VERVE]Livre Rare Book
Musée MatisseLivre Rare Book
Tériade et les livres de peintres
2003réf. ART6106MBroché, 205 pages, paru le 10 avril 2003 chez Musée Matisse, livre en très bon état général.
Librairie du Levant · Bayonne, France20,00 €
5 518 résultats
1960réf. 127097Bern Klipstein & Kornfeld 1960 1 vol. broché in-4, broché, couverture illustrée par Matisse en couleurs, 59 pp., nombreuses reproductions. Premier tirage de catalogue d'exposition recensant l'oeuvre éditée par Tériade : la revue Verve (n°1-36, vol. I-IX, 1937-1958), les séries de luxe (Grandes Heures de Rohan, Heures d'Étienne Chevalier...), les albums photographiques de Cartier-Bresson et les livres illustrés de Chagall, Le Corbusier, Giacometti, Laurens, Léger, Matisse, Picasso... On joint le carton d'invitation au vernissage (6 février 1960) imprimé sur papier rose. En très bonne condition.
2003réf. ART6106MBroché, 205 pages, paru le 10 avril 2003 chez Musée Matisse, livre en très bon état général.
1994réf. PEINTUREEEEE44401224Paris, Flammarion, 1994, 22 x 27, 304 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée du Jeu de Paume du 27 septembre au 4 décembre 1994.
1986Catalogue de l'exposition présentée en 1986 à la Fondation de l'Hermitage, à Lausanne, retraçant "de 1890 à nos jours les principales étapes de l'aventure créatrice des artistes [peintres et sculpteurs] nés à Barcelone ou ayant des liens étroits avec cette ville" (Francois DAULTE): 120 n°s avec vignettes en noir, notices et commentaires, précédés de 107 reproductions à pleine page (en couleurs sauf certaines sculptures), en 3 parties chronologiques: "L'aube du XXè siècle" (peintures et dessins de Ramon Casas, Ricardo Canals, Pablo Picasso, Isidre Nonell, Pablo Gargallo, Julio Gonzalez; sculptures de Pablo Gargallo); "Le temps de l'Avant-garde" (peintures et dessins de Pablo Picasso, Salvador Dali, Julio Gonzalez, Enric Cristofor Ricart, Joan Miro; sculptures de Pablo Gargallo, Manuel Hugué dit Manolo, Julio Gonzalez, Joan Miro); "Les Trois grands de l'après-guerre" (peintures de Salvador Dali, Pablo Picasso, Joan Miro, et sculptures de Joan Miro); suivi d'extraits de "La Vie secrète de Salvador Dali": 33 de ses dessins, en noir, aux légendes adaptées par Michel Déon; précédé de textes de Francois DAULTE et de Cesareo RODRIGUEZ-AGUILERA sur la "modernité" catalane et ses principaux représentants; notices biographiques des artistes. Exemplaire bien complet de ses jaquette et étui. Français
1929réf. 88960Paris: Documents 1929. Fine. ""Documents . was made into a laboratory a genesis a crucible a rebellion a madness in short an avant-garde."" Jean Jamin Documents Paris 1929-1930 nº 1 à 7 avril 1929 - décembre 1929 ; nº 1 à 8 janvier 1930- octobre 1930 22 x 27.50 cm 15 volumes brochés sous coffret First edition 15 issues in 15 separate instalments abundantly illustrated with black and white photographs. Complete with the special issue Hommage à Picasso #3 1930 and the index for the year 1929 published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text occasional minor foxing along the margins of certain covers Presented in a custom slipcase with a flat spine in blue morocco title stamped in palladium and spine framed in palladium decorative blue paper boards sky-blue suede doublures; a handsome ensemble signed Boichot. Complete series of this legendary and non-conformist magazine founded by Georges Bataille which gave voice to fields of art and knowledge unrecognised by official culture or considered controversial: popular literature jazz cabaret advertising everyday life Annie Pirabot along with so-called primitive art and objects. Texts by Jean Babelon Jacques Baron Georges Bataille Alejo Carpentier Arnaud Dandieu Robert Desnos Carl Einstein Roger Gilbert-Lecomte Marcel Griaule Juan Gris Eugene Jolas Marcel Jouhandeau Michel Leiris Georges Limbour Marcel Mauss Léon Pierre-Quint Jacques Prévert Raymond Queneau Zdenko Reich Paul Rivet Georges Ribemont-Dessaignes Georges-Henri Rivière André Schaeffner Roger Vitrac among others. Numerous full-page artistic contributions by Hans Arp Constantin Brancusi Giorgio De Chirico Alberto Giacometti Juan Gris Henri Laurens Fernand Léger André Masson Joan Miró Pablo Picasso Joseph Sima etc. The journals pioneering and interdisciplinary approach established it as one of the most important publications of the century: a dissident voice against the doctrinaire surrealism of André Breton Documents was conceived as a war machine against received ideas in