5.518 Ergebnisse
Best.-Nr. 45344Paris : Jean-Michel Place, 1999 - Un fort volume (19,5x24,7cm) toilé imprimé sous jaquette illustrée en couleurs, de 1004 pages illustrées dans et hors texte. Présentations de Walter G. Langlois et Georges Gabory. En annexes : index des noms cités, des ouvrages cités et des revues et journaux. Réimpression en fac-similé des douze numéros parus de cette revue dirigée par Florent Fels et Marcel Sauvage. Exemplaire en bon état.
2012Volume in 8° Legatura editoriale con copertina telata grigia. Pagine 190 Numerose ill. a colori e in b.n. Legatura salda,pagine sane.COMPLETO
Best.-Nr. 17-0753New York NY: Jan Kruger Gallery 1993. 8vo. 8 pp double-sided fold-out with 2 inserted loose prints. Very Good. Color and black & white plates throughout. From the Collection of the Art Historian Peter Selz 1919-2019. New York, NY: Jan Kruger Gallery, 1993 unknown
2001Best.-Nr. 4686DBNew Haven/ London., Yale University Pres., 2001. 29 x 23 cm. 438 S. OPappband mit illustriertem OUmschlag., 4686D Erste Auflage. Umschlagkanten mit minimalen Bereibungen. Sonst sehr gutes Exemplar.
2001Best.-Nr. 52045New Haven, London: Yale University Press, 2001. 438 Seiten ; zahlr. Ill. ; Sprache: Englisch Pp.
1954Best.-Nr. PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
1956Best.-Nr. Picasso19PICASSO Pablo 1881-1973 Autograph letter signed " Picasso " to Max Pellequer " La Californie " Cannes 21 August 1956 1 p. in-4° in colored oil pastels Watermark 'BFK RIVES.' Faint traces of pastel transfer revealing a hasty fold made by Picasso in order to enclose the sheet creasing minute loss to the lower right corner. Picasso or the Art of Correspondence A spectacular letter from the master to his friend Max executed in ten shades of oil pastel " Mon cher Max Encore des feuilles des contributions que je vous envoie. Je travaille Amitié à vous deux et bien à vous Picasso " Settled at "La Californie" in the hills above Cannes Picasso relied on the good offices of his secretary Jaume Sabartés to handle the bulk of his correspondence. Max Pellequer a close friend of the painter was nonetheless among the rare privileged few to receive letters written entirely by Picasso's own hand. Oil pastels in hand the painter deploys his nervous sweeping handwriting alternating between no fewer than ten colors—so many graphic nuances echoing and harmonizing with elegance across the surface of the sheet. A banker and discerning art collector Max Pellequer began assembling a considerable collection of modernist works in the 1920s. In 1920 he married Francine Level niece of the dealer and businessman André Level. It was through André Level that he first met Picasso in 1914 forging an enduring friendship. Pellequer became one of the artist's closest friends as well as his banker and financial advisor. Over more than thirty years he acquired from the master a remarkable collection of paintings and sculptures. Provenance: Max Pellequer's estate ; private collection
1955Best.-Nr. 186292New York N.Y.: Saidenberg Gallery 1955. Pamphlet. VG- light shelfwear top edge dog-eared. 16 unnumbered page pamphlet bound in greenish wraps with white lettering; bw illustrations. An exhibition catalog held at Saidenberg Gallery on December 5 1955- January 23 1956. Saidenberg Gallery unknown books
1961Best.-Nr. 69346Couverture rigide. Reliure de l'éditeur. 243 pages. Dos bruni, papier légèrement bruni. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
1995Best.-Nr. 99491New York Academy Editions 1995 1 vol. broché in-4, broché, 208 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Très bon état.
1995Best.-Nr. 99491New York Academy Editions 1995 1 vol. broché in-4, broché, 208 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Très bon état.
1995Best.-Nr. 21361London, Academy 1995 In-4, broché, couv. illustrée, photographies et illustrations en noir et en couleurs, 208 pp. En anglais.
1982Best.-Nr. 15554DBPrinceton., Princeton University Press., 1982. 21 x 15 cm. 288 S. Illustrierter OPappband., 15554D Einbandkanten mit kleinen Bereibungen, Rückendeckel mit kleiner Knickfalte. Gutes Exemplar.
