ref. 68-2409New York NY: Perls Galleries 1951. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1951. paperback
ref. 68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
ref. 68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
ref. 68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
ref. 68-2410New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
1989ref. ARIePARI71New York: Harry N. Abrams Inc. 1989. 1989. 4to. pp. 480. 1840 illus. 41 colour. biblio. cloth. dw. First American Edition of the English Translation. F. Hardcover. New York: Harry N. Abrams, Inc., [1989]. Hardcover
1985ref. ARIePARI74New York: Harry N. Abrams Inc. 1985. 1985. 4to. pp. 315. 871 illus. 58 colour. biblio. cloth. dw. First American Edition of the English Translation. F. Hardcover. New York: Harry N. Abrams, Inc., [1985]. Hardcover
1995ref. 56467San Francisco CA: AW Fine Arts. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 17 volumes published 1995 - 2004 covering the years 1916-1973 have been published. 5 new volumes are in preparation. Approximately 5500 pp. with 21000 illustrations. Includes many works unknown to Zervos. Titles in French and English. Chronology and concordances to Zervos. Two of the volumes catalogue the printed graphic work and are revisions of the Bloch catalogues II & IV. -- with a bonus offer-- . 1995. AW Fine Arts hardcover
2021ref. __3775748059Hatje Cantz Verlag Gmbh & Co Kg 2021. Hardcover. New. 01 edition. 224 pages. 10.75x9.00x1.00 inches. Hatje Cantz Verlag Gmbh & Co Kg hardcover
1989ref. 3788BBParis Musees et Monuments de France 1989. 4° 128 S.: Zahrl. Abb. OLwd. m. O.Umschl. sehr gut. Zust. Sprache: Englisch
1999Excellent condition: very light shelf wear to covers only, straight spine, sharp corners to covers, no marking to text/interior of any kind. 272 pages.
1998ref. 45456London : Thames & Hudson Ltd, 1998. 272 Seiten ; Ill. ; Sprache: Englisch Pp.
2012ref. 097954The Picasso Project: The Graphic Work. Vol 5: The Complete Linoleum Cuts 1939-1968. 2012. Hardback.
2012ref. 097954The Picasso Project: The Graphic Work. Vol 5: The Complete Linoleum Cuts 1939-1968. 2012. Hardback.
2013AA.VV. The Picassos Are Here ! A retrospective from Basel Collections. Svizzera, Hatje Cantz Verlag 2013 english, 205 BTT144Brossura editoriale,in lingua inglese, catalogo della mostra tenuta a Basilea nel 2013, volume in buone condizioni, illustrato a colori e in bianco e nero, segni di usura sulla copertina, interno in ottimo stato, legatura salda205 pagine circacopertina come da foto
4°, mz. tela edit., soprac. ill. (mende marginali alla soprac., interno ben conservato), pp. 176 con molte illustrazioni fotografiche su tavv. n.t.
1964ref. 03673THE PROPERTY OF A LADY in Playboy for January 1964 first edition near fine in full color pictorial wraps. A James Bond tale. Also contains contributions by: James Baldust-wrapper in P.G. Wodehouse Ernest Hemingway Lenny Bruce Pablo Picasso Bertrand Russell Budd Schulberg Philip Roth Vladimir Nabokov various ladies et.al. Playboy paperback books
ref. 154New York: Museum of Modern Art 1967. . Large 4to gray paper-covered boards cloth spine; dust jacket with a few closed tears New York: Museum of Modern Art, 1967. hardcover
2005ref. 30814New York: Assouline 2005. Fine copy in printed wrappers housed in portfolio boards. Illustrated slipcase with minor scuffing; near fine. First Edition. Folio. Survey of Picasso's sculptures represented by glorious black-and-white photographs from Brassaï. Introduced by text from Daniel-Henry Kahnweiler. New York: Assouline unknown
1952ref. 50989New York: Museum of Modern Art. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block and plates clean and tight to spine - 23 black & white illustrations including cover; frontispiece photo of Picasso's studio tipped in. -- with a bonus offer-- . 1952. Museum of Modern Art paperback
1952ref. 22291The Museum of Modern Art. Good. Paperback. Paperback cover is modestly soiled lightly scuffed but cover is in good condition. Binding is tight. Pages are lightly toned and in very good condition. B&W photographic frontispiece many B&W illustrations. . 1952. The Museum of Modern Art paperback
1967ref. 21443New York: The Museum of Modern Art 1967. Brossura wrappers. Molto buono Very Good. Chronology by Alicia Legg. Related works - Bibliography - Catalogue of the exhibition. With 284 reproductions in black and white. Con 284 riproduzioni in nero delle opere ed una tavola a colori in antiporta. Cronologia di Alicia Legg. Bibliografia - Catalogo della mostra. 4to. pp. 232. Molto buono Very Good. Prima edizione First Edition. The Museum of Modern Art, unknown
2003ref. 333900New York: Gagosian 2003. paperback. fine/fine. Picasso. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. 4to stiff card pictorial binding sewn Japanese style with matching dust wrapper; unpaginated. New York: Gagosian Gallery 2003. Fine. Exhibition catalog. Gagosian unknown
2003ref. 411167New York: Gagosian Gallery 2003. First edition. Generally a clean copy. 11.5 x 8.5 inches. 145 pages. Profusely illustrated in color. Original wrappers; pictorial dust jacket. Gagosian Gallery unknown
2003ref. 84056NY: Gagosian Gallery 2003. First edition. 4to. 142 pp. Tiny bump to base of spine else fine in illustrated wrappers. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. Profusely illustrated. NY: Gagosian Gallery unknown
