{Carracci] Donald PosnerBiblio.com
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1971ref. 1987554Phaidon Press 1971. First Edition. hardcover. Used-Very Good. Cloth dj. Two-volume set. 4to. Vol. 1: Text xiv 183 pp. Light general edge wear to dj and boards a bit heavier at spine ends. Vol. 2: Catalogue and Plates 351 pp. 346 b&w plates 10 color plates 121 figs. Moderate edge wear to dj with some chipping at spine ends and bottom corners; minor edge wear to boards. Expected age-toning to text blocks but text and images remain clean and bright. Phaidon Press unknown
1663ref. 4850Rome: Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi 1663. FIRST EDITION. Hardcover. Fine. Bound in modern quarter red morocco over marbled boards. A very good copy of the complete set of etchings. Some mostly mild soiling and staining a little heavier on two of the final plates and one small defect in plate 4 repaired. A complete set of etchings after the parietal frescoes in Palazzo Fava Bologna painted by the Carracci ca. 1593 depicting the story of Aeneas. The set comprises a title page 12 etched plates numbered from I to XII with the scenes of the cycle; and 4 additional sheets with 2 etchings per sheet reproducing the trompe l'oeil grisaille "statues" that divide the scenes. The title leaf includes the dedication to Lepoldo de Médici 1617-1675 with the Medici arms. The frescoes illustrating scenes from Books II and III of the "Aeneid" were etched by Giuseppe Maria Mitelli after drawings made by Flaminio Torri whose untimely death had prevented him from executing the plates himself. At the foot of the plates Mitelli attributes the individual scenes to one or another of the Carracci Annibale Agostino or Ludovico but these individual attributions do not always correspond to the conclusions of the most recent criticism. According to the Carracci biographer Carlo Cesare Malvasia "Felsina pittrice 1678 the frescoes were executed under the direction of Ludovico with at least two scenes Polyphemus and the Harpies being drawn by Ludovico and painted by Annibale. The Carracci - Annibale 1560-1609 his brother Agostino 1557-1602 and their cousin Ludovico 1555-1619- are among the most famous Bolognese painters of the last two decades of the sixteenth and the first part of the seventeenth centuries. Their artistic production took on a new importance in the history of Italian and European art of that time exerting a huge influence on subsequent generations. They gave life to an art based on a renewed awareness of nature and on the careful study of reality contributing to the development of the Baroque style which was opposed to the artificiality of late Mannerism. Towards the end of the sixteenth century the Carracci founded what has been called the first private school of painting of the modern age: the Accademia degli Incamminati. Annibale certainly the most talented of the three would be called to Rome to work for the powerful Farnese family while Ludovico and Agostino remained rooted in Bologna. But it is in Palazzo Fava that their "avvenetura" begins. Here the Carracci executed their first commission and the first important fresco cycle of their career. In 1584 thanks also to the intercession of Antonio Carracci father of Annibale and Agostino and tailor of the Fava family Count Filippo Fava entrusted the decoration of the entire "piano nobile" of the building to young artists who immediately gave proved their talent by creating an absolute jewel of Bolognese and Italian art. Thanks to the Fava family a family of patrons who played a fundamental role in the history and artistic development of Bologna Palazzo Fava became a place of study for the young artists of the time who were able to take advantage of mobile scaffolding to closely observe the adventures represented in the friezes of the cycle: those of Jason and Medea and in those of Aeneas the latter of which is reproduced here. https://genusbononiaeblog.it/i-carracci-palazzo-fava/ The engraver Giuseppe Maria Mitelli was renowned for the familiar playful carnivalesque and visionary themes of his etchings exemplified by allegorical figures genre scenes and images of everyday life in the streets of his native Bologna. He produced a large and varied body of work from genre scenes and fantastic imagery to reproductions of the works of the great Italian painters such as this suite. Mitelli was among the founders of Bologna's Accademia Clementina and was one of its first directors. For a full biography see "Agostino e Giuseppe Maria Mitelli" in Arte antica e moderna 3 1958 pp. 295-301. Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi hardcover
1986ref. 66995Institute; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 360 pp. With 487 ills. 23 x 22 cm. -- with a bonus offer-- . 1986. Institute; Et Al paperback
2000ref. 69337Gallery. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 304 pp. With 243 ills. 113 col. . 28 x 25 cm. In English. C/to: isbn 085331764X -- with a bonus offer--; 1.4 x 11.1 x 9.7 Inches . 2000. 085331764X . Gallery hardcover
1995ref. 68511Art Center. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 142 pp. With 86 ills. 74 col. . 30 x 25 cm. Description: "Showcasing drawings by Italian artists of the 16th and 17th centuries selected from a notable private collection this catalogue features fine reproductions and scholarly discussions of 55 sheets many previously unpublished by Sodoma Parmigianino Vasari the Carracci Barocci Tintoretto Reni Domenichino Strozzi Guercino and 39 other artists." -- with a bonus offer--; 0.75 x 12 x 10 Inches . 1995. 0964426315 . Art Center paperback
