5.487 Ergebnisse
2009Best.-Nr. SBBI-mon0000025048Akanthus 2009. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Akanthus paperback
Best.-Nr. 105746Paris Berggruen 1976. . Limited edition inscribed by Douglas Cooper to William McCarty one of 500 copies; oblong 4to 24.3 x 30.5 cm; inscription in blue ink to front free endpaper frontispiece 24 full-page hors-texte illustrations very light spotting to prelims some minor marginal toning otherwise unmarked internally; publisher's grey paper-backed boards front cover lettered in black stain to bottom edge of front cover board edges and spine slightly toned overall an attractive copy; 21pp text 24pp descriptive text. Limited edition of Picasso's Pour Eugenia one of 500 copies reproducing a suite of 24 drawings made by the artist in 1918. This presentation copy is not numbered but states on the colophon 'Exemplaire spécialement imprimé pour William McCarty'. Inscribed by the prominent art dealer and collector Douglas Cooper to his adopted son William McCarty 'For Billy / a Christmas surprise / at Castille / with all love Cooper's signature' dated 26 December 1976. McCarty had been adopted by Cooper four years earlier in 1972. The arrangement where the adoptee is not an orphan was not uncommon in the world of the arts. Paris, Berggruen, 1976. hardcover
Best.-Nr. ML 7/5-12Book. Fine. Soft cover. FIRST. A NEAR FINE FIRST IN WRAPS. Paperback
1965Best.-Nr. 176514Stuttgart: Verlag Gerd Hatje 1965. With two signed Picasso lithographs First edition first printing number 98 of 100 copies with a suite of 9 original lithographs printed by Mourlot Paris on BFK Rives paper and signed by the artists: 2 by Picasso and 1 each by Elie Lascaux André Beaudin André Masson Suzanne Roger Eugène de Kermadec Yves Rouvre and Sebastian Hadengue The picasso lithographs are titled Visage and Le femeur. Kahnweiler was a German-French art dealer who was a great supporter of burgeoning artists without dealers from the Montparnasse and Montmartre area. His initial purchases included works by Kees van Dongen André Derain André Masson Fernand Léger Georges Braque Juan Gris and Maurice de Vlaminck. He also represented all of the artists participating in this book. Quarto. Nine full-page lithographs including dust jacket tipped-in illustrations throughout. Original blue cloth boards lettering and design to front cover gilt. With dust jacket. Together with a blue cloth folder housing 9 original lithographs sheet sizes: 29.5 x 25 cm. All contained in publisher's cardboard slipcase. All in fine condition jacket unclipped. Bloch 1179 & 1180; Mourlot 403 & 404 Cramer 133. hardcover
2013Best.-Nr. 5822013 - broché - Edition du Musée des Beaux-Arts de Lyon - In fine - 2013 - In-4 (28 x 25 cm) broché, couverture à rabats - Ouvrage dos-à-dos - 363 pages - Très nombreuses illustrations - Préface de Sylvie RAMOND - "Célébration Picasso 1973-2013 : 50 expositions et événements pour célébrer Picasso" - ISBN : 9782382031070 - Ce catalogue accompagne les expositions "Poussin et l'amour" et "Picasso / Poussin / Bacchanales" présentées au Musée des Beaux-Arts de Lyon du 26 novembre 2022 au 5 mars 2023 - "Poussin & l'amour" sous la direction de Nicolas MILOVANOVIC, Mickaël SZANTO et Ludmila VIRASSAMYNAÏKEN - "Picasso / Poussin / Bacchanales" sous la direction de Zoé MARTY et Sylvie RAMOND
Best.-Nr. 22876À travers une sélection d’une trentaine de poèmes de Paul Eluard, illustrés de dessins de Picasso, ce coffret rend hommage à ces deux immenses artistes du xxe siècle, à leur engagement pour la paix, universelle et plus que jamais nécessaire. « Lorsque se déroule dans ma mémoire le long film de l’œuvre de Picasso, je suis toujours frappé d’admiration par l’enthousiasme, le travail, l’incessant mouvement d’un homme dont le message restera, j’en suis persuadé, “le meilleur témoignage que nous puissions donner de notre dignité”. L’enthousiasme de Picasso ne se ralentit jamais. C’est sa force et son secret. Chaque pas en avant lui découvre un nouvel horizon. Le passé ne le retient pas ; le monde s’ouvre à lui, un monde où tout est encore à faire et non à refaire… « C’est ainsi que Picasso est lié à l’histoire éternelle des hommes. Tels sont les mots magnifiques et poignants de Paul Eluard pour dire son amitié à Pablo Picasso. Une amitié qui débute en 1935, lors de leur première rencontre et qui va durer seize ans, jusqu’à la mort d’Éluard, en 1952. Une amitié de toute une vie, créatrice, qui va engendrer une véritable émulation, une fraternité, un engagement. Entre ces deux hommes, tout converge : un même goût pour la poésie, l’art, une même vision de la création artistique, un même style de vie. Dès les années 1920, Paul Eluard collectionnait déjà des œuvres de Picasso, mais c’est au milieu des années 1930 que leur amitié s’affirme. Ils se retrouvent dans les actions collectives du mouvement surréaliste, partagent une même passion pour l’art moderne et la poésie, s’engagent contre le