MAILER, Norman (on Pablo Picasso)Biblio.com
5 487 résultats
1995réf. TH254877Atlantic Monthly Press New York 1995. 1st Edition. HARDCOVER. This copy signed by the autho Norman Mailer on the half title leaf no other marks or inscriptions. Thick heavy 4to. in red cloth backed boards yellow lettering to spine 400pp illustrations in text plus approx. 48pp colour plates on glossy art paper bibliography etc. __CONDITION : An extremely well preserved AS NEW unread and unmarked copy in an AS NEW complete Dust Jacket. An excellent copy. __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so orders made by card will only be completed after you have approved any extra cost. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Atlantic Monthly Press, New York hardcover
1971réf. PICASSOP000734Lund Humphries London. 1971. Second edition completely revised and enlarged from the original 1956 version. Quarto. 128 pages. 329 black and white illustrations and one in colour.Presentation copy from the author inscribed by him on the front free endpaper: ''Barbara from Roland - October 25th 1971.'' The recipient is Barbara Bagenal 1891-1984 whose address label is next to the inscription. She was an artist associated with various members of the Bloomsbury Group primarily Vanessa Bell Saxon Sydney-Turner and John Maynard Keynes. In the fifties she became the companion of Clive Bell and it was while touring France with him that she met Picasso. The Tate has a humorous photograph taken by her of Bell and Picasso together. She later noted in her journal ''P. kissed me!''.Covers slightly rubbed at head and tail of spine. Very good indeed in very good dustwrapper with a small chip at head of spine. Lund Humphries, London. unknown
2004réf. 99659Paris Denoël 2004 1 vol. broché grand in-8, broché, couv. illustrée, 383 pp., reproductions en couleurs. Très bon état.
2004réf. 99659Paris Denoël 2004 1 vol. broché grand in-8, broché, couv. illustrée, 383 pp., reproductions en couleurs. Très bon état.
2004réf. 89445Denoël 2004 In-8 broché à rabats 24 cm sur 19. 384 pages. Bon état d’occasion.
1989réf. 5110Sl sn 1989 in-folio en feuilles Sl, sn [Lucien Clergue], 1989 (imp. des Presses Universitaires de France). 42 x 32,5 cm (coffret), in-folio, 4 ff. n. ch (titre, fac-similé d'un texte de Cocteau de 1956, deux dessins de Cocteau reproduits en noir à pleine page, liste des planche, justification) - 15 épreuves en noir tirées sur papier Galerie mat et montées sous carton Van Gelder et signées, en feuilles sous coffret bordeaux orné au premier plat de l'empreinte d'un dessin de Jean Cocteau (coffret par Michel Dheurle).
1988réf. 03080Frankfurt, Insel Verlag, 1988. Insel-Bücherei Nr. 1008, 4. Auflage, 8°, 57 S., mit sehr zahlreichen Zeichnungen von Pablo Picasso, illustr. Papp-Einband gebunden
réf. 1025Description du livre: Plon, Paris, 1952. État : Bon. In 8, broché, 97 pages avec un frontispice de Picasso.
1953NRF Gallimard 1953, In-8 broché, 92 pages. Portrait en frontispice par PICASSO. Trés bon état.
1953réf. 99930211NRF Gallimard NRF Gallimard 1953, In-8 broché, 92 pages. Portrait en frontispice par PICASSO. Trés bon état.
