5418 risultati
1960rif. 48558Alès.: PAB. Pierre. André. Benoit. 1960. Loose as issued in original publisher's printed wrappers with flaps original drypoint engraving on celluloid 'Homme Grec Barbu' by Picasso to front cover original publisher's patterned paper-covered board chemise with title in black to spine and matching slipcase. Folio. 512 x 340 mm. Leaf with title leaf with Picasso's original drypoint engraving on celluloid as frontispiece leaf with Pindar's dedication in Greek two leaves with Pindar's verse in Greek original drypoint engraving recto leaf with translator's credit leaf with Pindar's dedication in French two leaves with Pindar's verse in French translated by Jean Beaufret leaf with original drypoint engraving and final leaf with justification and achevé d'imprimer. A superb example of this superb collaboration between Picasso and PAB.From the edition limited to 50 copies with this one of 44 signed and numbered in pencil on the justification by the publisher and artist; six copies numbered in Roman numerals as well as six hors commerce copies were also issued.Picasso's four original drypoint engravings are titled as follows: 'Homme Grec Barbu' for the front cover; 'Lutteur avec Lance et Bouclier'; 'Athlète de Face'; 'Athlète au Repos'.'Pindar's Eighth Pythian Ode was after Ovid's Metamorphoses 1931 and Aristophanes's Lysistrata 1934 the third and last text from classical antiquity which Picasso illustrated . At the request of P.A. Benoit Picasso executed four drypoints on celluloid for Pindar's text . The Eighth Pythian Ode was presented i.e. sung in 446 BC at Aegina in honour of a certain Aristomenes who had won the wrestling competition at the Pythian Games at Delphi. Pindar celebrates the youth's splendid victory but also mourns the transience of happiness and glory by evoking the sad fate of the defeated.' Patrick Cramer.Cramer 108; Baer 1077 - 1080. PAB. (P[ierre]. A[ndré]. B[enoit].). unknown
1992rif. 6051794Ste Nvelle, Editions du Chene 1992. 4°. (12), 548 pp., Abbildungen im Text. Original Leinwand. Tadelloses Exemplar aus privater Sammlung.
1942rif. 016351New York View editions - Editor Charles Henri Ford. 1942 format journal En feuilles
rif. 4852Paris, 2000 , 224 p., très nombreuses illustrations, superbe etat dans un etat neuf
1992rif. 26227Du Chêne, /Centre national des lettres 1992 Traduit par William O. Desmond - Avec la collaboration de Marilyn McCully
1992rif. 138201992 Paris Chêne 1992 Un volume in-4°, 548 pp. Reliure éditeur à la Bradel, premier plat illustré d'une reproduction d'un autoportrait de Picasso, dos titré, jaquette en papier calque titrée bleu. (un tout petit manque calque au coin, ). Riche iconographie s. Notes. Ce volume retrace la vie de Picasso de son enfance à sa vingt cinquième année. Il s'achève alors que le peintre s'apprête à peintre Les Demoiselles d'Avignon.
