very Good. No Dust Jacket Original Belly Band is Very Good. Oversize Book Will require extra Shipping Charges Malaga: Museo Picasso Malaga, 2017 hardcover
1938réf. TN242526Arthur Tooth & Sons London 1938. 1st Edition. SOFTCOVER. 4to in printed stiff card covers unpaginated approx. 16pp on thick paper 34 item catalogu with 4 tipped-in b/w plates __CONDITION : A well preserved clean and tight VERY GOOD copy flat crease to top corner tip of front cover mildly mirrored by leaves and rear cover. A nice copy of a rare survival. . __We always ship in PROTECTIVE CARD PARCELS Arthur Tooth & Sons, London paperback
1975Mm 110x180 "Bibliothèque mèdiations". Brossura originale, 219 pagine con 8 tavole in nero non comprese nel testo. Alcune righe sottolineate a penna rossa alle ultime trenta pagine, peraltro la copia è in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1973français In-4 de 90 pp.; broché de l'éditeur. Riche iconographie.
1983Mm 135x210 Volume in copertina rigida con sovraccoperta editoriale, 556 pagine con figure in nero nel testo. Libro in ottimo stato; spedizione in 24 ore dalla conferma dell'ordine.
Fribourg, Office du Livre, Paris, Bibliothèque des Arts, 1970. Grand in-4, (30 cm x37) pleine toile éditeur, jaquette illustrée, étui, 180 pp. Biographies. Nombreuses planches hors-texte en noir et en couleurs contrecollées. Les principales techniques de la gravure, Les Maïtres de la Gravure au XXème siècle. Sur : Renoir, Gauguin, Maillol, P. Signac, Munch, Toulouse-Lautrec, Valadon, Bonnard, Vuillard E, Matisse, M. Denis, Rouault, J. Villon, Vlaminck, R. Dufy, J. Frélaut, Derain, Picasso, Braque, Utrillo, Dunoyer de Segonzac, Chagall, Zadkine, Max Ernst, Gromaire, Miro, Goerg, Masson, S. Dali, Lorjou, Manessier, Clavé, Ciry, Avati, Lars Bo, J. Ramondot, Bernard Buffet. Bel exemplaire.
Fribourg, Office du Livre, Paris, Bibliothèque des Arts, 1974. Grand in-4, (30 cm x37) pleine toile éditeur, jaquette illustrée, étui, 224 pp. Nombreuses planches hors-texte en noir et en couleurs. Bel exemplaire.
in-8 (15 x 21), 252 pp., nombreuses illustrations N/B et couleurs, index, broche, couverture illustree. Tres bon exemplaire. [AR-1][CA2]
in-8 (15 x 21), 252 pp., nombreuses illustrations N/B et couleurs, index, broche, couverture illustree. Pli au 1er plat sinon bon exemplaire. [SO-1]
1954réf. 21248901954. Paris: Editions Cercle D'Art. 1954. Folio. Publisher's oatmeal cloth with orange belly-band printed in black and white no dust-jacket as issued spine and upper board lettered in burgundy; pp. '153' i.e. 151 1 2 colophon blank with the two large folding plates in pocket to rear board; slightly shaken; else a very good copy.First trade edition one of 6000 copies of this monumental work on Picasso's enormous two-panel La Guerre et la paix War and Peace - even larger than Guernica - for the deconsecrated Romanesque chapel of the the Chateau de Vallauris published five years before the chapel was officially opened to the public and instrumental in publicising the work.There were also one hundred copies of the edition de tete with an original lithograph by Picasso. To accommodate the vaulted ceilings of the deserted chapel - which Picasso aimed to turn into a 'temple of peace' - he structured the panels on thirty-two pieces of hardboard. He made over two hundred and eighty preparatory drawings several of which are reproduced here. Between 1952 and 1959 the installation 'remained largely unknown. Claude Roy's book on La Guerre et la paix . brought these large panels to wider attention before the chapel's public opening' Forest trans. Jean Cocteau who saw the work being created in Picasso's studio at Fournas - along with amongst others Francoise Gilot and Claude Roy author of the present work - wrote that 'the first impression of La Guerre et la paix is that of a nave a church; it seems that everyone who enters the studio takes off their hat. I take off my hat' ibid. Picasso left the drips of paint as they were arguing that 'one doesn't advise an unhappy person to wipe away their tears'.Goeppert 67. See Forest 'Picasso la guerre et la paix' in Michel and Vandenbussche eds L'idee de paix en France et ses representations au xxe siecle 2018 pp. 349-54. hardcover
1954réf. 3116682Paris: Editions Cercle D'Art. Near Fine with no dust jacket. 1954. First Edition; First Printing. Hardcover. First trade edition. after a signed limited of 100 copies Near fine in creme-colored buckram binding without dust jacket as issued with orange-colored belly band present. 153pp. 10 3/4" x 14 1/4" Couple mild spots of soiling at bottom edge of covers. A few short tears in tissue guards. 1/2"-inch tear in belly band. Numerous b&w drawings. Features 6 color lithographs on wove paper. Two accordion-fold photolithographs in rear sleeve of Picasso's murals of the same titles -- ""La Guerre" and "La Paix" ; 10 1/2" X 14 1/4"; 153 pages . Editions Cercle D'Art hardcover
1954réf. 2091202133212845Editions Cervle D'Art 1954. Soft Cover. Fine. Volume: 1 Editions Cervle D'Art paperback
1956réf. 265401956. Paris Imprimerie nationale / Andr Sauret 1956. Un fort vol. au format gd in-8 224 x 167 mm de 558 pp. broch sous couvertures rabats remplis. Tome Ier seul sur 3. Tirage de tÂte : un des 300 premiers exemplaires numrots CCXXVIII du tirage sur grand verg d'Arches ; les seuls comporter un deuxiÂme tat volant sur papier de Chine du frontispice figurant en tÂte de l'ouvrage tir en lithographie par les soins de Mourlot FrÂres. La Guerre et la Paix narre lÕhistoire de la Russie lՎpoque de Napolon Ier notamment la campagne de Russie en 1812. La richesse et le ralisme de ses dtails ainsi que ses nombreuses descriptions psychologiques font quÕil est souvent considr comme un roman majeur de lÕhistoire de la littrature. Tolsto y dveloppe une thorie fataliste de lÕhistoire o le libre arbitre nÕa quÕune importance mineure et o tous les vnements nÕobissent quՈ un dterminisme historique inluctable. Guerre et Paix a engendr un nouveau genre de fiction. Bien quÕaujourdÕhui considr comme un roman cette Ãuvre a cass de si nombreux codes du roman de son poque que de nombreux critiques ne le considrÂrent pas comme tel. Tolsto considrait lui-mÂme Anna Karnine comme sa premiÂre tentative de roman au sens o les Europens lÕentendaient. Guerre et Paix fut lՎpoque de sa publication un immense succÂs bien que Tolsto ne sÕy attendt pas ce dernier pensant mÂme que son oeuvre passerait inaperÂue. Cramer 202. Couverture prsentant un clat lgÂrement altr. Petite dchirure marginale et lgÂres plissures angulaires affectant la lithographie volante. Du reste trÂs belle condition. Exemplaire non rogn. b42961 unknown
