Picasso, Pablo - Natasha Staller [Herausgeber/ Editor]Antiquariat.de
5487 resultados
2001ref. 4686DBNew Haven/ London., Yale University Pres., 2001. 29 x 23 cm. 438 S. OPappband mit illustriertem OUmschlag., 4686D Erste Auflage. Umschlagkanten mit minimalen Bereibungen. Sonst sehr gutes Exemplar.
2001ref. 52045New Haven, London: Yale University Press, 2001. 438 Seiten ; zahlr. Ill. ; Sprache: Englisch Pp.
1954ref. PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
1956ref. Picasso19PICASSO Pablo 1881-1973 Autograph letter signed " Picasso " to Max Pellequer " La Californie " Cannes 21 August 1956 1 p. in-4° in colored oil pastels Watermark 'BFK RIVES.' Faint traces of pastel transfer revealing a hasty fold made by Picasso in order to enclose the sheet creasing minute loss to the lower right corner. Picasso or the Art of Correspondence A spectacular letter from the master to his friend Max executed in ten shades of oil pastel " Mon cher Max Encore des feuilles des contributions que je vous envoie. Je travaille Amitié à vous deux et bien à vous Picasso " Settled at "La Californie" in the hills above Cannes Picasso relied on the good offices of his secretary Jaume Sabartés to handle the bulk of his correspondence. Max Pellequer a close friend of the painter was nonetheless among the rare privileged few to receive letters written entirely by Picasso's own hand. Oil pastels in hand the painter deploys his nervous sweeping handwriting alternating between no fewer than ten colors—so many graphic nuances echoing and harmonizing with elegance across the surface of the sheet. A banker and discerning art collector Max Pellequer began assembling a considerable collection of modernist works in the 1920s. In 1920 he married Francine Level niece of the dealer and businessman André Level. It was through André Level that he first met Picasso in 1914 forging an enduring friendship. Pellequer became one of the artist's closest friends as well as his banker and financial advisor. Over more than thirty years he acquired from the master a remarkable collection of paintings and sculptures. Provenance: Max Pellequer's estate ; private collection
1955ref. 186292New York N.Y.: Saidenberg Gallery 1955. Pamphlet. VG- light shelfwear top edge dog-eared. 16 unnumbered page pamphlet bound in greenish wraps with white lettering; bw illustrations. An exhibition catalog held at Saidenberg Gallery on December 5 1955- January 23 1956. Saidenberg Gallery unknown books
1961ref. 69346Couverture rigide. Reliure de l'éditeur. 243 pages. Dos bruni, papier légèrement bruni. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
1995ref. 99491New York Academy Editions 1995 1 vol. broché in-4, broché, 208 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Très bon état.
1995ref. 99491New York Academy Editions 1995 1 vol. broché in-4, broché, 208 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Très bon état.
1995ref. 21361London, Academy 1995 In-4, broché, couv. illustrée, photographies et illustrations en noir et en couleurs, 208 pp. En anglais.
1982ref. 15554DBPrinceton., Princeton University Press., 1982. 21 x 15 cm. 288 S. Illustrierter OPappband., 15554D Einbandkanten mit kleinen Bereibungen, Rückendeckel mit kleiner Knickfalte. Gutes Exemplar.
2010ref. 1-0870707809Museum of Modern Art 2010. Hardcover. New. 192 pages. 10.63x9.25x0.87 inches. Museum of Modern Art hardcover
2010ref. DADAX0870707809Museum of Modern Art 2010-04-30. Illustrated. hardcover. New. 9.10x1.00x10.60. Buy with confidence. Excellent Customer Service & Return policy. Museum of Modern Art hardcover
2010ref. 835325Museum; D. A. P. /Distributed Art Publishers Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 174 color illustrations. -- with a bonus offer--; Printmaking was fundamental to Pablo Picasso's artistic vision. Over his long career he made well over 2000 printed images focusing on the intaglio techniques of etching engraving drypoint and aquatint as well as on lithography and linoleum cut. This publication published to accompany an exhibition at The Museum of Modern Art explores Picasso's creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods and extending up to the last years of his life. Divided into 12 thematic sections the book presents highlights from the Museum's extraordinary collection of Picasso's prints. These include such celebrated masterworks as "The Minotauromachy" and "The Weeping Woman" from the 1930s as well as evolving states that reveal how Picasso's imagery developed. One example of such metamorphosis is seen in a series of lithographs from the 1940s in which a progression is established from the realistic depiction of a bull to one that is completely abstract and captured in just a few lines. Other prints reveal changing interpretations of the women in Picasso's life who served both as artistic subjects and as catalytic forces for his creativity. Filled with full-page illustrations accompanied by extended captions A Picasso Portfolio features an essay by Deborah Wye Chief Curator of Prints and Illustrated Books at MoMA and introductions to each thematic section. The book concludes with a chronology and bibliography focusing on Picasso's printmaking. . 2010. 0870707809 . Museum; D. A. P. /Distributed Art Publishers (Distribution) hardcover
194316°, pp.67 (3), con 14 tavv.n.t. T. tela recente, conserva la br. edit. Invio calligr. alla 1 c.b. Ediz. in 299 esempl. num. (n.168).