2010Best.-Nr. 1-0870707809Museum of Modern Art 2010. Hardcover. New. 192 pages. 10.63x9.25x0.87 inches. Museum of Modern Art hardcover
2010Best.-Nr. DADAX0870707809Museum of Modern Art 2010-04-30. Illustrated. hardcover. New. 9.10x1.00x10.60. Buy with confidence. Excellent Customer Service & Return policy. Museum of Modern Art hardcover
2010Best.-Nr. 835325Museum; D. A. P. /Distributed Art Publishers Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 174 color illustrations. -- with a bonus offer--; Printmaking was fundamental to Pablo Picasso's artistic vision. Over his long career he made well over 2000 printed images focusing on the intaglio techniques of etching engraving drypoint and aquatint as well as on lithography and linoleum cut. This publication published to accompany an exhibition at The Museum of Modern Art explores Picasso's creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods and extending up to the last years of his life. Divided into 12 thematic sections the book presents highlights from the Museum's extraordinary collection of Picasso's prints. These include such celebrated masterworks as "The Minotauromachy" and "The Weeping Woman" from the 1930s as well as evolving states that reveal how Picasso's imagery developed. One example of such metamorphosis is seen in a series of lithographs from the 1940s in which a progression is established from the realistic depiction of a bull to one that is completely abstract and captured in just a few lines. Other prints reveal changing interpretations of the women in Picasso's life who served both as artistic subjects and as catalytic forces for his creativity. Filled with full-page illustrations accompanied by extended captions A Picasso Portfolio features an essay by Deborah Wye Chief Curator of Prints and Illustrated Books at MoMA and introductions to each thematic section. The book concludes with a chronology and bibliography focusing on Picasso's printmaking. . 2010. 0870707809 . Museum; D. A. P. /Distributed Art Publishers (Distribution) hardcover
194316°, pp.67 (3), con 14 tavv.n.t. T. tela recente, conserva la br. edit. Invio calligr. alla 1 c.b. Ediz. in 299 esempl. num. (n.168).
Best.-Nr. 24134Genève et Paris, Éditions des Trois Collines, coll. Les Grands peintres par leurs Amis, 1944, grand in-8, br., couverture rempliée, 163 p. Edition originale. Illustré de 100 planches de reproductions en noir et en couleurs et de nombreux dessins dans le texte.
Best.-Nr. 8899Genève et Paris, Editions des trois collines (collection Les grands peintres et leurs amis, n° 1), (18 décembre) 1944. In-8 (249 x 190 mm), broché, 184 pages, illustrations, couverture rempliée.
1944Best.-Nr. 61871944 Genève et Paris, Editions des trois collines dans la collection "Les grands peintres et leurs amis",1944. In-8 (249 x 190 mm), broché, 184 pages, illustrations, couverture rempliée. Edition originale sans grand papier. Parfait état .
1944pp. 182 intonse con num. e belle ill. in b/n e una a col. Edizione originale di questo primo vol. della collezione"Les grands peintres par leurs amis". Raro e ricercato volume con testi del poeta, Paul Eluard, dedicati a Picasso e alla sua opera e con riproduzioni di foto, dipinti, incisioni e disegni dell'artista. Testo in francese. Cfr. Monod 4191.
Best.-Nr. 13980168Genève: Editions des Trois Collines, 1947 gr. in-8, 180 pages, 98 illustrations hors texte. Broché, couv. défr., dos passé avec petit tache en queue de dos, chiffre marqué au crayon sur le 2è plat, autrement bon état, collection "Les grands peintres par leurs amis".
1944Best.-Nr. 29886ABGenève, Paris éditions des Trois Collines 1944. 24,3x19,5 cm. 168 p., 7 f. Avec de nombreuses illustrations en noir. Broché.
1944Best.-Nr. 83097Paris, 1944, in-8, 168pp, broché, Superbe exemplaire! abondamment illustré des oeuvres de Picasso 168pp
1944formato 24,5X19. Brossura editoriale con sovraccoperta piegata pagine 180. Poesie di Eluard con numerosissime immagini, foto di Picasso, disegni originali e riproduzioni di opere in B/N + una applicata a mano. Bella copia. PRIMA EDIZIONE
