Ramon Reventos; Pablo PicassoBiblio.com
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1947Best.-Nr. 1909200005Paris- Barcelona Editorial Albor 1947. First Edition. Hardcover. Very Good. Fine printing of Picasso Limited edition no. 104 of 250. Four dry point plates by Picasso with tissue guards. Title engraved in upper cover in red. 28 leaves. Folio 34 cm. Loose as issued. Housed in original wooden boards with cloth ties. Title-page half-titles l 10b initials etc. reproduced from Picasso's lettering. Mornand: Vingt artistes du livre 306. Cramer Picasso livres illustres 44; Bloch 468 471. Catalan. Ramon Reventos was a Catalan writer and with his brother Conti long-time friend of Picasso who wrote one of the first articles published on Picasso's work. When Reventos passed away in 1923 his writings fell into obscurity. Many years later Picasso would write to Conti's son: "I loved your uncle so much that when it occurred to me to make him acknowledged here in Paris because this boy did not enjoy the success that he deserved it was during the war 1939-1945. I often went to the National Library on foot with all of the dangers that this entailed in order to copy these two stories and I copied them all by hand. Someday I will show you in my own handwriting" Reventos i Conti Picasso i els Reventos Barcelona 1972 p 20. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Capvespre d'un faune. Paris- Barcelona, Editorial Albor hardcover
1947Best.-Nr. 124580Paris,Barcelona Editorial Albor 1947 1 vol. broché in-4, en feuilles, sous couverture rempliée, non paginé. Édition originale de ces deux contes écrits en catalan par Ramón Reventós i Bordoy (1881-1923), ami de jeunesse de Picasso qui les a illustrés de quatre gravures au burin hors-texte et de titres et lettrines à la main (Cramer, n°44). Tirage limité à 250 exemplaires numérotés sur vergé Lana (n°21), avec le feuillet d'errata conservé. Manque l'étui-portefeuille en bois, sinon bonne condition.
1947Best.-Nr. 124580Paris,Barcelona Editorial Albor 1947 1 vol. broché in-4, en feuilles, sous couverture rempliée, non paginé. Édition originale de ces deux contes écrits en catalan par Ramón Reventós i Bordoy (1881-1923), ami de jeunesse de Picasso qui les a illustrés de quatre gravures au burin hors-texte et de titres et lettrines à la main (Cramer, n°44). Tirage limité à 250 exemplaires numérotés sur vergé Lana (n°21), avec le feuillet d'errata conservé. Manque l'étui-portefeuille en bois, sinon bonne condition.
1981Best.-Nr. 7041Sans mention d'éditeur, ni de date ( 1981 ). In-8 agrafé, carré, de 24 pages au format 26 x 26 cm. Couvertures muettes, noires. Plats et intérieur frais. Contient une courte biographie et bibliographie qui s'arrête en 1981, avec photographie en noir et parfois reproduction en facsimilé de la signature de Frank Margerin, Jean-Claude Mézières, Cathy Millet, Chantal Montellier, Jean-Michel Nicollet, Gilles Nicoulaud, René Pétillon, Loulou Picasso, Georges Pichard, Gérald Poussin, Jean-Marc Reiser, Jean-Marc Rochette. Très bel état général. Edition originale.
Best.-Nr. 2511112 June 1979. On letterhead of the Chateau de Castille 30 Argilliers T 10 Vers par Nimes. See the entries for Cooper born Arthur William Douglas Cooper and Richardson in the Oxford DNB. From the papers of the recipient Philip Dosse who was proprietor of Hansom Books publisher of a stable of seven arts magazines including Art and Artists and Books and Bookmen. See ‘Death of a Bookman’ by the novelist Sally Emerson editor of ‘Books and Bookmen’ at the time of Dosse’s suicide in Standpoint magazine October 2018. 2pp 8vo on a single leaf of air mail paper. Forty-six lines of text. Somewhat worn and creased but in fair condition overall. Signed ‘D C’ and addressed to ‘DEAR PHILIP’. After discussing a publicity photograph he writes: ‘You sound depressed. I dare not let my feelings go so far because I might never bounce back. I’m depressed because it is wet and cold whereas it should be hot hot and hotter. Am just back from a 4 day run around in Burgundy with two American friends. We saw chateaux ate excellently and drank our fill. It was full of laughter and bonhomie. That was a change.’ He reports that he will be spending two days in Venice ‘where I have to look at the Binnale and record a critical piece for the Italian TV. They pay me for the honor of giving me a 5 day holiday so why should I argue.’ He will then travel to Menton for a week as a juror at their biennale. He longs for hot weather so he can bathe: ‘It is difficult and dangerous to be southern.’ He discusses reviews he has written for ‘Art and Artists’. He has been in touch with the theatre historian Richard Buckle ‘about the Theatre Museum’: ‘But why oh why oh why MUST it take 79 years in England to get started something that in any other country would take 79 days That’s the inertia that I have deliberately left behind.’ Dosse’s ‘political forecasts are of the utmost pessimism. . The trouble in Ulster is much more bound up with the parrot-cry of King and Country than with religious differences. Which is why Mr William Hamilton is my hero and which is why I have no hesitation in saying that the monarchy must be dethroned.’ He feels that William Whitelaw just appointed Home Secretary in Thatcher’s first government ‘can only fail’ and that ‘Ulster is the Rhodesia of the north. They should give Ulster one week’s notice that the British are going to take ship and disappear for ever cutting off all finance soldiers etc. And they should go leaving a vacuum to be filled by Dublin. If only the IRA would put bombs in Buckingham and Windsor we would all be better off for there would be immediately a republican rising. And I might play J of Arc.’ In the final paragraph he describes Lord Goodman as ‘VERY ugly. He may change his ill-fitting clothes and appear under different names but the play’s always a bad one and his acting as ham as can be. His only truth is as a canny jewish family solicitor. I find it fascinating that the man who prevented the Prime Minister’s divorce on the day he took office should be rewarded with the kingdom of culture and the secret diplomacy. What world are we in’ 12 June [1979]. On letterhead of the Chateau de Castille, 30 Argilliers, T 10 Vers (par Nimes). hardcover
Best.-Nr. 02-0273Paris 1961. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Two colors. 9 x 12. Paris, 1961. Distributed graphics by Dow & Frosini. unknown
1988Best.-Nr. 012183London Christie's 1988 In-4 Broché, couverture illustrée
1988Best.-Nr. 337343Zurich: Thomas Ammann 1988. paperback. very good. Picasso. 32 color illustrations. Thin 4to 10 x 12 inches stiff gray paper wrappers with large pictorial label spine sunned and a bit rubbed at edges. Introduction in German & English. Zurich: Thomas Ammann Fine Art. June -September 1988. Exhibition catalog. Very good. Thomas Ammann unknown
1988Best.-Nr. 337343Zurich: Thomas Ammann 1988. paperback. very good. Picasso. 32 color illustrations. Thin 4to 10 x 12 inches stiff gray paper wrappers with large pictorial label spine sunned and a bit rubbed at edges. Introduction in German & English. Zurich: Thomas Ammann Fine Art. June -September 1988. Exhibition catalog. Very good. Thomas Ammann unknown books
1912Best.-Nr. 007034Paris Collection " Tous les arts ", Eugène Figuière et Cie 1912 In-4 Broché, couverture jaune Edition originale
1912Best.-Nr. 20560Paris, Eugènes Figuière et Cie, 1912. In-8, relié en demi-basane bordeaux à coins, dos à nerfs muet, couvertures conservées.
2003Best.-Nr. 99660Monaco Editions du Rocher, coll. "Grand-maman... Raconte !" 2003 2 vol. broché 2 vol. in-8, brochés, couv. illustrées, 134 et 214 pp. Réunion des deux tomes. Très bon état.
2003Best.-Nr. 99660Monaco Editions du Rocher, coll. "Grand-maman... Raconte !" 2003 2 vol. broché 2 vol. in-8, brochés, couv. illustrées, 134 et 214 pp. Réunion des deux tomes. Très bon état.
In 4°, br. edit. ill. a col., pp. 110. Testo in lingua tedesca. Numero interamente dedicato a Picasso con contributi di Mirò "Hommage a Picasso" in , Cocteau, Giacometti, Jaqueline Picasso. Nnumerose ill. b/n e col. anche a piena p.
2016Best.-Nr. 71127Paris éditions R.L.D 2016 1 17 x 21 cm illustrée 39 pp édité à l'occasion de l'exposition "Hervé di Rosa" -Foumban-Mexico-Bamoun
Best.-Nr. 15419Alain de Gourcuff - BNP, 1995. 6 volumes grands in-8 broché, couverture colorée. Accompagnés d'un feuillet de présentation, le tout sous chemise cartonnée à rabats et attaches, vignette de titre au premier plat. En très belle condition.
Best.-Nr. 25320Paris Mercure-Publicité 1945. Grand in-4 en feuilles, non paginé, au format 33 x 26 cm. Magnifique couverture illustrée d'une lithographie en couleur de Christian Bérard. Dos bien carré. Plats et intérieur frais. Textes inédits de Jean Cassou, Lise Deharme, Paul Éluard, Clara Malraux, Armand Salacrou, Jean Wiener et André Ulmann avec des illustrations tirées en lithographie par Christian Bérard, Valentine Hugo, Henri Matisse, Marie Laurencin, Touchagues, Pablo Picasso, Fougeron et Jean Effel. Etat superbe proche du parfait. Tirage unique à 2000 exemplaires numérotés sur arches ( n° 118 ). Rare édition originale publiée sous la direction de Boris Kochno, à l'occasion de trois soirées organisées par L'Union Nationale des Intellectuels.