fascisme et pour la liberté des peuples, pour la paix. Cet engagement va nourrir la poésie d’Eluard et l’art de Picasso, dans un dialogue riche et ininterrompu : l’un écrit les plus beaux poèmes pour la paix, indissociables de ses poèmes d’amour, l’autre dessine des colombes dans de multiples variations. Car dans la Bible, cet oiseau annonce à Noé la fin du Déluge en lui apportant un rameau d’olivier. Sublime emblème de la paix, la colombe représente la fin du chaos. Cet engagement pour la paix et la liberté trouvera son ultime expression en 1951, lors de la publication du recueil Le Visage de la paix. À travers une sélection d’une trentaine de poèmes de Paul Eluard, illustrés de dessins de Picasso, ce coffret, rend hommage à ces deux immenses artistes du xxe siècle, à leur engagement pour la paix, universelle et plus que jamais nécessaire. « Je connais tous les lieux où la colombe loge Et le plus naturel est la tête de l’homme. « L’homme en proie à la paix se couronne d’espoir. « L’architecture de la paix Repose sur le monde entier. Paris, 2018 Hazan 224 p., 2 volumes sous emboîtage. 19 x 24
2017Gaia Regazzoni Jaggli, a cura di Pot-Pourri. Da Picasso a Valdés - La collezione Braglia. From Picasso to Valdés - The Braglia Collection. Lugano, Fondazione Gabriele e Anna Braglia 2017 italian, 223 2017. Opera con copertina rigida. illustrazioni a colori ft e nt. N152.
1957Best.-Nr. 524235New York: Crown Publishers Inc 1957. Hardcover. Near Fine/Very Good. First edition. Edited and with an Introduction by Joseph K. Foster. Folio. 31pp.text; 24 full page color plates; printed on rectos only Illustrated in color and black-and-white reproducing posters by Pablo Picasso. Thin line of fading along bottom edge else a near fine copy with plates fresh and bright in very good price-clipped dust jacket with a few closed tears a small chip on spine and front panel and long crease on rear panel. Nicely printed reproducing Picasso's posters in his original colors. Crown Publishers, Inc hardcover books
1957Best.-Nr. 72563New York 1957. Folio. Originalbind med smussomslag. 31 s. Med 24 plansjer i farver. Crown Publishers Inc Engelsk. Smussomslaget med bruksspor. unknown
1957Best.-Nr. TA250913056GT7Crown Publishers 1957. hardcover. Good. 14x10x0. Hardback--spine tight--pages unmarked--cover has edge wear--no dust cover Crown Publishers hardcover
Best.-Nr. BAY_10_SH_030931Crown Publishers. Used - Good. 1957. Binding is tight text block is sturdy and clean boards straight no highlights or underlining. Dust wrapper shows some chipping/rubbing to edges. Some tanning to DJ and pages. Well packaged and promptly shipped from California. US veteran operated. Crown Publishers hardcover
1957Best.-Nr. 60750New York: Crown Publishers. Very Good in Very Good- dust jacket. First Edition; First Printing. Hardcover. Color Plates; B&W photos and reproductions; Folio 13" - 23" tall; 55 pages; 1957 Crown Publishers. Oversize folio 14" x 10.5" HC/DJ. 1st edition 1st printing. Snugly bound in publisher's heavy brown cloth lettered in green to spine with a Picasso sketch embossed in blind to the cover. Cream paper dust jacket lettered in red to front panel and black to spine with a Picasso drawing to the front and a full-bleed b&w photograph of Picasso with Joseph Foster to the rear panel. Clean copy; prior owner name neatly penned to the title page. Dust jacket with approximately one inch of loss at the head of the spine panel and a short open tear to the top edge of the rear panel; shelf rubbed with shallow chips nicks and short closed tears at edges. Illustrated with 24 full-page reproductions of Picasso posters. VG/VG- . Oversize book likely to require additional charges for expedited or international shipping. . 1957. Crown Publishers hardcover
1957Best.-Nr. 524235New York: Crown Publishers Inc 1957. Hardcover. Near Fine/Very Good. First edition. Edited and with an Introduction by Joseph K. Foster. Folio. 31pp.text; 24 full page color plates; printed on rectos only Illustrated in color and black-and-white reproducing posters by Pablo Picasso. Thin line of fading along bottom edge else a near fine copy with plates fresh and bright in very good price-clipped dust jacket with a few closed tears a small chip on spine and front panel and long crease on rear panel. Nicely printed reproducing Picasso's posters in his original colors. Crown Publishers, Inc hardcover
Best.-Nr. 51-0583San Francisco: Pasquale Iannetti Art Gallery 1987. Poster. 25 x 15 inches. Image of "Jacqueline au mouchoir." San Francisco: Pasquale Iannetti Art Gallery, 1987. unknown
Best.-Nr. 61357Louis Carre - Maximilien Vox Paris 1946 In-12 235pp. illustr. 8 planches hors-texte couverture cart. souple illustree. Nb-0352 unknown
Best.-Nr. 0856-Co.J. Kaltnadelradierung in Rotbraun, um 1912, auf gelblichem Velin mit Wasserzeichen. 17,6:13,9 cm, Blattmaß: 23,1:18,1 cm. Sehr schöner Abdruck nach dem berühmten Gemälde, das sich im Art Institute Chicago befindet.
