5.518 Ergebnisse
Best.-Nr. 133926aafNew York, Jan Krugier Gallery, 2002, in-8vo, 96 p., illustrated pensil sketches & pen drawings by Picasso (First edition. Reproduction of an original drawing-cahier by Picasso). Softcover. 96 pages. Includes 90 illustrations and a checklist. A clean very near fine copy in wrapper
1955168 p., très nbr. ill. n/b. Inv. P41250
1957Best.-Nr. 68709Louis Broder | Paris 1957 | 13.50 x 16.50 cm | relié sous chemise et étui
1957Best.-Nr. 68709Paris: Louis Broder 1957. Fine. Louis Broder Paris 1957 13.50 x 16.50 cm relié sous chemise et étui Antonin ARTAUD & Pablo PICASSO .Autre chose que de l'enfant beau .Something Other than a Beautiful Child Louis Broder Paris 1957 13.5 x 16.5 cm full box in custom chemise and slipcase First edition printed in 120 numbered copies on Japon paper ours is one of 100 copies numbered in Arabic numerals. Illustrated with an original drypoint in colour by Pablo Picasso printed in Georges Leblanc's workshops in Paris. Handwritten signature of Pablo Picasso on the print details page. Binding in full grey box title and names of the author and illustrator gold-stamped on the spine boards decorated with an abstract and geometric decoration of gilt and black fillets mouse grey box endpapers covers and spine preserved top edge gilt chemise in half mouse grey box marbled paper boards slipcase edged in mouse grey box marbled paper boards contemporary binding signed Desmules. Using a process used the previous year for the illustration of Autre chose by P. A. Benoit the artist pierced the black mould giving the appearance of an empty circle in the engraving. This circle not pressed by the plate forms a white half-sphere in relief a unique and empty eye of a dismembered character very surely inspired by one of Artaud's great drawings from 1946 L'Homme et sa douleur preserved at the Cantini museum in Marseille. Rare and very beautiful copy perfectly set in a decorative binding comprising the only intaglio produced in colour by Picasso to illustrate the book. Louis Broder hardcover
2003Best.-Nr. 411401898dat.1965/2003. Baryt-Papier. Papierformat: 60,5 : 48 cm, Bildformat: 34,2 : 50 cm. - Wunderbarer "Sonntagsschuß" des Hamburger Fotografen Werner Bokelberg, das den 83jährigen Pablo Picasso in entspannter Pose mit Zigarette und Strohhut in einem Pariser Café im Jahre 1965 zeigt. Bokelmann erinnert sich: "Das Licht war perfekt, und auch sonst stimmte alles. Picasso hat sich an einen Tisch gesetzt, Pastis getrunken, geraucht. Er war wie ein großer Schauspieler, der eine Verbindung zur Kamera hatte und sie zu dirigieren schien. Ich brauchte nicht mehr als eine halbe Filmrolle." 2009 diente die Fotografie als Entrée in die große Picasso-Werkschau der Londoner National Gallery "Challenging the Past." - Am ob. Rand mit kl. Knickspuren.
2015Book in mint condition. 127pp. A study of ten master works by Pablo Picasso, from the Kunstmuseum, Basle, on the occasion of its renovation. All text in Spanish.