Best.-Nr. 24650Couverture illustrée en couleurs par Christian Bérard. Paris, Union Nationale des Intellectuels, Mercure-Publicité éditeur, In-4, en feuilles, sous couverture rempliée, 24 pages.
1966Best.-Nr. 91731Plon 1966 In-12 broché 18,6 cm sur 11,3. Préface de Aragon. 268 pages. Bon état d’occasion.
Best.-Nr. 52823Gallimard "Quarto" 2021, in-8 broché, 936 p. (bel état) Recueil de l'ensemble des écrits du peintre (dont Le Désir attrapé par la queue), y compris les inédits découverts dans l'ancienne collection de Dora Maar, complétés par une importante chronologie illustrée, le tout publié sous la direction de Marie-Laure Bernadac et Christine Piot.
1989Best.-Nr. R100052436Réunion des musées nationaux / Gallimard. 1989. In-Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. XL+454 pages - nombreuses reproductions en noir et blanc et en couleurs dans et hors texte - jaquette en bon état - sous emboitage cartonné rigide noir en état d'usage.. Avec Jaquette. Sous Emboitage. . Classification Dewey : 750-La peinture et les peintres
Best.-Nr. 40947Paris, Réunion des Musées Nationaux - Gallimard, 1989. Gr. in-4°, XL-454p. Reliure pleine toile d'éditeur.
1988Best.-Nr. 213369London England: Christie's 1988. Softcover. VG. Bw illustrated wraps with red text. 79 pages. Color and bw illustrations. Auction at Christie's Great Room in London. Christie's paperback books
1992Best.-Nr. ABE-1770517665020120 PAGES-30 CM X 43,3 CM-ESSAI: LA PAGE N'EST JAMAIS TOURNEE, PAR ANDRE GLUCKSMANN-ALLEGORIE: STEPHANIE SEYMOUR, PAR RICHARD AVEDON-LITTERATURE: LES ENFANTS DU DOUTE W.H. AUDEN, PETER HANDKE ET SOPHIE SEMIN, JOSEF BRODSKY, ELIE WIESEL, ROBERT LAX-CHECK UP: LE MONDE DANS PRESQUE TOUS SES ETATS, PAR PHILIPPE GRUMBACH-VENT D'EST: EIMUNTAS NEKROSIUS GREGORY MOSHER ENCORE TREIZE ANS A VIVRE? C'EST TROP!-ALLURE: LA DAME DU BOIS DE BOULOGNE, PAR ELLEN VON UNWERTH ET PATRICK HOURCADE-RECIT: LA FILLE AUX CAILLOUX, PAR BERNARD FRANK-PHOTOGRAPHIE: PORTRAITS DE FAMILLE, PAR FRANCOIS-MARIE BANIER-BROADWAY: BERNADETTE PETERS ADAM GOPNIK LA VIE A CHAQUE SECONDE-ROUX COMBALUZIER: LES PASSAGERS VERTICAUX, PAR FRANCOIS-OLIVIER ROUSSEAU, PHOTOGRAPHIE: THIERRY BOUET-NOSTALGIE: L'HOMME NU DE LA BASTILLE, PAR MARGUERITE DURAS-POST MORTEM: LES RUSES DE L'IMMORTALITE, PAR JEAN-PAUL ENTHOVEN-MAISONS ET JARDINS: RUE DU DRAGON, PAR CHARLOTTE AILLAUD-HOMMAGE: LA REVERENCE D'UN GENIE, PAR ORSON WELLES-LOVE 1962 1992 YVES SAINT LAURENT-PUBLICITES: CHANEL, CHANTAL THOMAS,AIR FRANCE,DIOR, YAMAMOTO,CHARLES JOURDAN,GUESS, BOLLINGER, FENDI, CHAUMET, GALERIE DU PASSAGE, ISSEY D'ISSEY, KARL LAGERFELD, BEAUTE3 TRACES DE RUBAN ADHESIF EN PAGE DE GARDE AVANT (MARGES DU PORTRAIT ANDRE GLUCKSMANN)-
1998Best.-Nr. 68952Verlag Gerd Hatje. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 320 pp. With 315 ills. 110 col. . 29 x 24 cm. -- with a bonus offer-- . 1998. Verlag Gerd Hatje hardcover
