Picasso, PabloLivre Rare Book
DAIX (Pierre)Livre Rare Book
TOUT MON TEMPS : révisions de ma mémoire.
2001Best.-Nr. SPN-115Paris : Fayard, 2001. Broché 23,5x15cm, 525 pages, index. [BE]
Librairie Bois d'Encre · Moulins la Marche, Frankreich9,00 €
5.518 Ergebnisse
Best.-Nr. W5943JLWRELIE BON ETAT . JAQUETTE ABIMEE . NOM HAUT PAGE DE GARDE . INTERIEUR TRES PROPRE . Tout l'oeuvre peint de Picasso PERIODES BLEUE ET ROSE.
2001Best.-Nr. SPN-115Paris : Fayard, 2001. Broché 23,5x15cm, 525 pages, index. [BE]
1996Best.-Nr. 57513San Francisco: Alan Wofsy Fine Arts 1996. First US edition. 4to. xxii 225 pp. Fine in very near fine dust jacket. A volume in the “Paintings Watercolors Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973.” San Francisco: Alan Wofsy Fine Arts, unknown
1996Best.-Nr. 57513San Francisco: Alan Wofsy Fine Arts 1996. First US edition. 4to. xxii 225 pp. Fine in very near fine dust jacket. A volume in the “Paintings Watercolors Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973.” San Francisco: Alan Wofsy Fine Arts, unknown books
1980Best.-Nr. 337266Frankfurt am Main / Bern, Peter Lang 1980. 385 S. 8°. Original-kartoniert, Einband stark staubfleckig, handschriftliche Widmung auf Vorsatz, innen gut.
1927Best.-Nr. 20257Paris: Shakespeare and Co. Near Fine. 1927. First Edition. Softcover. 7 1/2"; 164 pages . Shakespeare and Co. paperback
1928Best.-Nr. 149110Paris: Transition 1928. The summer 1928 issue of Transition number 13 containing James Joyce's ongoing piece “Continuation of a Work in Progress." Octavo original pictorial wrappers with the cover portrait by Picasso illustrated with black and white photographs throughout including Berenice Abbott's famed portrait of James Joyce. “Continuation of a Work in Progress" is an excerpt of Joyce's experimental novel that would later be published as Finnegans Wake 1939. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. In very good condition with loss to the spine. Cover by Pablo Picasso. Transition was a Paris-based modernist literary journal founded in 1927 by Eugene Jolas that became one of the most influential platforms for experimental writing in the interwar period. Dedicated to challenging traditional literary forms the magazine published work by leading figures such as James Joyce Gertrude Stein Samuel Beckett and Hart Crane often showcasing texts that pushed the boundaries of language and narrative. Its pages were especially important for serializing excerpts of Joyce’s Work in Progress later Finnegans Wake thereby introducing avant-garde readers to his evolving style. Transition unknown
Best.-Nr. 21199Edition Revue Cenpa n° 4 de 1953. In-4 broché sous magnifique couverture spécialement réalisée par Léger. Revue éditée par la Société centrale des Usines à Papiers & Papeteries J.B. Weibel réunies. Texte inédit de 3 pages avec superbe dessin inédit pleine page de Jean Cocteau.67 pp. Luxueuse revue publiée sous la direction de R.Nathan et J.Carlu, par les établissements CENPA (emballages papier) et dont les quelques numéros parurent entre 1952 et 1954. Couverture originale en couleurs de F.Léger. Pouvoirs de l'imprimerie, Esprit de la lettre, l'aventure de l'alfa, loisirs photographiques, par Jean Cocteau, Jean Loisey, Marcel Zahar. Hors-texte de J.Cocteau, Dufy, Toulouse-Lautrec et nombreuses reproductions d'emballages. Illustrations de Raoul Dufy, Picasso, Fernand Léger. Textes inédits de Roger Nathan, Jean Riverain, Jean Loisey, André Lejard, François Gerhardt, Marcel Zahar, Félix Daumas, Albert Hyne, Jean Carlu,etc. Photo de Brassaï.