1940rif. 510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
1940rif. 212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown
1937rif. 510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1948rif. 230190Verve January 1948. Hardcover. Fair. Decorative paper jacket covering boards is heavily worn age darkened and split at spine; binding shaken but intact; upper spine covering chipped off; pastedown intact faint water stain at upper page corners does not affect tipped in prints or black and white plates a fragile vintage treasure. Verve hardcover
1946rif. 510632Editions de la Revue Verve Draeger Frères 1946. Hardcover with Dust Jacket. FINE/NEAR FINE. Tall 4to 35.5cm. Illustrated throughout by Picasso on every page with 18 mounted heliogravures and text by Picasso and Jaime Sabartès. Sewn binding in Picasso-designed lithographic paper over boards. Verve double issue devoted to Picasso's lithographs etchings and paintings which he made specifically for his Grimaldi Chateau just purchased while in the Golfe-Juan on the French Riviera with another young lover Francoise Gilot muse for most of the work here. With lithographic cover and dust jacket both designed by Picasso expressly for this issue. The manilla DJ is fairly scarce and here has kept the book itself extremely clean and sharp. Now covered in our thick mylar jacket. “In September October and November he turned out a prodigious amount of work often using boat paint and plywood or fibro-cement because supplies were short and he thought they would better withstand the château’s damp. The centerpiece was the enchanting “Joie de vivre” or “Antipolis” with a dancing Gilot in the center surrounded by frolicking satyrs and fauns… Picasso was recalling an antique past and Antipolis the ancient Greek name of Antibes” New York Times. Editions de la Revue Verve (Draeger Frères) hardcover
1948rif. 320147Paris: Verve 1948. First edition. 18 tipped-in full-colour plates and 21 black and white plates. Printed by Draeger frères. 47 1pp. Folio 35 x 27 cm. Printed pictorial wrappers. Fine. First edition. 18 tipped-in full-colour plates and 21 black and white plates. Printed by Draeger frères. 47 1pp. Folio 35 x 27 cm. VERVE p.182 ". one of the unique qualities of "Verve" Nos. 19/20: a unity of time and place that gives this form of presentation -- known in English as a `work in progress' its singular character. Verve unknown books
1948rif. 121527Paris : Editions de la Revue Verve 1948. reliure d'éditeur. PICASSO. - SABARTES.VERVE Revue Artistique et Littéraire. Directeur : Tériade. Vol. V Nos 19 et 20. Couleur de Picasso peintures et dessins de Picasso. Textes de Picasso et de Sabartès. Paris Editions de la Revue Verve1948 365x265mm non paginé planches en couleurs et n/b richement illustré reliure d'éditeur. Couverture rempliée. Le présent numéro de Verve consacré entièrement à Pablo Picasso a été achevé d’imprimer le 15 Avril 1948 sur le presses de Draeger Frères. Très bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions de la Revue Verve unknown
1938rif. 1203161938. First Edition. TRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Mir Chagall Matisse Derain Kandinsky and Klee along with numerous hliogravure photographs including Bill Brandt and Brassa first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Triade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the dayÑ Matisse Picasso Braque Lger Mir ChagallÑ many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Mir and Lger photographs by Man Ray and Brassa articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Czanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassa and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Mir Rattner and Klee together with articles by such leading French writers as Valry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassa and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
1939rif. 1305-BParis, Tériade 1939. 1 volume petit in-folio (35,5 x 26,5 cm), 140 pages, broché. L'illustration comprend : 10 LITHOGRAPHIES EN COULEURS d'après Georges BRAQUE, Georges ROUAULT, Andre DERAIN, Fernand LÉGER, Pierre BONNARD (2), Henri MATISSE (2), Paul KLEE et couverture composée par Aristide MAILLOL, de nombreuses illustrations et photographies en noir en héliogravure et en couleurs. Textes de Valéry, Gide, Giraudoux, Jarry, Alain, Rouault, Suarès, Vollard, Paulhan, Supervielle, Sartre, Michaux et des extraits du Livre de mon bord, de Reverdy. Superbe numéro, richement illustré de lithographie et d'héliogravures.
1950rif. 1298Éditions de la Revue Verve, Paris 1950. 1 volume in-4 (35,5 x 26,5 cm) broché, 76 pages, couverture/jaquette en couleur rempliée. L'illustration comprend : - Couverture originale en deux couleurs composée spécialement par Chagall. - 26 interprétations des Contes de Boccace, au lavis et à pleine page par Marc Chagall. - L'illustration comporte en outre les reproductions des peintures du manuscrit des Ducs de Bourgogne. Celles-ci en couleurs avec rehauts dorés et contrecollées (Bibliothèque de l’Arsenal). Textes de Jacques Prévert, Frantz Calot. Édition originale en français. Très bel exemplaire.
1938rif. 1300-2Éditions de la Revue Verve, Tériade, Paris 1938. 1 volume petit in-folio (27 x 36 cm), 132 pages, broché cahiers cousus, couverture illustrée d'après G. Rouault. Revue artistique et littéraire. Directeur: E. Tériade. LITHOGRAPHIE EN COULEURS À DOUBLE-PAGE d'après HENRI MATISSE : LA DANSE, montée sur onglet, 2 gravures sur linoléum de Matisse, 7 lithographies d'après Derain (imprimées sur 2 planches) et 1 lithographie d'après Rouault (couverture). Textes de Valéry, Lorca, Reverdy, Suarès, Rouault, Sartre, Supervielle, Michaux, Vollard, etc. Édition originale française.
rif. 31701Paris, Tériade, 1940. Un volume, in-4, broché, 75-[5] pp. Magnifique couverture cartonnée, rempliée, illustrée par une lithographie, tirée par Mourlot, spécialement réalisée pour cette publication, par Henri Matisse, signée et datée 31/8/39, intitulée : Symphonie Chromatique. Cette oeuvre fut terminée par l'artiste en août 1939, à la veille de la déclaration de guerre.