1967réf. ABE-159930837866017,5 CM X 20 CM-168 PAGES-ENTRETIEN SANS COMPLEXE AVEC MONSIEUR STRIP TEASE, ALAIN BERNARDIN, CRAZY HORSE SALOON 11 PAGES, PHOTOS-CARTE BLANCHE DALI, 10 PAGES-SAN ANTONIO A L'ETAT CHRONIQUE JE DEBLOQUE-NOTE, HEIN?, 7 PAGES-UNE NOUVELLE ENBARRASSANTE DE EUGENE IONESCO "ORIFLAMME", ILLUSTRATIONS DE MITSCHKE, 8 PAGES-RIMBAULT CE DESSINATEUR A VINGT ET UN ANS, 7 PAGES-PICASSO S'AMUSE SIX DESSINS SUR LE THEME LE PEINTRE ET SON MODELE, 5P-ARPAD ELFER ET SES FEMMES EN POINTILLE, 6 PAGES-CLOVIS TROUILLE, 12 PAGES, DEPLIANT-ROLDAN OU L'OBSESSION DE LA PLENITUDE, 4 PAGES-BRUXELLES NOCTURNE ET SES BELBES DE NUIT, PAR JACQUES STERNBERG, 8 PAGES-LES PIEDS NICKELES, PAR MICHEL CAEN, 3 PAGES (5E)
1970réf. 889T27London: Calder and Boyars 1970. First edition. Cloth. Near Fine/Very Good Indeed. 8.5" by 5.5". Pablo Picasso. The first English translation of this play from painter and artist Pablo Picasso. First thus. Illustrated throughout. Originally written in French this work is the second of two full-length plays written by Picasso. Due to its stream of consciousness style many critics believe the piece was never intended to be performed only read. Written and illustrated by Pablo Ruiz Picasso a Spanish painter sculptor printmaker ceramicist and theatre designer who is considered one of the most influential artists of the 20th century and is known for co-founding the Cubist movement. Translated by Sir Roland Algernon Penrose an English artist historian and poet who was a major promoter and collector of modern art and an associate of the surrealists in the United Kingdom. In the original black cloth binding. Externally very smart with light shelf wear only. Original unclipped dust wrapper is also smart with light shelf wear and the odd small mark. Internally firmly bound. Pages are very bright and clean with the odd small spot. Near Fine Calder and Boyars hardcover
1970réf. 177615London: Calder and Boyars 1970. 1st Edition in this form. Hardback. Fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 63 pages; Physical desc.: 63 p. 22 cm. Subjects: Drama -- Plays. Notes: Translated edition by Sir Roland Penrose published originally in 1945. London: Calder and Boyars hardcover
réf. 1066771968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in. Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
réf. 1066811968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in. Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
réf. 1066791968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in. 105 Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
1981réf. 14363DBMünchen., Deutscher Taschenbuch Verlag., 1981. 19 x 12,5 cm. 613 S. Illustrierter OKarton., 14363D Erste Ausgabe. Gutes bis sehr gutes Exemplar. dtv Kunst: 2875.
réf. 76998Dielsdorf Matthieu AG ca. 1970. 675 x 47 cm Tadellos A. 010 Dielsdorf, Matthieu AG, ca. 1970 unknown
réf. 76996Paris Mourlot . 655 x 50 cm Tadellos A. Czwiklitzer No. 394. Farblithographie nach einer Zeichnung «Homme et Femme». von Picasso. 010 Paris, Mourlot, unknown
1971réf. ABE-1720437845042LE "CANTIQUE SPIRITUEL" DE SAINT JEAN DE LA CROIX DOUZE TAPISSERIES DE MANESSIER, PAR BERNARD DORIVAL, 5 PHOTOS-REALISES A NICE PAR UN GRAND JOAILLIER LES BIJOUX DE CESAR ET D'ARMAN, 6 PAGES, 9 PHOTOS-DANS SON NOUVEAU MUSEE DE BARCELONE NAISSANCES DE PICASSO EN DIX DESSINS, 6 PAGES-A PARIS AVANT AMSTERDAM LA FONDATION VAN GOGH OEUVRES-CLES D'UNE GRANDE COLLECTION, 8 PAGES-ANTONI MIRALDA ET L'ART CANNIBALE, PAR PIERRE RESTANY, 5 PAGES, 7 PHOTOS-THEATRE: LE DOUX OISEAU DE LA JEUNESSE, DE TENNESSE WILLIAMS, PHOTO EDWIGE FEUILLERE ET BERNARD FRESSON-VIEIRA DA SILVA A LA GELERIE JEANNE BUCHER, PHOTO-PIERRE BETTANCOURT A LA GALERIE ARDITTI, PHOTO-
