5.482 Ergebnisse
1954Best.-Nr. 007240Paris Zervos 1954 In-4 Broché, couverture illustrée Ed. originale
1939Best.-Nr. 007693Paris Zervos 1939 In-4 Broché Ed. originale
1929Best.-Nr. 015179Paris Christian Zervos 1929 In-4 Broché Ed. originale
1950Best.-Nr. 015645Paris Zervos 1950 In-4 Broché, couverture illustrée Ed. originale
2015Best.-Nr. 113725Cahiers d'art 2015 In-4 broché 31,5 cm sur 24,5. 258 pages. Couverture légèrement passée, sinon, très bon état. Bon état d’occasion.
Best.-Nr. 41953Paris, Cahiers d'Art, 1948. In-4°, 208p. Broché, couverture rempliée sous étui.
1948Best.-Nr. 2245Maeght Editeur, Paris 1948. Un volume petit in-folio (385 X 285 mm) en feuilles, 54 feuillets non paginés, couverture illustrée en couleur rempliée + supplément de 20 feuillets pour la période 1947-1955. Portfolio toilé à lacets sérigraphié en couleurs sur le premier plat. Édition originale pour l'ensemble. La couverture est une lithographie originale en couleur. Texte autographe Georges BRAQUE enluminé page à page d'environ 110 compositions de l'artiste imprimées en lithographie par Mourlot Frères. Tirage à 95 ex sur Arches et 750 exemplaires sur Marais non numérotés, celui-ci l'un des 750 sur vélin du Marais. Ensemble très rare dans le superbe portfolio illustré. Un document essentiel pour la compréhension des choix et de l'évolution artistiques de Georges Braque tout au long de sa vie. Parfait état.
Best.-Nr. 36792Paris : Editions Cahiers d'art, 1947 - un fort volume 25x31,6cm sous couverture rempliée, illustrée en couleurs par Georges Braque, de 336 pages illustrées de reproductions de Mondrian, Ozenfant, Picasso, William Blake, Braque, Van Gogh, etc. - Exemplaire en bon état de conservation -
1956Best.-Nr. 1235571956 N° 59 - Mai 1956 - Revue mensuelle illustrée - In-8, broché, couverture illustrée - 64 pages
1937Best.-Nr. 8541937 Editions Cahiers d'art, Paris, 1937. 32 x 25 cm, 236 pp. Broché. Couverture décollée et dos légèrement usée, Etat moyen. Quatre photographies contrecollées de Picasso.
1938Best.-Nr. 55825ABParis, éditions "Cahiers d'art", 1938. 32x24,8 cm. 2 f., p. (69)-236. Avec de nombreuses illustrations en noir (8 contrecollées). Broché.
Best.-Nr. 519665Editions Dynamo - Pierre Aelberts - Brimborions N°22 Liège 1951 Plaquette in-8 carré ( 190 X 140 mm ) de 10 pages, brochée sous couverture illustrée. Portrait par Alfred FRUEH et 3 dessins de PICASSO. Edition originale, 1/10 exemplaire numéroté sur Hollande. Très bel exemplaire, très rare.
1937Best.-Nr. 77186Paris 1937. Stor 4to. Originalt typografisk omslag. Omfatter s. 105-164. Gjennomillustrert i svart/hvitt. Med et pochoir kolorert litografi av Juan Miró - “Aidez l’Espagne”. Large 4to. Publishers typographical wrappers. Contains pages 105-164. Illustrated throughout in black and white With one pochoir coloured lithograph by Juan Miró - “Aidez l’Espagne”. Éditions “Cahiers d’art”. Fransk. Eksemplaret er noe slitt men komplett med det berømte litografiet av Juan Miró - “Aidez l’Espagne”. Heftet tar for seg artikler om Picasso og hans verk “Guernica”. Litografiet av Miró i meget god stand. This copy is somewhat worn still complete with the very famous lithograph by Juan Miró. The content deals mostly with the works of Picasso and “Guernica”. The Miró lithograph in very good condition. unknown
1918Best.-Nr. 93431918 A Paris, Mercure de France, 1918. Un volume, 14,5 x 23 cm, 205 pp. + 1 portrait de Apollinaire par Picasso en frontispice. Broché, couverture rigide, protégé par un étui en demi-veau couleur marron clair/ocre, dos lisse avec titre, auteur et date en lettres dorées, le tout sous emboîtage en carton marbré. EDITION ORIGINALE numérotée (n° 418), achevé dimprimer le 15 avril 1918. Ouvrage en très bon état.