1995In 8, leg. in mz. tela, sguardie colorate, pp. 400 con numerosissime ill. in n. e a col. n.t. e f.t., in inglese.Lievissime tracce d'uso alla cop., ottime condizioni.Luogo di pubblicazione New YorkEditore The Atlantic Monthly PressAnno pubblicazione 1995Materia/Argomento Arte, Pittura, Picasso
1971Best.-Nr. 115863New York: Museum of Modern Art 1971. First edition. Softcover. 96 pages. Published in conjunction an exhibition that ran May to September 1957 at Museum of Modern Art. Features text by Roland Penrose. Includes numerous color and black and white illustrations and photographs. A very good copy in wrappers with some minor wear. Internally a clean copy. Museum of Modern Art unknown books
1995Best.-Nr. 88461New York:: Atlantic Monthly Press 1995. SIGNED hardcover first edition -. Fine in red cloth-backed blue boards in a very near fine dust jacket some fading to lettering on spine and front cover but blue background is bright and unfaded. First printing. A book which "sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition." Illustrated with 48 full-page color plates other black-and-white illustrations. SIGNED on the title page and dated in the year of publication. Notes bibliography photo credits. A large quarto. xiii 400 pp. Atlantic Monthly Press, hardcover
1995Best.-Nr. TH254877Atlantic Monthly Press New York 1995. 1st Edition. HARDCOVER. This copy signed by the autho Norman Mailer on the half title leaf no other marks or inscriptions. Thick heavy 4to. in red cloth backed boards yellow lettering to spine 400pp illustrations in text plus approx. 48pp colour plates on glossy art paper bibliography etc. __CONDITION : An extremely well preserved AS NEW unread and unmarked copy in an AS NEW complete Dust Jacket. An excellent copy. __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so orders made by card will only be completed after you have approved any extra cost. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Atlantic Monthly Press, New York hardcover
1971Best.-Nr. PICASSOP000734Lund Humphries London. 1971. Second edition completely revised and enlarged from the original 1956 version. Quarto. 128 pages. 329 black and white illustrations and one in colour.Presentation copy from the author inscribed by him on the front free endpaper: ''Barbara from Roland - October 25th 1971.'' The recipient is Barbara Bagenal 1891-1984 whose address label is next to the inscription. She was an artist associated with various members of the Bloomsbury Group primarily Vanessa Bell Saxon Sydney-Turner and John Maynard Keynes. In the fifties she became the companion of Clive Bell and it was while touring France with him that she met Picasso. The Tate has a humorous photograph taken by her of Bell and Picasso together. She later noted in her journal ''P. kissed me!''.Covers slightly rubbed at head and tail of spine. Very good indeed in very good dustwrapper with a small chip at head of spine. Lund Humphries, London. unknown
1994Best.-Nr. ABE-1530455770414160 PAGES-22,5 CM X 30 CM-SHARON STONE EN COUVERTURE-LEGENDES EN ANGLAIS, ALLEMAND ET FRANCAIS-(17F)
1989Best.-Nr. 5110Sl sn 1989 in-folio en feuilles Sl, sn [Lucien Clergue], 1989 (imp. des Presses Universitaires de France). 42 x 32,5 cm (coffret), in-folio, 4 ff. n. ch (titre, fac-similé d'un texte de Cocteau de 1956, deux dessins de Cocteau reproduits en noir à pleine page, liste des planche, justification) - 15 épreuves en noir tirées sur papier Galerie mat et montées sous carton Van Gelder et signées, en feuilles sous coffret bordeaux orné au premier plat de l'empreinte d'un dessin de Jean Cocteau (coffret par Michel Dheurle).
Best.-Nr. L16608Éditions Ramsay, 1981. In-8 reliure éditeur, jaquette photo. Texte de J. Prévert, photographies d'A. Villers, légendes des photographies par M. Rachline. E.O.
1996Best.-Nr. 6641996 Couverture souple Lyon, La manufacture, 1996. In-8 broché, couverture à rabats, pliure sur sur le premier plat, quelques marques marginales au second plat. 103 pages, ouvrage illustré de nombreuses photos en noir et blanc, notamment d'artistes (Giacometti, Picasso, Artaud), marges très légèrement insolées, bon état intérieur cependant. Envoi de l'auteur ( voir photo). Bon exemplaire.