Picasso, Pablo (after).Biblio.com
ref. 05-00191945. Wool tapestry after the painting. 97 x 120 cm. 38 x 47.5 inches. Picasso Project no. 45-012. 1945. unknown
1947ref. 48620Paris.: Latitud Curenta y Uno. Le Degré Quarante et Un / 41º. 1947 / 1948. . Oblong folio. 396 x 620 mm. Etching grattoir and burin on copper by Picasso printed on a full sheet of parchment pierced at edges for printing and with central fold by Roger Lacourière Paris; sheet size: 396 x 310 mm folded 396 x 620 mm unfolded. A very rare signed proof of the cover for 'Pis'mo: Escrito por Iliazd / Grabado por Picasso' Picasso's 1948 collaboration with Iliazd.Picasso's etching with grattoir and burin is for the vellum cover of the 1948 book 'Pis'mo' also known as 'Escrito por Iliazd / Grabado por Picasso'. The text of the book is a love poem in Russian by Iliazd one of the very few he wrote after leaving Georgia inspired by his meeting with Olga Djordjadze - Picasso too met her later - in Cannes in 1946. Picasso's print includes the title in Russian correctly at the top and incorrectly and effaced beneath as well as at right the figure of a woman seen from behind and turned away from the viewer; Picasso has dated the print '3 mars 47' in the copperplate which is printed in reverse.The present proof is printed on a sheet of vellum as for the published book although slightly whiter and slightly thinner than the published version and while it does have a central fold it is unfolded at the head and foot and is pierced around the outer edge of the sheet with small pinholes as part of the printing process. Signed at lower right by Picasso the sheet is annotated by Iliazd verso above and beneath the visible platemark 'haut' and 'bas' and 'Plier à l'envers'; Iliazd appears too to have drawn a pencil frame it differs from the engraved area to the verso beneath the 'haut' and 'bas'. A different hand has annotated the foot of the blank area adjacent to the printed section: 'Picasso P. Eau-forte pour la couverture du livre d'Iliazd 'ESCRITO' 1er Epreuve d'essai sur parchemin / le livre a été tiré à 66 exemplaires'.Proofs of the cover are very rare and examples signed by Picasso rarer still. Baer suggests that several trials and proofs were taken from Picasso's plate noting the 'bon à tirer' example on 'vélin sans filigrane' Georges Bloch's copy on parchment inscribed 'tirage d'essai' by Iliazd and signed at a later date by Picasso 'environ 7 épreuves sur parchemin avec annotations d'Iliazd sur la préparation du parchemin et le séchage' as well as a final signed example sold by Sotheby's in the 1970s.'In his poem 'Rogelio Lacourière pêcheur de cuivres' published in 'Hommage à Roger Lacourière 1968 Iliazd recalls in poetic terms the genesis of the book's title etching. The story goes that Lacourière had given Picasso a plate which was too large and which had a white mark to indicate where it should later be cut. Picasso - tempted by this extra space and the unexpected freedom it gave him - etched a nude on it. Lacourière therefore refrained from cutting the plate and Iliazd noticed that the asymmetry thus created in the title etching echoed his conception of the folded pages: the 'magnaminous' painter had 'transfigured' the book.' Patrick Cramer.Baer 785Ba; Bloch 462; see Cramer 48. Latitud Curenta y Uno. (Le Degré Quarante et Un / 41º). unknown
1962ref. 14226Editions Cercle D'Art 1962. Prints. Very Good. This 1962 linocut print by Pablo Picasso titled Piques II is part of the celebrated series of prints published by Cercle d'Art in Paris. This is plate 8 and it reflects Picasso’s playful and inventive engagement with mythological themes during his later years. The print is from Picasso Linogravures published by Editions Cercle D'Art in 1962. Margins are toned print measures 15.25x12.625" printed area measures 12.875x10.75". All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Editions Cercle D'Art unknown
ref. 50-0027Lombreuil France: Éditions des Nouvelles Images 1971. Distributed graphics by Dow & Frosini. Serigraph after Picasso’s 1959 linocut. 2 colors. 26 x 30 inches. 55 x 65 cm. 1 cm. and less stain along outside edge of one 4 cm. margin not affecting the image. Lombreuil, France: Éditions des Nouvelles Images, 1971. Distributed graphics by Dow & Frosini. unknown
1974ref. ABE-1769637408277COLECCION ARTE CONTEMPORANEO ESPANOL-TRADUCCION DEL FRANCES POR ANTONIO URRUTIA, PROFESOR DE LA SORBONA DE PARIS-312 PAGES-24 CM X 31,5 CM-RELIURE TOILEE-JAQUETTE-(E126)
1983Book is in excellent condition with no flaws, appears new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 93 pages with full page color plates throughout. Text in English with works by Luini Bernardino, Ed' Roberti Ercole, Boccaccino Camillo, Batoni Pompeo, Picasso, Viti Timoteo, Crivelli Carlo, Foppa Vincenzo, etc., three exterior photos of the gallery.