Best.-Nr. 9803Picasso Pablo. Picasso Pablo. 100 PICASSO-PLAKATE UND STIFTUNG DANIEL-HENRY KAHNWEILER FOUNDATION - 20 GRAPHISCHE WERKE PABLO PICASSOS. Czwitklitzer 192b Poster for Kunsthalle Mannheim 1970. Color Offset 33 X 23 3/8 inches 838 x 594 mm. First Edition of 600 there was a second edition of 250 and a third edition of 400 copies. Mounted on Japan paper for conservation. In very good condition with a few clean closed tears at folds and with very fresh bright colors. a unknown
Best.-Nr. 36072Paris: La Bibliothèque Française 1945. Portfolio. 1st edition. Loose sheets as issued in later custom clamshell box with original portfolio cover mounted on front. 4to. One of 3200 Numbered Copies. 111 plates of drawings the first 100 relating to Buchenwald originally drawn on stolen paper plus 6 portraits and 5 aquarelles in color. Captions in French English and Russian. 26 cm. Title page and preface in French. Title translates as "111 Drawings Made in Buchenwald 1944-1945." Very early 1945 publication from the year of liberation. Boris Taslitzky began painting at the age of fifteen and attended the academie Montparnasse and the École des Beaux-Arts in Paris between 1925 and 1933. In 1933 he joined the Association of Revolutionary Writers and Artists A. É. AR where he became general secretary of the section of Painters and Sculptors and then in 1935 he joined the Communist Party. In 1936 during the presentation of Quatorze Juillet by Romain Rolland Taslitzky participated in the exhibition that brought together Picasso Léger Matisse Braque Jean Lurcat Laurens and Pinion in the lobby of the Alhambra Theatre. Taslitzky was captured in June 1940 escaped in August and joined the Resistance. He was arrested again in November 1941 sentenced to two years in prison and then on July 31 1944 he was deported to Buchenwald where he manages to make some two hundred drawings showing life in the camps. "If I go to hell I will make sketches. Besides I have experience I've been there and I've drawn! . " he later said. His mother died at Auschwitz . In 1946 Taslitzky exhibited his works which were inspired by the Resistance and Deportation winning the Prix Blumenthal. He was later awarded the Military Cross and Military Medal and in 1997 he received the insignia of Chevalier of the Legion of Honour under the Resistance and Deportation. He was both witness and actor in the story of French Resistance and the Holocaust. For more on Taslitzky see for example https://boris-taslitzky.fr/fortune-critique/02fortune-critique-1970-2004.htm SUBJECTS : Concentration camps -- Pictorial works. Buchenwald Camp de Guerre mondiale 1939-1945. Prisonniers et déportés. Camps allemands. Buchenwald. Album. Concentration camps. Pictorial works. Wear to original illustrated cover which has been mounted on front of box but no damage to illustration. Moving early and important. Holo2-125-44. Paris: La Bibliothèque Française unknown
970Cartellina in brossura editoriale ripiegata e contenente 12 cartoncini di cm.27,5x20 riproducenti disegni erotici del Maestro, tutti protetti da velina. Tracce del tempo alla cartellina. (Nota Editoriale)-I odici disegni di Picasso che abbiamo raccolto in questo fascicolo-regalo per i lettori di Playmen fanno parte delle 347 incisioni eseguite dall'artista a Mougins nel 1968...
2002Best.-Nr. 139159New York: Jan Krugier Gallery 2002. Softcover. VG. Tan wraps with black lettering; 96 pp. with mostly images throughout and 6 pp. text at end. Gallery catalogue with list of 90 works presented in 3 exhibitions Geneva Barcelona New York 1986-1987 by Jan Krugier Gallery from the Marina Picasso Collection. Scarce. Jan Krugier Gallery paperback
2002Best.-Nr. 139159New York: Jan Krugier Gallery 2002. Softcover. VG. Tan wraps with black lettering; 96 pp. with mostly images throughout and 6 pp. text at end. Gallery catalogue with list of 90 works presented in 3 exhibitions Geneva Barcelona New York 1986-1987 by Jan Krugier Gallery from the Marina Picasso Collection. Scarce. Jan Krugier Gallery paperback books
Best.-Nr. 4321Paris, L'Humanite, 1973. In-4, toile verte muette de l'éditeur, jaquette illustrée en couleurs tres propre 50 ff. n. ch., 36 planches. 72 planches en noir et en couleurs.
Best.-Nr. cROU-1946Paris,L'Humanité,1973 ; in-4°,pleine toile éditeur vert pale muette,jaquette illustrée en couleurs; 42 feuillets non chiffrés;2 petits accrocs à la jaquette en bordure avec un très petit manque au 2ème plat,ouvrage en bon état.
2011Best.-Nr. 1015425München : Hirmer, 2011. 175 S. : überw. Ill. ; 29 cm. Originalhalbleinen.
Best.-Nr. 1668Amélie-les-Bains : Alter Ego Éditions (Impr. France Quercy à Cahors), 2005. In-8, 220 x 140 : 207 pp. — Broché, couverture illustrée en couleurs.