1968Best.-Nr. RO80214091Ayuntamiento de Barcelona. 1968. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. En feuillets de 8 pages sous pochette illustrée en couleurs.. Texte en langue expagnole.. . . . Classification Dewey : 56-Catalogue
1925Best.-Nr. Zh231Paris Nrf Gallimard 1925 In8 - broché - 228 pages - exemplaire du service de presse - portrait d'Apollinaire par Picasso en frontispice
1925Best.-Nr. Zh231Paris Nrf Gallimard 1925 In8 - broché - 228 pages - exemplaire du service de presse - portrait d'Apollinaire par Picasso en frontispice
1918Best.-Nr. 78956Mercure de France | Paris 1918 | 14.50 x 23 cm | relié
1918Best.-Nr. 80044Mercure de France | Paris 1918 | 14.50 x 23 cm | relié
2017Best.-Nr. 089144London & Paris: Almine Rech Gallery. Qto. 222 pages illustrated in colour. The text is in english and there is also a seperate booklet containing a summary of the text in French. A New copy. . New. Hardcover. 2017. Almine Rech Gallery hardcover
1918Best.-Nr. 80044Paris: Mercure de France 1918. Fine. Mercure de France Paris 1918 14.50 x 23 cm relié First edition one of the numbered copies from the first printing. Paper slightly brittle at margins of some leaves as usually found handsome copy. Illustrated work with as frontispiece a portrait of Guillaume Apollinaire by Pablo Picasso. Mercure de France unknown
1918Best.-Nr. 78956Paris: Mercure de France 1918. Fine. Mercure de France Paris 1918 14.50 x 23 cm relié First edition a first impression copy numbered in the press. Binding in half brown morocco spine in five compartments gilt date at the foot geometric pattern paper boards and endpapers in the same paper top edge gilt wrappers and spine preserved in perfect condition binding signed by T. Boichot. Apollinaire's second major poetic work with bold graphic innovations and a portrait of Guillaume Apollinaire by Pablo Picasso as frontispiece. Some of the best war poems all languages combined are brought together in this collection alongside experimental works such as Les Fenêtres close to Cubism and La Jolie Rousse which were far ahead of their time Cyril Connolly Cent livres-clés de la littérature moderne n° 32. A beautiful copy on non-brittle paper which is unusual and a rare and surprising handwritten inscription signed by Guillaume Apollinaire: à monsieur le critique littéraire de La Libre Parole hommage de Guill. Apollinaire."" To the literary critic of La Libre Parole tribute by Guill. Apollinaire. Who could be the recipient of this inscription unnamed but addressed to a collaborator of the famous anti-Semitic newspaper founded by Édouard Drumont The ostensibly philo-Semitic position of Guillaume Apollinaire is well-known. In an 1899 letter he boasts to Toussaint Luca that he tried to provoke Henri Rochefort who was reading La Libre Parole by deploying L'Aurore in front of him but as the young Dreyfusard regrets without daring to engage the controversy. In 1902 he publicly marked his fraternity with the Jewish people with a new publication in La Revue blanche Le Passant de Prague"": I love Jews because all Jews suffer everywhere. Then in Alcools he will dedicate a poem to the Hebrew religion: ""La Synagogue"". But it is undoubtedly through his poem Le Juif latin published in L'Hérésiarque et Cie that Apollinaire poetically reveals the essence of his particular link with Judaism: that he shares the condition of eternal stranger the feeling of uprooting and the search for identity. It may therefore seem very surprising that this poet whose only trace of political commitment was in favor of Dreyfus dedicated his work to a La Libre Parole journalist even if he is a literary critic. And in fact La Libre Parole does not contain literary columns! A few months before the poet's death this laconic inscription thus proves to be a formidable and final scoff of poetic impertinence to political intolerance. Mercure de France hardcover
1972[Pittura](cm. 19) brossura editoriale. 2 volumi -pp120+34 tavv. fotografiche in nero e a colori; -pp. 128+ 53 tavv. fotografiche in nero e a colori. Il volume primo affronta il naturalismo, fauvismo e Matisse, cubismo futurismo espressionismo. Il volume secondo affronta l'espressionismo astratto, di Klee e Kandisky; dadaismo e surrealismo, Geometrismo astratto, Arte tedesca fra le due guerre, Chagall e Picasso, La pittura italiana fra le due guerre, Arte contemporanea nel secondo dopoguerra. Usuali lievi segni del tempo, ma perfetto esemplare. [n42] Libro
1983In-8 (Cm 28 x 20,5), pp. 131, brossura editoriale con sovraccoperta illustrata, illustrazioni a colori nel testo. Testo in Italiano, Francese, Tedesco. Sovraccoperta con millimetrico strappetto e marginale mancanza. OTTIMO
1983In-4°, pp. 131, una quarantina di pregevoli tavole (dipinti di Cézanne, Monet, Renoir, Gaugin, van Gogh, Matisse, Picasso) a piena pagina a colori nel testo, brossura editoriale con sovraccopertina figurata a colori. Testo in lingua italiana con traduzione in lingue francese e tedesca. Lieve usura ai bordi della sovraccopertina.
