Picasso - Ginzburg, Ralph (editor)Biblio.com
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1969Best.-Nr. 20220AB1969. Avantgarde 8. New York Avant Garde 1969. 29 : 28 cm. 30 leaves with many illustrations by Pablo Picasso. Illustrated original boards. This special issue of Avantgarde is devoted entirely to one subject: a series of erotic gravures by Pablo Picasso the pre-eminent artist of our time. They are intended to stand as Picasso himself has said "As an abiding celebration of life itself". hardcover
Best.-Nr. 71-4514New York: Harry H. Abrams Inc. 1977. 4to. 100 pp. Soft Cover. Black and white plates throughout. Very Good. Provenance: From the collection of Gallery Pasquale Iannetti San Francisco. New York: Harry H. Abrams, Inc., 1977. paperback
Best.-Nr. 71-4520Berkeley and Los Angeles: University of California Press 1988. 4to. 320 pp. Hard Cover. in Dust Jacket. Color and black and white plates throughout. A dedication to Pasquale Iannetti from Herschel Chip on inside cover. Very Good. Provenance: From the collection of Gallery Pasquale Iannetti San Francisco.Heavy Book: shipping cost may be extra. Berkeley and Los Angeles: University of California Press, 1988. hardcover
1969Best.-Nr. 12596New York: Avant Garde Media Inc. September 1969. 29 x 28 cm. Large 4to. bound by Arthur Johnson in 1975 signed and dated on the lower turn-in in a mosaic binding of red goatskin with onlays in purple orange tan black and white goatskin yellow endpapers spine lettered in gilt along its entire length. Housed in the original red cloth felt lined clamshell box. In remarkably good condition.The bold design with a very keen sense of colour is a typical example of Johnson’s work which always achieved drama and wit alongside superb technique. He has made a fabulous stylised and abstract take on a Picasso erotic engraving in leather. Arthur Johnson 1920-2004 along with Edgar Mansfield Sally Lou Smith and others was instrumental in changing the course of bookbinding in Britain being one of the founding members of the Hammersmith Guild of Scribes and Bookbinders in 1950 which was intended to start a new movement in British bookbinding. These binders were reacting against the domination of established binding firms whose binders had excellent technical abilities but whose designs Johnson felt were ‘deplorable’ for their fussy insipid aesthetic: “their covers were reminiscent of carpets and chocolate boxes”. The Guild whose fellow members included Britain’s greatest binders such as Philip Smith Bernard Middleton Elizabeth Greenhill Trevor Jones and Ivor Robinson went on to become the Guild of Contemporary Bookbinders and then the Designer Bookbinders we know today. Avant Garde was a magazine renowned for its graphic design by Herb Lubalin. It was published in New York and ran for 14 issues between January 1968 and July 1971. A dramatic and witty binding by one of Britain’s great masters of bookbinding Avant Garde Media Inc. hardcover
Best.-Nr. 02-0765New York: Avant Garde 1969. Square 4to. 60 pp. "This special issue of avant-garde is devoted entirely to one subject: a series of erotic gravures or engravings by Pablo Picasso The Pre-eminent Artist of Our Time. They are intended to stand as Picasso himself has said as an abiding celebration of life itself." Very good in wraps. New York: Avant Garde, 1969. paperback
Best.-Nr. VLE-698P., Albin-Michel, 1962, in-8 carré, XXI+118pp. illustrées de 16 gravures hors-texte de Picasso. Réédition destinée aux membres du club français du livres Il a été tiré 7500 exemplaires numérotés (n°950) relié pleine toile verte avec couverture insolée
2016Best.-Nr. 179202Japan: Chunichi shinbunsha 2016. Softcover. VG. White wraps with color illustration on front cover and white lettering black lettering on white spine 179 pp profusely illustrated in bw and color. Text in Japanese. Catalog of an exhibition held at Aichiken bijutsukan January 3-March 21 2016 and Abeno Harukasu Bijutsukan April 9-July 3 2016. Includes bibliographical references pages 172-174. Chunichi shinbunsha paperback books
1974Best.-Nr. ABE-1769637408277COLECCION ARTE CONTEMPORANEO ESPANOL-TRADUCCION DEL FRANCES POR ANTONIO URRUTIA, PROFESOR DE LA SORBONA DE PARIS-312 PAGES-24 CM X 31,5 CM-RELIURE TOILEE-JAQUETTE-(E126)
1983Book is in excellent condition with no flaws, appears new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 93 pages with full page color plates throughout. Text in English with works by Luini Bernardino, Ed' Roberti Ercole, Boccaccino Camillo, Batoni Pompeo, Picasso, Viti Timoteo, Crivelli Carlo, Foppa Vincenzo, etc., three exterior photos of the gallery.