Best.-Nr. Juanpebooks098425WE ship worldwide. Brand new 100%guarentee unknown
1994Best.-Nr. Q-1558598367Abbeville Pr 1994-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Abbeville Pr paperback
1986Best.-Nr. 66949Foundation. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 196 pp. With 143 ills. 85 col. and 109 reference ills. 29 x 24 cm. -- with a bonus offer-- . 1986. Foundation hardcover
1960Best.-Nr. 39516Palma de Mallorca: Las Ediciones de Papeles de Son Armadans 1960. Picasso. FIRST EDITION OF THIS PART OF TROZO DE PIEL PICASSO'S MOST IMPORTANT LITERARY WORK AND HIS ONLY SIGNIFICANT WORK IN SPANISH. 4 blank leaves 19 pp 6 blank leaves. Printed text on the left a facsimile of Picasso´s manuscript on the right. ONE OF ONLY 88 NUMBERED COPIES PRINTED ON EXTREMELY FINE GUARRO WOVE PAPER THE ENTIRE EDITION. Large folio. Loose as issued in original wraps and parchment-backed cloth chemise. FINE AND BRIGHT WITH NO DEFECTS. EXTREMELY RARE. Las Ediciones de Papeles de Son Armadans paperback
1960Best.-Nr. 39551Marid -- Palma de Mallorca: Papeles de Son Armadans 1960. THE EXTREMELY RARE DELUXE ISSUE OF NUMBER 52 OF PAPELES DE SON ARMADANS CONTAINING THE FIRST SECTION OF PICASSO'S "TROZO DE PIEL" "Hunk of Skin" HIS VERY FIRST PUBLISHED LITERARY WORK IN SPANISH. Also includes Anthony Kerrigan's "Crónica de un viaje a Picasso" that explains the genesis of the work. 112 XVI pp. two photographic plates including one by Jacqueline Roque Picasso's wife the immediately precedes Picasso's work. ONE OF ONLY 50 NUMBERED COPIES PRINTED FOR SUBSCRIBERS ON EXtREMELY FINE MUNNE LAID PAPER this copy printed for the Marqués de Pelayo. 8vo. Original wraps. FINE AND BRIGHT. Rare and important. Papeles de Son Armadans paperback
1929Best.-Nr. 88960Paris: Documents 1929. Fine. ""Documents . was made into a laboratory a genesis a crucible a rebellion a madness in short an avant-garde."" Jean Jamin Documents Paris 1929-1930 nº 1 à 7 avril 1929 - décembre 1929 ; nº 1 à 8 janvier 1930- octobre 1930 22 x 27.50 cm 15 volumes brochés sous coffret First edition 15 issues in 15 separate instalments abundantly illustrated with black and white photographs. Complete with the special issue Hommage à Picasso #3 1930 and the index for the year 1929 published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text occasional minor foxing along the margins of certain covers Presented in a custom slipcase with a flat spine in blue morocco title stamped in palladium and spine framed in palladium decorative blue paper boards sky-blue suede doublures; a handsome ensemble signed Boichot. Complete series of this legendary and non-conformist magazine founded by Georges Bataille which gave voice to fields of art and knowledge unrecognised by official culture or considered controversial: popular literature jazz cabaret advertising everyday life Annie Pirabot along with so-called primitive art and objects. Texts by Jean Babelon Jacques Baron Georges Bataille Alejo Carpentier Arnaud Dandieu Robert Desnos Carl Einstein Roger Gilbert-Lecomte Marcel Griaule Juan Gris Eugene Jolas Marcel Jouhandeau Michel Leiris Georges Limbour Marcel Mauss Léon Pierre-Quint Jacques Prévert Raymond Queneau Zdenko Reich Paul Rivet Georges Ribemont-Dessaignes Georges-Henri Rivière André Schaeffner Roger Vitrac among others. Numerous full-page artistic contributions by Hans Arp Constantin Brancusi Giorgio De Chirico Alberto Giacometti Juan Gris Henri Laurens Fernand Léger André Masson Joan Miró Pablo Picasso Joseph Sima etc. The journals pioneering and interdisciplinary approach established it as one of the most important publications of the century: a dissident voice against the doctrinaire surrealism of André Breton Documents was conceived as a war machine against received ideas in Batailles own words and gathered an eclectic array of contributorsacademics ex-Dadaist and Surrealist painters and poets philosophers. It remains renowned for its striking juxtapositions: Rather than assemble documents from separate fields rather than uphold the usual subordination of image to text the journal gives photography drawing and image the privilege of being the most primal substance or the most original trace of human expression Georges