2016ref. 179202Japan: Chunichi shinbunsha 2016. Softcover. VG. White wraps with color illustration on front cover and white lettering black lettering on white spine 179 pp profusely illustrated in bw and color. Text in Japanese. Catalog of an exhibition held at Aichiken bijutsukan January 3-March 21 2016 and Abeno Harukasu Bijutsukan April 9-July 3 2016. Includes bibliographical references pages 172-174. Chunichi shinbunsha paperback books
ref. 1237971918 . Etching on zinc 1918 on Imperial Japan paper a particularly fine and rare impression signed and dedicated "Pour Galanis ses amis bien reconnaissants Max Jacob et Picasso" by the artist in pencil also signed by author Max Jacob in pencil inscribed '1er Epreuve' a fine impression of the rare unrecorded first state before the edition of 20 impressions as included as the frontispiece for Max Jacob's 'Le Phanérogame' printed by Les Presses Eugène Delâtre Paris with full margins sheet 25.5 x 16.8 cm. 10 x 6 5/8 in. One of only two copies mentioned in Baer outside of the numbered edition. The subscription announcement called for sixteen impressions on Imperial Japan paper including two signed impressions marked '0' and '00' and a further 30 impressions on Hollande paper. The print was ultimately issued mainly on Arches paper. Fourteen signed and numbered impressions are recorded together with the two author's copies on Japan of which this is one. Dedicated to Demetrios Galanis 1879-1966 a Greek artist and engraver who was a close friend of Picasso and Jacob. To help fund the printing of Max Jacob's Le Phanérogame Pablo Picasso contributed an etching of a Pierrot for the book's deluxe edition. Jacob dedicated the text to the poet André Salmon invoking memories of the Rue Ravignanthe site of the famed Bateau-Lavoir where Jacob Picasso Salmon and Guillaume Apollinaire forged their early artistic community. For Jacob the text distilled "the gaiety of that first youth which is the golden age of art". Though Picasso was deeply engaged with theatrical motifs and the Commedia dell'Arte in the spring of 1918 such iconography was hardly new to his practice. Harlequins acrobats and performers dominated his output during the years recalled by Jacoba period often categorized as his Circus or Rose Period when the group frequented the circus and identified closely with its marginalized itinerant performers. While the dancer Léonide Massine likely served as the immediate model for the pensive Pierrot the figure echoes Picasso's earlier saltimbanques and their intimate ties to his inner circle. Bloch 33; Baer 55; Cramer 5 1918 unknown
ref. VLE-698P., Albin-Michel, 1962, in-8 carré, XXI+118pp. illustrées de 16 gravures hors-texte de Picasso. Réédition destinée aux membres du club français du livres Il a été tiré 7500 exemplaires numérotés (n°950) relié pleine toile verte avec couverture insolée
ref. 71-4514New York: Harry H. Abrams Inc. 1977. 4to. 100 pp. Soft Cover. Black and white plates throughout. Very Good. Provenance: From the collection of Gallery Pasquale Iannetti San Francisco. New York: Harry H. Abrams, Inc., 1977. paperback
ref. 71-4520Berkeley and Los Angeles: University of California Press 1988. 4to. 320 pp. Hard Cover. in Dust Jacket. Color and black and white plates throughout. A dedication to Pasquale Iannetti from Herschel Chip on inside cover. Very Good. Provenance: From the collection of Gallery Pasquale Iannetti San Francisco.Heavy Book: shipping cost may be extra. Berkeley and Los Angeles: University of California Press, 1988. hardcover
1969ref. 12596New York: Avant Garde Media Inc. September 1969. 29 x 28 cm. Large 4to. bound by Arthur Johnson in 1975 signed and dated on the lower turn-in in a mosaic binding of red goatskin with onlays in purple orange tan black and white goatskin yellow endpapers spine lettered in gilt along its entire length. Housed in the original red cloth felt lined clamshell box. In remarkably good condition.The bold design with a very keen sense of colour is a typical example of Johnson’s work which always achieved drama and wit alongside superb technique. He has made a fabulous stylised and abstract take on a Picasso erotic engraving in leather. Arthur Johnson 1920-2004 along with Edgar Mansfield Sally Lou Smith and others was instrumental in changing the course of bookbinding in Britain being one of the founding members of the Hammersmith Guild of Scribes and Bookbinders in 1950 which was intended to start a new movement in British bookbinding. These binders were reacting against the domination of established binding firms whose binders had excellent technical abilities but whose designs Johnson felt were ‘deplorable’ for their fussy insipid aesthetic: “their covers were reminiscent of carpets and chocolate boxes”. The Guild whose fellow members included Britain’s greatest binders such as Philip Smith Bernard Middleton Elizabeth Greenhill Trevor Jones and Ivor Robinson went on to become the Guild of Contemporary Bookbinders and then the Designer Bookbinders we know today. Avant Garde was a magazine renowned for its graphic design by Herb Lubalin. It was published in New York and ran for 14 issues between January 1968 and July 1971. A dramatic and witty binding by one of Britain’s great masters of bookbinding Avant Garde Media Inc. hardcover
ref. 02-0765New York: Avant Garde 1969. Square 4to. 60 pp. "This special issue of avant-garde is devoted entirely to one subject: a series of erotic gravures or engravings by Pablo Picasso The Pre-eminent Artist of Our Time. They are intended to stand as Picasso himself has said as an abiding celebration of life itself." Very good in wraps. New York: Avant Garde, 1969. paperback
1969ref. 20220AB1969. Avantgarde 8. New York Avant Garde 1969. 29 : 28 cm. 30 leaves with many illustrations by Pablo Picasso. Illustrated original boards. This special issue of Avantgarde is devoted entirely to one subject: a series of erotic gravures by Pablo Picasso the pre-eminent artist of our time. They are intended to stand as Picasso himself has said "As an abiding celebration of life itself". hardcover
1995ref. 11931München Prestel Verlag, 1995. Durchgehend bebildert. 255 S. 30 x 24 cm Kt. Leichte Gebrauchsspuren, sonst gut erhalten.