Best.-Nr. 50-0027Lombreuil France: Éditions des Nouvelles Images 1971. Distributed graphics by Dow & Frosini. Serigraph after Picasso’s 1959 linocut. 2 colors. 26 x 30 inches. 55 x 65 cm. 1 cm. and less stain along outside edge of one 4 cm. margin not affecting the image. Lombreuil, France: Éditions des Nouvelles Images, 1971. Distributed graphics by Dow & Frosini. unknown
1962Best.-Nr. 14226Editions Cercle D'Art 1962. Prints. Very Good. This 1962 linocut print by Pablo Picasso titled Piques II is part of the celebrated series of prints published by Cercle d'Art in Paris. This is plate 8 and it reflects Picasso’s playful and inventive engagement with mythological themes during his later years. The print is from Picasso Linogravures published by Editions Cercle D'Art in 1962. Margins are toned print measures 15.25x12.625" printed area measures 12.875x10.75". All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Editions Cercle D'Art unknown
1947Best.-Nr. 48620Paris.: Latitud Curenta y Uno. Le Degré Quarante et Un / 41º. 1947 / 1948. . Oblong folio. 396 x 620 mm. Etching grattoir and burin on copper by Picasso printed on a full sheet of parchment pierced at edges for printing and with central fold by Roger Lacourière Paris; sheet size: 396 x 310 mm folded 396 x 620 mm unfolded. A very rare signed proof of the cover for 'Pis'mo: Escrito por Iliazd / Grabado por Picasso' Picasso's 1948 collaboration with Iliazd.Picasso's etching with grattoir and burin is for the vellum cover of the 1948 book 'Pis'mo' also known as 'Escrito por Iliazd / Grabado por Picasso'. The text of the book is a love poem in Russian by Iliazd one of the very few he wrote after leaving Georgia inspired by his meeting with Olga Djordjadze - Picasso too met her later - in Cannes in 1946. Picasso's print includes the title in Russian correctly at the top and incorrectly and effaced beneath as well as at right the figure of a woman seen from behind and turned away from the viewer; Picasso has dated the print '3 mars 47' in the copperplate which is printed in reverse.The present proof is printed on a sheet of vellum as for the published book although slightly whiter and slightly thinner than the published version and while it does have a central fold it is unfolded at the head and foot and is pierced around the outer edge of the sheet with small pinholes as part of the printing process. Signed at lower right by Picasso the sheet is annotated by Iliazd verso above and beneath the visible platemark 'haut' and 'bas' and 'Plier à l'envers'; Iliazd appears too to have drawn a pencil frame it differs from the engraved area to the verso beneath the 'haut' and 'bas'. A different hand has annotated the foot of the blank area adjacent to the printed section: 'Picasso P. Eau-forte pour la couverture du livre d'Iliazd 'ESCRITO' 1er Epreuve d'essai sur parchemin / le livre a été tiré à 66 exemplaires'.Proofs of the cover are very rare and examples signed by Picasso rarer still. Baer suggests that several trials and proofs were taken from Picasso's plate noting the 'bon à tirer' example on 'vélin sans filigrane' Georges Bloch's copy on parchment inscribed 'tirage d'essai' by Iliazd and signed at a later date by Picasso 'environ 7 épreuves sur parchemin avec annotations d'Iliazd sur la préparation du parchemin et le séchage' as well as a final signed example sold by Sotheby's in the 1970s.'In his poem 'Rogelio Lacourière pêcheur de cuivres' published in 'Hommage à Roger Lacourière 1968 Iliazd recalls in poetic terms the genesis of the book's title etching. The story goes that Lacourière had given Picasso a plate which was too large and which had a white mark to indicate where it should later be cut. Picasso - tempted by this extra space and the unexpected freedom it gave him - etched a nude on it. Lacourière therefore refrained from cutting the plate and Iliazd noticed that the asymmetry thus created in the title etching echoed his conception of the folded pages: the 'magnaminous' painter had 'transfigured' the book.' Patrick Cramer.Baer 785Ba; Bloch 462; see Cramer 48. Latitud Curenta y Uno. (Le Degré Quarante et Un / 41º). unknown
