5.507 Ergebnisse
1981Best.-Nr. 26348Hachette 1981 Preface de Renato Guttuso. In-4 broche, couverture illustree. 269 p. Env 140 reproductions couleurs a pleine page, nombreuses illustrations in-texte n&b. 3 articles, 1 chronologie, propos de Picasso, temoignages, bibliographie. Tres bon etat d’occasion.
1974Best.-Nr. 0262471974 Hachette Hardcover Very Good
Best.-Nr. 67706Hachette littérature 1983 livre biographie 28,5*23 269 pages
1968Wear to cover extremities with surface rubbing and slight indentations. Lower corner of front cover creased.
1937Best.-Nr. 48609Paris.: G. L. M. Guy Lévis Mano. 1937. Loose as issued poster and invitation original publisher's orange glazed paper wrappers stitched as issued with illustration by Picasso printed titles and advertisments in black to covers. Folio. 502 x 325 mm. 12mo. 184 x 138 mm. 16mo. 138 x 104 mm. Poster of cream paper glazed red / orange recto and with Picasso's illustration from 'Grand Air' and printed text in black the title above and conference details beneath the invitation a bifolium of thick cream wove paper Picasso's illustration at left with printed details of the conference at right in black the catalogue on cream wove paper leaf with definition of 'Surréalisme' from the 1924 manifesto and list of conferences recto verso with advertisement for works by Eluard leaves with quotations by Eluard regarding poetry quotations from various Surrealist-approved poets 'Signe ce que tu approuves' inserted leaves of grey paper with advertisements for publications by GLM central spread with 'Programme' and final leaf with advertisments. The very rare poster by Picasso together with the catalogue and the invitation - also with the same image by Picasso - for Paul Eluard's 1937 conference 'Avenir de la Poésie'.Paul Eluard's conference 'Avenir de la Poésie' Future of Poetry was held on October 2nd 1937 at the Comédie des Champs-Elysées 15 Avenue Montaigne the 'Salon Dada' in 1921 had been held at number 13 at 16.15 p.m. as part of the Exposition Internationale 1937. It seems surprising at least with hindsight to imagine that a Surrealist conference might occur under such an umbrella but the Surrealists were nothing if not serious and Eluard's devotion to poetry cannot be questioned or underestimated.'Avenir de la Poésie' saw Eluard as well as a number of actors close to the Surrealists Michèle Alfa Marcel Herrand who had participated at the dada evening 'Le Coeur à Barbe' in 1921 Jean Marchat Jean-Louis Barrault and Sylvain Itkine whose group 'Le Diable Ecarlate' featured extensively in the Exposition reading poems. The list of poets is comprehensive and included Petrus Borel Charles Baudelaire Gérard de Nerval Germain Nouveau the Comte de Lautréamont Isidore Ducasse Rimbaud Charles Cros Jarry Apollinaire Reverdy Breton Henri Michaux Tzara Péret René Char Eluard himself and Picasso.The poster invitation and catalogue all feature to the front cover a reproduction of the engraved collaboration between Picasso and Eluard 'Grand Air'. The very rare print 'Grand Air' was issued - a few proofs aside - only with the ten copies of the édition de tête of Eluard's verse collection 'Les Yeux Fertiles'. Eluard and Picasso had each contributed to 'Grand Air' Eluard a poem of eighteen lines and Picasso the pictorial frame: at right a nude female minotaur a mask opposite at left out of which the minotaur seems to have snatched the left eye above a rocky landscape with a reclining smoking figure with cat beneath; that the cat appears to be suckling three small black fish underlines the essential Surrealism of the whole.'Le pain est plus utile que la poésie. Mais l'amour au sens complet humain du mot l'amour-passion n'est pas plus utile que la poésie.' Paul Eluard. For the material presented here Eluard's central verse has been replaced with the title of the conference 'Avenir de la Poésie' with his retained signature beneath while the entirety of Picasso's framing is present and the image is attributed to him for the catalogue and invitation at lower left. Details of the conference are printed above and beneath for the catalogue and poster and facing the illustration on the invitation.The poster is not described by Christophe Czwiklitzer in his 1968 'Catalogue Raisonné des Affiches de Pablo Picasso'. The first 'original' poster listed an original lithograph is from 1948 while the first 'exécutées par différents procédés de reproduction' is from 1939.While the catalogue 'Avenir de la Poésie' is rare and the invitation rarer still we trace no other examples of the poster in any collection public or private. G. L. M. (Guy Lévis Mano). unknown
Best.-Nr. 45178Lyon, directeur Jacques Aubenque. Un volume 14,2x22,5cm, 120 pages. Bon état.