1955ref. 2607040020Milan: Amilcare Pizzi Biblioteca Ambrosiana 1955. Hardcover. Very Good. Facsimile of Milan's Codex Resta featuring work by Da Vinci Tintoretto Bellini Large folio 20 3/4 x 14 3/4 inches. Limited edition of 2030. Bound in publisher's leather backed pictorial boards reproducing the original gilt-decorated covers. In publisher's olive cloth slipcase. Slip case is worn. Internally very good. 100 mounted facsimile leaves showing 248 images. Reproduced from Father Sebastiano Resta's album of Old Master drawings from the 17th century. Artists include Leonardo da Vinci Gioto di Bondone Piero della Francesca Gian Lorenzo Bernini Annibale Carracci Tintoretto Giovanni Bellini Andrea Mantegna Antonio da Correggio Nicolas Poussin etc. With parallel introductory text in Italian French English and German. Milan: Amilcare Pizzi (Biblioteca Ambrosiana) hardcover
1971ref. C93667Phaidon. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in English. Volume 1: 183 pages; Volume 2: 351 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; Two volumes in one. A study in the reform of Italian Painting around 1590. With 467 illustrations and 10 colour plates. This book the first systematic study of Annibale Carracci's life and work surveys the whole of the artist's activity and analyses the origin development and significance of his achievements viewing them against the background of the art and thought of the period. All known paintings and prints by the master are illustrated as well as many of the drawings made in connection with them in 346 black and white plates and ten colour plates and all are exhaustively discussed in a catalogue raisonne. In addition 121 text figures illustrate special aspects and the background of Annibale's art. There are also a bibliography and full indexes. . 1971. 0714814717 . Phaidon hardcover
1971ref. 93667Phaidon. New. 1971. Hardcover. 0714814717 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in English. Volume 1: 183 pages; Volume 2: 351 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Phaidon hardcover
ref. 60538Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing.Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'.The halos are left blanco no hatchings. Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I. unknown
ref. 71-2467London: Jones & Co. circa 1836. Steel engraving. 10 1/2 x 8 in. sheet. Very Good some toning and foxing in sheet margins. London: Jones & Co., [circa 1836]. unknown
ref. #[60538]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing. Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'. The halos are left blanco no hatchings. l Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I unknown
ref. 59783River landscape with figures. A road descending towards the center of the composition. The river flows from right to left to open sea where some sailing boats are. Mountains in the background. High trees on the left and on the right. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '27.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 279 x 402 mm total: 286 x 410 mm; in good conditions unknown
ref. 59787Landscape high trees on the left a village on the left background trees and some figures in the middle a pond in the center foreground. A man on a horse seen from behind riding towards the right background. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'Lud. Carache delin:' numbered '16.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 284 x 406 mm total: 297 x 422 mm; in good conditions. Attached to a steel engraving by Jean-Baptiste-Marie Bury 1808-ca.1881 after Jean Arnould Leveil 1806-1866 with Roman ruines. unknown
ref. #[59782]River landscape with figures on the left. In the center a bridge on the river mountains towards the right a city on the left. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '34.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' l Etching on fine laid paper with margins; platemark: 283 x 401 mm total: 290 x 419 mm; in very good conditions unknown
ref. 333302Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1607. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 333305Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1607. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 333304Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1607. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 333303Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1607. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 332945Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 332943Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 332944Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 332942Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2004ref. 638175 Continents Editions. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 84 pp. With 51 col. Ills. 21 x 21 cm. -- with a bonus offer--; Drawing Gallery series; 0.39 x 8.27 x 8.19 Inches . 2004. 8874391293 . 5 Continents Editions paperback
ref. 124296Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 124297Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
