Carracci Annibale -Biblio.com
442 results
ref. 0-06586Roma 1740 incisione originale di cm. 20 x 30 n° 30 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06607Roma 1740 incisione originale di cm. 20 x 30 n° 32 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06603Roma 1740 incisione originale di cm. 20 x 30 n° 03 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06581Roma 1740 incisione originale di cm. 20 x 30 n° 27 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06582Roma 1740 incisione originale di cm. 20 x 30 n° 24 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06601Roma 1740 incisione originale di cm. 20 x 30 n° 41 inc. da S. Guillain e A. Algardi. unknown
1962ref. 40365Paris 1962. OU RECUEIL DE POSTURES ÉROTIQUES D'après les Gravures à l'eau-forte par cet Artiste célèbre Avec le Texte explicatif des Sujets Textband und Tafelband Maroquineinband.Vorsatz und hinteres Deckblatt mit Gold marmoriert. Kopfgoldschnitt. Schuber. Cercle du Livre Précieux 4°. Ldr. Literatur unknown
ref. 51-559417th Century. Engraving mounted on a support sheet 13.3 x 15.8cm. This print described in "Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné " by Diane De Grazia Bohlin. Washington DC: National Gallery of Art 1979. Catalogue no. 20 Copy no. 3 copy in reverse p. 466. 17th Century unknown
1665ref. 15439c1665-1690. Extremely rare. 17 x 13.5 cm. Fine impression beautiful original engraving with large margins and fine detailed lines. Contemporary ink notes on verso no affect at all. Loose without matting. Body of Christ lying on the ground his head resting on the Vrigin supported by another Mary; with St. John holding ChristÕs left hand and displaying its wound to St. Mary Magdalene. Stunning and very rare. Suitable for framing. Lairesse 1641-1711 born in Liege second son of painter Renier. Known for a facial deformity some will state syphilis RembrandtÕs portrait of Gerard at age 25 is a famous one. He was influenced by Rembrandt and later French neo-classical. In 1690 he lost his sight and concentrated on art theory. A draughtsman theatrical designer writer and theoretician he is best known as the celebrated Dutch painter in the years to follow RembrandtÕs death.Lairesse shows more detail and finer lines than Carracci in this beautiful scene which is in reverse of CarracciÕs original. We attribute this work to Lairesse by the original auction purchase of this print over 20 years ago. Though we find no other copies of this print in any institutions reference citations or for sale at time of description. It appears to be extremely rare. unknown
1920ref. 1408304Paris: Nouvelle Cythere c. 1920. Softcover. Quarto 10 80 pages. In Very Good minus condition. Bound in white covers. Chipping and tearing along edges of covers. Foxing and soiling to covers. Light soiling scattered throughout interior. Plate Nos. III and IV pages 9-12 and pages 73-76 loose but present. Shelved in Case 11. Facsimile of the edition published in 1798. 1408304. Shelved Dupont Bookstore. Nouvelle Cythere unknown
1870ref. j3185London: Fuller S B. G : in Good condition without dust jacket. Cover rubbed with loss to base of spine. Occasional foxing. Edge-soiling and curl to a few of the plates. 1870. First Edition thus. Green hardback half-leather cover with marbled boards. 280mm x 220mm 11" x 9". 105pp. 104 Fashion plates of which 98 are hand-coloured and 5 are fold-out. Heavy item - shipping supplement may apply for overseas. . Fuller, S B hardcover
ref. #[60540]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised. Lettered on the bottom right: 'A.b.C.I.' Documented copy number 12 Berlin. In this copy figures have no halo and the background has no hatchings l Etching on paper; trimmed within platemark; total: 142 x 163 mm; yellowed paper small stain on the shoulder of the Madonna; The Illustrated Bartsch 1980 p. 395 9-12 unknown
1798ref. FGN13-B-12Paris: A La Nouvelle Cythere 1798. Leather. Very Good Indeed. 12.5" by 9.5". None. A French description of the series of erotic engraved plates. Containing the descriptions only and bound in full calf. A French description of the series of erotic engraved plates depicting pairs of lovers in different positions of intercourse. Missing the twenty engraved plates by Carrachi and containing the text only. The plates depict couples and scenes from mythology including Jupiter and Juno Anthony and Cleopatra and Ovid sand Corinne. I Modi The Ways also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted in engravings. While the original edition was apparently completely destroyed by the Catholic Church fragments of a later edition survived. The second edition was accompanied by sonnets written by Pietro Aretino which described the sexual acts depicted. The original illustrations were probably copied by Agostino Caracci whose version survives. In a calf binding with gilt dentelles. Externally smart though with some rubbing and marks. Internally firmly bound. Pages are bright and clean with just the odd patch of foxing. Very Good Indeed A La Nouvelle Cythere hardcover
ref. 60539Anonymous copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised.Lettered on the bottom: 'Annibal. Caracius. inuentor.' Documented copy number 4 Windsor. Etching on paper; trimmed to platemark; total: 135 x 162 mm; top corners restored on the verso The Illustrated Bartsch 1980 p. 395 9-4. unknown
1971ref. stela1317London: Phaidon 1971. 1971. 2 volumes. 4to. pp. xiv 183; 351. 346 b/w & 10 colour plates. 121 text illus. biblio. index. cloth. dw. bit worn at corners & head of spine three short tears. Catalogue Raisonné. Freitag 1423. Hardcover. Very Good/Dust Jacket Included. [London]: Phaidon, [1971]. Hardcover