Best.-Nr. 05-00191945. Wool tapestry after the painting. 97 x 120 cm. 38 x 47.5 inches. Picasso Project no. 45-012. 1945. unknown
Best.-Nr. 1367117Museo Nacional Centro de Arte Reina Sofía. Collectible - Very Good. Condition: Very Good; Very Good clean copy. Few light marks on back cover. Museo Nacional Centro de Arte Reina Sofía unknown
1971Best.-Nr. ABE-1720437845042LE "CANTIQUE SPIRITUEL" DE SAINT JEAN DE LA CROIX DOUZE TAPISSERIES DE MANESSIER, PAR BERNARD DORIVAL, 5 PHOTOS-REALISES A NICE PAR UN GRAND JOAILLIER LES BIJOUX DE CESAR ET D'ARMAN, 6 PAGES, 9 PHOTOS-DANS SON NOUVEAU MUSEE DE BARCELONE NAISSANCES DE PICASSO EN DIX DESSINS, 6 PAGES-A PARIS AVANT AMSTERDAM LA FONDATION VAN GOGH OEUVRES-CLES D'UNE GRANDE COLLECTION, 8 PAGES-ANTONI MIRALDA ET L'ART CANNIBALE, PAR PIERRE RESTANY, 5 PAGES, 7 PHOTOS-THEATRE: LE DOUX OISEAU DE LA JEUNESSE, DE TENNESSE WILLIAMS, PHOTO EDWIGE FEUILLERE ET BERNARD FRESSON-VIEIRA DA SILVA A LA GELERIE JEANNE BUCHER, PHOTO-PIERRE BETTANCOURT A LA GALERIE ARDITTI, PHOTO-
1945Best.-Nr. ABE-1774989894100NOEL RETROUVE, PAR JACQUES DE LACRETELLE-CHARTRES, PAR ROGER VAULTIER-LA BEAUCE, PAR ROGER VAULTIER, GRAVURES DE SOULAS-LA COULEUR, EN CHANTANT., 4 PAGES PAR GASTON POULAIN, 5 ILLUSTRATIONS COULEURS CONTRECOLLEES (ANDRE MARCHAND-HENRI MATISSE-PABLO PICASSO-GEORGES BRAQUE-JACQUES VILLON)-LA VIERGE ET L'ENFANT DE BOURDELLE A LAMBERT-RUCKI-UN ALBUM POUR NOEL, SANTONS DE CHEVALLIER, PHOTOGRAPHIES DE LAURE ALBIN-GUILLOT-HABITAT COLONIAL, PAR JEAN ALAURENT, COMPOSITIONS DE PAUL COLIN, MAQUETTES DE MME MATISSE ET DE JC BERRIAT-UN APPARTEMENT-TROIS BUREAUX, JALLOT-LE MOULIN DE RHUS-LE MOULIN DE LA MENILLE-FANTASIA, UN NOUVEAU FILM DE WALT DISNEY, 2 PAGES, 6 DESSINS COULEURS-THEATRE: CHARLOTTE ET MAXIMILIEN-4 DE COUVERTURE ABSENTE
2015Best.-Nr. ABE-1776510749953162 PAGES-21 CM X 25,5 CM-(E426)
Best.-Nr. 76998Dielsdorf Matthieu AG ca. 1970. 675 x 47 cm Tadellos A. 010 Dielsdorf, Matthieu AG, ca. 1970 unknown
Best.-Nr. 76996Paris Mourlot . 655 x 50 cm Tadellos A. Czwiklitzer No. 394. Farblithographie nach einer Zeichnung «Homme et Femme». von Picasso. 010 Paris, Mourlot, unknown
1981Best.-Nr. 14363DBMünchen., Deutscher Taschenbuch Verlag., 1981. 19 x 12,5 cm. 613 S. Illustrierter OKarton., 14363D Erste Ausgabe. Gutes bis sehr gutes Exemplar. dtv Kunst: 2875.
Best.-Nr. 1066791968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in. 105 Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
Best.-Nr. 1066811968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in. Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
Best.-Nr. 1066771968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in. Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
1970Best.-Nr. 889T27London: Calder and Boyars 1970. First edition. Cloth. Near Fine/Very Good Indeed. 8.5" by 5.5". Pablo Picasso. The first English translation of this play from painter and artist Pablo Picasso. First thus. Illustrated throughout. Originally written in French this work is the second of two full-length plays written by Picasso. Due to its stream of consciousness style many critics believe the piece was never intended to be performed only read. Written and illustrated by Pablo Ruiz Picasso a Spanish painter sculptor printmaker ceramicist and theatre designer who is considered one of the most influential artists of the 20th century and is known for co-founding the Cubist movement. Translated by Sir Roland Algernon Penrose an English artist historian and poet who was a major promoter and collector of modern art and an associate of the surrealists in the United Kingdom. In the original black cloth binding. Externally very smart with light shelf wear only. Original unclipped dust wrapper is also smart with light shelf wear and the odd small mark. Internally firmly bound. Pages are very bright and clean with the odd small spot. Near Fine Calder and Boyars hardcover
1970Best.-Nr. 177615London: Calder and Boyars 1970. 1st Edition in this form. Hardback. Fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 63 pages; Physical desc.: 63 p. 22 cm. Subjects: Drama -- Plays. Notes: Translated edition by Sir Roland Penrose published originally in 1945. London: Calder and Boyars hardcover
