Picasso, Pablo; Josep Renau; Et AlBiblio.com
Zeiller, AnnemarieAntiquariat.de
Guernica und das Publikum. Picassos Bild im Widerstreit der Meinungen.
1996réf. 6095Berlin: Reimer, 1996. 300 S. Ill. , broschiert.
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1981réf. 65641Ministerio De Cultura. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Spanish. 176 pp. With 83 ills. 70 col. . 28 x 23 cm. -- with a bonus offer-- . 1981. Ministerio De Cultura paperback
1996réf. 6095Berlin: Reimer, 1996. 300 S. Ill. , broschiert.
2006Mm 140x210 Collana "Essai". Brossura originale, 188 pagine di testo in lingua francese - french text. Ottima copia, spedizione in 24 ore dalla conferma dell'ordine.
2007réf. 973513München: Siedler. 2007. Ill. 416 S. 23,5 cm. Zustand: Sehr Gut, eher ungelesen; Kleiner Schrifteintrag vor dem Titelblatt, (Innen); 1. Aufl. Gewebe (Dunkel BlauerLeinen) mit Schutzumschlag
réf. 073928New York: Harry N. Abrams Inc. Publishers 1990. Facsimile Mounted Prints in Clamshell Case. Near Fine. Very Large Folio: . Pablo Picasso. This edition which reunites for the first time the preliminary studies on paper that Picasso made for Guernica was printed on April 18 1990 by Akademische Druck-u Verlagsanstalt in Graz Austria. Limited to 1000 copies though not numbered. Forty-two color reproductions of select art from Pablo Picasso's work mounted in thirty-one carton mats all present. Housed in a large clamshell case in black with white lettering and color illustration of another facsimile of Picasso's works on paper affixed. Title is from enclosed booklet cover which contains forty-five numbered detailed studies of each piece of art along with the story of the Genesis of Guernica with artistic analysis. Booklet contains many smaller reproductive images of Picasso's works as well. Booklet is 20 pp. Artwork included is mounted as two-pieces per mount and as one piece per mount. Mounts with art measure 23.75" tall x almost 15.75" wide respectively as does the accompanying booklet. Large clamshell case measures 24.75" tall x 16.25" wide x 3" thick. CONDITION: All mounted plates are fine. Facsimile art is vivid and striking. Laid in text booklet and clamshell case are VG. Booklet shows moderate wrinkling and some leaves have split along the side of the spine fold at the foot about a third of the way up yet does not badly compromise the booklet's integrity. Case shows indentation along the front spine indicating a heavy book had once been placed on top. Light fading and some soiling on case with a 1/2 inch chip at the head of the back of the clamshell box. Even so this collection is stunning and the art pieces are magnificent. At over 18 lbs. due to this item's size and weight an additional shipping charge will apply and will be delivered with signature required. Full refund if not satisfied. EXCERPTS FROM THE BOOKLET: "Few names are as evocative as that of Guernica. The ruthless bombardment of this small Basque town a regional capital and ancient pilgrimage site became one of the blackest and bloodiest spots in the history of the twentieth century. Today it no longer represents only the massacre of a civilian population and a point of no return in the rise of Fascism: Picasso's painting gave to the name of Guernica the scope of a universal symbol that expresses the barbarism of modern warfare. After its militant exhibitions in 1937 Paris and 1939 New York its long exile and its final arrival in Madrid this 'living legend' is displayed behind bulletproof glass in the Cason del Buen Retiro of the Prado Museum. . Picasso executed forty-five sketches between May 1 and June 4 1937 some of which stand on their own as complete drawings. They included six compositional studies four studies of the horse one of the bull one of the horse and bull alone ten of heads of the horse and bull ten studies of female heads six of the woman with a dead child one of the horse and the woman with the child three heads of dead warriors a study of a man with raised arms and two studies of hands. He used a variety of mediums: pencil india ink gouache and oils; and supports: white blue and brown paper plywood and canvas. These studies are not only extraordinary drawings in their own right but they also show the different states of mind through with Picasso passed as he was working on the painting. They are like a seismograph of his thoughts and feelings and so they permit us to understand what he really wanted to paint in Guernica. A study of these sketches reveals the progress of the artist at work - his hesitations his searching the choices he made. They show the slow formation of the images the maturation of the initial idea the successive contributions the departures; in short Picasso's way of working and as such they constitute the laboratory of Guernica. Harry N. Abrams, Inc., Publishers unknown
réf. EXE-813Paris, Philippe Lebaud Editeur, 1990. In-folio, en feuilles; étui illustré de l'éditeur; bien complet du carton d'emballage. Reunion de 42 études préliminaires reproduits en fac-similé des dessins préparatoires de Pablo Picasso pour Guernica. Commentaires de Marie-Laure Bernardac Tirage à 1937 exemplaires, celui-ci le 785.
1979réf. 24518Paris: Société Française du livre 1979. 174 p. : ill. ; 28 cm.; Cloth fine in slightly worn dust jacket. Text in French. Bibliography: p. 173-174. Société Française du livre unknown
réf. 51277Société française du livre.In-4 carré toilé avec chemise illustrée.174 p.TBE.