1589ref. 20541589. Good. Engraving on handmade laid paper 7 7/16 x 9 7/8 inches 190 x 250 mm the full sheet with slightly trimmed margins just inside the platemark -5 mm. In very good condition with some very minor mottled light staining on the verso perhaps adhesive residue from a former mount. Condition consistent with age. A 4th state impression of 5 before the addition of the text in the upper right image. unknown
ref. #[60538]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing. Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'. The halos are left blanco no hatchings. l Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I unknown
1955ref. 2607040020Milan: Amilcare Pizzi Biblioteca Ambrosiana 1955. Hardcover. Very Good. Facsimile of Milan's Codex Resta featuring work by Da Vinci Tintoretto Bellini Large folio 20 3/4 x 14 3/4 inches. Limited edition of 2030. Bound in publisher's leather backed pictorial boards reproducing the original gilt-decorated covers. In publisher's olive cloth slipcase. Slip case is worn. Internally very good. 100 mounted facsimile leaves showing 248 images. Reproduced from Father Sebastiano Resta's album of Old Master drawings from the 17th century. Artists include Leonardo da Vinci Gioto di Bondone Piero della Francesca Gian Lorenzo Bernini Annibale Carracci Tintoretto Giovanni Bellini Andrea Mantegna Antonio da Correggio Nicolas Poussin etc. With parallel introductory text in Italian French English and German. Milan: Amilcare Pizzi (Biblioteca Ambrosiana) hardcover
ref. 60538Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing.Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'.The halos are left blanco no hatchings. Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I. unknown
1883ref. FGN11-B-12London : S. B. Fuller 1883. Leather. Very Good. 11" by 8". None. A beautiful collection of engraved plates depicting French fashions of the late Nineteenth Century. Containing 63 plates of which 49 are hand-coloured 11 are black and white and 3 are black white and sepia. Plates date from 1863 to 1883 and most are from the Journal des Demoiselles with the eight remaining plates being from La Poupee Modele. Many plates are double-page or fold-out. Two of the coloured plates appear twice in the book and one double-page black and white plate appears three times. This is a valuable resource for those interested in Eighteenth Century costume. In a quarter calf binding with marbled boards. Externally a trifle worn. The top portion of the backstrip is lifting. Internally three plates detached but present with many further plates starting. Generally bright with occasional spotting and handling marks. Very Good S. B. Fuller hardcover
ref. 60537The Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised.The preparatory drawing is at the Louvre ex coll. Mariette Inv. 7142.First engraving realized by Annibale Carracci after 1600 showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities the composition is carefully studied and masterfully engraved with regular hatchings and signs.This composition became immediately highly popular as its numerous copies testify seventeen are documented.From the second state the name of the publisher was added Nicolaes van Aelst publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented however the exemplar at the Museum in Bologna Inv. 4730 is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.' Etching and engraving on laid paper with a vague circular watermark small margins; platemark: 123 x 161 mm total: 125 x 163 mm; state III/3 or III/4; warn out plate on the corners; on the verso cifres in characoal top right and left corner restored lower left margin also; selected literature: Bartsch 1818 XVIII vol. p.186 n. 9; Le Blanc 1854 p. 606 n. 6; Nagler 1858 p. 458 n. 1053; The Illustrated Bartsch 1980 p. 395 9-I 186 and 1996 39 2 Comm. p. 256n. 3906.020. unknown
1740ref. 12992S.l. Venetia 1740. 311x234mm. 12¼x9¼". Italia 1585. Grabado. 311 x 234mm. Inscripción en el margen inferior derecho "Gustino Caraci fe.1585 / Pauli Calliari inven. / Antonius Carensanus fo". Muy buena impresión del tercer estado con la adición de los nombres de Agostino Carracci y otros en la plancha. Paolo Veronese fue el mejor exponente del manierismo veneciano del siglo XVI. unknown
1979ref. C91557National Gallery of Art. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1979. National Gallery of Art paperback
1996ref. 68393Museum; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. With 168 ills. 30 col. . 28 x 22 cm. -- with a bonus offer--; 0.8 x 10.9 x 8.4 Inches . 1996. 1854440926 . Museum; Et Al paperback
2010ref. 88245Museum; Yale University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English.100 pages; 61 illus. -- with a bonus offer--; Born in Bologna Annibale Carracci 15641609 was one of the most revolutionary artists of the late Renaissance. Even before turning twenty he rebelled against convention by investing his art with a sense of naturalism uncommon to paintings of the period. His early painting The Butcher’s Shop a cherished work in the Kimbell Art Museum’s collection marks the beginning of Carracci’s artistic journey and remains one of his most powerfully naturalistic works. This fascinating study explores the origins and significance of The Butcher’s Shop placing it within the artist’s own career as well as the broader context of Italian painting. Detailing the uniqueness and vitality of Carracci’s style C. D. Dickerson emphasizes the remarkable plein-air quality of the painting and explains how Carracci may have achieved this utterly novel effect though in fact executing the work indoors in his studio. He also sets Carracci’s work in the tradition of butcher’s shop paintings in Renaissance Italy analyzes the painting in relation to the reality of the occupation at the time and investigates where in Bologna such a butcher’s shop might have stood. . 2010. 0300166400 . Museum; Yale University Press paperback
