TARDIEU, Jean.Livre Rare Book
5 608 résultats
1958réf. 61501958 Paris : Gallimard, Nrf, 1958 In-12, 61-(2) pages. Broché, couverture imprimée. Edition originale limitée à 1700 exemplaires, celui-ci sur vélin.
réf. 48427Paris : Editions Gallimard (20,5x14,2 cm), 61 pages. Un volume broché (20,5x14,4 cm), 61 pages. Avec 12 dessins de Pablo Picasso reproduitsen hors texte. Bon état.
1957réf. 89530Cannes 1957. Fine. ""The 7th Bull races"" Cannes 13 juin 1957 21 x 27 cm 2 pages sur un feuillet Multi-coloured autograph letter from Pablo Picasso to Max Pellequer signed and dated by the author on June 13 1957. The document includes the autograph address of his villa La Californie. 2 pages on one sheet 22 lines in green blue and red pencils on a watermarked sheet. Minor folds. An exceptional account of Pablo Picasso's passion for bullfighting a recurring theme in his art since his very first works painted at the age of eight ""The Little Yellow Picador"" 1899. Pablo Picasso gives Max Pellequer and his wife details regarding a trip to Arles on July 5 6 and 7 1957 to which the artist has invited them along with a handful of friends. With undisguised enthusiasm he announces that he has booked their rooms at the ""Norpinus"" Nord-Pinus and their seats for the bullfight. Only after providing this essential information does the painter mention the opening of his exhibition at the Réatu Museum and the official dinner with Douglas Cooper the great collector and the mayor of Arles Charles Privat: ""Dinner with Cooper & the mayor"". A performance of ""Aïda at the bullring"" is also scheduled during this Arlesian getaway which ends on the 7th with an intriguing ""bull run with the presence of a black king"". In the 1950s Pablo Picasso and Jacqueline Roque are regular visitors to the Arles bullrings. At that time the painter is not discovering the city. Fascinated by Van Gogh's portraits he paints his first Arlésienne in 1912 and his last featuring Jacqueline just after writing this letter in 1958. But it is his love of bullfighting that will ultimately bind the Andalusian to the bullfighting capital of Provence. From his early Barcelona works Scène de corrida and courses de Taureaux presented to Ambroise Vollard in 1901 to the famous and omnipresent theme of the Minotaur Picasso was one of the main promoters of bullfighting in France. In the late 1950s Arles becomes the painter's mecca for his passion immortalised in 1956 by David Douglas Duncan who photographed Pablo in the Arles bullring captivated by the bullfights. This exceptional letter bears witness to the excitement of the artist who at the height of his international fame becomes for the time being a groupie happy to accommodate his friends in the legendary ""Norpinus"" hotel known for hosting toreros after their bullfights. Bullfighting also features in the other major events presented by the artist in the 22 lines of our sheet. He announces the opening of his first exhibition at the Musée Réattu which gives pride of place to the figure of the bull in Picasso's work. Among the paintings on display from July 6 to September 2 1957 38 of the artist's artworks will be exhibited for the first time. Picasso the main lender for this event will ironically be absent from the opening too busy painting portraits of Jacqueline using pigeon feathers. The author continues his letter by proposing a dinner with British collector Douglas ""Cooper"" who along with the Barcelona Museum will also be invited to contribute to the exhibition. The ""mayor"" of Arles Charles Privat is the second personality invited to this dinner. Picasso and Privat who meet for the first time in April 1957 will maintain a fruitful relationship that will conclude in 1971 with the artist's donation of 57 artworks to the Musée Réattu. In the second part of the letter Pablo Picasso adds a performance of Verdi's opera ""Aïda"" to the schedule demonstrating the artist's continued keen interest in operatic works more than 30 years after designing sets for the Ballets Russes. Finally the only possible conclusion for Picasso's letter and stay with his friends is to attend of course one final bullfight whose announcement itself seems like the title of a painting: bullfight with the presence of a black king"". We do not know which African dignitary attended the 1957 bullfight but the pain unknown
2005Mm 240x300 Volume cartonato con sovraccoperta editoriale figurata a colori, 128 pagine con 50 splendide illustrazioni a colori. Catalogo della mostra presentata a Modena, Chiesa di San Paolo, 18 dicembre 2004 - 31 gennaio 2005. Opera in condizioni pari al nuovo / As new. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1997In-8°, pp. 368, 243 illustrazioni (dipinti di Cézanne, Matisse, Munch, Chagall, Modigliani, Kandinsky, Klee, Gaugin, Arp, Dalì, Ernst, Magritte, Bacon, Burri, etc.) a colori e in b/n fuori testo, brossura editoriale figurata a colori.