1945réf. ABE-1774989894100NOEL RETROUVE, PAR JACQUES DE LACRETELLE-CHARTRES, PAR ROGER VAULTIER-LA BEAUCE, PAR ROGER VAULTIER, GRAVURES DE SOULAS-LA COULEUR, EN CHANTANT., 4 PAGES PAR GASTON POULAIN, 5 ILLUSTRATIONS COULEURS CONTRECOLLEES (ANDRE MARCHAND-HENRI MATISSE-PABLO PICASSO-GEORGES BRAQUE-JACQUES VILLON)-LA VIERGE ET L'ENFANT DE BOURDELLE A LAMBERT-RUCKI-UN ALBUM POUR NOEL, SANTONS DE CHEVALLIER, PHOTOGRAPHIES DE LAURE ALBIN-GUILLOT-HABITAT COLONIAL, PAR JEAN ALAURENT, COMPOSITIONS DE PAUL COLIN, MAQUETTES DE MME MATISSE ET DE JC BERRIAT-UN APPARTEMENT-TROIS BUREAUX, JALLOT-LE MOULIN DE RHUS-LE MOULIN DE LA MENILLE-FANTASIA, UN NOUVEAU FILM DE WALT DISNEY, 2 PAGES, 6 DESSINS COULEURS-THEATRE: CHARLOTTE ET MAXIMILIEN-4 DE COUVERTURE ABSENTE
2015réf. ABE-1776510749953162 PAGES-21 CM X 25,5 CM-(E426)
réf. 1367117Museo Nacional Centro de Arte Reina Sofía. Collectible - Very Good. Condition: Very Good; Very Good clean copy. Few light marks on back cover. Museo Nacional Centro de Arte Reina Sofía unknown
réf. 05-00191945. Wool tapestry after the painting. 97 x 120 cm. 38 x 47.5 inches. Picasso Project no. 45-012. 1945. unknown
1947réf. 48620Paris.: Latitud Curenta y Uno. Le Degré Quarante et Un / 41º. 1947 / 1948. . Oblong folio. 396 x 620 mm. Etching grattoir and burin on copper by Picasso printed on a full sheet of parchment pierced at edges for printing and with central fold by Roger Lacourière Paris; sheet size: 396 x 310 mm folded 396 x 620 mm unfolded. A very rare signed proof of the cover for 'Pis'mo: Escrito por Iliazd / Grabado por Picasso' Picasso's 1948 collaboration with Iliazd.Picasso's etching with grattoir and burin is for the vellum cover of the 1948 book 'Pis'mo' also known as 'Escrito por Iliazd / Grabado por Picasso'. The text of the book is a love poem in Russian by Iliazd one of the very few he wrote after leaving Georgia inspired by his meeting with Olga Djordjadze - Picasso too met her later - in Cannes in 1946. Picasso's print includes the title in Russian correctly at the top and incorrectly and effaced beneath as well as at right the figure of a woman seen from behind and turned away from the viewer; Picasso has dated the print '3 mars 47' in the copperplate which is printed in reverse.The present proof is printed on a sheet of vellum as for the published book although slightly whiter and slightly thinner than the published version and while it does have a central fold it is unfolded at the head and foot and is pierced around the outer edge of the sheet with small pinholes as part of the printing process. Signed at lower right by Picasso the sheet is annotated by Iliazd verso above and beneath the visible platemark 'haut' and 'bas' and 'Plier à l'envers'; Iliazd appears too to have drawn a pencil frame it differs from the engraved area to the verso beneath the 'haut' and 'bas'. A different hand has annotated the foot of the blank area adjacent to the printed section: 'Picasso P. Eau-forte pour la couverture du livre d'Iliazd 'ESCRITO' 1er Epreuve d'essai sur parchemin / le livre a été tiré à 66 exemplaires'.Proofs of the cover are very rare and examples signed by Picasso rarer still. Baer suggests that several trials and proofs were taken from Picasso's plate noting the 'bon à tirer' example on 'vélin sans filigrane' Georges Bloch's copy on parchment inscribed 'tirage d'essai' by Iliazd and signed at a later date by Picasso 'environ 7 épreuves sur parchemin avec annotations d'Iliazd sur la préparation du parchemin et le séchage' as well as a final signed example sold by Sotheby's in the 1970s.'In his poem 'Rogelio Lacourière pêcheur de cuivres' published in 'Hommage à Roger Lacourière 1968 Iliazd recalls in poetic terms the genesis of the book's title etching. The story goes that Lacourière had given Picasso a plate which was too large and which had a white mark to indicate where it should later be cut. Picasso - tempted by this extra space and the unexpected freedom it gave him - etched a nude on it. Lacourière therefore refrained from cutting the plate and Iliazd noticed that the asymmetry thus created in the title etching echoed his conception of the folded pages: the 'magnaminous' painter had 'transfigured' the book.' Patrick Cramer.Baer 785Ba; Bloch 462; see Cramer 48. Latitud Curenta y Uno. (Le Degré Quarante et Un / 41º). unknown
