5 507 résultats
réf. 25320Paris Mercure-Publicité 1945. Grand in-4 en feuilles, non paginé, au format 33 x 26 cm. Magnifique couverture illustrée d'une lithographie en couleur de Christian Bérard. Dos bien carré. Plats et intérieur frais. Textes inédits de Jean Cassou, Lise Deharme, Paul Éluard, Clara Malraux, Armand Salacrou, Jean Wiener et André Ulmann avec des illustrations tirées en lithographie par Christian Bérard, Valentine Hugo, Henri Matisse, Marie Laurencin, Touchagues, Pablo Picasso, Fougeron et Jean Effel. Etat superbe proche du parfait. Tirage unique à 2000 exemplaires numérotés sur arches ( n° 118 ). Rare édition originale publiée sous la direction de Boris Kochno, à l'occasion de trois soirées organisées par L'Union Nationale des Intellectuels.
1995réf. 15419Alain de Gourcuff - BNP, 1995. 6 volumes grands in-8 broché, couverture colorée. Accompagnés d'un feuillet de présentation, le tout sous chemise cartonnée à rabats et attaches, vignette de titre au premier plat. En très belle condition.
2016réf. 71127Paris éditions R.L.D 2016 1 17 x 21 cm illustrée 39 pp édité à l'occasion de l'exposition "Hervé di Rosa" -Foumban-Mexico-Bamoun
In 4°, br. edit. ill. a col., pp. 110. Testo in lingua tedesca. Numero interamente dedicato a Picasso con contributi di Mirò "Hommage a Picasso" in , Cocteau, Giacometti, Jaqueline Picasso. Nnumerose ill. b/n e col. anche a piena p.
2003réf. 99660Monaco Editions du Rocher, coll. "Grand-maman... Raconte !" 2003 2 vol. broché 2 vol. in-8, brochés, couv. illustrées, 134 et 214 pp. Réunion des deux tomes. Très bon état.
2003réf. 99660Monaco Editions du Rocher, coll. "Grand-maman... Raconte !" 2003 2 vol. broché 2 vol. in-8, brochés, couv. illustrées, 134 et 214 pp. Réunion des deux tomes. Très bon état.
1912réf. 20560Paris, Eugènes Figuière et Cie, 1912. In-8, relié en demi-basane bordeaux à coins, dos à nerfs muet, couvertures conservées.
1912réf. 007034Paris Collection " Tous les arts ", Eugène Figuière et Cie 1912 In-4 Broché, couverture jaune Edition originale
1988réf. 337343Zurich: Thomas Ammann 1988. paperback. very good. Picasso. 32 color illustrations. Thin 4to 10 x 12 inches stiff gray paper wrappers with large pictorial label spine sunned and a bit rubbed at edges. Introduction in German & English. Zurich: Thomas Ammann Fine Art. June -September 1988. Exhibition catalog. Very good. Thomas Ammann unknown books
1988réf. 337343Zurich: Thomas Ammann 1988. paperback. very good. Picasso. 32 color illustrations. Thin 4to 10 x 12 inches stiff gray paper wrappers with large pictorial label spine sunned and a bit rubbed at edges. Introduction in German & English. Zurich: Thomas Ammann Fine Art. June -September 1988. Exhibition catalog. Very good. Thomas Ammann unknown
1988réf. 012183London Christie's 1988 In-4 Broché, couverture illustrée
réf. 02-0273Paris 1961. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Two colors. 9 x 12. Paris, 1961. Distributed graphics by Dow & Frosini. unknown
réf. 2511112 June 1979. On letterhead of the Chateau de Castille 30 Argilliers T 10 Vers par Nimes. See the entries for Cooper born Arthur William Douglas Cooper and Richardson in the Oxford DNB. From the papers of the recipient Philip Dosse who was proprietor of Hansom Books publisher of a stable of seven arts magazines including Art and Artists and Books and Bookmen. See ‘Death of a Bookman’ by the novelist Sally Emerson editor of ‘Books and Bookmen’ at the time of Dosse’s suicide in Standpoint magazine October 2018. 2pp 8vo on a single leaf of air mail paper. Forty-six lines of text. Somewhat worn and creased but in fair condition overall. Signed ‘D C’ and addressed to ‘DEAR PHILIP’. After discussing a publicity photograph he writes: ‘You sound depressed. I dare not let my feelings go so far because I might never bounce back. I’m depressed because it is wet and cold whereas it should be hot hot and hotter. Am just back from a 4 day run around in Burgundy with two American friends. We saw chateaux ate excellently and drank our fill. It was full of laughter and bonhomie. That was a change.’ He reports that he will be spending two days in Venice ‘where I have to look at the Binnale and record a critical piece for the Italian TV. They pay me for the honor of giving me a 5 day holiday so why should I argue.’ He will then travel to Menton for a week as a juror at their biennale. He longs for hot weather so he can bathe: ‘It is difficult and dangerous to be southern.’ He discusses reviews he has written for ‘Art and Artists’. He has been in touch with the theatre historian Richard Buckle ‘about the Theatre Museum’: ‘But why oh why oh why MUST it take 79 years in England to get started something that in any other country would take 79 days That’s the inertia that I have deliberately left behind.’ Dosse’s ‘political forecasts are of the utmost pessimism. . The trouble in Ulster is much more bound up with the parrot-cry of King and Country than with religious differences. Which is why Mr William Hamilton is my hero and which is why I have no hesitation in saying that the monarchy must be dethroned.’ He feels that William Whitelaw just appointed Home Secretary in Thatcher’s first government ‘can only fail’ and that ‘Ulster is the Rhodesia of the north. They should give Ulster one week’s notice that the British are going to take ship and disappear for ever cutting off all finance soldiers etc. And they should go leaving a vacuum to be filled by Dublin. If only the IRA would put bombs in Buckingham and Windsor we would all be better off for there would be immediately a republican rising. And I might play J of Arc.’ In the final paragraph he describes Lord Goodman as ‘VERY ugly. He may change his ill-fitting clothes and appear under different names but the play’s always a bad one and his acting as ham as can be. His only truth is as a canny jewish family solicitor. I find it fascinating that the man who prevented the Prime Minister’s divorce on the day he took office should be rewarded with the kingdom of culture and the secret diplomacy. What world are we in’ 12 June [1979]. On letterhead of the Chateau de Castille, 30 Argilliers, T 10 Vers (par Nimes). hardcover
1981réf. 7041Sans mention d'éditeur, ni de date ( 1981 ). In-8 agrafé, carré, de 24 pages au format 26 x 26 cm. Couvertures muettes, noires. Plats et intérieur frais. Contient une courte biographie et bibliographie qui s'arrête en 1981, avec photographie en noir et parfois reproduction en facsimilé de la signature de Frank Margerin, Jean-Claude Mézières, Cathy Millet, Chantal Montellier, Jean-Michel Nicollet, Gilles Nicoulaud, René Pétillon, Loulou Picasso, Georges Pichard, Gérald Poussin, Jean-Marc Reiser, Jean-Marc Rochette. Très bel état général. Edition originale.
1947réf. 1909200005Paris- Barcelona Editorial Albor 1947. First Edition. Hardcover. Very Good. Fine printing of Picasso Limited edition no. 104 of 250. Four dry point plates by Picasso with tissue guards. Title engraved in upper cover in red. 28 leaves. Folio 34 cm. Loose as issued. Housed in original wooden boards with cloth ties. Title-page half-titles l 10b initials etc. reproduced from Picasso's lettering. Mornand: Vingt artistes du livre 306. Cramer Picasso livres illustres 44; Bloch 468 471. Catalan. Ramon Reventos was a Catalan writer and with his brother Conti long-time friend of Picasso who wrote one of the first articles published on Picasso's work. When Reventos passed away in 1923 his writings fell into obscurity. Many years later Picasso would write to Conti's son: "I loved your uncle so much that when it occurred to me to make him acknowledged here in Paris because this boy did not enjoy the success that he deserved it was during the war 1939-1945. I often went to the National Library on foot with all of the dangers that this entailed in order to copy these two stories and I copied them all by hand. Someday I will show you in my own handwriting" Reventos i Conti Picasso i els Reventos Barcelona 1972 p 20. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Capvespre d'un faune. Paris- Barcelona, Editorial Albor hardcover
in-8°, 358 pages, nombreuses photos en hors-texte, notes, biblio, index, broche, couv. illustree. Bel exemplaire. [NV-21][CA31-5-gdlivr] La muse de Man Ray, compagne du cineaste Louis Chavance puis de Georges Bataille, amante de Picasso ...
2000réf. 123613Berlin: Nicolai Verlag, 2000. 224 S. ; 28,5 x 22 cm ; Pp. ;
2000réf. 11697Berlin : Nicolai 2000. 224 S. : zahlr. Abbildungen. ; 29 cm gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in guten Erhaltungszustand
1978réf. 427060BBParis, Editions da la Réunion des musées nationaux, 1978. 8°, 120 S., m. zahlr. tls. farb. Abb., OKart.,
1978réf. 65290Réunion des Musées Nationaux 1978 1 vol. broché petit in-4, broché, couv. illustrée, 120 pp., 51 numéros décrits et reproduits en noir et en couleurs. Très bon état.
1978réf. 65290Réunion des Musées Nationaux 1978 1 vol. broché petit in-4, broché, couv. illustrée, 120 pp., 51 numéros décrits et reproduits en noir et en couleurs. Très bon état.
1978réf. 303121978 Paris,Réunion des Musées nationaux,1978, 20 x 21 cm, 120 pp, couverture illustrée, souple,bon état,
réf. 50-0025Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black and white on colored paper. 26 x 20 inches. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
réf. 02-0344Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black on gold paper. 26" x 20" 66 x 50.5 cm. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
réf. 02-0343Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black and white on blue paper. 26 x 20 inches. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