1958Couverture d'Olivier Debré. Lingua del testo: francese. Editore: Editions Albin Michel, Paris; 1958. Pagine numerate: 318. Dimensioni: 17 x 22 cm circa. con numerose tavole a colori e in nero, fuori testo. Stato di conservazione: qualche leggera abrasione sui margini della sovraccoperta, qualche segno a matita e a pastello sulla sovraccoperta anteriore (si veda la fotografia), macchioline gialle sulle due pagine di guardia, qualche lieve e marginale ingiallimento (soprattutto sulle pagine frontali alle tavole) ma, nel complesso, un esemplare buono. Privo di scritte, sottolineature o altri segni nel testo. Nessuna Firma d'appartenenza o timbro. rilegatura editoriale con piatti in cartone flessibile e sovraccoperta illustrata, con alette. Numerosi gli artisti presenti nel volume: Gino Severini, Umberto Boccioni, Prampolini, James Ensor, Paul Klee, Maurice Utrillo, Amedeo Modigliani, Giorgio Morandi, Alberto Giacometti, André Lhote, Marquet, André Derain, André Masson, Mirò, Picasso, ....
AIX-EN-PROVENCE - Revue In-8, brochée - Première année N) 1 Janvier 1958 & N° 4 Autome 1958 - Couverture illustrée è- Nombreuses illustrations NB PP H - 112 pages par fascicule + - Publicité - Très propres
1950réf. N - 2023 - 74L'Age de Soleil. With one original dry point by Picasso. GODET Robert-J. Paris: Aux dépens de l'auteur 1950. One of 100 copies on Vélin du Marais with frontispiece etching "Picasso pour Roby" in black and with an ORIGINAL POINTE-SÈCHE La Torera dated in plate 29 April 1944. In the original stiff wrappers lightly tanned. Ref: Cramer n° 57. Aux dépens de l'auteur books
1950réf. 42874ABParis, Aux Dépens de l'auteur, 1950. 4°. 78 (1) S. 1 Heliogravüre in Negativdruck von Picasso. Brosch. Etw. best., stockfl. Papierbedingt gebr., S. unbeschnitten. Graphik im Rand l fl.
1950réf. N - 2023 - 74L'Age de Soleil. With one original dry point by Picasso. GODET Robert-J. Paris: Aux dépens de l'auteur 1950. One of 100 copies on Vélin du Marais with frontispiece etching "Picasso pour Roby" in black and with an ORIGINAL POINTE-SÈCHE La Torera dated in plate 29 April 1944. In the original stiff wrappers lightly tanned. Ref: Cramer n° 57. Aux dépens de l'auteur
1950réf. 79413Paris: Robert J. Godet 1950. Fine. Robert J. Godet Paris 1950 23 x 28.50 cm broché Illustrated edition as frontispiece with an engraving by Pablo Picasso on a loose leaf one of 1000 numbered copies. Covers and boards stained small tears on spine. Our copy is decorated with an original drawing dated and signed by Robert J. Godet representing a statue of a woman surmounted by a sun casting its rays upon her matching this poetic autograph inscription which accompanies it: ""bel âge en vérité / Nadine soleil couchée / Nadine soleil-chat / Petite Nadine / Soleil qui a encore peur de briller."" ""beautiful age indeed / Nadine setting sun / Nadine sun-cat / Little Nadine / Sun who is still afraid to shine."" Provenance: from the library of Nadine Nimier wife and widow of Roger Nimier. Robert J. Godet hardcover
1944réf. ABE-17728320746322 PAGES-43 CM X 60 CM-ILS NOUS ENTENDENT ILS NOUS REGARDENT., PAR MAURICE SCHUMANN-LE GENERAL DE GAULLE DECLARE A ROUEN: "SEUL, LE GOUVERNEMENT DE LA REPUBLIQUE EST RESPONSABLE DE LA SOUVERAINETE NATIONALE", PHOTO (LE GENERAL DE GAULLE DEPOSE UNE COURONNE DEVANT LA STATUE DE JEANNE D'ARC)-OFFENSIVES CONJUGUEES A L'OUEST ET A L'EST-UNE OPERATION HARDIE DES PARACHUTISTES FRANCAIS SUR LE FRONT DES VOSGES-LA FRANCE SIEGERA AU \"CONSEIL DE SECURITE\"-DESSIN DE CLAUDE GARNIER \"LES DERNIERS LECTEURS\" (CHARLES MAURRAS EN PRISON)-PAGE 2: LE VOYAGE DU GENERAL DE GAULLE EN NORMANDIE-LE DISCOURS DU CHEF DU GOUVERNEMENT-LES ASSASSINS DE GEORGES MANDEL ONT FRAPPE LEUR VICTIME PAR DERRIERE-MYSTERIEUX ATTENTAT CONTRE LE COMMISSAIRE CHARGE DE L'AFFAIRE LAFONT BONY-REMOUS AU SALON D'AUTOMNE, 80 PEINTURES ET SCULPTURES DE PICASSO