Batailles own words and gathered an eclectic array of contributorsacademics ex-Dadaist and Surrealist painters and poets philosophers. It remains renowned for its striking juxtapositions: Rather than assemble documents from separate fields rather than uphold the usual subordination of image to text the journal gives photography drawing and image the privilege of being the most primal substance or the most original trace of human expression Georges Sebbag. Ethnography Documents is remembered above all for Batailles radical ethnographic stance focused on the material and detached from aesthetic criteria and the usual fascination with exoticism. These groundbreaking views foreshadow the Collège de sociologie that Bataille would later found with Michel Leiris Roger Caillois and Jules Moncrot. They are also reflected in the journal through numerous photographs of masks stones and other non-Western artistic creations Siberian Chinese. set alongside modern artworks including drawings by Klee and paintings by Picasso. Bataille also collaborated with the notorious Hans Bellmer who would go on to illustrate the famous second edition of Histoire de lil to create a terrifying portrait of the Hindu goddess of destruction Kali. photography The journal places particular emphasis on photography. Among its most celebrated contributions are the close-up photographs of toes by Jacques-André Boiffard accompanying Batailles essay on the foot in issue no. 6: The point of this article lies in an insistence on directly and explicitly challenging what seduces without relying on poetic contrivances which ultimately amount to little more than diversion Bataille concludes. His fascination with the abnormal and the destructive is also evident in Boiffards fetishistic and sadomasochistic photograph of a woman wearing a Documents hardcover
1960réf. 39516Palma de Mallorca: Las Ediciones de Papeles de Son Armadans 1960. Picasso. FIRST EDITION OF THIS PART OF TROZO DE PIEL PICASSO'S MOST IMPORTANT LITERARY WORK AND HIS ONLY SIGNIFICANT WORK IN SPANISH. 4 blank leaves 19 pp 6 blank leaves. Printed text on the left a facsimile of Picasso´s manuscript on the right. ONE OF ONLY 88 NUMBERED COPIES PRINTED ON EXTREMELY FINE GUARRO WOVE PAPER THE ENTIRE EDITION. Large folio. Loose as issued in original wraps and parchment-backed cloth chemise. FINE AND BRIGHT WITH NO DEFECTS. EXTREMELY RARE. Las Ediciones de Papeles de Son Armadans paperback
1960réf. 39551Marid -- Palma de Mallorca: Papeles de Son Armadans 1960. THE EXTREMELY RARE DELUXE ISSUE OF NUMBER 52 OF PAPELES DE SON ARMADANS CONTAINING THE FIRST SECTION OF PICASSO'S "TROZO DE PIEL" "Hunk of Skin" HIS VERY FIRST PUBLISHED LITERARY WORK IN SPANISH. Also includes Anthony Kerrigan's "Crónica de un viaje a Picasso" that explains the genesis of the work. 112 XVI pp. two photographic plates including one by Jacqueline Roque Picasso's wife the immediately precedes Picasso's work. ONE OF ONLY 50 NUMBERED COPIES PRINTED FOR SUBSCRIBERS ON EXtREMELY FINE MUNNE LAID PAPER this copy printed for the Marqués de Pelayo. 8vo. Original wraps. FINE AND BRIGHT. Rare and important. Papeles de Son Armadans paperback
1986réf. 66949Foundation. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 196 pp. With 143 ills. 85 col. and 109 reference ills. 29 x 24 cm. -- with a bonus offer-- . 1986. Foundation hardcover
1994réf. Q-1558598367Abbeville Pr 1994-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Abbeville Pr paperback
réf. Juanpebooks098425WE ship worldwide. Brand new 100%guarentee unknown
réf. 21199Edition Revue Cenpa n° 4 de 1953. In-4 broché sous magnifique couverture spécialement réalisée par Léger. Revue éditée par la Société centrale des Usines à Papiers & Papeteries J.B. Weibel réunies. Texte inédit de 3 pages avec superbe dessin inédit pleine page de Jean Cocteau.67 pp. Luxueuse revue publiée sous la direction de R.Nathan et J.Carlu, par les établissements CENPA (emballages papier) et dont les quelques numéros parurent entre 1952 et 1954. Couverture originale en couleurs de F.Léger. Pouvoirs de l'imprimerie, Esprit de la lettre, l'aventure de l'alfa, loisirs photographiques, par Jean Cocteau, Jean Loisey, Marcel Zahar. Hors-texte de J.Cocteau, Dufy, Toulouse-Lautrec et nombreuses reproductions d'emballages. Illustrations de Raoul Dufy, Picasso, Fernand Léger. Textes inédits de Roger Nathan, Jean Riverain, Jean Loisey, André Lejard, François Gerhardt, Marcel Zahar, Félix Daumas, Albert Hyne, Jean Carlu,etc. Photo de Brassaï.