Best.-Nr. 427171 vol in-8 - broché - N° 14 de novembre 1942 - 116 pages
Best.-Nr. 212With the Picasso plate in two colours: a fine group with Dadaist flavour related to the first experimental "ball" of the Union of Russian Artists in Paris which included as member Mikhail Larionov Natalia Goncharova and Ilia Zdanevich Iliazd among others. The printed programme is a typographical and artistic masterpiece with participations of Juan Gris Derain Picasso and Goncharova incorporating poems by French and Russian artists such as Tristan Tzara. The typography was perhaps unsurprisingly conceived by Iliazd who also played a major role in the original idea of such 'balls' gathering an international and Parisian avant-garde. The programme of the event was eclectic featuring a Russian piece a Japanese 'village party' by Foujita and a popular song on the Venice festival many with choreography and costumes by Larionov and Goncharova. Includes the large striking ticket designed by Larionov often found on its own. Description Large 4to 33 x 26 cm and 2 sheets 50 x 13 and 22 x 27.7 cm. Programme: 12 pp. with one tipped-in illustration after Derain lithographs texts and illustrations one by Picasso coloured in pastel blue and yellow; ticket: black and orange lithograph on beige paper designed by Larionov; handbill: black lithograph on coloured paper designed by Larionov. Binding Sheets loose as issued programme in printed pictorial wrappers. Condition Very minor wear creasing or browning at extremities handbill with fold in the centre but overall in appealing fresh condition. Francois Bernouard for Union des Artistes Russes, Paris, 1923
1945In-8 gr., cart. edit., pp. 60, con 56 tavv. in b.n. e 15 a colori applic. alla pag., nel t. e f.t. Si unisce un fascicolo di pp. 45, che contiene la traduzione dell’opera, in lingua italiana. Ben conservati.
1984cm. 21, brossura con sovracoperta illustrata e copertina di velina; pp. 75, tiratura limitata
1984Gomez de la Serna, Romon Completa e vedirica istoria di Picasso e il cubismo. Palermo, Sellerio Editore 1984 italian, 75 1984. Copertina editoriale in brossura pieghevole. 75 p.; 24 cm SL10
1921Best.-Nr. Tir223Paris Comoedia 1921 In4 - broché - pagination continue ( environ 50 pages - Sommaire voir photographie - A noter l'article sur les Ballets Russes , sur les Ballets Suédois ainsi que le théatre chinois - Illustrations de Hémard , Iacovleff , Picasso , Larionow , Matisse Juan Gris .Couverture illustrée par Gerda Wegener . Bon état si ce n'est une petite tache au 1er plat .
1921Best.-Nr. Tir223Paris Comoedia 1921 In4 - broché - pagination continue ( environ 50 pages - Sommaire voir photographie - A noter l'article sur les Ballets Russes , sur les Ballets Suédois ainsi que le théatre chinois - Illustrations de Hémard , Iacovleff , Picasso , Larionow , Matisse Juan Gris .Couverture illustrée par Gerda Wegener . Bon état si ce n'est une petite tache au 1er plat .
1477In-folio (300 x 200mm). 320 carte, grande iniziale in rosso di 26 linee, interamente rubricato. Legatura in pelle di scrofa coeva tedesca su assi di legno (Heilbronn), anticamente legato al pluteo, angoli e fermagli in metallo, borchie mancanti.