1986réf. ABE-177487563529084 PAGES-19,5 CM X 30 CM-MARGUERITE DURAS: LES CHIENS DE L'HISTOIRE, 2P-QUESTION A DOMINIQUE STRAUSS KHAN, PHOTO-ENTRETIEN AVEC THOMAS SANKARA, 13 PAGES-PIERRE SKIRA ET LES ETATS DU PASTEL, EXPOSITION PASTELS DU XIXe SIECLE MUSEE DU LOUVRE-PORTRAIT, PAR HERVE GUIBERT, ROBERT BRESSON-UNE VIE: LE BAL LEE MILLER, EXPOSITION CENTRE POMPIDOU, 6 PAGES PAR NADIA TAZI, 10 PHOTOS-LE PELE-MELE DE JEAN-JACQUES BEINEIX, 2 PAGES-LEONARDOURS NE VEUT PAS MOURIR LOIN DE PRINCE, PAR MATHIEU LINDON-LE VOYEURISME DANS L'OEIL DE MORAVIA, 5 PAGES-CONVERSATION: AFRICAN QUEENS, 5 PAGES, OUT OF AFRICA-LA SUISSE DES ANTIPODES, PAR CLAIRE DEVARRIEUX, L'AME SOEUR, FILM DE FREDI M MURER-IMPREVU: LES CRIEURS DE PRESSE, DESSIN DE TARDI-(E24)
1998réf. 011318Paris Piasa Mathias 1998 In-4 Broché, couverture illustrée
1983réf. 18630Editions Temps Futurs 1983. In-4 broché carré de 125 pages au format 28 x 24 cm. Couverture illustrée par Romain Slocombe. Dos carré muet. Plats et intérieur frais. Complet du rare rhodoïd. Ce livre d'art est fondateur du mouvement consacré au fétichisme médical, avec textes, photos, bandes dessinées et illustrations étranges où l'on voit des patientes souriantes en équilibre sur des béquilles ou allongées sur des lits d'hôpitaux, par Romain Slocombe, Loulou et Kiki Picasso, Jean-Baptise Mondino, Fred Chalmer, Didier Eberoni, Yoshy Ichimura, Kim Tchoun Kwang, Natsuko, Yoichi Nagata, Shigenari Onishi, Bernard Vidal. Très rare édition originale en superbe état général.
réf. 41668Paris, Fayard, 1976. In-4°, non paginé Reliure pleine toile d'éditeur, sous jaquette illustrée.
1945réf. 100151383LES ÉDITIONS DE LA NOUVELLE FRANCE 1945 in12. 1945. Cartonné. André Salmon poète et critique d'art évoque dans 'L'air de la Butte' ses souvenirs de la bohème montmartroise autour de 1900 une époque où Montmartre était un refuge pour de jeunes artistes talentueux mais désargentés. L'ouvrage publié en 1945 par les Éditions de la Nouvelle France est illustré par Savignac
réf. 19907Montpellier, Bibliothèque artistique et littéraire, 1980. 140 X 225 mm. broché, couverture rempliée ornée, non paginé. E.O. ornée d'un frontispice de Picasso, tirée à 222 ex. 1/170 sur vergé teinté. Exemplaire non coupé.
réf. 31993Paris, 2025 GrandPalaisRmnEditions 255 p., 156 figures couleur et N/B, broché. 16,8 x 24
réf. 3059AIX-EN-PROVENCE - Revue In-8, brochée - Première année N) 1 Janvier 1958 & N° 4 Autome 1958 - Couverture illustrée è- Nombreuses illustrations NB PP H - 112 pages par fascicule + - Publicité - Très propres
réf. QWA-5032Fayard, 1976, 110 p., in-4 cartonnage skiv., photos n. et b., traduit par Catherine Boulègue, jaquette comportant des traces d'usure au dos, livre en lui-même en très bon état
1960réf. 3968Couverture rigide. Reliure de l'éditeur. 419 pages. Dos bruni. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
1960réf. 127008Couverture rigide. Reliure de l'éditeur. 419 pages. Dos bruni. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
1960réf. 127007Couverture rigide. Reliure de l'éditeur. 419 pages. Dos bruni. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
1960réf. 131329Couverture rigide. Reliure de l'éditeur. 419 pages. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