1927réf. 20257Paris: Shakespeare and Co. Near Fine. 1927. First Edition. Softcover. 7 1/2"; 164 pages . Shakespeare and Co. paperback
1928réf. 149110Paris: Transition 1928. The summer 1928 issue of Transition number 13 containing James Joyce's ongoing piece “Continuation of a Work in Progress." Octavo original pictorial wrappers with the cover portrait by Picasso illustrated with black and white photographs throughout including Berenice Abbott's famed portrait of James Joyce. “Continuation of a Work in Progress" is an excerpt of Joyce's experimental novel that would later be published as Finnegans Wake 1939. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. In very good condition with loss to the spine. Cover by Pablo Picasso. Transition was a Paris-based modernist literary journal founded in 1927 by Eugene Jolas that became one of the most influential platforms for experimental writing in the interwar period. Dedicated to challenging traditional literary forms the magazine published work by leading figures such as James Joyce Gertrude Stein Samuel Beckett and Hart Crane often showcasing texts that pushed the boundaries of language and narrative. Its pages were especially important for serializing excerpts of Joyce’s Work in Progress later Finnegans Wake thereby introducing avant-garde readers to his evolving style. Transition unknown
1980réf. 337266Frankfurt am Main / Bern, Peter Lang 1980. 385 S. 8°. Original-kartoniert, Einband stark staubfleckig, handschriftliche Widmung auf Vorsatz, innen gut.
1996réf. 57513San Francisco: Alan Wofsy Fine Arts 1996. First US edition. 4to. xxii 225 pp. Fine in very near fine dust jacket. A volume in the “Paintings Watercolors Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973.” San Francisco: Alan Wofsy Fine Arts, unknown books
1996réf. 57513San Francisco: Alan Wofsy Fine Arts 1996. First US edition. 4to. xxii 225 pp. Fine in very near fine dust jacket. A volume in the “Paintings Watercolors Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973.” San Francisco: Alan Wofsy Fine Arts, unknown
2001réf. SPN-115Paris : Fayard, 2001. Broché 23,5x15cm, 525 pages, index. [BE]
réf. W5943JLWRELIE BON ETAT . JAQUETTE ABIMEE . NOM HAUT PAGE DE GARDE . INTERIEUR TRES PROPRE . Tout l'oeuvre peint de Picasso PERIODES BLEUE ET ROSE.
2003réf. CCC-53857. livre en espagnol, edition ausa 2003, musee de Picasso de Barcelone du 25 nov 2003 au 11 avril 2004, magnifique livre, couverture souple, tres bon etat, photos possibles
réf. 13983078Paris: Éditions Cercle d’Art, 1962 gr. in-4 (38 x 28 cm), 31 pages de texte, 142 pages n.c. d'illustrations en lithographie - (3) pages. Reliure toile décorée de l'éd., plats frais, dos lég. poussiéreux, étui décoré avec très lég. usures, très bon état intérieur, bel exemplaire.
1980réf. 126496Köln), DuMont Schauberg (1980). * Mit zahlreichen, teils farbigen und ganzseitigen Abbildungen nach Zeichnungen von Pablo Picasso. Unpaginiert. 37,5 x 27,5 cm. Farbig illustrierter Original-Leinenband (Rücken leicht gebräunt) im illustrierten Original-Schuber (dieser gebräunt und etwas berieben). [2 Warenabbildungen]
réf. ART4270M1961, Cercle d'Art. In-folio, toilé éditeur sous étui d'origine illustré, 32pp de texte bilingue français-espagnol suivies de nombreuses planches pleine page non paginées. Étui légèrement tâché. Toilé épidermé. Intérieur frais. Ex-dono manuscrit. Charmant exemplaire du tirage courant
1993réf. 22396Cercle d’art 1993 Grand in-4 toile éditeur & étui décoré, 31 pp. & 65 planches en noir & couleurs. Comme neuf
1961réf. 67First U.S. Edition.In hard white cloth-board cover with some darkening on spine. Slipcase is missing top and bottom so it serves as a book cover/dust jacket. It is almost falling apart Pages are in excellent condition without any blemishes. 32 page essay is followed by about 100 pages of illustrations on high quality paper. Includes 16 full page color lithographs of bull fighting scenes as well as many monochromatic plates. Dimensions: 14.75 x 11" Harry N Abrams hardcover
réf. 51-5954Circa 1960s. Continuous tone reproduction of the linocut.50x40 cm 19¾x15¾". Printed signature in lower margin. Copy of Czw. 14; Rodrigio. 041. Circa 1960s unknown
