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1952ref. 22291The Museum of Modern Art. Good. Paperback. Paperback cover is modestly soiled lightly scuffed but cover is in good condition. Binding is tight. Pages are lightly toned and in very good condition. B&W photographic frontispiece many B&W illustrations. . 1952. The Museum of Modern Art paperback
2003ref. 333900New York: Gagosian 2003. paperback. fine/fine. Picasso. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. 4to stiff card pictorial binding sewn Japanese style with matching dust wrapper; unpaginated. New York: Gagosian Gallery 2003. Fine. Exhibition catalog. Gagosian unknown
2003ref. 84056NY: Gagosian Gallery 2003. First edition. 4to. 142 pp. Tiny bump to base of spine else fine in illustrated wrappers. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. Profusely illustrated. NY: Gagosian Gallery unknown
1982ref. T1903679Pace Gallery New York 1982. 1st Edition. SOFTCOVER. Extra Large 4to. in illustrated stiff card covers 72pp on thick art paper plates in colour and b/w etc __CONDITION : An extremely well preserved AS NEW copy faint sunning to spine. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Pace Gallery, New York paperback
1967ref. 197133New York: The Museum of Modern Art 1967. First Edition; First Printing. Softcover. Very Good in wraps. Rubbing along panel edges.; 4to - over 9¾" - 12" tall. The Museum of Modern Art unknown
1964ref. 03673THE PROPERTY OF A LADY in Playboy for January 1964 first edition near fine in full color pictorial wraps. A James Bond tale. Also contains contributions by: James Baldust-wrapper in P.G. Wodehouse Ernest Hemingway Lenny Bruce Pablo Picasso Bertrand Russell Budd Schulberg Philip Roth Vladimir Nabokov various ladies et.al. Playboy paperback books
4°, mz. tela edit., soprac. ill. (mende marginali alla soprac., interno ben conservato), pp. 176 con molte illustrazioni fotografiche su tavv. n.t.
2013AA.VV. The Picassos Are Here ! A retrospective from Basel Collections. Svizzera, Hatje Cantz Verlag 2013 english, 205 BTT144Brossura editoriale,in lingua inglese, catalogo della mostra tenuta a Basilea nel 2013, volume in buone condizioni, illustrato a colori e in bianco e nero, segni di usura sulla copertina, interno in ottimo stato, legatura salda205 pagine circacopertina come da foto
2012ref. 097954The Picasso Project: The Graphic Work. Vol 5: The Complete Linoleum Cuts 1939-1968. 2012. Hardback.
2012ref. 097954The Picasso Project: The Graphic Work. Vol 5: The Complete Linoleum Cuts 1939-1968. 2012. Hardback.
1998ref. 45456London : Thames & Hudson Ltd, 1998. 272 Seiten ; Ill. ; Sprache: Englisch Pp.
1999Excellent condition: very light shelf wear to covers only, straight spine, sharp corners to covers, no marking to text/interior of any kind. 272 pages.
1989ref. 3788BBParis Musees et Monuments de France 1989. 4° 128 S.: Zahrl. Abb. OLwd. m. O.Umschl. sehr gut. Zust. Sprache: Englisch
1989ref. ARIePARI71New York: Harry N. Abrams Inc. 1989. 1989. 4to. pp. 480. 1840 illus. 41 colour. biblio. cloth. dw. First American Edition of the English Translation. F. Hardcover. New York: Harry N. Abrams, Inc., [1989]. Hardcover
1985ref. ARIePARI74New York: Harry N. Abrams Inc. 1985. 1985. 4to. pp. 315. 871 illus. 58 colour. biblio. cloth. dw. First American Edition of the English Translation. F. Hardcover. New York: Harry N. Abrams, Inc., [1985]. Hardcover
1995ref. 56467San Francisco CA: AW Fine Arts. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 17 volumes published 1995 - 2004 covering the years 1916-1973 have been published. 5 new volumes are in preparation. Approximately 5500 pp. with 21000 illustrations. Includes many works unknown to Zervos. Titles in French and English. Chronology and concordances to Zervos. Two of the volumes catalogue the printed graphic work and are revisions of the Bloch catalogues II & IV. -- with a bonus offer-- . 1995. AW Fine Arts hardcover
2021ref. __3775748059Hatje Cantz Verlag Gmbh & Co Kg 2021. Hardcover. New. 01 edition. 224 pages. 10.75x9.00x1.00 inches. Hatje Cantz Verlag Gmbh & Co Kg hardcover
ref. 68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
ref. 68-2409New York NY: Perls Galleries 1951. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1951. paperback
ref. 68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
ref. 68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
ref. 68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
ref. 68-2410New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
1945ref. 511892New York: Museum of Modern Art 1945. Softcover. Very Good. Periodical. Illustrated with photographs. Octavo. 20pp. Stapled photographic wrappers. Covers are very lightly dust soiled short creased tear at the base of spine very good. Includes the articles: "Picasso 1940-1944" by Alfred H. Barr Jr.; "Picasso at Work August 1944" by John Groth; "Are Clothes Modern" by Monroe Wheeler; and "French Films During the Occupation" by Lincoln Kirstein. Museum of Modern Art unknown books
1989ref. 194921New York: Abrams 1989. Hardcover. Very Good. Still in shrinkwrap. Brown cloth boards illustrated dj. 480 pages : illustrations. Bibliographical references pages 468-470. Abrams hardcover books