1939rif. 1305Paris, Tériade 1939. 1 volume petit in-folio (35,5 x 26,5 cm), 140 pages, broché. 10 LITHOGRAPHIES EN COULEURS d'après Georges BRAQUE, Georges ROUAULT, Andre Derain, Fernand LÉGER, Pierre BONNARD (2), Henri MATISSE (2), Paul KLEE et couverture composée par Aristide MAILLOL. Nombreuses illustrations en noir et en couleurs. Textes de Valéry, Gide, Giraudoux, Jarry, Alain, Rouault, Suarès, Vollard, Paulhan, Supervielle, Sartre, Michaux et des extraits du Livre de mon bord, de Reverdy. Superbe numéro, richement illustré de lithographie et d'héliogravures.
1937rif. 1301Éditions de la Revue Verve, Tériade, Paris 1937. 1 volume petit in-folio broché, couverture illustrée d'après Henri Matisse. 4 LITHOGRAPHIES EN COULEURS : Léger, Miro, Rattner, Borès. Nombreuses reproductions couleurs, Nombreuses photographies tirées en héliogravure (Blumenfeld, Bresson, Man Ray, Brassaï… et Louis Guichard). Textes de Gide, Bataille, Heine, Caillois, Dos Passos, Malraux, Michaux, Vollard. ÉDITION FRANÇAISE. Très bon exemplaire.
1948rif. 1306Éditions de la revue Verve, Paris 1948. Volume in-4 (355 x 260 mm), 76 pages, relié sous cartonnage éditeur, jaquette illustrée. - LA COUVERTURE, SPÉCIALEMENT CRÉÉE EN PAPIERS DÉCOUPÉS PAR HENRI MATISSE POUR CE NUMÉRO, EST REPRODUITE EN LITHOGRAPHIE. - 65 reproductions de peintures et dessins illustrent le volume. La couverture a été réalisée d'après une maquette en gouache découpée spécialement créée par Matisse en 1948. Cette composition est limité à deux couleurs jaune et noir, car pour l'artiste "le noir est une couleur"... L'artiste a également composé 40 ornements pour le texte. Avec un avant-propos de Matisse.
rif. 616565Editions Du Bateau Ivre Paris 1948 In-12 ( 185 X 120 mm ) de 484 pages, broché sous couverture imprimée. EDITION ORIGINALE sur papier d'édition après dix exemplaires numérotés sur vergé Johannot annoncés. Bel exemplaire, la jaquette ( abimée ) est conservée. EXEMPLAIRE EXCEPTIONNEL enrichi d'un bel envoi autographe signé de Albert PARAZ daté du 3 juin 1949, avec 2 BEAUX DESSINS et de la signature de PICASSO à Nanette REYMOND ( Nanette SUFFREN-REYMOND Artiste peintre et affichiste de Monaco, elle sera membre du Comité National Monégasque de lAIAP et Conservateur du Musée des Beaux-Arts ).
1946rif. 1304Éditions de la Revue Verve, Tériade, Paris 1948. In-4 sous cartonnage recouvert d'une chemise illustrée rempliée. Couverture et page de titre en couleur spécialement composés par Picasso pour cet important numéro : 19 PLANCHES EN COULEURS contrecollées et nombreuses héliogravures en noir imprimées par Draeger Frères. Superbe exemplaire, à l'état de neuf. Provenance de l’exemplaire : Alice Tériade épouse de l’éditeur.
rif. 121527Paris, Editions de la Revue Verve 1948, 365x265mm, reliure d'éditeur. Couverture rempliée. Le présent numéro de Verve consacré entièrement à Pablo Picasso a été achevé d’imprimer le 15 Avril 1948 sur le presses de Draeger Frères. Très bel exemplaire.