LAURENT (Jean) & SAZONOVA (Julie) - [LIFAR (Serge)].Livre Rare Book
5482 risultati
1960rif. 30300S.l., Corrêa / Buchet/Chastel, (1960). Un vol. au format pt in-4 (233 x 188 mm) de 274 pp., broché.
rif. 028770La revue musicale, Editions Richard-Massé, Paris, 1971 0 Un volume petit in-4° (267 x 197 mm), 182 pp., broché, sous couverture à rabats rempliés. Édition originale illustrée de 25 dessins hors-texte par Picasso. Un des 200 exemplaires marqués H.C. faisant partie du tirage sur vergé teinté Arjomari-Prioux. En partie non coupé. Très bel exemplaire.
1971rif. 25317Paris, Editions Richard-Masse, (1971). Un vol. au format pt in-4 (267 x 197 mm) de 182 pp., broché, sous couverture à rabats rempliés.
rif. 101Vallauris, Galerie Madoura, 7 calendriers à spirales [2001, 2002, 2003, 2005, 2006, 2007, 2008], 4 rectangulaires, 3 oblongs, 31 x 21,5 cm, numérotés, E.O. Très bel état. L'atelier de céramique Madoura fondé à Vallauris par Suzanne Douly Ramié (1905 -1974) et Georges Ramié (1901-1976) est l'éditeur exclusif des œuvres céramiques de Pablo Picasso (1881-1973).Les 7 calendriers présentent 91 photographies en couleur des céramiques de Picasso : poteries, vases, assiettes, plats et d'autres oeuvres. Chaque oeuvre est légendée avec son tirage et son année de création. Edition bilingue anglais français. Sur la couverture, les souhaits du fils des fondateurs: « Alain Ramié, avec ses meilleurs souhaits. Alain Ramié, with his best wishes. »Calendriers adressés aux clients de l'atelier et très rarement mis en vente.L’arrivée de Picasso à Vallauris dans les années 1940 a bouleversé la conception de la production de céramique en modifiant les références traditionnelles des potiers : plus de 3000 oeuvres originales de l'artiste furent produites dans cet atelier. Jean Cocteau, Victor Brauner, Marc Chagall ou encore Henri Matisse ont également travaillé dans cet atelier. Le fils de Suzanne et Georges Ramié, Alain Ramié, éditeur de ces calendriers, a fermé les portes de l'atelier Madoura en 2007.
1956rif. 40666Stgt., Stuttgarter Hausbücherei, (1956). OLwdbd. 315 SS. mit zahlr. oft farb. und ganzseit. Abb.
1943rif. 63151943 Les éditions du Chêne ,1943 , in-4 en feuilles de 16 pages vignettes controlées, 3 pages d'introduction par Robert Desnos . Parfait état comme neuf sous papier christal.
2010rif. SONG0500093547Thames & Hudson 2010-12-13. Illustrated. hardcover. Used: Good. 10.40x1.00x11.90. Buy with confidence. Excellent Customer Service & Return policy. Thames & Hudson hardcover
2010rif. 87625Thames & Hudson. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 168 pages; 261 illus. -- with a bonus offer--; Sheds new light on Picasso’s oeuvre and provides striking confirmation of his belief in art as a venue for the uninhibited expression of human desires. When Japanese ukiyo-e woodcut prints arrived in the European art world of the late nineteenth century they caused a sensation and influenced artists as diverse as van Gogh Toulouse-Lautrec and Rodin. Picasso first encountered their bold stylization and expressive flair as a young artist in Barcelona but his connection with Japanese art has been comparatively neglected by critical studies until now. Although Picasso expressed an ambivalent attitude to the Japonisme movement it has recently been discovered that he personally owned more than sixty of the highly erotic prints known as shunga. Now a selection of these rare works from his private collection has been brought together by the Museu Picasso in Barcelona and is shown here for the first time along with Picasso’s own prints and drawings. This juxtaposition reveals a series of fascinating parallels and convergences in terms of both subject matter and composition. The stylistic echoes are most visible in Picasso’s erotic drawings of the first decade of the twentieth century and in a series of witty and explicit prints made toward the end of his life which share the frank yet playful attitude to sexual relationships that shines through in the best Japanese works of this genre. Lavishly illustrated with images b y both Japanese printmakers and the Western artists who followed in their stead the book features essays by Hayakawa Monta Ricard Bru Malén Gual and Diana Widmaier Picasso. 200 color illustrations . 2010. 0500093547 . Thames & Hudson hardcover
1963rif. 194901963 Lithographie en couleurs, signée et datée dans la planche, 29.4.1963., 50 x 38.5 cm.