Sebbag. Ethnography Documents is remembered above all for Batailles radical ethnographic stance focused on the material and detached from aesthetic criteria and the usual fascination with exoticism. These groundbreaking views foreshadow the Collège de sociologie that Bataille would later found with Michel Leiris Roger Caillois and Jules Moncrot. They are also reflected in the journal through numerous photographs of masks stones and other non-Western artistic creations Siberian Chinese. set alongside modern artworks including drawings by Klee and paintings by Picasso. Bataille also collaborated with the notorious Hans Bellmer who would go on to illustrate the famous second edition of Histoire de lil to create a terrifying portrait of the Hindu goddess of destruction Kali. photography The journal places particular emphasis on photography. Among its most celebrated contributions are the close-up photographs of toes by Jacques-André Boiffard accompanying Batailles essay on the foot in issue no. 6: The point of this article lies in an insistence on directly and explicitly challenging what seduces without relying on poetic contrivances which ultimately amount to little more than diversion Bataille concludes. His fascination with the abnormal and the destructive is also evident in Boiffards fetishistic and sadomasochistic photograph of a woman wearing a Documents hardcover
1986Catalogue de l'exposition présentée en 1986 à la Fondation de l'Hermitage, à Lausanne, retraçant "de 1890 à nos jours les principales étapes de l'aventure créatrice des artistes [peintres et sculpteurs] nés à Barcelone ou ayant des liens étroits avec cette ville" (Francois DAULTE): 120 n°s avec vignettes en noir, notices et commentaires, précédés de 107 reproductions à pleine page (en couleurs sauf certaines sculptures), en 3 parties chronologiques: "L'aube du XXè siècle" (peintures et dessins de Ramon Casas, Ricardo Canals, Pablo Picasso, Isidre Nonell, Pablo Gargallo, Julio Gonzalez; sculptures de Pablo Gargallo); "Le temps de l'Avant-garde" (peintures et dessins de Pablo Picasso, Salvador Dali, Julio Gonzalez, Enric Cristofor Ricart, Joan Miro; sculptures de Pablo Gargallo, Manuel Hugué dit Manolo, Julio Gonzalez, Joan Miro); "Les Trois grands de l'après-guerre" (peintures de Salvador Dali, Pablo Picasso, Joan Miro, et sculptures de Joan Miro); suivi d'extraits de "La Vie secrète de Salvador Dali": 33 de ses dessins, en noir, aux légendes adaptées par Michel Déon; précédé de textes de Francois DAULTE et de Cesareo RODRIGUEZ-AGUILERA sur la "modernité" catalane et ses principaux représentants; notices biographiques des artistes. Exemplaire bien complet de ses jaquette et étui. Français
1994Best.-Nr. PEINTUREEEEE44401224Paris, Flammarion, 1994, 22 x 27, 304 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée du Jeu de Paume du 27 septembre au 4 décembre 1994.
2003Best.-Nr. ART6106MBroché, 205 pages, paru le 10 avril 2003 chez Musée Matisse, livre en très bon état général.
1960Best.-Nr. 127097Bern Klipstein & Kornfeld 1960 1 vol. broché in-4, broché, couverture illustrée par Matisse en couleurs, 59 pp., nombreuses reproductions. Premier tirage de catalogue d'exposition recensant l'oeuvre éditée par Tériade : la revue Verve (n°1-36, vol. I-IX, 1937-1958), les séries de luxe (Grandes Heures de Rohan, Heures d'Étienne Chevalier...), les albums photographiques de Cartier-Bresson et les livres illustrés de Chagall, Le Corbusier, Giacometti, Laurens, Léger, Matisse, Picasso... On joint le carton d'invitation au vernissage (6 février 1960) imprimé sur papier rose. En très bonne condition.
1960Best.-Nr. 127097Bern Klipstein & Kornfeld 1960 1 vol. broché in-4, broché, couverture illustrée par Matisse en couleurs, 59 pp., nombreuses reproductions. Premier tirage de catalogue d'exposition recensant l'oeuvre éditée par Tériade : la revue Verve (n°1-36, vol. I-IX, 1937-1958), les séries de luxe (Grandes Heures de Rohan, Heures d'Étienne Chevalier...), les albums photographiques de Cartier-Bresson et les livres illustrés de Chagall, Le Corbusier, Giacometti, Laurens, Léger, Matisse, Picasso... On joint le carton d'invitation au vernissage (6 février 1960) imprimé sur papier rose. En très bonne condition.