1979réf. 24518Paris: Société Française du livre 1979. 174 p. : ill. ; 28 cm.; Cloth fine in slightly worn dust jacket. Text in French. Bibliography: p. 173-174. Société Française du livre unknown books
1947réf. 034720New York: Curt Valentin 1947. Book. Illus. by Pablo Picasso. Very Good. Hardcover. First Edition. 171pp. Tan cloth boards black titles on spine and front board. Darkening along upper edge of front board. Wear to spine ends and corners but binding tight spine straight. Interior toned at margins but clean and unmarked otherwise. Fold out in front has edgewear and is split about 2/3 of the way up along one crease but entire image is present. Numerous full and half page b&w reproductions of wors by Picasso. Expansive treatment of one of Picassos masterworks his 1937 mural commemorating horrors of the Spanish Civil War. Lacking dust jacket. Size: Small 4to. Curt Valentin Hardcover
1993réf. 2613299Madrid.: Gran Vía Gestión Artística y Editorial. 1993. Paperback. Good. 27 cm. 2 v. : principalmente il. Encuadernación en tapa blanda de editorial. Colección 'Poesía : revista ilustrada de información poética ; ' numero coleccion39-40 . Picasso Pablo 1881-1973. En la contracub. : Museo Nacional Centro de Arte Reina Sofía. Contiene : v. 1. Reproducción del cuadro Guernica a escala 1/1 dividido en 532 p. plegadas -- v. 2. Cronología y documentación. Guernica : historia de un cuadro / Josefina Alix 131 p. . Cubismo. Pintores españoles. S. XX. España. Ministerio de Cultura . Pintura. Picasso Pablo. Guernica 75 Picasso Pablo. Guernica 75 Gran Vía Gestión Artística y Editorial. paperback
1993réf. 36133Hamburg, Edit.Nautilus Verlag lutz Schulenberg, 1993. origi.Borschur,kl.8°, 94 Seiten. Kleine Bücherei für Hand und Kopf Band 37.
2003réf. 24211London Time Warner Books, 2003. 210 S. Broschiert , in englischer Sprache
1993réf. 3164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
1959réf. 34970Cambridge MA: Harvard University Press 1959. First Edition; First Printing. Hardcover. Good in a Good dust jacket. Ex-Library with the usual markings.; 4to - over 9¾" - 12" tall. Harvard University Press hardcover
réf. 19533P., Berggruen, 1963, in-12, br., couv. ill. par Picasso. 208 n° décrits et reproduits.
réf. 2113in 12 broché à l’italienne,couverture rempliée illustrée, 144 pages,347 oeuvres reproduites
1985réf. 22457BBParis. Berggruen & Cie. 1985. überw. Ill., französischspr. kart., Deckelillustr. guter Zustand.
1985réf. 57877Genève Galerie Patrick Cramer 1985 1 vol. broché in-8 étroit, broché, couverture illustrée d'un portrait d'Apollinaire gravé par Marcoussis, 20 reproductions à pleine page (Braque, Picasso, Marcoussis, Villon, Severini et Delaunay), liste des oeuvres in-fine avec vignette miniature. Textes de Sebastian Goeppert et Aldis Browne. Catalogue d'exposition de 56 numéros décrits. Très bon état.
1985réf. 57877Genève Galerie Patrick Cramer 1985 1 vol. broché in-8 étroit, broché, couverture illustrée d'un portrait d'Apollinaire gravé par Marcoussis, 20 reproductions à pleine page (Braque, Picasso, Marcoussis, Villon, Severini et Delaunay), liste des oeuvres in-fine avec vignette miniature. Textes de Sebastian Goeppert et Aldis Browne. Catalogue d'exposition de 56 numéros décrits. Très bon état.
1970réf. 21038ABMünchen 1970. 8°. 10 Bll. m. 249 beschriebenen Werken u. jedes ausgestellte Stück abgebildet a. Tafeln, OKartoniert, illustriert, gut erhalten.
réf. 18-9914Bern : Kornfeld und Klipstein 1969. 4to. Unpaged. Matte softcover glossy pages. Very Good minor creasing around corners and spine. B&W color prints throughout. From the Collection of the Art Historian Peter Selz. Bern : Kornfeld und Klipstein, 1969. paperback
1970in-8° gr., pp. 122 con numerose illustrazioni n.t. anche a colori. Bross. edit. figurata al piatto ant. Lievi abrasioni sui piatti.
réf. 18-9915Bern : Kornfeld und Klipstein 1970. 4to. Unpaged. Matte softcover glossy pages. Very Good minor creasing around corners and spine pencil marking on front cover very minor markings on back cover. B&W color prints throughout. From the Collection of the Art Historian Peter Selz. Bern : Kornfeld und Klipstein, 1970. paperback
réf. 14891Catalogue de l’exposition “Graphik Bücher und Handzeichnungen von Pablo Picasso”, à Bern, chez Kornfeld und Klipstein, le 21 juin 1973, in-4, br., 382 n° décrits, reproductions.