1969Best.-Nr. R59882Milano, Editrice Vita e Pensiero 1969 xii + 310pp., 22cm., text in italian, in the series "Pubblicazioni dell'Universita Cattolica del S.Cuore. Saggi e Ricerche series terza. Scienze storiche" vol.2
2007Mm 260x165 Opera in 3 volumi nella loro brossura originale con cofanetto protettivo editoriale. I volume: 153 pagine; II - III volume: 690 pagine. Ricco corredo di illustrazioni in nero e a colori nel testo. Opera in ottime condizioni, il cofanetto protettivo è stato restaurato. Spedizione in 24 ore dalla conferma dell'ordine.
2000Best.-Nr. mon0003798712Museo Picasso MÔøΩlaga 7/1/2003 12:00:00 AM. paperback. Very Good. . 2-volume set hardcovers in slipcase. minor fading on the spines pages are clean. Museo Picasso MÔøΩlaga paperback
Best.-Nr. 35697Catalogue de la vente aux enchères à Paris le 20 novembre 1988 - un volume (22,3x28 cm) pleine toile sous jaquette illustrée en couleurs - 81 oeuvres reproduites en couleurs en hors texte, notices en regard - très bon état -
Best.-Nr. EXE-807Paris, s.n., 5 juillet 1924. Catalogue in-8° agrafé, couverture imprimée. Edition originale. Illustrée de 4 reproductions de tableaux. Vente d'une centaine d'oeuvres provenant de la collection de Paul Eluard. Notamment des oeuvres de Max Ernst, Pablo Picasso, Georges Braque, ou encore Giorgio de Chirico.
1958Best.-Nr. 005242Amsterdam Paul Brandt 1958 In-4 Broché, couverture illustrée Edition originale
1950Best.-Nr. 172188New York: N.p. 1950. Collection of nine vintage art photographs by Adolph Studly eight showing pieces by Picasso and Matisse and one showing the verso of a Juan Gris painting. Eight with Studly's photographer's stamp on the versos and one with a Buchholz Gallery stamp and pencil annotations on the verso. Studly was a photographer of Swiss descent who lived and worked in New York City. He is best known for his gallery and installation photographs of modern art for various New York galleries and the Museum of Modern Art. 4.5 x 4.5 inches to 5 x 7.25 inches. Near Fine overall. N.p. unknown books
Best.-Nr. 254271paperback. very good. Five Catalogs all illustrated primarily in black & white. The Catalogs are: Picasso: Oeuvres Cubistes de la Collection Marina Picasso; Picasso 15 Juillet -27 Aout 1950 Grande Salle Des Exposition de " La Reserve"; Picasso 63 Drawings 1953-54 and 10 Bronzes 1945-1953 The Marlborough Gallery; Picasso Gemalde 1950-60 Galerie Rosengart; A Selection of 55 Drawings by Pablo Picasso 1953-54 First Showing in America December 5 1955- January 23 1956 Saidenberg Gallery unknown books
1994Best.-Nr. ABE-176125135588818 JUIN-1er NOVEMBRE 1994-FONDATION PIERRE GIANADDA-MARTIGNY-SUISSE-368 PAGES-22 CM X 24 CM-(E1025)
Best.-Nr. 7797Ader/Picard/Rheims/Laurin, Paris, 1971. In-4, cartonnage éditeur, non paginé [87 pp.]. Première vacation : Mardi 25 mai 1971 : Besnard - Bonnard - Boudin - Bourdelle - Bousingault - Braque - Cassatt - Cézanne - Chagall - Degas : dessins. - monotypes [n° 43-67] - Derain - Desboutin - Dufy - ...
1929Best.-Nr. 88960Documents | Paris 1929-1930 (nº 1 à 7, avril 1929 - décembre 1929 ; nº 1 à 8, [janvier] 1930- [octobre] 1930) | 22 x 27.50 cm | 15 volumes brochés sous coffret