Best.-Nr. BN703177Paris SPADEM 1988. 1953-1973 1953-1973 Le dernier Picasso Paris, SPADEM 1988. unknown
1961A. VALLENTIN 1° edizione! Storia di Picasso. Torino, Einaudi 1961 italian, 467 CH06Copertina rigidavolume in buone condizioni, 1° edizione, segni di usura causati dal fattore tempo sulla sovracoperta, copertina e interno in ottimo stato, legatura salda, illustrato a colori467 pagine circaCopertina come da foto
1973Best.-Nr. 98895Long Island City NY: Ediciones y Publicaciones Hispanoamericanas Inc. 1973. 1973. Very good. - Quarto 12-5/8 inches high by 9-1/2 inches wide. Softcovers two issues each bound in color pictorial stapled wraps. The covers are very slightly soiled with minor chips to the spine where stapled. There are very minor creases to the edges. 65 & 3 pages including the covers; and 64 & 4 pages including the covers. Both issues are illustrated in color and black & white including profuse depictions of Pablo Picasso and his art work. Very good. The first issue of May 5-11 1973 Volume 2 Number 30 is devoted to the Picasso Museum of Barcelona "El Mejor 'Museo Picasso' del Mundo: BARCELONA". The Barcelona museum has the second largest collection of Picasso paintings in the world only after the Picasso Museum in Paris. It specializes in the early years of Picasso in Spain. This issue publishes articles from the World press on the death of Picasso. Included are articles by Miguel Angel Gozalo Alfonso Barra Eugenio Montes and Andres Travesti. The 11 page article on the Museo Picasso is written by Teresa Toda and is profusely illustrated in color and black & white. The second issue of May 12-18 1973 Volume 2 Number 31 is devoted almost entirely to Picasso and is profusely illustrated in color and black & white. Picasso was a contributor to the Sunday Supplement of "ABC de Madrid". This issue reprints one of his articles where he narrates his life experience and his opinions on the new generation of young people "Picasso Cuenta Cosas de Picasso". There is a lengthy article on Picasso by Salvador de Madariago a 6-page "Galeria Picasso" and an article on Picasso's daughter Paloma and her mother Francoise Gilot. There is a pictorial article "Picasso y sus Contrastes" illustrated in color and black & white. There is also a section on women and Picasso "Las Mujeres y Picasso" containing "Interrogatorio a Picasso" by Jose Maria Peman and an article by Javier Rubio. "Iconografia de Picasso" is a pictorial article illustrated in color and black & white. A concluding article by Jose Camon Aznar is titled "Picasso en su Final". The text is in Spanish. RARE. Long Island City, NY: Ediciones y Publicaciones Hispanoamericanas Inc., (1973). paperback
1936Best.-Nr. 23048New York and Los Angeles: Published by Merle Armitage 1936. First Edition Limited #8 of 12 for Presentation from a total of 112 copes. INSCRIBED "This copy for Mary from Merle '36". 12 mo 5 13/16" x 4 1/2". Frontispiece Lithograph Portrait Of Picasso By Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And SIGNED In Pencil By Napolitano. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Yellow cloth printed in brown and black. A very good copy light general wear & soiling to covers; slight spine lean; internally clean. An uncommon example of avant-garde book design from the 1930s pairing Picasso's writing with Armitage's design sensibility. Two short essays by Pablo Picasso originally published as magazine articles from 1923 and 1930 and collected here in book form in which he reflects on art creativity and the role of the artist. Pasquale Giovanni Napolitano 1907-1984 was an Italian-American artist and printmaker associated with the Los Angeles art scene. His signed lithograph portrait of Picasso is an important feature of this edition. Published by Merle Armitage unknown
1936Best.-Nr. 028494New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano. 60 Pp. Beige Morocco Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing We Also Have Available Separately A Full Page Printing Of The Lithograph Signed And Annotated By Napolitano Which Image Is Abbreviated Even In This Large Paper Copy.There Is A Stated Limitation Of 112 Copies This Copy Numbered 116 One Of Armitage's Copies Of A Small Overage In The Print Run. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage "A Special Leather Bound Copy For Napolitano Merle Armitage 1936". A Near Fine Copy Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. Merle Armitage / Lynton Kistler hardcover
1936Best.-Nr. 028488New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Fine. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso First Published In 1923 And 1930. One Of 112 Copies Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Pasquale Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3 1936 Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy No Wear Or Stains. Merle Armitage / Lynton Kistler hardcover
1937Best.-Nr. 93431New York: Jacques Seligmann & Co. Inc. Fair. 1937. Numbered Limited Edition. Paperback. Rare numbered limited edition number 638 of 750 number hand-written. Covers have moderate staining and wear to corners and edges. Two small numerical notations in ink on front cover. Interior clean and unmarked. International shipping billed at cost. Photos upon request.; 8vo 8" - 9" tall . Jacques Seligmann & Co., Inc. paperback
1994Best.-Nr. 171312New York: Sidney Janis Gallery 1994. Vintage catalog for the 1994 exhibition held from May 4 through June 4 1994 at Sidney Janis Gallery. Illustrated in color. Near Fine in saddle-stapled wrappers. Sidney Janis Gallery unknown books
Best.-Nr. 15-8089New York: Perls Gallery 1962. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1962. unknown
Best.-Nr. 15-8088New York: Perls Gallery 1961. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1961. unknown