ref. 24134Genève et Paris, Éditions des Trois Collines, coll. Les Grands peintres par leurs Amis, 1944, grand in-8, br., couverture rempliée, 163 p. Edition originale. Illustré de 100 planches de reproductions en noir et en couleurs et de nombreux dessins dans le texte.
ref. 8899Genève et Paris, Editions des trois collines (collection Les grands peintres et leurs amis, n° 1), (18 décembre) 1944. In-8 (249 x 190 mm), broché, 184 pages, illustrations, couverture rempliée.
1944ref. 61871944 Genève et Paris, Editions des trois collines dans la collection "Les grands peintres et leurs amis",1944. In-8 (249 x 190 mm), broché, 184 pages, illustrations, couverture rempliée. Edition originale sans grand papier. Parfait état .
1944pp. 182 intonse con num. e belle ill. in b/n e una a col. Edizione originale di questo primo vol. della collezione"Les grands peintres par leurs amis". Raro e ricercato volume con testi del poeta, Paul Eluard, dedicati a Picasso e alla sua opera e con riproduzioni di foto, dipinti, incisioni e disegni dell'artista. Testo in francese. Cfr. Monod 4191.
ref. 13980168Genève: Editions des Trois Collines, 1947 gr. in-8, 180 pages, 98 illustrations hors texte. Broché, couv. défr., dos passé avec petit tache en queue de dos, chiffre marqué au crayon sur le 2è plat, autrement bon état, collection "Les grands peintres par leurs amis".
1944ref. 29886ABGenève, Paris éditions des Trois Collines 1944. 24,3x19,5 cm. 168 p., 7 f. Avec de nombreuses illustrations en noir. Broché.
1944formato 24,5X19. Brossura editoriale con sovraccoperta piegata pagine 180. Poesie di Eluard con numerosissime immagini, foto di Picasso, disegni originali e riproduzioni di opere in B/N + una applicata a mano. Bella copia. PRIMA EDIZIONE
ref. 14867Monte-Carlo, André Sauret, 1961 ; in-4 oblong (24,5 x 31,7 cm). 153 pp. - 4 lithographies originales de Pablo Picasso dont une en 24 couleurs représentant un picador. Toile grise de l'éditeur illustrée d'après Picasso, étui en cartonnage rouge illustré (un coin légèrement choqué). Bel exemplaire.
1961ref. 74931Book containing 4 bound lithographs and reproductions of ink drawings by Picasso. Each lithograph is dated and numbered on the stone. Published by André Sauret Monte Carlo. In its original slipcase. 32.5 x 25.7 x 2.5 cm book; 26 x 33 cm slipcase Monte Carlo, André Sauret hardcover
1961ref. 193440Monte Carlo: André Sauret 1961. With four original lithographs First German edition published simultaneously with the French edition with four lithographs executed by Picasso for this work: La Pique; Le Picador II; Jeu de la Cape; Les Banderilles. Sabartés 1881-1968 was an artist poet and writer as well as a close personal friend of Picasso's "the friendship of Picasso and Sabartés in later years the artist's secretary goes back more than 60 years to their youth in Barcelona" The Artist and the Book 240. This edition was printed in September 1961 by Draeger Frères; the lithographs were printed by Mourlot Frères. Oblong folio. With 4 original lithographs 3 in black 1 in twenty-four colours and 103 full-page illustrations. Original grey cloth lettering to spine in black illustration to front cover in black illustrated endpapers. With the publisher's illustrated slipcase titles to spine in black. Near fine in corner rubbed slipcase. Cramer 113; Freitag 9666. hardcover
ref. 33917Monte Carlo André Sauret 1961. First edition hardcover in grey cloth with black illustration 10" x 12 3/4" 25 x 32 cm landscape orientation in a red slipcase 153pp. Edited by André Sauret with French text contributed by Picasso's long time friend Jaime Sabartés. This unique book focuses on the bullfighting theme which is deeply ingrained in Spanish culture and was a subject that fascinated Picasso throughout his life. Featuring four original lithographs one of which is in twenty-four colours printed by Mourlot Frères this monograph makes a splendid acquisition for Picasso lovers. The balance of this book is populated mostly by pen and ink washes depicting the world of toreadors exquisitely rendered by the Draeger Frères presses and printed in France. This exemplar of A LOS TOROS AVEC PICASSO is in truly Fine condition and includes all four lithographs bright and crisp. The slipcase alone shows some very minor scuffing. Monte Carlo, André Sauret, 1961 unknown