Best.-Nr. 1120451925. . Lithograph 1925 on Japanese Imperial paper signed lower right an artist's proof gifted directly to Genevieve Laporte from Picasso's private collection aside from the edition of one hundred printed by Engelmann Paris published by D.H. Kahnweiler Galerie Simon Paris image: 12.7 x 11.8 cm. 5 x 4.6 in. sheet: 28 x 22.5 cm. 11 x 8.9 in. This work is a unique proof gifted to Geneviève Laporte 1926-2012 Picasso's lover during the 1950s. In 1951 Picasso and Laporte began an affair which lasted for two years and during which time the artist presented her with a number of his works. A poet and writer herself Laporte published her book 'Sunshine at Midnight: Memories of Picasso and Cocteau' in 1973. While Pablo Picasso never claimed to be a Surrealist his earlier Cubist works certainly laid the groundwork for such a movement to exist. By the time André Breton's 'Surrealist Manifesto' was published in 1924 Picasso was creating art with a similar surrealist style. The present work demonstrates Picasso's ceaseless desire to present an alternative to realism. The artist challenges our perception of portraiture and reality by capturing the woman's face in a simultaneous profile and frontal-facing perspective. As the viewer our eyes delight in the challenge to understand this surreal vision of a multifaceted woman made up of elegant curving intersecting lines. Bloch 73; Baer 240; Mourlot XX; Cramer Books 14 1925. unknown
Best.-Nr. 51-1217Paris: D. Lambusier 1945. 4to one of 50 hors commerce copies on papier de lana from a total edition of 1070 copies printed for Georges Bloch frontispiece by Daragnès etching by Picasso 3 of 4 plates by Touchagues and 4 by Dignimont illustrations with a duplicate of the final quire loose as issued in original printed wrapper slipcase lacking one plate one leaf slightly creased backstrip slightly creased at head and foot. Bloch. 372; Baer 799.III.c.; Cramer 41From the collection of the late Picasso collector Stanley Seeger. Paris: D. Lambusier, [1945] unknown
Best.-Nr. 17950Giraudon, photographie, Paris, s.d. (années 20), 1 photographie originale de 21 x 28 cm, petite coupure dans la marge d'un coin bas, texte manuscrit dans un cartouche imprimé au dos.
2006Best.-Nr. BN531120Benteli Wabern/Bern 2006. 2006. Ulrich Mack - Françoise Gilot ein photographisches Porträt : anlässlich der Ausstellung Françoise Gilot und Ulrich Mack: ZusammenTreffen ; 4. März bis 11. Juni 2006 Graphikmuseum Pablo Picasso Münster 29. Juli bis 3. September 2006 Kunstverein Ludwigsburg Herbst 2006 Kunstsammlungen Chemnitz. Photogr. von Ulrich Mack. Mit einer Einf. von Erika Billeter. Mit Texten von Françoise Gilot Paloma Picasso und Claude Ruiz-Picasso Ulrich Mack - Françoise Gilot ein photographisches Porträt : anlässlich der Ausstellung Françoise Gilot und Ulrich Mack: ZusammenTreffen ; 4. März bis 11. Juni 2006 Graphikmuseum Pablo Picasso Münster 29. Juli bis 3. September 2006 Kunstverein Ludwigsburg Herbst 2006 Kunstsammlungen Chemnitz. Photogr. von Ulrich Mack. Mit einer Einf. von Erika Billeter. Mit Texten von Françoise Gilot Paloma Picasso und Claude Ruiz-Picasso Gilot Françoise Paloma Picasso und Claude Mitwirkender Mack Ulrich Illustrator Ruiz-Picasso Benteli, Wabern/Bern unknown
1996Best.-Nr. 99444Paris Didier Imbert 1996 1 vol. broché in-4, broché, couv. illustrée, non paginé, 42 reproductions à pleine page en noir et en couleurs. Textes bilingues français-anglais. Très bon état.
1996Best.-Nr. 99444Paris Didier Imbert 1996 1 vol. broché in-4, broché, couv. illustrée, non paginé, 42 reproductions à pleine page en noir et en couleurs. Textes bilingues français-anglais. Très bon état.