1963In-4 (cm. 36.50), mezza tela editoriale, sovracoperta editoriale illustrata, pp. 63, (1), con 12 figure in bianco e nero nel testo e 81 tavole fuori testo di cui 46 a colori applicate alla pagina. Bella edizione d'arte: da Rodin a Picasso, a Dubuffet, a Archipenko, ecc. Mancanze ai tagli della sovracoperta. Tracce d’uso ai tagli del cartonato. Carte leggermente ingiallite; peraltro, testo in buono stato (text in good condition).
rif. 21677Paperback. Very Good. Nice clean copy with a tight binding. Mild dust jacket shelf wear. paperback
1971rif. 47537NY: Abrams 1971. First US edition. 4to. 331 pp w/index. Fine in very near fine dust jacket with light toning to spine and extrems. 670 illustrations. NY: Abrams unknown books
1971rif. 9027997New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover books
1971rif. 8015New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover books
1971rif. 47537NY: Abrams 1971. First US edition. 4to. 331 pp w/index. Fine in very near fine dust jacket with light toning to spine and extrems. 670 illustrations. NY: Abrams unknown
2010rif. TN254800Didier London 2010. 1st Edition. SOFTCOVER. 4to in stiff glossy card covers 64pp on thick art paper colour plates etc __CONDITION : A well preserved AS NEW unmarked copy. . . . . . . . . . . . . . To see more of our books on jewellery etc type DbbGEMS in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Didier, London paperback
1971rif. 9027997New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover
1971rif. 8015New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover
1971rif. 33439New York: Harry N Abrams 1971 First Printing in gilt and black-stamped full gray cloth in illustrated white dust jacket no markings NOT ex-lib boards sharp-cornered binding tight pages bright large corner clip to front endpaper dj shows minor edge wear & toning rear panel else Fine dj in mylar protector; 4to; 351pp indexed & illus. A shipping charge beyond our default rate is REQUIRED for shipment of this heavy oversize book. First Edition. Hard Cover. Near Fine/Near Fine. Harry N Abrams hardcover
1956rif. 1708Pierre Matisse Gallery, New York, 1956. Vol. in-8 (204 x 179 mm) agrafé. LITHOGRAPHIES ORIGINALES EN COULEURS DE JOAN MIRO : la couverture et le panneau dépliant central en couleurs recto-verso ont été tirés par Mourlot Frères à Paris sur les pierres originales gravées par Joan Miró. Dix-neuf reproductions en noir dont dix pleine-page, les photographies sont de Sabine Weiss. Entretien avec Rosamond Bernier. Texte en anglais.
1964in 8°, br. edit. con sovracc. edit. (piccola mancanza e strappetto), pp. (XXX),193,(5), con alcune ill. n.t., brunito, buon es.
1964In-8°, leg. in bross. e sop.c. edit., pp. XXIX(1)-194(4). Con alcune ill. in nero fuori testo.
1973leggerissimi segni del tempo
1996rif. 130133München : Ars-Ed., 1996. 1. Auflage; 319 S., mit zahlreichen Abbildungen; 12°; Orig.-Klappen-Broschur;
in-8, 278 pages, broché, couv. Tres bel exemplaire, non coupé, complet de sa bande pub. [GAL-4]