1995ref. 121888München und New York: Prestel Verlag, 1995. 255 S. ; 30 x 24 cm ; kart. ;
1995ref. 15730BBDüsseldorf, Kunstsammlung Nordrhein-Westfalen; Stuttgart : Staatsgalerie, 1995. 30 cm. 255 S., zahlr. Ill. kart. Geringe Gebrauchssp., ansonsten sehr guter Zustand.
ref. 3791314912.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995ref. BN254313Düsseldorf : Kunstsammlung Nordrhein-Westfalen - Stuttgart : Staatsgalerie 1995. 1995. Picassos Welt der Kinder : anlässlich der Ausstellung "Picassos Welt der Kinder" in der Kunstsammlung Nordrhein-Westfalen Düsseldorf 9.9. - 3.12.1995 und in der Staatsgalerie Stuttgart 16.12.1995 - 10.3.1996. hrsg. und mit einer Einf. von Werner Spies. Mit Beitr. von Doris Krystof und Sigrid Metken sowie Erinnerungen von Maya Picasso Picassos Welt der Kinder : anlässlich der Ausstellung "Picassos Welt der Kinder" in der Kunstsammlung Nordrhein-Westfalen Düsseldorf 9.9. - 3.12.1995 und in der Staatsgalerie Stuttgart 16.12.1995 - 10.3.1996. hrsg. und mit einer Einf. von Werner Spies. Mit Beitr. von Doris Krystof und Sigrid Metken sowie Erinnerungen von Maya Picasso Spies Werner und Pablo Picasso Düsseldorf : Kunstsammlung Nordrhein-Westfalen - Stuttgart : Staatsgalerie unknown
1996ref. 12963BBOstfildern-Ruit, Hatje, 1996. 4. 215 S., überw. Ill. kart. Sehr guter Zustand., m. kleinem Besitzerstempel. Einband mit geringen Gebrauchssp.
1991ref. 104041991 Gerd Hatje, Stuttgart, 1991. Quart. Farbig geprägtes Org.-Ganzleinen mit illustr. . 355 (+1) S., mit zahlreichen Abbildungen in Farbe und s/w. Erschien zur Ausstellung in der Kunsthalle Bielefeld (Richard-Kaselowsky-Haus) vom 15. September bis 15. Dezembekunsthallev bielefeld ifort volume in4, broché, couverture illustrée, 351 pp illust in et ht très bon état texte en allemand
1991ref. 12234Hatje, Stuttgart, 1991. 355 Seiten, 28,5x24 cm, OBroschur m. OU, mit s/w- und farbigen Abbildungen. Der Schutzumschlag am oberen Rücken mit kleinem Einriß. Gutes Exemplar. Good copy. Please note about shipping costs, the German Post did a radical change in 2019 about their shipping prices in non European countries. More than 1 kg weight and especially more than 2 kg weight will be much more expensive. This is near by 3kg.
1991ref. 5861DBBielefeld Stuttgart., Kunsthalle Bielefeld Verlag Gerd Hatje., 1991. 29 x 24,5 cm. 355 S. OLeinen mit illustriertem OUmschlag., 5861D Erste Auflage. Umschlagkanten mikt kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
1991ref. 112838Kunsthalle Bielefeld 1991. 1991. 4°, 355 S., mit zahlreichen farbigen und s/w Abbildungen. Orig.-Karton mit Orig.-Umschlag.
1995ref. 52070Berlin : Wagenbach, 1995. 93 S. : Ill. ; 23 cm engl. broschiert
